Dave Brubeck – Time Series

Dave Brubeck – Time Series, a playlist by Chris Aldrich on Spotify from Spotify
A playlist featuring The Dave Brubeck Quartet and their complete "Time" series

Including Time Out, Time Further Out, Time Changes, Countdown: Time in Outer Space, and Time In, this series of albums commonly known as the Time Series from Dave Brubeck and the Dave Brubeck Quartet is a masterclass in how important time is in music as well as how it can evolve.

Here you’ll find Brubeck experimenting with time signatures including recordings of “Take Five” in 5/4 time, “Pick Up Sticks” in 6/4, “Unsquare Dance” in 7/4, “World’s Fair” in 13/4, and “Blue Rondo à la Turk” in 9/8.

This is a great way to spend the day/night when you have some active listening time.

Album Art from Time Out by the Dave Brubeck Quartet featuring abstract art

 

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WordCamp Orange County 2016

Some thoughts and commentary on the camp this past weekend

As a pseudo-birthday present this weekend I attended both days of WordCamp Orange County 2016 at UC Irvine Applied Innovation.

The camp sold out in just hours a month and change ago, in part because it was limited to about 200 people given the fantastic space provided by UC Irvine’s Advanced Innovation. There aren’t many spaces one could go with such spectacular amenities and support in addition to a huge plethora of screens, recording equipment, and audio/visual supplements. Thanks for hosting us Applied Innovation!

Sadly the limited space meant that some people missed out, and the most unrepresented group was likely new users who may not have heard about it in time to get tickets. However, this didn’t mean that anyone else was underrepresented: there were attendees of every ability, age (10 months to over 90), race, sex and creed. I was honestly astounded by the diversity of people in attendance.

One of the multiple food truck options over the weekend
One of the multiple food truck options over the weekend

One of the best programming decisions was having food trucks show up to cater lunch, which kept everyone close and socially engaged rather than dispersing everyone to the wind by means of forcing outside food options.

Sadly, even knowing that Sundays are always slower than Saturdays, there were 2-3 empty rooms with no sessions at all on Sunday afternoon. I wish there had been some type of offering to  assist in putting together impromptu sessions or BoF sessions in these empty rooms. Alternately doing a beginner build track on Sunday and releasing “Sunday only” tickets might have been interesting and also better utilized the space.

Below are some thoughts on the individual sessions I attended. Most should be on WordPress.TV shortly and nearly everyone was posting slides.

Plugin-A-Palooza
Plugin-A-Palooza

Saturday

Development Workshop: Intro to Core Concepts by Erick Hitter

This was a great quick introduction to most of the basics of WP Core and at just about the right time as I’ve been wanting to delve more directly into portions for a few projects. I’d definitely recommend the slide deck once it’s posted. This was one of my favorite sessions of the weekend.

Content Development by Greg Taylor

This was one of the more entertaining sessions and had more conversation back and forth than any camp session I’ve ever attended. Sadly it stayed to the basics and in a room which seemed to have some more advanced participants, I wish it had gone further.

What is oEmbed and why you should use it by Jason Tucker

This was mostly what I expected, but included some additional tips that I didn’t know existed. In particular, knowing that I can provide formatting for others when they oEmbed my site is something I’ll have to look into.

Getting Started With SVGs For WordPress Theme Building by Jacob Arriola

I’ve played a bit with SVG’s but hadn’t delved into them very significantly. This was a good overview/crash course on some of the particulars.

Curating a Pattern Library by Brianna Privett

This was a nice start to some intro information on talking about design patterns, but I would have preferred something at the intermediate or advanced level. In particular, it made me consider some quirky potential new visual grammars for mobile use (particularly in advertising). It also inspired me to think about creating a disorenting experience built on the visual/time grammar of the movie Inception.

Development Discussion: Improving WordPress Search by Aaron Holbrook

Aaron was a fun and very dynamic speaker who obviously truly loves his topic. This was by far the best session I attended over the weekend. I want to try to get Elastic Search and ElasticPress set up on my site soon as it looks like what modern search should be on a website.

Sunday

Using WordPress as an App Framework by Nathan Tyler

I’m somewhat shocked I’d never thought of doing this myself before, but just knowing the concept exists is more than half the battle. The sad part is that it sounds like for half the stuff you get for free, one needs to rebuild or re-engineer something else to get it working.

Contributing to Open Source by Andy Fragen

Andy is a practicing physician and a great WordPress “hobby-ist” who drove in from Palm Springs to give a great overview of the philosophy of Open Source and a broad range of tools used to help further that goal. One can’t help but be affected by his enthusiasm.

Plugin-A-Palooza

For a session meant to be primarily entertainment, I was actually surprised to learn about coding/development by hearing a panel of others critique four plugins. Condensed down, this could have been a session on the intangible things one would want to think about before building a plugin.

A Developer’s Guide to Support by Thomas Patrick Levy

Everyone can be put into a better mindset to help others. This was a great presentation for just that.

WCLA16 logo

WordCamp Los Angeles 2016

Because one just can’t get enough, I can’t wait to attend WordCamp LA on September 10th & 11th at Cal State University Los Angeles.

IndieWeb and WordPress

Since they’ve already made a Call for Speakers for the LA camp, I’ve already submitted the following talk application which focuses on the IndieWeb:

The IndieWeb is a people-focused alternative to the “corporate web” which has recently been covered in Wired, Fast Company, The Atlantic, The New Republic, Newsweek, and Slate. It encourages everyone to own their own data/content, be better connected to engage with everyone, and provide users with more control of their content and identity online. With the rise of social media silos everyone is seemingly incentivized to split up their online identity to participate in multiple various communities and a variety of platforms which are often bought out, shut down, or simply disappear, very often taking users’ data with them.

Why not allow your own WordPress site to truly be your primary hub online? Post your content on your own site/server so that you not only own it, but then, if you choose, syndicate it out to social media networks in a native and simpler fashion to take advantage of their network effects and engagement. Even better, new web specs like WebMention from the W3C (essentially a universal/internet-wide method of @mention) allow you to easily bring back comments, likes, and similar data back to your original post as native comments. You can now truly own all of the data and subsequent related data (comments) you place on most major social networks.

In this session we’ll briefly cover the basic history and philosophy of the IndieWeb movement before moving into more advanced topics like microformats, WebMention, IndieAuth, micropub, and a growing wealth of related tools which will be of interest to developers and designers alike. While primarily geared at individual users, these philosophies and techniques can be of huge value to writers/authors, bloggers, podcasters, and even businesses for drastically improving their reach and marketing efforts online while simultaneously saving them time and effort.

I spoke to a number of people over the weekend about some IndieWeb concepts and basics, but for those who can’t wait for more details, I’m happy to discuss more of the specifics at anyone’s leisure. If you’re really chomping at the bit, I’ll be at the WordPress Pasadena Meetup tonight and hopefully be setting up a Homebrew Website Club meeting in the LA area sometime in the next few weeks in anticipation of IndieWeb Camp Los Angeles in November.

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Introduction to Dynamical Systems and Chaos

Complexity Explorer is offering a free online course for Summer 2016

Introduction to Dynamical Systems and Chaos (Summer, 2016)

About the Course:

In this course you’ll gain an introduction to the modern study of dynamical systems, the interdisciplinary field of applied mathematics that studies systems that change over time.

Topics to be covered include: phase space, bifurcations, chaos, the butterfly effect, strange attractors, and pattern formation. The course will focus on some of the realizations from the study of dynamical systems that are of particular relevance to complex systems:

  1. Dynamical systems undergo bifurcations, where a small change in a system parameter such as the temperature or the harvest rate in a fishery leads to a large and qualitative change in the system’s
    behavior.
  2. Deterministic dynamical systems can behave randomly. This property, known as sensitive dependence or the butterfly effect, places strong limits on our ability to predict some phenomena.
  3. Disordered behavior can be stable. Non-periodic systems with the butterfly effect can have stable average properties. So the average or statistical properties of a system can be predictable, even if its details are not.
  4. Complex behavior can arise from simple rules. Simple dynamical systems do not necessarily lead to simple results. In particular, we will see that simple rules can produce patterns and structures of surprising complexity.

About the Instructor:

content_headshotDavid Feldman is Professor of Physics and Mathematics at College of the Atlantic. From 2004-2009 he was a faculty member in the Santa Fe Institute’s Complex Systems Summer School in Beijing, China. He served as the school’s co-director from 2006-2009. Dave is the author of Chaos and Fractals: An Elementary Introduction (Oxford University Press, 2012), a textbook on chaos and fractals for students with a background in high school algebra. Dave was a U.S. Fulbright Lecturer in Rwanda in 2011-12.

Course dates:

5 Jul 2016 9am PDT to
20 Sep 2016 3pm PDT

Prerequisites:

A familiarity with basic high school algebra. There will be optional lessons for those with stronger math backgrounds.

Syllabus

  • Introduction I: Iterated Functions
  • Introduction II: Differential Equations
  • Chaos and the Butterfly Effect
  • Bifurcations: Part I (Differential Equations)
  • Bifurcations: Part II (Logistic Map)
  • Universality
  • Phase Space
  • Strange Attractors
  • Pattern Formation
  • Summary and Conclusions

Source: Complexity Explorer

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The Wrangler

The Wrangler: Don Q Silver Rum, Fresh Peach, Lime, Honey Syrup, Mathilde Peach Liquer, Ginger Syrup

The Wrangler
The Wrangler: Don Q Silver Rum, Fresh Peach, Lime, Honey Syrup, Mathilde Peach Liquer, Ginger Syrup

Instagram filter used: Valencia

Photo taken at: Crossings

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Calculating the Middle Ages?

Calculating the Middle Ages? The Project "Complexities and Networks in the Medieval Mediterranean and Near East" (COMMED) [1606.03433] by Johannes Preiser-Kapeller (arxiv.org)
The project "Complexities and networks in the Medieval Mediterranean and Near East" (COMMED) at the Division for Byzantine Research of the Institute for Medieval Research (IMAFO) of the Austrian Academy of Sciences focuses on the adaptation and development of concepts and tools of network theory and complexity sciences for the analysis of societies, polities and regions in the medieval world in a comparative perspective. Key elements of its methodological and technological toolkit are applied, for instance, in the new project "Mapping medieval conflicts: a digital approach towards political dynamics in the pre-modern period" (MEDCON), which analyses political networks and conflict among power elites across medieval Europe with five case studies from the 12th to 15th century. For one of these case studies on 14th century Byzantium, the explanatory value of this approach is presented in greater detail. The presented results are integrated in a wider comparison of five late medieval polities across Afro-Eurasia (Byzantium, China, England, Hungary and Mamluk Egypt) against the background of the {\guillemotright}Late Medieval Crisis{\guillemotleft} and its political and environmental turmoil. Finally, further perspectives of COMMED are outlined.

Network and Complexity Theory Applied to History

This interesting paper (summary below) appears to apply network and complexity science to history and is sure to be of interest to those working at the intersection of some of these types of interdisciplinary studies. In particular, I’d be curious to see more coming out of this type of area to support theses written by scholars like Francis Fukuyama in the development of societal structures. Those interested in the emerging area of Big History are sure to enjoy this type of treatment. I’m also curious how researchers in economics (like Cesar Hidalgo) might make use of available(?) historical data in such related analyses. I’m curious if Dave Harris might consider such an analysis in his ancient Near East work?

Those interested in a synopsis of the paper might find some benefit from an overview from MIT Technology Review: How the New Science of Computational History Is Changing the Study of the Past.

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New York Times will you be my brother on Facebook?

Changes in the Facebook algorithm are about to hit major publishers pretty hard.

Should I be adding major media outlets to my Facebook feed as family members? Changes by Facebook, which are highlighted in this New York Times article, may mean this is coming: The Atlantic can be my twin brother, and Foreign Affairs could be my other sister.

“News content posted by publishers will show up less prominently, resulting in less traffic to companies that have come to rely on Facebook audiences.” — Facebook to Change News Feed to Focus on Friends and Family in New York Times 

After reading this article, I can only think that Facebook wrongly thinks that my family is so interesting (and believe me, I don’t think I’m any better, most of my posts–much like my face–are ones which only a mother could “like”/”love” and my feed will bear that out! BTW I love you mom.) The majority of posts I see there are rehashes of so-called “news” sites I really don’t care about or invitations to participate in games like Candy Crush Saga.

While I love keeping up with friends and family on Facebook, I’ve had to very heavily modify how I organize my Facebook feed to get what I want out of it because the algorithms don’t always do a very good job. Sadly, I’m probably in the top 0.0001% of people who take advantage of any of these features.

It really kills me that although publishers see quite a lot of traffic from social media silos (and particularly Facebook), they’re still losing some sight of the power of owning your own website and posting there directly. Apparently the past history littered with examples like Zynga and social reader tools hasn’t taught them the lesson to continue to iterate on their own platforms. One day the rug will be completely pulled out from underneath them and real trouble will result. They’ll wish they’d put all their work and effort into improving their own product rather than allowing Facebook, Twitter, et al. to siphon off a lot of their resources. If there’s one lesson that we’ve learned from media over the years, it’s that owning your own means of distribution is a major key to success. Sharecropping one’s content out to social platforms is probably not a good idea while under pressure to change for the future.


Psst… With all this in mind, if you’re a family member or close friend who wants to

  • have your own website;
  • own your own personal data (which you can automatically syndicate to most of the common social media sites); and
  • be in better control of your online identity,

I’ll offer to build you a simple one and host it at cost.

 

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The emotional arcs of stories are dominated by six basic shapes

The emotional arcs of stories are dominated by six basic shapes by Andrew J. Reagan, Lewis Mitchell, Dilan Kiley, Christopher M. Danforth, Peter Sheridan Dodds (arxiv.org)
Advances in computing power, natural language processing, and digitization of text now make it possible to study our a culture's evolution through its texts using a "big data" lens. Our ability to communicate relies in part upon a shared emotional experience, with stories often following distinct emotional trajectories, forming patterns that are meaningful to us. Here, by classifying the emotional arcs for a filtered subset of 1,737 stories from Project Gutenberg's fiction collection, we find a set of six core trajectories which form the building blocks of complex narratives. We strengthen our findings by separately applying optimization, linear decomposition, supervised learning, and unsupervised learning. For each of these six core emotional arcs, we examine the closest characteristic stories in publication today and find that particular emotional arcs enjoy greater success, as measured by downloads.
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🔖 Paper: Paging Through History by Mark Kurlansky

Paper: Paging Through History by Mark Kurlansky (Amazon.com)
Paper is one of the simplest and most essential pieces of human technology. For the past two millennia, the ability to produce it in ever more efficient ways has supported the proliferation of literacy, media, religion, education, commerce, and art; it has formed the foundation of civilizations, promoting revolutions and restoring stability. One has only to look at history’s greatest press run, which produced 6.5 billion copies of Máo zhuxí yulu, Quotations from Chairman Mao Tse-tung (Zedong)―which doesn’t include editions in 37 foreign languages and in braille―to appreciate the range and influence of a single publication, in paper. Or take the fact that one of history’s most revered artists, Leonardo da Vinci, left behind only 15 paintings but 4,000 works on paper. And though the colonies were at the time calling for a boycott of all British goods, the one exception they made speaks to the essentiality of the material; they penned the Declaration of Independence on British paper. Now, amid discussion of “going paperless”―and as speculation about the effects of a digitally dependent society grows rampant―we’ve come to a world-historic juncture. Thousands of years ago, Socrates and Plato warned that written language would be the end of “true knowledge,” replacing the need to exercise memory and think through complex questions. Similar arguments were made about the switch from handwritten to printed books, and today about the role of computer technology. By tracing paper’s evolution from antiquity to the present, with an emphasis on the contributions made in Asia and the Middle East, Mark Kurlansky challenges common assumptions about technology’s influence, affirming that paper is here to stay. Paper will be the commodity history that guides us forward in the twenty-first century and illuminates our times.

🔖 Marked as “want to read” Paper: Paging Through History by Mark Kurlansky (W. W. Norton & Company; 1st edition, May 10, 2016; ISBN: 9780393239614)

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