Listened to The internet we lost by Matthew Yglesias from The Weeds | Vox
Function's Anil Dash joins Matt to discuss how Big Tech broke the web and how we can get it back.

Some recent discussion relating to Anil Dash’s overarching thesis of the Web we Lost. He’s also got some discussion related to algorithms and Weapons of Math Destruction. He specifically highlights the idea of context collapse and needing to preface one’s work with the presumption that people coming to it will be completely lacking your prior background and history of the subject. He also talks about algorithmic amplification of fringe content which many people miss. We need a better name for what that is and how to discuss it. I liken it to the introduction of machine guns in early 1900’s warfare that allowed for the mass killing of soldiers and people at a scale previously unseen. People with the technology did better than those without it, but it still gave unfair advantage to some over others. I’ve used the tag social media machine guns before, but we certainly need to give it a concrete (and preferably negative) name.

Bookmarked on December 06, 2019 at 09:54PM

Listened to The Curator's Code by Brooke Gladstone from On the Media | WNYC Studios

One of the greatest assets of the internet is that it leads to great content discoveries that readers might not otherwise be able to find. One of the biggest liabilities is that content is frequently repackaged without crediting its creators or where it was found. Brooke talks to Maria Popova, editor of the website Brain Pickings and one of the creators of the Curator's Code, which seeks to honor the way people discover content online.

hat tip: Martijn van der Ven and Jeremy Cherfas

Originally bookmarked to listen to on November 23, 2019 at 10:38AM

Listened to There Goes the Neighborhood: Miami, Part 3 by Kai Wright and Nadege Green from The Stakes | WNYC Studios

Life and loss in Little Haiti, where residents find themselves in the path of a land rush.

Haitian migrants fled a violent dictatorship and built a new community in Miami’s Little Haiti, far from the coast and on land that luxury developers didn’t want. But with demand for up-market apartments surging, their neighborhood is suddenly attractive to builders. That’s in part because it sits on high ground, in a town concerned about sea level rise. But also, because Miami is simply running out of land to build upon. 

In the final episode of our series on “climate gentrification,” WLRN reporter Nadege Greene asks one man what it’s like to be in the path of a land rush. Before you listen, check out parts one and two.

In this episode, we hear from:

  • Louis Rosemont, artist in Little Haiti
  • Carl Juste, photojournalist for the Miami Herald
  • Ned Murray of Florida International University
  • Greg West, CEO of Zom Living development firm
  • Jane Gilbert, Chief Resilience Officer for the City of Miami

“NYC

Reported and produced by Kai Wright and Nadege Green. This is the final installment of a three-part series produced in partnership with WLRN in Miami. WNYC’s health coverage is supported in part by the Robert Wood Johnson Foundation. Working to build a Culture of Health that ensures everyone in America has a fair and just opportunity for health and well-being. More at RWJF.org.

Overall a great series, but their narrative was weakened a bit for me in this final episode with the discussion of the myriad of other economic factors that could potentially be at play. Exactly how much do climate change and gentrification play in the displacement of Little Haiti? What percentage?
Listened to There Goes the Neighborhood: Miami, Part 2 by Kai Wright, Nadege Green and Christopher Johnson from The Stakes | WNYC Studios

The fear of mass displacement isn't paranoia for black people in Liberty City. It's family history.

Valencia Gunder used to dismiss her grandfather’s warnings: “They’re gonna steal our communities because it don't flood.” She thought, Who would want this place? But Valencia’s grandfather knew something she didn’t: People in black Miami have seen this before. 

In the second episode of our series on “climate gentrification,” reporter Christopher Johnson tells the story of Overtown, a segregated black community that was moved, en masse, because the city wanted the space for something else. If you haven't heard part one, start there first.

In this episode, we also hear from:

- Agnes and Naomi Rolle, childhood residents of Overtown

Marvin Dunn, researcher at Florida International University

- James Mungin II, co-founder of The Roots Collective

Reported and produced by Kai WrightNadege Green and Christopher Johnson. This is part two of a three-part series produced in partnership with WLRN in Miami. WNYC’s health coverage is supported in part by the Robert Wood Johnson Foundation. Working to build a Culture of Health that ensures everyone in America has a fair and just opportunity for health and well-being. More at RWJF.org.

Listened to There Goes the Neighborhood: Miami, Part 1 by Kai Wright, Nadege Green, and Christopher Johnson from The Stakes | WNYC Studios

The sea level is rising -- and so is the rent. It's the first episode in our three part series on "climate gentrification."

In Miami’s Little Haiti neighborhood, residents are feeling a push from the familiar forces of gentrification: hasty evictions, new developments, rising commercial rents. But there’s something else happening here, too—a process that may intensify the affordability crisis in cities all over the country.

Little Haiti sits on high ground, in a city that’s facing increasing pressure from rising sea levels and monster storms. For years, researchers at Harvard University’s Design School have been trying to identify if and how the changing climate will reshape the real estate market globally. In Miami’s Little Haiti, they have found an ideal case study for what’s been dubbed “climate gentrification.”

We hear from:

Jesse Keenan, Harvard University Graduate School of Design

- Mimi Sanon-Jules, entrepreneur in Little Haiti

Reported and produced by Kai WrightNadege Green and Christopher Johnson. This is part one of a three-part series produced in partnership with WLRN in Miami. WNYC’s health coverage is supported in part by the Robert Wood Johnson Foundation. Working to build a Culture of Health that ensures everyone in America has a fair and just opportunity for health and well-being. More at RWJF.org.

Listened to Moxie Bread, Louisville, CO by Jeremy Cherfas from Eat This Podcast

Turkey red wheat seedsAndy Clark left Massachusetts in 1994 and wormed his way into one of the iconic bakeries of Boulder, Colorado. After that, he spent 15 years running bakeries for Whole Foods Market. All the while, he was squirreling away ideas and thinking of his own place, where he could focus on 30 great loaves a day, instead of 30,000 for The Man. The result is Moxie Bread Co in Louisville, Colorado, as warm and welcoming a place as I have ever had the pleasure to visit. We talked about bread, and grain, and about creating a welcoming experience. Oh, and perhaps the most decadent pastry I have ever tasted.

kouign amann pastry

That pastry is the kouign amann, an impossibly delicious amalgam of yeasted dough, butter and sugar that comes originally from Brittany in northern France. All the write-ups of Moxie agreed that their kouign amann was out of the world, and I was somewhat miffed that I had never heard of the things.

Now that I have …

Notes

  1. Huge thanks to Andrew Calabrese for making the introductions and the arrangements. What a great day.
  2. Also to our family and friends in Colorado for their friendship and hospitality.
  3. Moxie Bread Co is, of course, online.
  4. To learn more about kouign amann, I turned first to David Lebovitz, for a recipe and some alleged history.
  5. Eater turned to David Lebovitz too, for its informative piece about The Obscure French Pastry Making it Big in America.
  6. There’s apparently even a National Kouign Amann Day, on 20 June. If I can find one, I’ll be eating it.
Ah! The kouign amann! I hadn’t heard of it myself until the last year or so when it turned up on an episode of the British Baking Show, but even there it was featured as a specialty and rare dish (in a technical challenge if I recall, which makes things harder if you’ve never seen or eaten one). I’ve yet to see any in pastry shops here in the LA area, but I have pulled off a few myself at home and they are quite lovely. Sadly most home bakers are unlikely to work with heavily laminated dough much yet a yeasted version.

For the lost, here’s a short segment from BBS with a quick introduction:

https://www.youtube.com/watch?v=S179EYnsGwM

Listened to Food and diversity in Laos by Jeremy Cherfas from Eat This Podcast

Today’s guest, Michael Victor, has spent the past 16 years living in Laos and getting to know its farming systems and its food. To some extent, that’s become a personal interest. But it is also a professional interest that grew out of his work with farmers and development agencies in Laos. Most recently, he’s been working with The Agro-biodiversity Initiative, funded by the Swiss Agency for Development and Cooperation. The idea is to make use of agricultural biodiversity in a sustainable way to reduce poverty and improve the livelihoods of people in upland regions. One thing the project has done is to collect all the information it can about agricultural biodiversity and make it available online. When Michael visited Rome recently, I grabbed the chance to find out more about Lao food and diversity.

Notes

  1. The Pha Khao Lao website is available in English and Lao.
  2. think that the restaurant Michael mentioned is Thip Khao in Washington DC. Duly noted for next time. Any reports gladly received.
  3. I seem to be way behind the times on riverweed. A couple of years ago even BBC Good Food had tried it. (Scroll down.)
  4. Banner photograph by Periodismo Itinerante from Flickr
Some interesting tidbits here, particularly about a society seemingly on the cusp of coming and greater industrialization. I can’t help but thinking about Lynne Kelly’s thesis about indigenous peoples and cultural memory. I suspect that Laotians aren’t practicing memory techniques, but because of technological and cultural changes they are loosing a lot of collective memories about their lifeways, food, and surrounding culture that have built up over thousands (or more) generations.
Listened to We Made a Lipstick For You! from On the Media | WNYC Studios
Lipstick designer Poppy King is a devoted OTM listener. In collaboration with our own Brooke Gladstone, she has designed a lipstick called Well Red. How to get one? Just listen!

While this segment is assuredly about lipstick, I also hear it as a discussion of identity and how we present ourselves. I can’t help but thinking about a version that’s a bit closer to my heart of online identity. Sometimes I’ll use website themes in the same way Poppy discusses her lipstick and how it makes her feel internally.
Listened to Designed to Intimidate from On the Media | WNYC Studios

Millions tuned into impeachment hearings this week — the first two of five already scheduled. On this week’s show, why shifts in public opinion may not necessarily sway the GOP. Plus, what we can learn from the predatory tactics that enriched Bill Gates.

1. Nicole Hemmer [@pastpunditry], author of Messengers of the Right: Conservative Media and the Transformation of American Politicson the false premise underlying hope for President Trump's removal. Listen.

2. John Dean [@JohnWDean] former White House counsel, on the lessons he's applying from Watergate to the impeachment hearings for President Trump. Listen.

3. Former Labor Secretary Rob Reich [@RBReich] and Goliath author Matt Stoller [@matthewstoller] on how billionaires like Bill Gates use their power and wealth to force their vision on society. Listen.

IndieWeb is the beginning of the end of the gilded age of social media. Major corporations like Facebook, Twitter, et al. have made having an internet presence and communicating with others simple and free. We now know that their definition of “free” is far from our definition.

It’s like the drug dealer who says you can get bribed or you can get a bullet. […] What you always see with monopolists who control an important platform: they use control of that platform to take control of markets that have to live on that platform.

— Matt Stoller, a Fellow at the Open Markets Institute, in On the Media: Designed to Intimidate [November 15, 2019]
Previously, Stoller was a Senior Policy Advisor and Budget Analyst to the Senate Budget Committee and also worked in the US House of Representatives on financial services policy, including Dodd-Frank, the Federal Reserve, and the foreclosure crisis.

Facebook values you at around $158.[1]

Facebook profits off of its 1.4 billion daily users in a big way: According to its most recent filings with the Securities and Exchange Commission, the average revenue per user in 2017 was $20.21 ($6.18 in the fourth quarter alone). Users in the U.S. and Canada were worth even more because of how big the markets are.

Money.com in March 2018

Now that you know what you and your data are worth, why not invest in yourself instead?

For about $5 a month or $60 a year, you can pay for an account on micro.blog and have a full suite of IndieWeb tools at your disposal. It’s simple, beautiful, but most importantly it gives you control of your own data and an open and independent presence on the entire web instead of a poor simulacrum of it walled away from everyone else. Of course there are other options available as well, just ask how you can get started.

Listened to OTM presents: Shell Shock 1919: How the Great War Changed Culture by Sara Fishko from On the Media | WNYC Studios

WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture.

You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.

 -Philipp Blom

World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more.

WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture.

Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky

I was a bit surprised that they mentioned George Antheil, but left out his work and collaboration with Hedy Lamar who was a German refugee whose husband was a major arms dealer for the Germans.

This is a fantastic piece that makes me want to subscribe to more of Fishko’s work.

Listened to Curiouser and Curiouser from On the Media | WNYC Studios

A close-up on John Solomon's role in the impeachment saga, and the black nationalist origins of Justice Clarence Thomas.

President Trump’s concerns about corruption in Ukraine began, in part, with a series of articles in a publication called The Hill. On this week’s On the Media, a close-up on the columnist whose dubious tales may lead to an impeachment. Plus, the black nationalist origins of Justice Clarence Thomas’s legal thinking.

1. Paul Farhi [@farhip], Washington Post media reporter, and Mike Spies [@mikespiesnyc], ProPublica reporter, on John Solomon's role in the impeachment saga. Listen

2. Corey Robin [@CoreyRobin], writer and political scientist at Brooklyn College and the CUNY Graduate Center, on all that we've missed (or ignored) about Justice Clarence Thomas. Listen

This is a fascinating thesis about Justice Clarence Thomas and who he really is. I totally want to read The Enigma of Clarence Thomas now.
Listened to Can We Govern Ourselves? from On the Media | WNYC Studios

Can we govern ourselves? John Adams didn't think so. Brooke speaks with Jill Lepore about her book "These Truths."

As Americans battle for control of the future of the United States, it seems that we're always going back to founding documents and core principles: relying on them and reinterpreting them, in what seems to be an increasingly arduous effort to govern ourselves. It all starts to beg an uncomfortable question: in the end, can we govern ourselves? John Adams didn’t think so. He said that all political systems, whether monarchy, democracy, aristocracy, were equally prey to the brutish nature of mankind.

Harvard historian Jill Lepore wrote a sweeping history of the American experiment called These Truths: A History of the United States. Brooke spoke with Lepore about this country's history and the history of the contested — and supposedly self-evident — truths under-girding our shaky democracy. 

This segment is from our November 9th, 2018 episode, We're Not Very Good At This.

Listened to The Daily: Why So Many Hospitals Are Suing Their Patients from nytimes.com
“My daughter has to eat,” one mother said. “And if it’s choosing between that or paying a doctor bill, I’m going to choose her.”

Listened to History of the English Language, 2nd Edition, Lecture 6: The Beginnings of English by Seth LererSeth Lerer from The Great Courses

Delve into the linguistic relationships of Old English to its earlier German matrix. Look at key vocabulary terms—many of which are still in our own language—to trace patterns of migration, social contact, and intellectual change. Also, learn how Old English was written down and how it can help us reconstruct the worldview of the Anglo-Saxon peoples.

cover of The History of the English Language by Seth Lerer