Dodging the Memory Hole 2017 Conference at the Internet Archive November 15-16, 2017

RSVPed Interested in Attending https://www.rjionline.org/events/dodging-the-memory-hole-2017
Please join us at Dodging the Memory Hole 2017: Saving Online News on Nov. 15-16 at the Internet Archive headquarters in San Francisco. Speakers, panelists and attendees will explore solutions to the most urgent threat to cultural memory today — the loss of online news content. The forum will focus on progress made in and successful models of long-term preservation of born-digital news content. Journalistic content published on websites and through social media channels is ephemeral and easily lost in a tsunami of digital content. Join professional journalists, librarians, archivists, technologists and entrepreneurs in addressing the urgent need to save the first rough draft of history in digital form. The two-day forum — funded by the Donald W. Reynolds Journalism Institute and an Institute of Museum and Library Services grant awarded to the Journalism Digital News Archive, UCLA Library and the Educopia Institute — will feature thought leaders, stakeholders and digital preservation practitioners who are passionate about preserving born-digital news. Sessions will include speakers, multi-member panels, lightning round speakers and poster presenters examining existing initiatives and novel practices for protecting and preserving online journalism.
I attended this conference at UCLA in Fall 2016; it was fantastic! I highly recommend it to journalists, coders, Indieweb enthusiasts, publishers, and others interested in the related topics covered.

👓 Libraries and publishers | Krissedoff

Read Libraries and publishers by Derek Krissoff (krissedoff)
A recent Chronicle piece on university libraries and what it describes as their pivot away from books has me thinking (with help from some friends on twitter) about the increase in library-reporting university presses. It’s a sensitive topic that doesn’t always, I think, receive a lot of attention or get treated with sufficient nuance.

👓 Carrie Fisher’s final assets revealed, Billie Lourd named beneficiary of the estate | Entertainment Weekly

Read Carrie Fisher's final assets revealed, Billie Lourd named beneficiary of the estate by Mike Miller (Entertainment Weekly)
The Star Wars actress’s assets, outlined in court documents obtained by PEOPLE, include several bank accounts, a 2016 Tesla S, full ownership of several LLCs, and a life insurance policy. Personal and household belongings like jewelry, artwork, and collectibles will also go to Lourd, Fisher’s only child from her relationship with talent executive Bryan Lourd.

👓 Media Companies Are Getting Sick of Facebook | Bloomberg

Read Media Companies Are Getting Sick of Facebook (Bloomberg)
News outlets are complaining about Facebook’s terms for TV-quality videos meant to compete with YouTube.

Reply to Gutenberg: First Impressions | MattCromwell.com

Replied to Gutenberg: First Impressions by Matt Cromwell (MattCromwell.com)
Gutenberg is the future of content in WordPress. It will deliver the elegance of Medium but with far more power and flexibility of layouts and content types
I love how this looks and works and it’s certainly about time that WordPress had alternate means of publishing to its platform. (I miss the days when Twitter had thousands of different configurable apps to post to it, though these were far simpler.)

Not only does it remind me a bit of Medium.com’s interface, it is highly reminiscent of Aaron Parecki’s Quill editor which uses the open Micropub spec to publish to the Micropub endpoint on my blog. Though his isn’t as fully featured as the Gutenberg example, he could certainly add to it, but then it could be used to publish to any site that supports the spec.

A sample of the Quill interface for posting to WordPress via Micropub.

The nice part about Micropub (and the fact that there’s already a Micropub plugin for WordPress) is that developers can build multiple competing publishing interfaces to publish to any website out there. (Or developers could even build custom publishing interfaces for their clients.)

In fact, if they wanted to do a highly valuable pivot, Medium.com could add publishing via Micropub to their platform and really become the billionaire’s typewriter that some have suggested it to be.

👓 WordPress.com Announces New Importer for Medium Posts | WP Tavern

Read WordPress.com Announces New Importer for Medium Posts by Sarah Gooding (WP Tavern)
Medium started 2017 on uncertain footing, laying off a third of its staff in January after admitting that its ad-based business model was not working.

🔖 Feed reader revolution: it’s time to embrace open & disrupt social media

Bookmarked Feed reader revolution: it’s time to embrace open & disrupt social media
By supporting Micropub, indie-config, and/or action URLs, current feed readers can make it far easier for people on the open web to not only read content the way they currently do on siloed social media services like Facebook, Twitter, Instagram, et al. Increased ease-of-use to allow these functionalities with beautiful user interface will help to move users out of walled-gardens where they’re trapped into the larger universe of the free and open internet. Individuals with their own websites can support the acceptance of these posts to save their interactions with what they’ve read, be they comments, likes, bookmarks, or other interactions. They can also close the loop by supporting Webmentions so that their comments can be sent to (and potentially displayed) on others’ websites. All of these pieces combined make for a more open and democratic web.
The article about feed readers that I wrote for the new AltPlatform tech blog is out now. I hope everyone will take a look.

When this publication from Richard MacManus (the founder of ReadWriteWeb.com, one of my old favorite standbys) popped up a few weeks ago with the tagline “A non-profit tech blog about the open web”, I immediately bookmarked it and knew it would be at the top of my subscription list. When I read his founding manifesto for the blog, I was hooked and bumped it to the top of my list and tipped off others:

There’s also some great articles up by Emre Sokullu, Brian Hendrickson, and Richard MacManus on a variety of other great topics. I hope you’ll take a look at what they’re doing and subscribe.

I’m pleased that they’ve taken something I was planning on posting here on my site and are giving it some wider exposure.

If you’re a journalist, blogger, or writer in the space, do feel free to connect with them to pitch ideas.​​

Feed reader revolution

The state-of-the-art in feed readers was frozen in place sometime around 2010, if not before. By that time most of the format wars between RSS and Atom had long since died down and were all generally supported. The only new features to be added were simple functionalities like sharing out links from readers to social services like Facebook and Twitter. For fancier readers they also added the ability to share out to services like Evernote, OneNote, Pocket, Instapaper and other social silos or silo related services.

So the real question facing companies with stand alone traditional feed reader products–like Feedly, Digg Reader, The Old Reader, Inoreader, Reeder, NewsBlur, Netvibes, Tiny Tiny RSS, WordPress reader–and the cadre of others is:

  • What features could/should we add?
  • How can we improve?
  • How can we gain new users?
  • How can we increase our market share?

In short the primary question is:

What should a modern RSS feed reader be capable of doing?

Continue reading Feed reader revolution

👓 I worked in a video store for 25 years. Here’s what I learned as my industry died. | Vox

Read I worked in a video store for 25 years. Here’s what I learned as my industry died. by Dennis Perkins (Vox)
Some interesting analysis of what we’re loosing with the death of video stores. In particular, we’re losing some of the same type of recommendations and serendipity we’re loosing with the rise of e-books and less use of libraries/librarians. In particular, loosing well-curated collections is a big issue as we replace them with streaming services which don’t seem to have the same curatorial business models.

I particularly enjoyed this quote:

A great video store’s library of films is like a little bubble outside the march of technology or economics, preserving the fringes, the forgotten, the noncommercial, or the straight-up weird. Championed by a store’s small army of film geeks, such movies get more traffic than they did in their first life in the theater, or any time since. Not everything that was on VHS made the transition to DVD, and not every movie on DVD is available to stream. The decision to leave a movie behind on the next technological leap is market-driven, which makes video stores the last safety net for things our corporate overlords discard.

How Hollywood Remembers Steve Bannon | The New Yorker

Read How Hollywood Remembers Steve Bannon by Connie Bruck (The New Yorker)
He says that, before he became a senior adviser to the President, he was a successful player in the film industry. But what did he actually do?

👓 Jonathan Demme, ‘Silence of the Lambs’ and ‘Philadelphia’ Director, Dead at 73 | Rolling Stone

Read Acclaimed Director Jonathan Demme Dead at 73 by David Fear, Ryan Reed (Rolling Stone)
'Stop Making Sense' filmmaker succumbs to esophageal cancer

A New Way to “Know and Master Your Social Media Flow”

I was reminded this morning that two years ago yesterday FriendFeed, one of my favorite social media sites, was finally shut down after years of flagging support (outright neglect?) after it was purchased by Facebook.

This reminded me of something which I can only call one of the most hurtful diagrams I saw in the early days Web 2.0 and the so-called social web. It was from an article from May 16, 2009, entitled Know and Master Your Social Media Flow by Louis Gray, a well-known blogger who later joined Google almost two years later to promote Google+.

Here’s a rough facsimile of the diagram as it appeared on his blog (and on several syndicated copies around the web):

Louis Gray’s Social Media Flow Diagram from 2009

His post and this particular diagram were what many were experimenting with at the time, and certainly inspired others to do the same. I know it influenced me a bit, though I always felt it wasn’t quite doing the right thing.

Sadly these diagrams all managed to completely miss the mark. Perhaps it was because everyone was so focused on the shiny new idea of “social” or that toys like Twitter, Facebook, FriendFeed, and thousands of others which have now died and gone away were so engaging.

The sad part in searching for new ways to interact was that the most important piece of the puzzle is right there in his original diagram. No, it’s not the sorely missed FriendFeed service represented by the logo in the middle, which has the largest number of arrows pointing into or out of it. It’s not Facebook or Twitter, the companies which now have multi-billion dollar valuations. It’s not even the bright orange icon representing RSS, which many say has been killed–in part because Facebook and Twitter don’t support it anymore. The answer: It’s the two letters LG which represent Louis Gray’s own personal website/blog.

Sadly bloggers, and thousands upon thousands of developers, lost their focus in the years between 2007 and 2009 and the world is much worse off as a result. Instead of focusing on some of the great groundwork that already existed at the time in the blogging space, developers built separate stand-alone massive walled gardens, which while seemingly democratizing the world, also locked their users into silos of content and turned those users into the actual product to monetize them. (Perhaps this is the real version of Soylent Green?) Most people on the internet are now sharecropping for one or more multi-billion dollar companies without thinking about it. Our constant social media addiction now has us catering to the least common denominator, unwittingly promoting “fake news”, making us slower and less thoughtful, and it’s also managing to slowly murder thoughtful and well-researched journalism. Like sugar, fat, and salt, we’re genetically programmed to be addicted, and just like the effect they have on us, we’re slowly dying as a result.

The new diagram for 2017

Fortunately, unlike for salt, fat, and sugar, we don’t need to rely on simple restraint, the diet of the week, or snakeoil to fix the problem. We can do what Louis Gray should have done long ago: put ourselves, our identities, and our web presences at the center of the diagram and, if necessary, draw any and ALL of the arrows pointing out of our own sites. Facebook, Twitter, Instagram, LinkedIn, FourSquare/Swarm, etc. can all still be there on our diagrams, but the arrows pointing to them should all originate from our own site. Any arrows starting with those same social networks should ALL point (only) back to our sites.

This is how I always wanted my online diagram to look:

This is how I always thought that the diagram should have been drawn since before 2009. Now it can be a reality. POSSE definition. Backfeed definition.

How can I do this?

In the past few years, slowly, but surely, I’ve managed to use my own website to create my diagram just like this. Now you can too.

A handful of bright engineers have created some open standards that more easily allow for any website to talk to or reply to any other website. Back in January a new W3C recommendation was made for a specification called Webmention. By supporting outgoing webmentions, one’s website can put a link to another site’s page or post in it and that URL serves the same function as an @mention on services like Twitter, Facebook, Medium, Google+, Instagram, etc. The difference here is that these mentions aren’t stuck inside a walled garden anymore, they can reach outside and notify anyone anywhere on the web that they’ve been mentioned. Further, it’s easy for these mentions to be received by a site and be posted as comments on that mentioned page. Because the spec is open and not controlled by a third party corporation, anyone anywhere can use it.

What does this mean? It means I can post to my own site and if you want to write a comment, bookmark it, like it, or almost anything else, you post that to your own website and mine has the option of receiving it and displaying it. Why write your well thought out reply on my blog in hopes that it always lives there when you can own your own copy that, though I can delete from my site, doesn’t make it go away from yours. This gives me control and agency over my own platform and it gives you ownership and agency over yours.

Where can I get it?

Impatient and can’t wait? Get started here.

More and more platforms are beginning to support this open protocol, so chances are it may already be available to you. If you’re using an open source platform like WordPress.org, you can download a plugin and click “activate”. If you want to take few additional steps to customize it there’s some additional documentation and help. Other CMSes like Known have it built in right out of the box. Check here to see if your CMS or platform is supported. Don’t see your platform listed? Reach out to the developers or company and ask them to support it.

If you’re a developer and have the ability, you can easily build it right into your own CMS or platform of choice (with many pre-existing examples to model off if you need them) and there are lots of tools and test suites built which will let you test your set up.

If you need help, there are people all over the world who have already implemented it who can help you out. Just join the indieweb in your favorite chat client option.

Some parting thoughts

Let’s go back to Louis Gray’s blog and check on something. (Note that my intention isn’t to pick on or shame Mr. Gray at all as he’s done some excellent work over the years and I admire it a lot, he just serves as a good public example, particularly as he was recruited into Google to promote and launch G+.)

Number of posts by year on Louis Gray’s personal blog.

If you look at his number of posts over time (in the right sidebar of his homepage), you’ll see he was averaging about 500+ posts a year until about the time of his diagram. That number then drops off precipitously to 7 and 5 in 2015 and 2016 respectively!! While life has its vagaries and he’s changed jobs and got kids, I seriously doubt the massive fall off in posts to his blog was because he quit interacting online. I’ll bet he just moved all of that content and all of his value into other services which he doesn’t really own and doesn’t have direct control over.

One might think that after the demise of FriendFeed (the cog at the center of his online presence) not to mention all the other services that have also disappeared, he would have learned his lesson. Even browsing back into his Twitter archive becomes a useless exercise because the vast majority of the links on his tweets are dead and no longer resolve because the services that made them died ignominious deaths. If he had done it all on his own website, I almost guarantee they’d still resolve today and all of that time he spent making them would be making the world a richer and brighter place today. I spent more than twenty minutes or so doing a variety of complicated searches to even dig up the original post (whose original URL had moved in the erstwhile) much less the original diagram which isn’t even linked to the new URL’s post.

 

The Platform Press: How Silicon Valley reengineered journalism | Tow Center for Digital Journalism

Read The Platform Press: How Silicon Valley reengineered journalism by Emily Bell and Taylor Owen (Tow Center for Digital Journalism)

The influence of social media platforms and technology companies is having a greater effect on American journalism than even the shift from print to digital. There is a rapid takeover of traditional publishers’ roles by companies including Facebook, Snapchat, Google, and Twitter that shows no sign of slowing, and which raises serious questions over how the costs of journalism will be supported. These companies have evolved beyond their role as distribution channels, and now control what audiences see and who gets paid for their attention, and even what format and type of journalism flourishes.

Publishers are continuing to push more of their journalism to third-party platforms despite no guarantee of consistent return on investment. Publishing is no longer the core activity of certain journalism organizations. This trend will continue as news companies give up more of the traditional functions of publishers.

This report, part of an ongoing study by the Tow Center for Digital Journalism at Columbia Journalism School, charts the convergence between journalism and platform companies. In the span of 20 years, journalism has experienced three significant changes in business and distribution models: the switch from analog to digital, the rise of the social web, and now the dominance of mobile. This last phase has seen large technology companies dominate the markets for attention and advertising and has forced news organizations to rethink their processes and structures.