The Closer with Keith Olbermann - One of the most provocative voices in American politics is back! As GQ's Special Correspondent, Keith Olbermann turns his eye to the aftermath of the 2016 presidential election in “The Closer,” a series of political commentary and special interviews that's unlike anything else on the internet or on television.
This series is awesome! It’s almost as if Will McAvoy from the HBO series The News Room has come to life with even more vim and vigor! I see it as a far more serious version of The Daily Show with facts and reasoning that keep it relatively close to news while still working in the realm of punditry. I want to call it entertainment or even satire, but sadly the underlying facts are all too true.
In particular, it’s hilarious to see him subtly referencing Trump as “Donald John Trump”, a verbal trope that’s often used in the news to directly identify serial and other murderers, social deviants, and psychopathic sociopaths: John Wayne Gacy, Jared Lee Loughner, Lee Harvey Oswald, James Earl Ray, John Wilkes Booth, Paul John Knowles, Mark David Chapman, and Gary Leon Ridgway.
I also find it fascinating that there’s now finally someone who can rail against the right as well as any of the loud pundits on the right who’ve been lambasting the left for the past 20 years.
Strange Magic by Electric Light Orchestra from United Artists, September 1975 on album Face The Music
Released on their 1975 Face the Music album. Released as a single in 1976, the single was edited in the US, whereas in the UK the song appeared as the album cut minus the orchestral intro. The US single edit can be found on the remastered Face the Music released in September 2006. The song was also included on the band's 1978 The ELO EP. A remastered version was included on the box set Flashback in 2000. The 'weeping' guitar lick was provided by keyboardist Richard Tandy while Jeff Lynne played a 12-string acoustic guitar fed through a phase shifter.
I just saw Emily Riehl‘s new book Category Theory in Context on the shelves for the first time. It’s a lovely little volume beautifully made and wonderfully typeset. While she does host a free downloadable copy on her website, the book and the typesetting is just so pretty, I don’t know how one wouldn’t purchase the physical version.
I’ll also point out that this is one of the very first in Dover’s new series Aurora: Dover Modern Math Originals. Dover has one of the greatest reprint collections of math texts out there, I wish them the best in publishing new works with the same quality and great prices as they always have! We need more publishers like this.
After more than five years of operation, the Readability article bookmarking/read-it-later service will be shutting down after September 30…
I really wish I’d heard about this before September! And certainly before today… I know I used it fairly frequently in the early days of the service. I do remember that they did have a some nice functionality for sending articles to the Amazon Kindle too. Not sure how much data I may have lost in this particular shutdown, but I do wish I’d had a chance to back it up.
I am glad that bookmarks are one of the post types that I’m now saving by posting on my own site first though. For more of my thoughts on these post types, take a look at:
📖 57.0% done with Son of Fletch by Gregory Mcdonald
We’re starting to go somewhere, but I can sadly already almost predict the ending. In particular, there was a ham-handed mention of a car that gave the whole thing away for me.
Of all of the Fletch books, so far this one seems to be the biggest influencer for the creation of portions of the movie Fletch Lives, which was otherwise made out of whole cloth based on the character.
“I suspect it’s not every man’s dream to discover his son is a cop-killing, escaped convict, racist, hate-group organizer.”
Highlight (yellow) Location 2276-2277
This revealing quote could have been its own stand-alone teaser text.
Rich Girl by Hall & Oates from RCA, January 22, 1977
"Rich Girl" is a song by Daryl Hall and John Oates. It debuted on the Billboard Top 40 on Feb. 5, 1977 at number 38 and on March 26, 1977, it became their first (of six) number-one singles on the "Billboard" Hot 100. The single originally appeared on the 1976 album Bigger Than Both of Us.
HIGHLAND PARK — Recess Eatery, the large and ambitious restaurant that opened in January after lengthy delays, has undergone an abrupt transformation. Recess and its Mediterranean-inspired menu have been replaced by 51 Tavern, “a cross between a neighborhood tavern and a small town restaurant,” according to the restaurant website. One diner who tried the 51 ...
A look at some of the best apps, hacks and mashups available for music streaming and scrobbling service Last.fm.
Curious about alternatives Last.fm’s broken RSS feeds and what people are doing with their listening data. Some relatively interesting ideas in here, but nothing earth shattering. One or two were focused on visualization, but otherwise nothing I felt I could use.