snaffle meaning: 1. to take something quickly for yourself, in a way that prevents someone else from having or using it: 2. a type of bit (= a metal bar held in a horse's mouth to control it) usually with a joint in the middle. Learn more.
Accusations of intentional voter suppression have animated the state’s crucial race for governor.
As Hurricane Florence descended on a 300-year-old coastal town, it became clear to residents that this storm would be unlike any other in memory.
The other day I read Eddie Hinkle’s article Passive Tracking > Active Tracking in which he details how he either actively or passively tracks on his own website things he’s listening to or watching. I thought I’d take a moment to scribble out some of my thoughts and process for how and why I do what I’m doing on my own site.
I too track a lot of things relatively passively. Most of it I do for my own “diary” or commonplace book. Typically I’ll start out using silo services that have either RSS feeds or that work with services like IFTTT.com or Zapier. If those don’t exist, I’ll just use the ubiquitous “share” functionality of nearly all web pages and mobile platforms to share the content or page via email which I can use to post to my website as well. The primary minimal data points I’m looking for are the title of the specific thing I’m capturing (the movie, tv show/episode title, book title, article title, podcast title) and the date/time stamp at which the activity was done.
I’ll use these to take input data and transfer it to my own website, typically in draft form. In many cases, these methods collect all the data I want and put it into a format for immediate sharing. Other times I’ll clean up some bits of the data (almost always context related, so things like images, summaries, the source of the data, etc.) a bit before sharing. Then I optionally decide to post it either publicly or privately on my site.
Some of the sources I use for pulling in data (especially for context) to my website include:
Watches: IMDb.com, Letterboxd, TheTVDB.com, themoviedb.org, direct websites for shows/movies themselves
Listens: typically using share functionality via email from my podcatcher; Spotify, Last.fm,
Reads: reading.am, Pocket, Hypothes.is, GoodReads,
Bookmarks: diigo, Hypothes.is, Twitter, Pocket
Often, going the route of least resistance for doing this sort of tracking is a useful thing to find out if doing so is ultimately useful or valuable to you. If it’s not, then building some massive edifice and code base for doing so may be additional sunk cost to find out that you don’t find it valuable or fulfilling somehow. This is primary value of the idea “manual until it hurts.”
I will note that though I do have the ability to do quick posting to my site using bookmarklets in conjunction with the Post Kinds Plugin for WordPress, more often than not, I find that interrupting my personal life and those around me to post this way seems a bit rude. For things like listen posts, logging them actively could a be a life threatening endeavor because I most often listen while driving. Thus I prefer to take a moment or two to more subtly mark what I want to post and then handle the rest at a more quiet and convenient time. I’ll use down time while passively watching television or listening to music to do this sort of clean up. Often, particularly for bookmarks and annotations, this also forces me to have a second bite at the proverbial apple to either follow up on the bookmarked idea or think about and reflect on the thing I’ve saved. In some sense this follow up is way more valuable to me than having actively posted it and then simply moving on. It also becomes a way for what might otherwise be considered “digital exhaust” to give me some additional value.
Eventually having better active ways to track and post these things in real time would be nice, but the marginal additional value just hasn’t seemed to be there for me. If it were, there are also larger hurdles of doing these posts quickly and in a way that pulls in the context portions I’d like to present. Adding context also generally means having solid pre-existing data bases of information from which to poll from, and often these can be difficult to come by or require API access to something. As a result services like Swarm and OwnYourSwarm are useful as they can not only speed up the process of logging data, but they are underpinned with relatively solid databases. As an example, I frequently can’t use IMDB.com to log in television shows like Meet the Press or Face the Nation because entries and data for those particular episodes often don’t exist even when I’m watching them several hours after they’ve aired. And even in these cases the websites for these shows often don’t yet have photos, synopses, video, or transcripts posted when I’m watching them. Thus posting for these in real-time the way I’d like becomes a much more difficult nightmare and requires a lot more manual effort.
Update:
As a follow up to Eddie’s post (which doesn’t yet show the Webmention), I’ll also point out that Jonathan has an excellent description and some code for what he’s doing on his site as well.
Directed by Heather Cappiello, Jonathan Lopez. With Donnie Wahlberg, Bridget Moynahan, Will Estes, Len Cariou. After a former officer waits on Frank at a restaurant, he feels guilty about the circumstances surrounding why she was fired, and he tries to reinstate her.
I’m getting a lot out of these ruminations you’re doing about links as notifications. For me, I think I’m going to include a ‘cc’ bit of post metadata, much like I already have ‘via’ metadata, to advertise the original source for a bit of hypertext. Cool idea. The idea of a ‘bcc’ i...
Unlinked mentions…? What if you had an individual who was the subject of the text, but you didn’t want to notify them? You may want to include an unlinked @boffosocko, to refer to someone without summoning them. But—what if you wanted to link readers to the person without notifying them? ❧
Of course doing things this way doesn’t necessarily prevent the person from possibly seeing it through the natural course of events, others notifying them directly (snitch-tagging), or even the use of things like refbacks, which would send them notifications anyway. And then there’s Voldemorting…
Directed by Rob Greenlea. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. Elizabeth goes head to head with a U.S. governor over the state's new policy of separating unauthorized immigrants from their children.
Directed by Martha Mitchell. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. Elizabeth goes head to head with a U.S. governor over the state's new policy of separating unauthorized immigrants from their children.
By now we've all heard of Marie Kondo, the Japanese home-organization guru whose book The Life-Changing Magic of Tidying Up became an international bestseller in 2011.
‘Everyone knows that dragons don’t exist. But while this simplistic formulation may satisfy the layman, it does not suffice for the scientific mind. The School of Higher Neantical Nillity is in fact wholly unconcerned with what does exist. Indeed, the banality of existence has been so amply demonstrated, there is no need for us to discuss it any further here. The brilliant Cerebron, attacking the problem analytically, discovered three distinct kinds of dragon: the mythical, the chimerical, and the purely hypothetical. They were all, one might say, nonexistent, but each nonexisted in an entirely different way.’ — p. 85, The Cyberiad by Stanislaw Lem
Directed by Alon Zingman. With Doval'e Glickman, Michael Aloni, Sasson Gabai, Neta Riskin. The joy from the birth is mixed with Gitti's fears from the rich widow. Libbi finds Akiva's drawings and encourages to draw again, while Shulem assists her father in finding a match for his daughter.
Directed by Alon Zingman. With Doval'e Glickman, Michael Aloni, Sasson Gabai, Neta Riskin. While Libbi and Akiva get closer, the man Libbi is seeing disappears and Shulem and Nuchem try to locate him. Gitti can't forgive Lipa. Ruhami tries to contact the boy from the synagogue.
Directed by Alon Zingman. With Doval'e Glickman, Michael Aloni, Sasson Gabai, Neta Riskin. The man Libbi is seeing suddenly reappears. Bube Malka discovers her friend Rebetzen Erblich has a terminal disease. Gitti can't come home and decides to move in with her father with all her children. Ruchami and Hanina come closer.
