Acquisition: 1952 Royal Quiet De Luxe Portable Typewriter with Royal Vogue Typeface

On Sunday September 22, 2024, I picked up what appeared to be a boring-looking, run-of-the-mill, ubiquitous, mid-1950s Royal Quiet De Luxe in brown frieze crinkle paint from ShopGoodWill.com. These typewriters pop up everywhere and regularly sell in the $10-25 range. Of the 3163 typewriter models in the Typewriter Database, the Royal QDL is easily the most collected machine in the typosphere by a margin of 1.5:1 to the next closest model (the Smith-Corona Sterling) on the long list.

I present my 1952 Royal Quiet De Luxe portable typewriter with a special hidden feature.

The online auction listing for this particular typewriter happened to have a photo of the type basket which included a telltale W, whose sans serif centerlines crisscrossed, which piqued my interest beyond my collector’s desire for a late ’51/’52 QDL variation to pair with my ’48 and ’49 versions and my trusty 1955 model. It was listed for $10.99 when I first saw it, so I waited ever-so-patiently for 4 days with half a dozen alarms set to see if I could snag it for a dramatically below-marketplace valuation. There was one other bid for the minimum, so I put in two last minute bids, one for $20 and another for $1,000 just in case the other bidder had observed what I had noticed and intended to snipe it away. The typewriter collecting gods smiled warmly on me that day.

Eagle eyes, patience, and careful bidding won the day! Knowing the perils of typewriter shipping, especially from Goodwill, I followed up the bidding win and spoke to the GoodWill shipping manager and made an increased donation to their shop to ensure the machine was properly packaged for shipping to prevent possible damage to the uncommon machine. All-in I scored a Royal Vogue for the bargain basement price of under $100. It’s the biggest win I’ve experienced in my short typewriter collecting career. Unless I trip over a mint condition Sholes & Glidden sitting next to a garbage bin, I may be unlikely to surpass this level of luck again.

Given that I’ve seen machines, usually Royal model Ps, with a Vogue typeface go for $950-1,200 in unknown working shape on the open market, I suspect that cleaned up and in restored condition, this could easily sell for $1,500-2,500. Of course, I’ve fallen in love with the typeface, so I’m unlikely to let it go any time soon.

Design

This 1952 machine follows the QDL redesign by Henry Dreyfuss from August 2, 1945 which was put into production in 1948 and changed a bit in 1949. It maintained some of Dreyfuss’ angular shape as well as the tombstone shaped keys, though they changed from the older glass keys of the 40s to the green plastic of the beginning of the plastic onslaught which was to change typewriter manufacture for the next decades.

The front of the this iteration of the machine features a chromed Royal badging flanked on both sides with chrome wing features which have cutouts for the ribbon reversal and ribbon color selector switches. Later versions in subsequent years would lose the wings in lieu of a hood latch button and and a simpler ribbon color switch selector.

The Fall/Winter Sears catalog in 1952 listed this new variation of the Quiet De Luxe for $103.58 in both pica and elite options. The Vogue typeface would have been an available custom order option for a few dollars at the time, but it apparently wasn’t an often ordered one. Of the 522 Royal QDLs in the Typewriter Database at the moment, I’ve only found 5 (including this one) which have a Vogue typeface which makes it less than 1% of the total. Given collectors’ affinity for them, I could easily imagine the actual manufacture rate may have been even smaller.

Though the catalog indicates that the model was 17 pounds for both the machine and the case, my typewriter is 15.7 pounds by itself and 20.1 pounds in the case.

Overall condition

This machine has the appearance of having been at least moderately used. There are a couple bits of paint knocked off some edges (common with portables of this size) and the machine internals were relatively clean.

While the machine was in very solid workable and immediately usable condition when I received it, it definitely deserved some care and attention. In particular, someone had ill-advisedly used a black/correction ribbon on it, so the interior around and below the typing point was covered with white correction tape sludge.

On Saturday, October 19th, I spent several hours in the afternoon and then again in the evening pulling the machine apart, cleaning all the external and internal parts and flushing it out with lacquer thinner. Simple Green did an excellent job on the exterior, and I scrubbed some flecks of Correction Fluid off the body. A quick and very light oiling has the machine purring now. I also did a rubdown on the crinkle paint with some WD-40 to make the exterior truly sparkle. I’m now the proud owner of a scintillating wonder of engineering and typeface design.

Thought it had the appearance of being reasonably maintained, I couldn’t find any clues that it had had a major overhaul or serious cleaning aside from general maintenance. A few of the linkages had some old, brownish/black grease on them which I would take to indicate that it probably hadn’t been serviced since the 1960s. I’ll have to look up historical dates for the black/white correction tape release, but given the dryness of the black portion of the ribbon I’m guessing the ribbon may have been from the late 1970s.

Of particular note, the platen still has a small amount of “give” left to it and isn’t as rock hard as I might have suspected for its age. This means I may wait a bit and replace the platen(s) on other machines before I need to get to this one. The rubber rollers still work well and the rubber feet are in reasonable shape too.

The 1952 Quiet De Luxe came with an original period case as well as a key and the original typewriter manual, a digital copy of which can be found on Richard Polt’s Typewriter Site. (At the rate things are going, I’m finding extant keys are almost as rare with portables as finding a Vogue typeface.)

There is what appears to be a Social Security number scratched into the brown paint on the bottom of the machine. I won’t comment further other than to say its a California area SSN, which is where I purchased it, so there’s a reasonable chance that this was a single owner machine.

Keys

The keyboard has a typical mid-century Royal layout. The keys are in a traditional dark green plastic double shot with white plastic. They’re all in exceptional condition aside from the letter “C” which has a small surface flaw that I ought to be able to buff out pretty easily. There are 42 keys and slugs giving 84 typeable characters for a standard United States English keyset along with six additional keys for backspace, shift, shift lock on the left and tab, margin release, and a shift key on the right. The bottom of the 4 bank keyboard features a more standard inset brown spacebar than its 1948 and 1949 predecessors which had a blocky black design element that made the spacebar more integral to the front frame of those machines.

Other functionality

Manufactured roughly at the peak of typewriter functionality, this medium sized portable machine has almost everything a typist could want in terms of functionality.

There is a rear rabbit-ear style paper support, double sided Royal Magic Margins, touch control (inside the hood), a manually accessible ribbon switch and bichrome/stencil setting switch on the front, and five manually adjustable tabulator sets accessible from the back which are viewable when looking down with the paper table folded back. It has left and right carriage release levers, both temporary and permanent platen adjustment mechanisms, and a single card finger on the right side of the typing line. This QDL has the usual 1, 2, and 3 line spacing mechanism.

Case

The case certainly has seen some heavy signs of travel, but seems to be holding together well despite the wear. The inside is in excellent shape and none of the fabric on the exterior is coming off despite the heavy wear.

Disaster Girl all grown up and ready to put out some serious samizdat.

Typeface Sample

The typeface on my Royal QDL is the previously mentioned highly prized and much-sought-after Royal Vogue. It types 10 characters per inch and 6 vertical lines per inch. A type sample from my machine with blue and green ribbon appears below. If you need an extended sample, for fun I typed out a large portion of the lyrics to Madonna’s 1990 hit Vogue.

Sound

Here’s a sound sample of inserting a sheet of paper, aligning it, writing a sentence, the bell, and a return with more typing on my 1952 Royal Quiet De Luxe:
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Photo Gallery of Cleaning

Photo Gallery of Finished Machine