👓 All the URLs you need to block to *actually* stop using Facebook | Quartz

Just by the bulk of URLs, this gives a more serious view of just how ingrained Facebook is in tracking your online life.

👓 The Google News Initiative: Building a stronger future for news | Google

This article is even more interesting in light of the other Google blog post I read earlier today entitled Introducing Subscribe with Google. Was today’s roll out pre-planned or is Google taking an earlier advantage of Facebook’s poor position this week after the “non-data breach” stories that have been running this past week?

There’s a lot of puffery rhetoric here to make Google look more like an arriving hero, but I’d recommend taking with more than a few grains of salt.

Highlights, Quotes, & Marginalia

It’s becoming increasingly difficult to distinguish what’s true (and not true) online.

we’re committing $300 million toward meeting these goals.

I’m curious what their internal projections are for ROI?


People come to Google looking for information they can trust, and that information often comes from the reporting of journalists and news organizations around the world.

Heavy hit in light of the Facebook data scandal this week on top of accusations about fake news spreading.


That’s why it’s so important to us that we help you drive sustainable revenue and businesses.

Compared to Facebook which just uses your content to drive you out of business like it did for Funny or Die.
Reference: How Facebook is Killing Comedy


we drove 10 billion clicks a month to publishers’ websites for free.

Really free? Or was this served against ads in search?


We worked with the industry to launch the open-source Accelerated Mobile Pages Project to improve the mobile web

There was some collaborative outreach, but AMP is really a Google-driven spec without significant outside input.

See also: http://ampletter.org/


We’re now in the early stages of testing a “Propensity to Subscribe” signal based on machine learning models in DoubleClick to make it easier for publishers to recognize potential subscribers, and to present them the right offer at the right time.

Interestingly the technology here isn’t that different than the Facebook Data that Cambridge Analytica was using, the difference is that they’re not using it to directly impact politics, but to drive sales. Does this mean they’re more “ethical”?


With AMP Stories, which is now in beta, publishers can combine the speed of AMP with the rich, immersive storytelling of the open web.

Is this sentence’s structure explicitly saying that AMP is not “open web”?!

👓 Introducing Subscribe with Google | Google

Interesting to see this roll out as Facebook is having some serious data collection problems. This looks a bit like a means for Google to directly link users with content they’re consuming online and then leveraging it much the same way that Facebook was with apps and companies like Cambridge Analytica.

Highlights, Quotes, & Marginalia

Paying for a subscription is a clear indication that you value and trust your subscribed publication as a source. So we’ll also highlight those sources across Google surfaces


So Subscribe with Google will also allow you to link subscriptions purchased directly from publishers to your Google account—with the same benefits of easier and more persistent access.


you can then use “Sign In with Google” to access the publisher’s products, but Google does the billing, keeps your payment method secure, and makes it easy for you to manage your subscriptions all in one place.

I immediately wonder who owns my related subscription data? Is the publisher only seeing me as a lumped Google proxy or do they get may name, email address, credit card information, and other details?

How will publishers be able (or not) to contact me? What effect will this have on potential customer retention?

👓 Suspending Cambridge Analytica and SCL Group from Facebook | Facebook Newsroom

This is sure to cause a privacy firestorm. Or make the already growing one worse.

👓 One more reason not to sweat the robot takeover | Doc Searls

Read One more reason not to sweat the robot takeover by Doc Searls (doc.blog)
Long ago a high school friend wanted to connect through Classmates.com. We fell out of touch, but Classmates did not. It kept spamming me with stuff about my long-dead high school until I got it, somehow, to stop. Now I just got a mail from Classmates.com tempting me to know more about a classmate of mine from "Calabasas Academy Calabasas, CA Attended ’95-’99." Classmates' marketing robot calls me Jim and has a mailbox for me (see the image to the right) containing three promotional emails from itself. My high school was at the other end of the country, and I graduated in 1965.

👓 Most major outlets have used Russian tweets as sources for partisan opinion: study | Columbia Journalism Review

Read Most major outlets have used Russian tweets as sources for partisan opinion: study by Josephine Lukito and Chris Wells (Columbia Journalism Review)
In a new study at the University of Wisconsin-Madison, we look at how often, and in what context, Twitter accounts from the Internet Research Agency—a St. Petersburg-based organization directed by individuals with close ties to Vladimir Putin, and subject to Mueller’s scrutiny—successfully made their way from social media into respected journalistic media. We searched the content of 33 major American news outlets for references to the 100 most-retweeted accounts among those Twitter identified as controlled by the IRA, from the beginning of 2015 through September 2017. We found at least one tweet from an IRA account embedded in 32 of the 33 outlets—a total of 116 articles—including in articles published by institutions with longstanding reputations, like The Washington Post, NPR, and the Detroit Free Press, as well as in more recent, digitally native outlets such as BuzzFeed, Salon, and Mic (the outlet without IRA-linked tweets was Vice).
How are outlets publishing generic tweets without verifying the users actually exist? This opens up a new type of journalistic fraud in which a writer could keep an army of bots and feed out material that they could then self-quote for their own needs without a story really existing.

👓 For Two Months, I Got My News From Print Newspapers. Here’s What I Learned. | New York Times

Read For Two Months, I Got My News From Print Newspapers. Here’s What I Learned. by Farhad Manjoo (nytimes.com)
Our tech columnist tried to skip digital news for a while. His old-school experiment led to three main conclusions.
A somewhat link-baity headline, but overall a nice little article with some generally solid advice. I always thought that even the daily paper was at too quick a pace and would much prefer a weekly or monthly magazine that does a solid recap of all the big stories and things one ought to know, that way the stories had had some time to simmer and all the details had time to come out. Kind of like reading longer form non-fiction of periods of history, just done on a somewhat shorter timescale.

👓 Meet Vero: Why a billionaire’s Instagram alternative is suddenly so popular | Mashable

Read Meet Vero: Why a billionaire's Instagram alternative is suddenly so popular by Karissa Bell (Mashable)
What you need to know about Vero.
It looks like a very slick app that could replace way more than just Instagram. It’s got bookmarks/links, music, watches for movie/tv, read related posts for books, location, and photos as post kinds in addition to a variety of audiences. If it had broad based status updates and articles…

Of course it’s still early days for it, and all platforms change drastically as they grow without the customer’s real control of them. #justanothersilo

👓 In One Tweet, Kylie Jenner Wiped Out $1.3 Billion of Snap’s Market Value | Bloomberg

Read In One Tweet, Kylie Jenner Wiped Out $1.3 Billion of Snap’s Market Value by Justina Vasquez (Bloomberg.com)
Snap Inc.’s flagship platform has lost some luster, at least according to one social-media influencer in the Kardashian-Jenner clan.
I’m surprised that platforms like this don’t have their biggest users doing beta testing of their product to prevent things just like this from happening.

It’s also a good example of why having my own site is valuable: no one can force changes on me if I don’t really want them.

👓 I Cracked Facebook’s New Algorithm And Tortured My Friends | Buzzfeed

Read How I Cracked Facebook’s New Algorithm And Tortured My Friends by Katie Notopoulos (BuzzFeed)
Or, how to lose friends and influence people.
Black box algorithms are simply the bane of the world. How hard would it be to give us some manual and granular control over our own feeds. That’s really the next killer app. If the rise of the independent and decentralized web isn’t the thing that kills social media, it’s going to be a company that figures out how to act more human and give people the ability to control what they read.

👓 Facebook’s Campbell Brown: “This is not about us trying to make everybody happy” | Nieman Journalism Lab

Read Facebook’s Campbell Brown: “This is not about us trying to make everybody happy” by Laura Hazard Owen (Nieman Lab)
“If someone feels that being on Facebook is not good for your business, you shouldn’t be on Facebook. Let’s be clear about that…I don’t see us as the answer to the problem.”

👓 All Followers Are Fake Followers | The Atlantic

Read All Followers Are Fake Followers by Ian Bogost (The Atlantic)
A New York Times exposé of a “black market” for online fame diagnoses the symptom of social-media despair, but misses its cause.
This aptly picks up where the NYT article left off… though of course they go on even further than this article admits.

👓 How Facebook Is Killing Comedy | Splitsider

Read How Facebook Is Killing Comedy by Sarah Aswell (Splitsider)
Last month, in its second round of layoffs in as many years, comedy hub Funny or Die reportedly eliminated its entire editorial team following a trend of comedy websites scaling back, shutting down, or restructuring their business model away from original online content. Hours after CEO Mike Farah delivered the news via an internal memo, Matt Klinman took to Twitter, writing, “Mark Zuckerberg just walked into Funny or Die and laid off all my friends.” It was a strong sentiment for the longtime comedy creator, who started out at UCB and The Onion before launching Pitch, the Funny or Die-incubated joke-writing app, in 2017.
This article really has so much. It also contains a microcosm of what’s been happening in journalism recently as well. I have a feeling that if outlets like Funny or Die were to go back and own their original content, there would still be a way for them to exist, we just need to evolve the internet away from the centralized direction we’ve been moving for the past decade and change.

Highlights, Quotes, & Marginalia

eliminated its entire editorial team following a trend of comedy websites scaling back, shutting down, or restructuring their business model away from original online content.  Hours after CEO Mike Farah delivered the news via an internal memo, Matt Klinman took to Twitter, writing, “Mark Zuckerberg just walked into Funny or Die and laid off all my friends.” It was a strong sentiment for the longtime comedy creator, who started out at UCB and The Onion before launching Pitch, the Funny or Die-incubated joke-writing app, in 2017.


“Mark Zuckerberg just walked into Funny or Die and laid off all my friends.”


The whole story is basically that Facebook gets so much traffic that they started convincing publishers to post things on Facebook. For a long time, that was fine. People posted things on Facebook, then you would click those links and go to their websites. But then, gradually, Facebook started exerting more and more control of what was being seen, to the point that they, not our website, essentially became the main publishers of everyone’s content. Today, there’s no reason to go to a comedy website that has a video if that video is just right on Facebook. And that would be fine if Facebook compensated those companies for the ad revenue that was generated from those videos, but because Facebook does not pay publishers, there quickly became no money in making high-quality content for the internet.


Facebook has created a centrally designed internet. It’s a lamer, shittier looking internet.


The EU has a bunch of laws kicking in to keep this in check — one is algorithmic transparency, where these places need to tell me why they are showing me something.


If someone at Facebook sees this, I want them to know, if they care at all about the idea that was the internet, they need to start thinking through what they are doing. Otherwise, then you’re just like Lennie from Of Mice and Men — a big dumb oaf crushing the little mouse of the internet over and over and not realizing it.


And I want it to feel that way to other people so that when they go to a cool website, they are inspired: They see human beings putting love and care into something.


Facebook is essentially running a payola scam where you have to pay them if you want your own fans to see your content.


It’s like if The New York Times had their own subscriber base, but you had to pay the paperboy for every article you wanted to see.


And then it becomes impossible to know what a good thing to make is anymore.

This is where webmentions on sites can become valuable. People posting “read” posts or “watch” posts (or even comments) indicating that they saw something could be the indicator to the originating site that something is interesting/valuable and could be displayed by that site. (This is kind of like follower counts, but for individual pieces of content, so naturally one would need to be careful about gaming.)


Here’s another analogy, and I learned this in an ecology class: In the 1800s (or something), there were big lords, or kings or something, who had giant estates with these large forests. And there were these foresters who had this whole notion of how to make a perfectly designed forest, where the trees would be pristinely manicured and in these perfect rows, and they would get rid of all the gross stuff and dirt. It was just trees in a perfect, human-devised formation that you could walk through. Within a generation, these trees were emaciated and dying. Because that’s how a forest works — it needs to be chaotic. It needs bugs and leaves, it makes the whole thriving ecosystem possible. That’s what this new internet should be. It won’t survive as this human-designed, top-down thing that is optimized for programmatic ads. It feels like a desert. There’s no nutrition, there’s no opportunity to do anything cool.


Recommending things for people is a personal act, and there are people who are good at it. There are critics. There are blogs. It’s not beneficial to us to turn content recommendations over to an algorithm, especially one that’s been optimized for garbage.


the internet was a better place 3-4 years ago. It used to be fruitful, but it’s like a desert now.


Facebook is the great de-contextualizer.

👓 The Facebook execs who turn to Twitter for publisher charm offensive | Digiday

Read The Facebook execs who turn to Twitter for publisher charm offensive - Digiday by Lucia Moses (Digiday)
These are the Facebook execs using Twitter to promote the social network and attack its critics.