Category: IndieWeb

Reply to Laying the Standards for a Blogging Renaissance by Aaron Davis

Replied to Laying the Standards for a Blogging Renaissance by Aaron Davis (Read Write Respond)
With the potential demise of social media, does this offer a possible rebirth of blogging communities and the standards they are built upon?
Aaron, some excellent thoughts and pointers.

A lot of your post also reminds me of Bryan Alexander’s relatively recent post I defy the world and to go back to RSS.

I completely get the concept of what you’re getting at with harkening back to the halcyon days of RSS. I certainly love, use, and rely on it heavily both for consumption as well as production. Of course there’s also still the competing standard of Atom still powering large parts of the web (including GNU Social networks like Mastodon). But almost no one looks back fondly on the feed format wars…

I think that while many are looking back on the “good old days” of the web, that we not forget the difficult and fraught history that has gotten us to where we are. We should learn from the mistakes made during the feed format wars and try to simplify things to not only move back, but to move forward at the same time.

Today, the easier pared-down standards that are better and simpler than either of these old and and difficult specs is simply adding Microformat classes to HTML (aka P.O.S.H) to create feeds. Unless one is relying on pre-existing infrastructure like WordPress, building and maintaining RSS feed infrastructure can be difficult at best, and updates almost never occur, particularly for specifications that support new social media related feeds including replies, likes, favorites, reposts, etc. The nice part is that if one knows how to write basic html, then one can create a simple feed by hand without having to learn the mark up or specifics of RSS. Most modern feed readers (except perhaps Feedly) support these new h-feeds as they’re known. Interestingly, some CMSes like WordPress support Microformats as part of their core functionality, though in WordPress’ case they only support a subsection of Microformats v1 instead of the more modern v2.

For those like you who are looking both backward and simultaneously forward there’s a nice chart of “Lost Infractructure” on the IndieWeb wiki which was created following a post by Anil Dash entitled The Lost Infrastructure of Social Media. Hopefully we can take back a lot of the ground the web has lost to social media and refashion it for a better and more flexible future. I’m not looking for just a “hipster-web”, but a new and demonstrably better web.

The Lost Infrastructure of the Web from the IndieWeb Wiki (CC0)

Some of the desire to go back to RSS is built into the problems we’re looking at with respect to algorithmic filtering of our streams (we’re looking at you Facebook.) While algorithms might help to filter out some of the cruft we’re not looking for, we’ve been ceding too much control to third parties like Facebook who have different motivations in presenting us material to read. I’d rather my feeds were closer to the model of fine dining rather than the junk food that the-McDonald’s-of-the-internet Facebook is providing. As I’m reading Cathy O’Neil’s book Weapons of Math Distraction, I’m also reminded that the black box that Facebook’s algorithm is is causing scale and visibility/transparency problems like the Russian ad buys which could have potentially heavily influenced the 2017 election in the United States. The fact that we can’t see or influence the algorithm is both painful and potentially destructive. If I could have access to tweaking a third-party transparent algorithm, I think it would provide me a lot more value.

As for OPML, it’s amazing what kind of power it has to help one find and subscribe to all sorts of content, particularly when it’s been hand curated and is continually self-dogfooded. One of my favorite tools are readers that allow one to subscribe to the OPML feeds of others, that way if a person adds new feeds to an interesting collection, the changes propagate to everyone following that feed. With this kind of simple technology those who are interested in curating things for particular topics (like the newsletter crowd) or even creating master feeds for class material in a planet-like fashion can easily do so. I can also see some worthwhile uses for this in journalism for newspapers and magazines. As an example, imagine if one could subscribe not only to 100 people writing about , but to only their bookmarked articles that have the tag edtech (thus filtering out their personal posts, or things not having to do with edtech). I don’t believe that Feedly supports subscribing to OPML (though it does support importing OPML files, which is subtly different), but other readers like Inoreader do.

I’m hoping to finish up some work on my own available OPML feeds to make subscribing to interesting curated content a bit easier within WordPress (over the built in, but now deprecated link manager functionality.) Since you mentioned it, I tried checking out the OPML file on your blog hoping for something interesting in the space. Alas… 😉 Perhaps something in the future?

👓 My #IndieWeb Reflections by Aaron Davis | Read Write Respond

Read My #IndieWeb Reflections by Aaron Davis (Read Write Respond)
Chris Aldrich's recent post outlining a proposal for a book about everything #IndieWeb spurred me to finish collecting together my own experiences.
Aaron has some interesting thoughts might help the transition of Generation 1 to Generation 2 and beyond.​​​​​

IndieWeb: The Book

For a quite a while I’ve been thinking about writing a book about the IndieWeb to provide a broader overview of what it is philosophically, how it works, how its community functions, and most specifically how the average person can more easily become a part of it.

Back in January Timo Reitnauer wrote Let’s Make 2017 The Year of the Indie Web. I agree wholehearted with the sentiment of his title and have been personally wanting to do something specific to make it a reality. With the changes I’ve seen in the internet over the past 22 years, and changes specifically in the last year, we certainly need it now more than ever.

In large part, I’ve been inspired by the huge number of diverse and big-hearted developers who are an active part of the growing community, but specifically today I came across a note by Doc Searls, an email about the upcoming NaNoWriMo (National Novel Writing Month), and then a reminder about the 100 Days of IndieWeb project. This confluence of events is clearly my tipping point.

As a result, I’m making my 2018 IndieWeb resolution early. For the month of November, as part of NaNoWriMo, I’m going to endeavor to lovingly craft together a string of about 2,000 words a day on the topic of the IndieWeb to create a book geared toward helping non-developers (ie. Generation 2 and Generation 3 people) more easily own their online identities and content.

IndieWeb Generations Diagram by Amber Case (Caseorganic.com) as depicted on the IndieWeb Wiki

Over the past year, surely I’ve read, written about, or interacted with the IndieWeb community concretely in one way or another on at least 70 days. This sprint of 30 days should round out a 100 days project. To be honest, I haven’t necessarily posted about each of these interactions on my own site nor are they necessarily visible changes to my site, so it may not follow the exact requirements of the 100 Days of IndieWeb, but it follows the spirit of the creator idea with the hopes that the publicly visible result is ever more people adopting the principles of the movement for themselves.

I’ll focus the book primarily on how the average person can utilize the wealth of off-the-shelf tools of the WordPress content management system and its community–naturally with mentions of other easy-to-use platforms like Known and Micro.blog sprinkled throughout–to own their own domain, own their content, and better and more freely communicate with others online.

If you haven’t heard about the movement before, I’ll direct you to my article An Introduction to the IndieWeb, portions of which will surely inform the introduction of the book.

If you’ve recently joined the IndieWeb, I’d certainly love to hear your thoughts and stories about how you came to it, why you joined, and what the most troublesome parts have been so I can help direct people through them more easily–at least until there are a plurality of one-click solutions to let everyone IndieWeb-ify themselves online.

As a publisher who realizes the value of starting a PR campaign to support the resultant book, I’m also curious to hear thoughts about potentially launching a crowdfunding campaign to support the modest costs of the book, with profits (if any) going toward supporting the IndieWeb community.

I’m happy to entertain any other thoughts or considerations people have, so feel free to reply in the comments below, or better yet, reply on your own site and send me a webmention.

👓 Going Indie. Step 2: Reclaiming Content | Matthias Ott

Read Going Indie. Step 2: Reclaiming Content by Matthias Ott (Matthias Ott | User Experience Designer)
We have lost control over our content. To change this, we need to reconsider the way we create and consume content online. We need to create a new set of tools that enable an independent, open web for everyone.
A nice narrative for the IndieWeb movement by Matthias.

Some of my favorite quotes from the piece:

Having your own website surely is a wonderful thing, but to be relevant, useful, and satisfactory, it needs to be connected to other sites and services. Because ultimately, human interactions are what fuels social life online and most of your friends will still be on social networks, for now.

…what the IndieWeb movement is about: Creating tools that enable a decentralized, people-focused alternative to the corporate web, putting you back in control, and building an active community around this idea of independence.

Tim Kadlec reminded us of the underlying promise of the web:

The web is for everyone.

Wilson Miner put it in his 2011 Build conference talk:
“The things that we choose to surround ourselves will shape what we become. We’re actually in the process of building an environment, where we’ll spend most of our time, for the rest of our lives.”

 

This also reminds me that I ought to swing by room 3420 in Boelter Hall on my way to math class this week. I forget that I’m always taking classes just a few floors away from the room that housed the birth of the internet.

📺 The Decentralized Social Web by Keith J. Grant

Bookmarked The Decentralized Social Web by Keith J. Grant (Recall Act)
We tend to have a love/hate relationship with social networks. The ability to interact with friends, colleagues, and even celebrities is wonderful, but the lack of control over privacy or content algorithms is troubling. A better way lies ahead, where you aren't tied to large social networks and where you can own your own data. Recorded at Atlanta Connect.Tech 2017 on 9/21/2017
https://player.vimeo.com/video/237349014

A few weeks back Keith gave a great non-platform specific overview to some of the moving pieces of the IndieWeb at Connect.Tech 2017 in Atlanta. I wish I could have been there in person, but glad that it was archived on video for posterity.

Somehow I managed to get a mention in his talk as did our friend Jeremy Cherfas.

The slides for his talk are archived, naturally, on his own website.
​​​

Using Facepiles in Comments for WordPress with Webmentions and Semantic Linkbacks

Today, through the brilliant and diligent work of David Shanske and Matthias Pfefferle (as well as Ashton McAllan and many other opensource contributors), I’ve enabled facepiling for likes, reposts, and mentions within my website’s comment section using the Semantic Linkbacks plugin for WordPress (in conjunction with the Webmention plugin.)

What does this mean? My personal website both sends and accepts Webmentions, a platform independent “at mention” or @mention, including those from the fantastic, free service brid.gy which sends replies/comments, likes, reposts, and mentions to my site from silo services like Facebook, Twitter, Instagram, Google+, and even Flickr.

As I’ve long known, and as someone noted at least once on my site, some of these likes, replies, and mentions, which provide some interesting social interaction and social proof of a post’s interest, don’t always contribute to the actual value of the conversation. Now with this wonderful facepiling UI-feature, I’m able to concatenate these types of interactions into a smaller and more concentrated section at the bottom of a post’s comments section, so they’re still logged and available, but now they just aren’t as distracting to the rest of the conversation.

Compare the before and after:

Before

A mention, a Facebook like, another mention and a repost on Twitter. Anil’s comment is pretty useful, but the others don’t add as much to the ideas in the post.
Richard MacManus “liked” the post and subsequently wrote about it on AltPlatform (relatively useful) along with some tangential mentions, which don’t add as much to the conversation. The raw URL of Gisele’s Twitter post likely looked better natively on Twitter (as a Twitter Card), but translated onto my site as a mention like this, just isn’t as useful.

After

Likes and Reposts concatenated on my site now after converting them into facepiles. They still give the social “proof” and indicate the interaction, but don’t interfere in the conversation now–especially when there are hundreds of them.

 

A Prime Example

In particular, this functionality can best bee seen on my article The Facebook Algorithm Mom Problem, which has over 400 such interactions which spanned pages and pages worth of likes, reposts, and mentions. Many of my posts only get a handful of these types of interactions, but this particular post back in July was overwhelmed with them when it floated to the top of Hacker News and nearly crippled my website. Without the facepile functionality, the comments section of this post was untenably unreadable and unusable. Now, with facepiles enabled, the comments are more quickly read and more useful to those who are interested in reading them while still keeping the intent.

Implementing

For those who have already begun Indiewebifying their WordPress sites with plugins like Webmention and Semantic Linkbacks, the most recent 3.5.0 update to Semantic Linkbacks has the functionality enabled by default. (Otherwise you can go to your administrative dashboard and click on the checkbox next to “Automatically embed facepile” located under Settings » Discussion).

Settings interface for enabling or disabling facepiles in your comments section with Semantic Linkbacks (and Webmentions)

As a caveat, there’s a known bug for those who are using JetPack to “Let readers use WordPress.com, Twitter, Facebook, or Google+ accounts to comment”. If the facepiles don’t show up on your site, just go to your JetPack settings (at yoursite.com/wp-admin/admin.php?page=jetpack#/discussion) and disable this feature. Hopefully, the JetPack team will have it fixed shortly.

If you haven’t begun using IndieWeb principles on your WordPress website, you might consider starting with my article An Introduction to the IndieWeb, which includes some motivation as well as some great resources for getting started.

Nota bene: I know many in the WordPress community are using the excellent theme Independent Publisher, which already separates out likes, mentions, etc. (though without the actual “facepiles”), so I’m not sure if/how this functionality may work in conjunction with it. If you know, please drop me a note.

Hopefully most WordPress themes will support it natively without any modifications, but users are encouraged to file issues on the plugin if they run across problems.

Using another platform?

I’m not immediately aware of many other CMSes or services that have this enabled easily out of the box, but I do know that Drew McLellan enabled it (along with Webmentions) in the Perch CMS back in July. Others who I’ve seen enabling this type of functionality are documented on the IndieWeb wiki in addition to Marty McGuire and Jeremy Keith, who has a modified version, somewhat like Independent Publisher’s, on his website.

There are certainly many in the IndieWeb community who can help you with this idea (and many others) in the IndieWeb’s online chat.

Give it a spin

Now that it’s enabled, if you’re reading it on my website, you can click on any of the syndicated copies listed below and like, retweet/repost, or mention this article in those social media platforms and your mention will get sent back to my post to be displayed almost as it would be on many of those platforms. Naturally comments or questions are encouraged to further the ongoing conversation, which should now also be much easier to read and interact with.

Thanks again to everyone in the IndieWeb community who are continually hacking away to allow more people to more easily own and control their content while still easily interacting with people on the internet.

UPDATE

Turning mentions into comments for native display

Following Aaron Davis’ comment, I thought I’d add a few more thoughts for those who have begun facepiling their likes, mentions, bookmarks, etc. As he indicates, it’s sometimes useful to call out a particular mention, a special like, or you might want to highlight one among the thousands for a particular reason. This is a feature that many are likely to want occasionally and code for it may be added in the future, but until then, one is left in the lurch a bit. Fortunately, as with all things IndieWeb, part of the point is having more control over your site to be able to do anything you’d like to it. So for those without the ability to write the requisite code to create a pull request against the Webmention or Semantic Linkbacks plugins (they’re more than welcome), here are a few quick cheats for converting that occasional (facepiled or not) webmention into a full comment within your WordPress site’s comment section.

Pro tip: This also works (even if you’re not using facepiles) to convert a basic mention into something that looks more like a native comment. It’s also useful when you’ve received a mention that you’d prefer to treat as a reply, but which wasn’t marked up as a reply by the sending site.

I’ll use an example from the Facebook Algorithm Mom Problem post referenced above. On that post, I’d received a webmention via Twitter from Anil Dash, a blogger and advocate for more humane, inclusive and ethical technology, with some commentary about usability. Here is his original tweet:

That webmention is now hidden behind an avatar and not as likely to be seen by more casual readers. I’d like to change it from being hidden behind his avatar in that long mention list and highlight it a bit to make it appear as a comment in the full comments section.

On a post with a large number of mentions, you’re very unlikely to find some of the valuable nectar hiding in them. Do you see Anil Dash’s lovely mug hiding among all these avatars? (Hint, it’s not a “blank” avatar caused by someone having changed their Twitter, Facebook, etc. avatar.)

Steps to convert a mention to a comment

Caution: I recommend reading through all the steps before attempting this. You’ll be modifying your WordPress database manually, so please be careful so you don’t accidentally destroy your site. When doing things like this, it’s always a good idea to make a back up of your database just in case.

  1. Search for the particular comment you want to change in the WordPress Admin UI.

  2. Hover over the date in the “Submitted On” column to find the comment ID number in the URL, in this case it’s http://boffosocko.com/2017/07/11/the-facebook-algorithm-mom-problem/#comment-35281. Make a note of the comment ID: 35281.
  3. Open up the mySQL database for your WordPress install (I’m using phpMyAdmin) to view the data for your site.
  4. Go to the wp_comments table in the database. (Yours may be slightly different depending on how your site was set up, but it should contain the word “comments”.)
  5. Use the search functionality for your table and input your comment ID number into the field for comment_ID.
    6. We’ve identified the specific comment we want to modify in phpMyAdmin.
  6. Now delete the word “webmention” from the comment_type field for the particular comment. This field should now be empty.
  7. You should now be able to view your post (be sure to clear your cache if necessary) and see the mention you received displayed as a native comment instead of a mention. It should automatically include the text of the particular mention you needed.
Here’s what the modified mention from Anil Dash looks like in my comments section now. It appears as if it were a native comment.

If you need to convert a large number of mentions into comments, you may be better off searching for the particular post’s post_ID in the comments table and changing multiple comment_type fields at once. Be careful doing this in bulk–you may wish to do a database back up before making any changes to be on the safe side.
​​​

👓 Technology preview: Private contact discovery for Signal | Signal

Read Technology preview: Private contact discovery for Signal by moxie0 (Signal)
At Signal, we’ve been thinking about the difficulty of private contact discovery for a long time. We’ve been working on strategies to improve our current design, and today we’ve published a new private contact discovery service. Using this service, Signal clients will be able to efficiently and scalably determine whether the contacts in their address book are Signal users without revealing the contacts in their address book to the Signal service.
There’s a lot of work involved here, but this is an intriguing proposition for doing contact discovery in social media while maintaining privacy. I can’t wait to see which silos follow suit, but I’m even more curious if any adventurous IndieWeb creators will travel down this road?

h/t cryptographer Matthew Green

🔖 Stamp for music playlist portability

Bookmarked Stamp | FREE YOUR MUSIC (Stamp)
Stamp moves tracks and playlists across various services - Apple Music, Spotify, Google Music and others!
How awesome this portends to be! I’ve been wanting this type of functionality for a long time. I’m curious how long it stays up?

Too many music services don’t make it easy to transport your playlists as it’s one of the methods they use to lock you into their service (and their recurring subscription fees). It looks like it supports .csv formats, but it would be nice if there were a better standardized data format to let users own all of their own data. How great would it be if I could maintain my own playlist on my own website and then authorize services to access it to play what I wanted? Then I could have one central repository and take it to any subscription service out there.

It looks like it supports Spotify, Apple Music, Google Music, Pandora (Pro only?), Amazon Music, Groove, YouTube, rdio, Deezer, and Tidal.

Stamp | Free Your Music

Reply to Homebrew Website Club: One Year In by Jonathan Prozzi

Replied to Homebrew Website Club: One Year In by Jonathan Prozzi (jonathanprozzi.net)
There’s some amazing themes and plugins being developed for WordPress that handle some of the more complex technical requirements for implementing the Indieweb principles, so I want to now be able to focus on helping others through two methods of outreach. First, to help any current WordPress users understand and integrate Indieweb principles into their site. Second, to help anyone who is interested in setting up a site and open to using WordPress get an Indieweb web presence up and running from the ground up. This will remain the core thrust of my Indieweb exploration from now on, but I want to also deepen my knowledge of what can be done with WordPress. There’s lots of exciting things on the horizon, and I want to give back to both the WordPress and Indieweb communities through sharing my experiences and lessons learned from the last year.
Congratulations Jonathan!

I really appreciate your “Updated Goals and Purpose” section as they’re something I’ve been slowly beginning to crack away at as well. I’ve begun some work on a book geared toward Gen2+ users as well as doing some additional outreach. I’ve even got a domain registered to target that particular market.)

If you think it would help, I’m happy to help spitball with you to create a more cohesive plan that some of us can work on both individually and as a group.

A reply to Aaron Davis on setting up IndieWeb replies in WordPress

Replied to a tweet by Aaron DavisAaron Davis (Twitter)

Aaron, there are a couple of different ways to set up IndieWeb replies in WordPress (or even on other platforms like Known).

Known has a simple reply mechanism, but isn’t always good at including the original context for the reply making the individual post as stand-alone as one might like. Known includes the URL of the post it’s a reply to, but that’s about it. It’s contingent upon the user reading the reply clicking on the link to the original post to put the two together. This is pretty simple and easy when using it to reply to posts on Twitter, but isn’t always as flexible in other contexts.

One of the added values of replies in WordPress is that there’s a bit more flexibility for including a reply context to the post. You’ll note that this reply has some context at the top indicating exactly to what it is I’m replying.

Manual Replies

The first way to generically set up a reply on almost any platform that supports sending Webmentions is to write your reply and and include some simple semantic HTML along with the URL of the post you’re replying to that includes a class “u-in-reply-to” within the anchor tag like so:
<div class="h-entry">
<a class="u-in-reply-to" href="http://example.com/note123">The post you're replying to</a>
<div class="p-name p-content"> Good point! Now what is the next thing we should do?</div>
</div>

Some of this with additional information is detailed in the reply page on the IndieWeb wiki.

If you’re using WordPress, you can do this manually in the traditional content block, though you likely won’t need the div with h-entry as your theme more likely than not already includes it.

More automated replies

If you’d like a quicker method for WordPress, you can use a few simple plugins to get replies working. Generally I recommend David Shanske’s excellent and robust Post Kinds Plugin which handles both reply contexts as well as all of the required markup indicated in the manual example above. Naturally, you’ll also want to have the Webmention Plugin for WordPress installed as well so that the reply is sent via Webmention to the original post so that it can display your reply (if it chooses to–many people moderate their replies, while others simply collect them but don’t display them.)

A few weeks ago I wrote about configuring and using the Post Kinds Plugin in great detail. You should be able to follow the example there, but just choose the “reply” kind instead of the “read” example I’ve used. In the end, it will look a lot like this particular reply you’re reading right now, though in this case, I’ve manually included your original tweet in the body of my reply. A more native Post Kinds generated reply to a tweet can be seen at this example: http://boffosocko.com/2016/08/17/why-norbert-weiner/

Syndicating Elsewhere

Naturally, your next question may be how to POSSE your replies to other services like Twitter. For that, there’s a handful of methods/plugins, though often I suggest doing things manually a few times to familiarize yourself with the process of what’s happening. Then you can experiment around with one or more of the methods/plugins. In general the easier the plugin is to set up (example: JetPack), the less control you have over how it looks while the more complicated it is (example: SNAP), the more control you have over how the output looks.

Experiment

If you’d like, feel free to experiment sending replies back to this post while you try things out. If you need additional help, do join one or more of us in the IndieWeb chat.

👓 Mastodon is big in Japan. The reason why is… uncomfortable by Ethan Zuckerman

Read Mastodon is big in Japan. The reason why is… uncomfortable by Ethan Zuckerman (My heart’s in Accra)
Most distributed publishing tools are simply too complex for most users to adopt. Mastodon may have overcome that problem, borrowing design ideas from a successful commercial product. But the example of lolicon may challenge our theories in two directions. One, if you’re unable to share content on the sites you’re used to using – Twitter, in this case – you may be more willing to adopt a new tool, even if its interface is initially unfamiliar. Second, an additional barrier to adoption for decentralized publishing may be that its first large userbase is a population that cannot use centralized social networks. Any stigma associated with this community may make it harder for users with other interests to adopt these new tools.
Like many others, I can see many more and stronger reasons for a decentralized web than not. This article takes a look at a little bit of the downside of the model. (Though to be honest, I think the downside for this is even bigger in the siloed model.) Naturally the long term effects are far more complex than described here, but this is also very interesting during a week when there’s a continuing resurgence of neo-Nazis, the alt-right, and other white supremacists in America as well as a growing list of major companies that aren’t allowing them a safe harbor.

The US Government subpoena to DreamHost this week for visitors of an anti-Trump website and backbone internet companies like CloudFlare kicking off “The Daily Stormer” are particularly intriguing in the larger ecosystem as well.

I think there’s a lot here that’s both interesting to the IndieWeb community and from which we can all learn.

As I’m thinking about it, I wonder a bit what happens to the role of “community manager” in a larger decentralized and independent web? I hope it’s tummelers like Tantek Çelik, Kevin Marks, Jeremy Keith, Martijn van der Ven and others who continue to blaze the trail.

Mastodon is big in Japan

👓 Weniger Social Media, mehr Mensch by René Meister

Bookmarked Weniger Social Media, mehr Mensch by René Meister (renem.net)
Seit ein paar Wochen schon mache ich mir Gedanken wie ich der Flut an Informationen in sozialen Netzen entfliehen kann. Wobei Informationen hier vielleicht nicht das korrekte Wort ist, denn der größte Teil was auf Twitter & Co. geteilt und veröffentlicht wird, ist Content nach dem ich überhaupt ...
The title of this piece translates as “Less social media, more people”.

My favorite quote from it, roughly translated from German is:

I would like to see contributions for which I am really interested, which stimulate me to think, in which I can learn something.

This is about as good a reason to join the IndieWeb as one could want​​.

🎧 This Week in the IndieWeb Audio Edition • July 29th – August 4th, 2017 by Marty McGuire

Listened to This Week in the IndieWeb Audio Edition, July 29th - August 4th, 2017 by Marty McGuire
Audio edition for This Week in the IndieWeb for July 29th - August 4th, 2017. This week features a brief interview with Ben Werdmüller recorded at IndieWeb Summit 2017. Music from Aaron Parecki’s 100DaysOfMusic project: Day 85 - Suit, Day 48 - Glitch, Day 49 - Floating, Day 9, and Day 11 Thanks to everyone in the IndieWeb chat for their feedback and suggestions. Please drop me a note if there are any changes you’d like to see for this audio edition!