A five panel cartoon diagram. Panel one is labeled "Data" with the subhead "Reading" with a variety of black and white random circles. Panel two is labeled "Information" with the subhead "Excerpting/Synopsis" with a subset of dots which are colored green and purple.  Panel three is labeled "Knowledge" with a subhead of "Linking" where the prior set of dots are now linked together by a variety of edges to create a network-like graph. Panel four is labeled "Insight" with the subhead "Serendipity" with a copy of the prior network, but two distant interlinked dots are highlighted in yellow. The final panel is labeled "Wisdom" with the subhead "Writing" and the prior graph image from panel four has a highlighted path from one insight dot to the other.

Hugh McLeod’s original cartoon of Information vs Knowledge which was later extended by David Somerville is actually a very solid representation of much of what many sensemaking workflows look like including the process of making and maintaining a Zettelkasten for writing. It could also be an active representation of Bloom’s Taxonomy.

h/t Nick Santalucia

Annotated Foucault's Pendulum by Umberto EcoUmberto Eco (Secker & Warburg)
No piece of information is superior to any other. Power lies in having them all on file and then finding the connections. There are always connections; you have only to want to find them.
If you’re not sure how to start the first card in your zettelkasten, simply write this quote down on an index card, put a number in the corner, and go…

📑 Maria Ressa, Zeynep Tufekci, and others on the growing disinformation war | Columbia Journalism Review

Annotated Maria Ressa, Zeynep Tufekci, and others on the growing disinformation war (Columbia Journalism Review)
Tufekci argued that, in the 21st century, a surfeit of information, rather than its absence, poses the biggest problem. “When I was growing up in Turkey, the way censorship occurred was there was one TV channel and they wouldn’t show you stuff. That was it,” she said. “Currently, in my conceptualization, the way censorship occurs is by information glut. It’s not that the relevant information isn’t out there. But it is buried in so much information of suspect credibility that it doesn’t mean anything.”  
Featured image “Vintage Television” by Sven Scheuermeier via CC on Unsplash

📑 ‘The goal is to automate us’: welcome to the age of surveillance capitalism | John Naughton | The Guardian

Annotated 'The goal is to automate us': welcome to the age of surveillance capitalism by John NaughtonJohn Naughton (the Guardian)
The result is that these new knowledge territories become the subject of political conflict. The first conflict is over the distribution of knowledge: “Who knows?” The second is about authority: “Who decides who knows?” The third is about power: “Who decides who decides who knows?”  

Nothing Would be More Devastating than Reduced Access to a Technical Library

Nassim Nicholas Taleb, flâneur
in the Financial Times in response to the question:
“If you lost everything tomorrow, what would you do?”

 


 

Dictionary: A Malevolent Literary Device

Ambrose Bierce (), American editorialist, journalist, short story writer, fabulist, and satirist
in The Devil’s Dictionary