Library charging trays for vertically oriented 3 x 5″ index cards

Amidst my seemingly ever-growing collection of index card boxes and trays, I’ve been contemplating getting something that would store cards in a vertical orientation rather than the traditional horizontal. As I’ve been watching the market over the past couple of years, nothing had really come up that suited the bill until this past summer. 

That’s when I saw a small handful of what are known as library charging trays pop up. 

What is a library charging tray?

These library charging trays were traditionally used in libraries in the mid to late-twentieth century at the circulation desk. A librarian would remove the book card from the pocket adhered to one of the inside covers of the book. This card would identify the book’s author and title and generally have a list of borrower’s names along with either the due date or the return date, or sometimes both. Once filled out, the card would be placed vertically in the charging tray behind a tab indicating its due date. The librarian would then place a due date card into the empty pocket with a stamped due date on it. Alternately some of these pockets may have been printed with grids into which a due date would be stamped. 

The last page and inside cover of a the library book Webster's Early European History featuring a book card with the author's name and book title along with a list of due dates and borrower's names sitting on top of the book pocket glued to the inside cover. On the last page of the book is a 3x5" slip glued onto the page with a grid of four columns for stamping due dates. There are about six dates stamped in from the early 1980s.

The library would then have in their charging tray an ordered list of checked out books which they could later use to follow up on if they became overdue.

Upon return of the book from the patron, the librarian would then be able to match up the title and stamped due date in the pocket with that from the card in the charging tray and refile the book card into the pocket of the appropriate book before returning it to the shelves for the next patron.

Yellow due date card for the Crowell Public Library which has it's address at the top underneath which appears three rows of black stamped due dates spanning from July 11 2016 to March 24 2018.

Models and Materials

Most charging trays I’ve seen range from 1 row of cards and have gone up to 5 rows. Most common are 2 and 3 row models. 

I’ve yet to see older trays made out of oak. Most seem to be from the 1960s onward and are often constructed of maple. Gaylord Brothers and Remington-Rand seem to have been the primary manufacturers of these, but it’s possible that other companies may have made them as well. 

My charging trays

When I acquired my Shaw-Walker desktop two drawer card index, I mentioned that I had purchased a few charging trays. Let’s take a look at the two of them briefly.

One tray has two rows for cards while the other has three. The double tray is definitely manufactured by Gaylord Bros, Inc. and still has the original manufacturer’s sticker on the bottom. The other is unmarked and is most likely a Gaylord too as Remington-Rand typically put a small metal badge on most of their products. This one not only doesn’t have that traditional badging, but also doesn’t have any telltale nail holes where it may have originally been. The double tray has 12 1/2″ of internal space for cards in each row and the triple has 10 3/4″ in each row which would give them enough space to hold approximately 3,500 and 4,500 index cards respectively.

The double tray seems almost new despite some minor wear. (We all know how rough those librarians can be.) The triple tray shows more signs of wear including some old labeling with handwriting that provides a fun level of patina.

Three column library charging tray sitting on top of a library card catalog.

Side view of a three row charging tray with index cards sitting in it.

View into a charging tray to show the metal follower blocks which hold cards upright.

Close up of the dovetail wooden join on the corner of a library charging tray

New uses for library charging trays

Naturally one could immediately consider using these trays to hold index cards for their note taking and filing practices. This is particularly useful for those who might appreciate a physical zettelkasten form factor for using vertically oriented 3 x 5″ index cards. (I’ve never seen a charging tray made for 4 x 6″ index cards and would suspect they never existed.)

Beyond this, those who are into the idea of maintaining a hipster PDA or who have 3 x 5″ index cards for general productivity purposes would certainly appreciate these boxes for their filing and archiving needs. If you’re unfamiliar with these sorts of practices see my article about The Memindex Method. A charging tray would certainly make an excellent home for a modern day Memindex practice. Pair it with an index card wallet and you’re off to the races as if you were living back in 1903.

What other functions could these trays be upcycled for? I’m curious to hear others’ ideas here.

Finding  Charging Trays

Used/Vintage Charging Trays

With the digitization of most library circulation processes the noble charging tray has generally gone out of fashion. At the height of their use, most libraries didn’t really need many of them, so they were never as ubiquitous in the broader market the way other card index boxes and cabinets were. As a result it’s rarer to see them on the secondary/used market in comparison to their brethren. When you do find them, it’s more likely that you’ll see them incorrectly listed as card index drawers. I suspect it would be incredibly rare that a second hand seller would know what they actually were, but even if they did, the key words in their name mean dramatically different things now which swamp the search engine optimization algorithms with things which patently are not these boxes.

This means long search times and patience to attempt to track them down. I’ve seen several listed as “rare” which they are to some degree, but not as rare as most sellers think they are in terms of pricing. They primarily seem rare because no one knows what to call them and as a result pricing can be all over the map. I’ve seen some two and three drawer versions listed for $300 and up. For a more reasonable reference I got both of mine for a total of $60 and a very modest shipping charge. I’ve seen one or two others sell for $20 to $30 each. A couple of trays I saw in Spring 2023 which listed for several hundred are still gathering dust on vintage store shelves.

Ferris Bueller standing in the bathroom of Chez Quis meme image with the superimposed words: "The Gaylord Bros. Library Charging Tray. It is so choice. If you have the means, I highly recommend picking one up."

New Charging Trays

If you don’t have the patience to get something vintage, you might try purchasing new charging trays from Brodart. According to my research, they’re the only player left making and selling them outside of one online retailer in India offering a 5 tray model for for 2″x3″ and 3″x5″ cards for about US$50.

Sadly, Brodart has had some ongoing issues with their online web store this fall, so one would need to download a copy of their catalog and order via email, phone, or fax. In my physical copy of their most recent catalog they appear in the Processing and Circulation section on page 137. They offer both single and double trays in either a light or a darker finish. Prices for them range from US$76.76 to 149.06. The smaller trays will fit 600 cards with the larger trays fitting 1,000 cards each. Given their size, they might make for rather elegant desktop boxes. On that same catalog page Brodart also conveniently offers green pressboard card guides (dividers) which are either plain or labeled with the months of the year in a vertical 5″ tall by 3″ wide configuration. Separately they have some manila dividers with 1/3 cut alphabet tabs (A-Z) for helping you to sort and separate your cards.

For those who might prefer to use these in a zettelkasten practice, Brodart also makes borrower’s cards and book cards in a range of light to medium-weight card stock (similar to index cards) which are pre-printed with a range of metadata fields common to these types of cards (author, title, date loaned, borrower’s name, date returned, date due, room number, etc. Most of these cards are listed on catalog pages 128 and 129. Some of these would be particularly useful for making bibliography cards which would use some of these preprinted data fields. The date and patron portions could then be used to note page numbers and either quotes from the text/one’s own ideas respectively. All these cards are conveniently lined for writing your notes. Naturally one could just as easily use their own 3 x 5″ index cards of choice in a vertical orientation.

Brodart book card featuring two lines at the top for the title of the book and the author followed by a two column lined grid with spaces for Date Due and Borrower's Name
Brodart Book Card Catalog Number 23-242 906

Zettelkasten for Course Work

I’m tending to lean more toward telling students to rely more directly on something like Cornell notes while they’re in classes learning the basics of an area. Too many students considering starting a Luhmann-artig zettelkasten think that they ought to write down everything, atomize it, and link it which would take an inordinate amount of time to those new to the process. This is particularly troublesome because most courses (especially introductory ones) are designed such that much of the material should be fully internalized by the time the course is over. When you take a math class you might learn what 2+2 is and make a note about it, but by the time the course is over, that idea should now be so basic that keeping it in your system should be a bit laughable. Spending time to excerpt it from a lecture, make it atomic, and interlink it is a lot of make-work that isn’t likely to be useful either for the learning the thing to begin with, much less remember it in the long run to potentially use it again.

Once one has mastered most of a course, they might profitably skim through their notes at the end to summarize outcomes they saw and find most useful and interesting. Those things along with the summaries of their Cornell notes might then be useful zettels to keep in the long run. A zettelkasten practice like that of Niklas Luhmann is more useful when one already has a strong lay of the land and they’re attempting to do the work of expanding on the boundaries of new areas of knowledge.

If you are a student contemplating creating a zettelkasten, then the bulk of your notes probably ought to be short snippets kept with your bibliography notes and should not be individual zettels. By this I mean specifically that you might have a bibliographic note (reference note or literature note) for each individual lecture with some fleeting notes about it kept with that card. Then if necessary, you’ll probably only have one or two zettels or permanent notes out of each lecture. If you’re attempting to create 30 permanent notes a day and interlink them all, then you’re going to find yourself overworked and overwhelmed within just a few days.

Index Card Cases, Wallets, Covers, Pouches, etc.

I’ve had an oddly large number of emails over the past few months asking me for advice about what sorts of index card cases and carrying options I use on a daily basis.  Rather than tip out my zettelkasten in fits and spurts on the topic, I thought I’d pour out all those ideas out here instead. 

If you’re all-in on the ever-growing neo-index card lifestyle, then you should really work at adding some actual style to your fichier boîte practice. If your note taking has you going through cards like water, you’ll likely want something to carry them on the go, and often it can be useful, especially in meetings, to have something that not only looks nice, but will hold up through heavy use over the years. Maybe you want something fashionable to fit the change of seasons? Something to suit the occasion whether it’s a corporate board meeting or something to go with your red carpet black tie look? Are you taking notes at romantic wedding get-aways or at the beach? What are you using for storage?

In the vein of my article The Ultimate Guide to Zettelkasten Index Card Storage, below I’ve collected a number of various sorts of daily carry index card cases, wallets, covers, and folios one might consider using. Some, where indicated, are items I use regularly, but others are interesting options I’ve run across in my travels, and though they didn’t fit my particular needs, they might fit yours. I don’t (yet) consider it to be the ultimate guide to this space, so if you’re in the market, feel free to check back occasionally or add your thoughts, suggestions, or reviews to the comments below. Since some items aren’t designed specifically for index cards, notes about their usability and portability with respect to note taking or zettelkasten practices are appreciated.

As I did for boxes, I’m going to focus primarily on the 3 x 5 inch and 4 x 6 inch index card form factors which are more common, and for which these products are often more readily available. If you’re using larger cards, then you might consider searching for folders, cases, and related containers for equivalent sizes of paper in terms of notebook covers, filing solutions, and other binders keeping in mind that equivalent European or DIN A-sizes (A5, A4, etc.) may also suit your needs as long as they’re big enough to physically accommodate your cards. If you find something spectacular, let us all know.

Please double check sizing as I have run into instances where some items were fractions of an inch too small to fit the cards I wanted to use.

If you’re doing your own targeted searches some of the following words can be useful: cases, wallets, covers, pocket briefcases, folios, pouches, bags, pen and/or pencil cases, and fountain pen cases. While some of the pen related cases may not be as suitable, some are free-form pouches which will easily accommodate index cards in addition to other items you may want to carry with your cards. You can’t take notes without a writing instrument, so having space for a pen or pencil or two isn’t a bad thing. You’ll probably notice that some items come with pen loops for such eventualities. Trawling through some of the fountain pen and stationery communities can also give you some creative ideas for portable index card storage. 

A grey pen case with a zippered pocket on the left, a partition with space for five pens to be held in elastic loops with a mesh net pocket below it. Not pictured, there is a space for more pens or index cards which could be placed under the partition.
While not the most spectacular option, this double zippered, expandable pen case fits a huge number of pens and small office supplies as well as loads of either 3 x 5 or 4 x 6 inch index cards.

It bears noticing that one could also go the DIY route and make their own portable index card holders. This would allow one to have the exact form factor and specifications for their personal note taking styles. If this is you, hopefully some of the options below will give you some ideas about what form factors are available for designing your own. You’ll find that there are options in a variety of materials including leather, cotton, canvas, waxed canvas, sailcloth, metal, and even Harris Tweed. 

What will you choose?

Size independent options

Before we delve into some of the card size-specific choices, let’s look at a few that are size independent.

Binder Clips. Everyone is likely aware of it, but we will mention that in true old-school hipster PDA-style (aka Parietal Disgorgement Aid), one could certainly use a binder clip, which makes a certain statement, though not the one that many might wish. In a similar vein, I’ve heard people say they rely on rubber bands, or especially in hot climates where rubber bands break down quickly, plastic sandwich bags (Ziploc to keep out the moisture), or even envelopes. Envelopes may present an intriguing practice for those into slip-based project management or forms of kakeibo (家計 簿).

A stack of about 30 3 x 5 inch index cards with the traditional top red line and subsequent blue lines for writing all held together with a brass binder clip.
The classic Hipster PDA dressed up with a brass binder clip.

Binder rings. If you want to go flashcard style, then you’ll want to search for a good hole punch (I recommend the Mutual Centamatic Punch No. 250) and some binder rings which come in a huge variety of sizes, materials, and even colors.

Chicago Binding Screws. If you appreciate the flashcard style, but not the esthetic and would rather look a bit more corporate than playground, then perhaps Chicago binding screws (available in various sizes and finishes) will give your deck of index cards a more buttoned up look? For those who are fans of index card filing rod solutions, these can also be used to bundle up cards on the go using your pre-punched cards. Higher end metal finishes (brass, copper, oiled bronze?) can really up the game on this option. 

Gangnam Style. Just kidding—I’m just checking to see if you’re still awake. But seriously, the stiff upper body movements in the video were the result of decks of index cards in the suit jackets. I swear!

Uninspired Plastic. If you really must… Only for the indiscriminate completists, I’ll mention the ubiquitous cheap plastic cases, some with snaps or elastics for closure which hold 50 to a few hundred cards. If you carefully follow some of the zettelkasten box market, you can get a solid antique or vintage wooden box for almost as much as you’d pay for a dozen of these cheap toys. I don’t want to shame anyone, particularly those who are still test driving the analog index card life, but perhaps this is what you’ve got now and you’re here searching for a modest upgrade? Good! Keep exploring to find your new index card lifestyle.

Two plastic index card holders with snap closures. One is a is a greyish beige and the other is black. They hold about 100 index cards each.
Everyone has a few of these plastic holders lying around. Do they spark joy? Probably not.

3 x 5 inch index card versions

Not only are there a variety of custom solutions specifically designed for 3 x 5 inch index cards, but one can also profitably search for and use items designed for passports (3.5 x 5 inches) or pocket notebooks which are slightly larger, but still serviceable. A variety of high quality solutions are designed specifically for a variety of common brand name pocket notebook products including Field Notes (3.5 x 5.5 inches), Moleskine (3.5 x 5.5 inches), Leuchtturm (A6), Hobonichi, Midori, Jibun, etc., so searching for these within the space can provide some additional options for the discerning buyer.

In some cases, products meant for A7 size paper (74 mm x 105 mm or 2.91 x 4.13 inch) may also work, but check the sizing as A7 is physically smaller than 3 x 5 inches. Similarly A6 size paper (105 x 148mm or 4.13 x 5.83 inches) products should work as they are slightly larger than both 3 x 5 inch and 4 x 6 inch index cards, though depending on your card size they may be a bit roomy.

Products

 Simple leather wallets. I have an inexpensive, but nice leather notebook cover/wallet that I usually have a few 3x5s in. Searching for covers for pocket notebooks or A6 notebooks one will find lots of these which are more ubiquitous than those that will hold the larger 4×6 inch cards. Hundreds of variations of this sort can be found on Amazon, Etsy, eBay, and other online and leather retailers. After you’ve seen a few you can pick and choose ones with the number of pockets or slots you’d like, whether or not you want a pen loop, the ability to use it as a wallet for your cash and credit cards along with your notes, etc. Prices can generally range from US$15 to well over $100 with a variety of colors, types of leather, and even personalization options.

A brown leather pocket notebook wallet with two sets of pockets on the left (two slots for credit card sized inserts and another index card sized slot) with some credit cards and a 20 dollar bill sticking out. The pocket on the right is full of index cards next to which is a pen loop with a Retro 51 pen inserted.

Passport wallets. Similar to the above, there are a huge number of commercially available passport wallets in a variety of shapes, configurations, and materials. Most should fit index cards within the pocket designed for the passport. Search and see what you come up with. One correspondent said they loved their Aspinal of London passport cover.

Levenger carries some nicer index card-specific “pocket briefcases”. Their offerings are only for 3 x 5 inch form factors, but they do have a variety of those size cards and small notebooks as well as the ability to custom print stationery at that size if you’re looking for something personalized.

Kaitiaki has a unique form factor. It not only holds cards, but can be stood up as a display as well as be used as a small writing desk while you’re on the go. 

Rite in the Rain has a variety of notebooks and index card products whose primary premise is that they are waterproof. Naturally they also carry a variety of protective cases and pouches, most made of cordura, with a variety of configurations to suit a variety of needs. Browsing around here will find a variety of interesting and rugged options. Also of note, they have an index card wallet designed specifically for 3 x 5 inch index cards. Some may also appreciate their field desks for writing on the go. Slightly more difficult to find amid their cordura offerings are their Guide and Sherpa leather wallets which should comfortably fit 3 x 5 inch cards.

Lochby is primarily in the notebook and planner space with a variety of offerings featuring a durable waxed canvas esthetic. Their Pocket Journal case, meant for pocket notebooks, will easily hold a hundred index cards with additional internal pockets for business cards or credit cards and external pockets for miscellanea as well as a pen. It is small enough one could use it as a wallet and it will fit in most back pockets, though depending on its contents, it may not be comfortable to sit on for extended periods. Their larger Venture Pouch has two zippered sides, one for pens and the other with two separate spaces for index cards or other portable office supplies. If you don’t mind a bit more bulk in your portable office, Lockby’s Tool Roll should easily fit 150 index cards along with a variety of pens and side pocket for miscellaneous needs. If you’re price sensitive, sign up to their newsletter as they have regular sales and discounts throughout the year.

An opened brown wax canvas Lochby pocket journal case with a zipper closure. Pockets on the left contain some money and credit cards while the pocket on the right is full of 3 x 5" index cards. An index card and black pen are sitting over the top of the left side to provide scale indicating that folded up the entire case is just larger than a 3 x 5 index card.

Lochby tool roll in brown waxed canvas with a yellow cloth interior. There are eight slots for pens which are filled with a variety of fountain pens and other writing instruments. Behind these are three pockets each with small stacks of 3 x 5 inch index cards. On the left is a small mesh zippered pocket with a ruler and an eraser in it.  There are flaps at the top and bottom of the pen section which fold over to protect them when the assembly is rolled up and clasped with a metal clasp visible on the right hand side.

IF provides some off-the-beaten-path options for the avid reader and note taker. Of particular note in their line up, is the Bookaroo Notebook Tidy, which is available in a number of colors. It provides eight elastic bands on the front for a variety of storage options, one of which could easily be your 3 x 5 inch index cards (it sadly won’t fit 4 x 6 inch though one could use a binderclip to attach them to the back of the tidy in a pinch). Turned over, the back is a firm surface that could be used as a small writing desk. Also included is an adjustable elastic band which can be used to attach the tidy to an A5 notebook or to a wide variety of standard hardcover novels and non-fiction (9.5 inch tall) books. Just attach your tidy with some note cards and you’re ready to read and take notes at your favorite home away from home.

A black Bookaroo Notebook Tidy has a stack of index cards inserted underneath two of its elastic straps and a pair of glasses is tucked under another strap. At the back is a blue mechanical pencil in a black pen loop. The whole tidy is attached by an elastic strap to a hardcover copy of Paper Machines written by Markus Krajewski.

Rickshaw, an offshoot company from Timbuk2 bags, offers a wide array of bags, wallets, pouches, and miscellanea in a huge variety of materials and form factors. While some of their larger items will certainly fit 3 x 5 inch cards, some of their smaller offerings include: The Diplomat, a wide variety of pocket notebook folios, and lots of pouches and wallets.

Traveler’s Notebook  manufactures passport size notebook covers meant for their range of notebooks which are held in by way of elastic bands. This makes them potentially less useful the index card afficionados as unbound or unclipped cards may not stay in them as easily. However, if you’re making or using small index card pads of the sort I’ve discussed in the past, then you can easily slip them in and go. TN also makes a variety of other useful inserts which may make this a intriguing choice.

4 x 6 inch index card versions

In this category, there aren’t as many custom made solutions, so searching specifically for them has generally been fruitless. The better bet for this size factor is to search for the slightly larger A6 sized notebook covers, holders, cases, and pouches and be comfortable with them being slightly larger. In most of my experience this is fine and there’s isn’t so much extra space that the difference is worrisome or noticeable. Some particular brands that might work include Hobonichi, The Superior Labor, Leuchtturm, etc.

Products

King Jim makes the cotton Flatty Works , an A6 horizontal pouch with small internal and external thin pockets and a clear front plastic window. At H4.8×W6.8×D1.4 inches it easily fits not only 4 x 6 inch index cards but has enough clearance for tabbed dividers as well. I have one I use as a daily carry and love it. I’ve written more details and a review elsewhere on the site.

Green canvas Flatty Works canvas envelope-style case with a clear plastic front through which one can see a handful of 4 x 6" index card dividers and index cards.

Lochby. Mentioned above, their only product which will fit 4 x 6 inch cards is their  “Adventure Pouch”. It will also provide you with space for a variety of pens, pencils, a pair of glasses and other small niceties. 4 x 6 inch cards won’t fit into the pockets of their tool roll (pictured above), but if it’s compelling enough, you could roll them into the apparatus and they shouldn’t fall out when clasped shut.

A brown waxed canvas pouch with two zippers with brown cord zipper pulls. At the left is a Lockby label next to a brown carrying handle. Sticking out of the top of one of the open zips is a stack of gridded 4 x 6 inch index cards. A silver Pentel Kerry mechanical pencil sits on top of the bag and a black Mont Blanc fountain pen sits in front of it on a wooden surface.

Rite in the Rain. Also mentioned in the 3 x 5 inch section, Rite in the Rain offers a handful of covers and pouches which are slightly bigger than 4 x 6 inch and will easily accommodate these index cards. Weatherproof, most are made out of cordura and have a rugged appearance and feel.

ateliers PENELOPE makes a variety of canvas bags and storage solutions, but their large Diary Pouch may be a classy solution for some of your larger index card on-the-go storage. Given its size, it’s got space for both index cards as well as some of your other portable storage needs. It’s small enough that it should fit easily into a briefcase or other larger bags or purses. If you have some index card “notebooks”, you might also consider their A6 canvas covers which are lovely and colorful.

Rickshaw. With a pedigree stemming out of Timbuk2, this San Francisco purveyor of bags for a variety of purposes offers two that look like solid options for the portable 4 x 6 inch index card fan (and which are certainly big enough for 3 x 5 inch users). The first is their Travelers Notebook Case and the second is the Coozy Case. Some may find that their larger A5 cases or their pouches may also suit their needs. The benefit of these options is that they come in a huge array of colors with customizable options. Browse around their site to see if something here strikes your fancy. Houndstooth anyone? Harris Tweed!?! Add-a-Patch? Yes, please. May I have some more?

Galen Leather. Galen, generally beloved within the fountain pen and stationery communities, offers a wide variety of leather notebook covers, folios, bags, and zippered cases which are compatible with a variety of index card sizes. One unique option here is their Writing Box, inspired by a writing desk owned by Thomas Jefferson. 

Custom solutions

I’ve been trying to get Aaron Aiken to make a custom leather billfold/cover, but it’ll be a few months before he gets around to it. If this is of interest to you, do ping him with your interest. (See conversation thread for details.)

Thoughts?

Have I missed anything interesting? 

What is your favorite index card holder when you’re out on the go? What’s holding your fleeting notes?

Quoted a post by Letterform Archive (@letterformarchive@typo.social)Letterform Archive (@letterformarchive@typo.social) (typo.social)
This box of 600+ specimen cards holds a complete snapshot of the last metal type foundries in Germany. Produced 1958–1971, the Schriftenkartei (Typeface Index) represents the final effort to catalog all the country’s typefaces in production at the time. The cards are useful for researchers and designers as they share a common format and show complete glyph sets. Thanks to Michael Wörgötter, a set of these cards is now in our collection, and his high-res scans are online. https://letterformarchive.org/news/schriftenkartei-german-font-index/

This Schriftenkartei represents a fascinating example of a card index (#zettelkasten) as a database. This one obviously had a very narrow range of topics.

+ = winning!

Today is the release day for Roland Allen’s new book The Notebook: A History of Thinking on Paper (Profile Books, 2023).  Those in the note taking, , , and intellectual history spaces may appreciate it.

Book cover of The Notebook

Scaffolding “Secret” Knowledge: An analogy for teachers of thinkers, creators, readers, and writers

There’s something incredibly important to learn in studying two very similar photographs of Mortimer J. Adler from the middle of the last century. I’ll present them here for reference:Mortimer J. Adler holding a pipe in his left hand and mouth posing in front of dozens of boxes of index cards with topic headwords including "law", "love", "life", "sin", "art", "democracy", "citizen", "fate", etc.

Black and white advertisement photo for the Great Books of the Western World featuring a photo of Mortimer J. Adler holding a pipe to his mouth superimposed over an arched display of the 54 books in the series behind him

Adler was a proponent of educational reforms in the form of building on John Erskine’s Great Books programs and went so far as to teach us to read properly before editing and presenting a fantastic collection of books in the form of the Great Books of the Western World by way of the Encyclopedia Britannica.

Adler most often suggested consuming a book in increasing levels by marking it up with highlights, annotations and even scaffolding a book’s important material on its end covers. However, when it came to the Great Books project, he and 25 of his colleagues used notes on index cards to index 102 great ideas across a large swath of classical Western literature.

You can see the majority of this indexed collection of knowledge splayed around him in the first photo. These index cards became the raw materials by which he and his team compiled and wrote the impressive Syntopicon which comprised volumes 2 and 3 of the 54 books in the Great Books of the Western World series (1952). Upon its release, the second photo was used extensively in marketing materials to sell the set to the general public over the ensuing decades and several editions of the books.  

Even if one doesn’t look very closely at the photos, once juxtaposed they will probably have already noticed that the photos of Adler himself are the same.  The second photo has obviously had the set of books superimposed around a cropped photo of him from the first photo. While it is a great advertising gimmick, it belies a lot of the serious work involved in building the Syntopicon which hides a tremendous amount of value.

Even Adler’s co-editor extolls the immense value of the Syntopicon:

But I would do less than justice to Mr. Adler’s achievement if I left the matter there. The Syntopicon is, in addition to all this, and in addition to being a monument to the industry, devotion, and intelligence of Mr. Adler and his staff, a step forward in the thought of the West. It indicates where we are: where the agreements and disagreements lie; where the problems are; where the work has to be done. It thus helps to keep us from wasting our time through misunderstanding and points to the issues that must be attacked. When the history of the intellectual life of this century is written, the Syntopicon will be regarded as one of the landmarks in it.
—Robert M. Hutchins, p xxvi The Great Conversation: The Substance of a Liberal Education. 1952.

However, while the Syntopicon as an end product holds great value, knowing how it was created is potentially even more important. The second photo does a huge disservice to the entire enterprise by way of erasure of the true nature of the Syntopicon. While the first photo may seem dull and esoteric, it holds a huge amount of hidden value for both students and teachers. It is photographic evidence of how the knowledge of the incredibly valuable Syntopicon was actually built. If properly scaffolded for students, following their lead of indexing their ideas, students could have their own personal Syntopicons for learning and exploring.

Scaffolding “Secret” Knowledge

View of the sun setting behind the pyramids at Giza in the background dominating over the edge of the city in the foreground

Photo by Ruben Hanssen on Unsplash

Imagine, if you will, the majesty and awe inspired by the Pyramids of Giza to the people viewing them  from the ground. The Great Pyramid itself is significantly taller than both Big Ben and the Statue of Liberty, and at approximately 45 stories tall is almost half the height of the Eiffel Tower, though obviously with a much more massive base. The entire structure of the Pyramid of Giza is estimated to weigh 5.9 million metric tons comprising 2.3 million blocks of stone averaging weights of about 3 tons each. These rocks were cut and moved only by humans across vast distances of sand. Anyone who has done the intense labor of dragging a cooler and pop up tent across even a few hundred feet of sand to spend a day at the beach will marvel at moving such massive blocks, even with thousands of people to help drag it. Yet they managed to lay 1,764,000 pounds of stone every day for nearly 20 years. How did the ancient Egyptians manage this feat? Curious people have tried for centuries to imagine how they managed to build such spectacular monuments from scratch. But because there is little in the historical record and no remains of scaffolding, anyone who might want to build their own monumental pyramid is left to start their process from scratch. But what if you had a picture of the method or the scaffolding? Perhaps even set of plans, diagrams, or description? That might make all the difference, wouldn’t it? 

I’ll give you a head start and suggest you begin with this image from c. 1880 BCE which was painted on the wall of the tomb of Djehutihotep:

A decaying wall painting of rows of men pulling a sled upon which sits a huge Egyptian statue. At the front of the sled is a man pouring liquid out of a vase.
Photo by Raymond Betz via Osirisnet.

The idea that the statue is being pulled by a large host of people on a sled is relatively obvious. But even if you can’t read the writing, you’ll probably know that that number of people isn’t nearly enough for what must be a tremendous weight. How about the image of the guy almost in the center of the painting? The one standing at the front of the sled who appears to be pouring liquid out? What is he doing? Could we try some experiments to learn what his purpose was? (In some literature he is often called a tribologist.)

Fall, Weber, Pakpour, et. al tried just that and found some surprising results. Pouring water onto sand decreases friction for objects pulled over it, meaning that its much easier for fewer men to pull large weights over sand. Their paper also contains a transcribed picture of the original painting prior to damage which has occurred since the early 1900s.

Just as the painting of our new tribologist friend scaffolds the “secret” behind how one moves large weights over sand in ancient Egypt, the photograph of Adler with his card index provides the answer to the secret behind how one writes a paper, article, thesis, or even a book. It certainly provides a lot more information to the viewer and potential reader of the Syntopicon than the second picture which excerpts Adler’s photo and simply surrounds him with books.

Teachers, including Adler, should prefer to show their work or scaffold their knowledge more often so that students can see how they they did their trick. Too often, like a magician, they perform their prestidigitation and leave out the secret of how it was performed. This certainly impresses the audience temporarily, but it doesn’t provide them with any actual knowledge they can apply for themselves. Teaching patently isn’t meant to be held to the secrecy of the “Magician’s Code”. It should be much more like the techniques of magicians Penn & Teller who frequently not only perform their magic, but then go on to reveal the actual method by which they produced it. It’s nice to enthrall students, but then show them how they might enthrall others. But let’s also not do it to the level of amateur magicians  who will only practice a trick until they get it right once, let’s help them move to the level of professional magicians who continue to practice every day until they never make any mistakes.

Too often in our writing courses we don’t reveal any useful methods by which one might produce interesting research and writing. Simply reading an encyclopedia article, a few beginner magazine articles, and a book or two might be a small enough project for a sixth grader to miraculously produce a three page essay and remember most of what they need to do so. But what is a high schooler or a college student to do when they need to produce theses of 20 pages or longer that go beyond the idea of simply regurgitating the data they’ve read over several months’ time? It’s much harder to remember and maintain the information of dozens of books and journal articles over such a time span. How might they better generate new insights into what their doing? Create new knowledge? And things compound dramatically if a student decides to become a professional researcher, writer, or even academician. 

The better course would be to have a teacher scaffolding how to practice these methods in class with the students as they try their own hand at it. I’ve seen well educated adults struggle with these methods, so I know it’s going to take some practice. 

Of course, not every teacher knows how to do these things themselves(to pass along the secrets, the magician must actually know how to perform the magic first), much less to do them in the most efficient ways. In fact, much like this story of teachers in  the “Reading Wars” who weren’t taught concrete methods of teaching reading, many teachers were never taught how to teach writing at higher technical and creative levels and were never forced to practice it themselves. Some who were forced just muddled their way through as best they could. As a result they teach their students to take the same long and arduous road involving the most work and often some of the worst results. At least in regard to writing, there is a royal road that one might take. 

The photo of Adler’s index cards is the tip of the iceberg that suggests a potential method. I suspect that for some, simply knowing about the index cards and seeing the final form of the two volumes of the Syntopicon could allow one to puzzle out the intervening steps with some minor experimentation. For those who’d like to jump ahead without experimentation or the need to read the hieroglyphs might make the next step with learning about methods shown in an excellent video of Victor Margolin explaining his method of research and writing. Or by reading a short article by Keith Thomas in the London Review of Books. They can then move onto Adler’s introductory How to Mark a Book

For those who appreciated the analogy of quarrying and dragging stone to make the pyramids, Gerald Weinberg’s 2005 book on The Fieldstone Method is sure to be a crowd pleaser. Overwise, similar more advanced methods are spelled out in Umberto Eco’s How to Write a Thesis and Sönke Ahrens’ How to Take Smart Notes. One might place the finishing touches with Adler and van Doren’s How to Read a Book (1972, 2011) and C. Wright Mills’ short paper On Intellectual Craftsmanship.

Conclusion

If you must for the exercise, allow students to drag their building blocks over the sand so they can see how difficult it is. But then reveal the secrets of the tribologists and the prestidigitators so that they can go on to build their own pyramids and make their own magic in life. Be sure not to have them use the method for just one project, but allow it to span several projects or to be used across their lives much the way many greats of history have leveraged the value of commonplace books which falls into a very similar tradition of knowledge management.

Show students how to take small ideas written on index cards and use them as proverbial building blocks to slowly and creatively build up larger arguments, create paragraphs, papers, and books with with them. While it may not seem obvious, variations on these methods were the secrets behind almost every great thinker or writer in history including Boethius, Thomas Aquinas, Desiderius Erasmus, Konrad Gessner, John Locke, Carl Linnaeus, Gottfried Wilhelm Leibniz, Niklas Luhmann, Beatrice Webb, Marcel Mauss, Claude Lévi-Strauss, Mortimer J. Adler, Niklas Luhmann, Roland Barthes, Vladimir Nabokov, George Carlin, Phyllis Diller, Twyla Tharp, and yes, even Eminem and Taylor Swift.

References

Adler, Mortimer J. “How to Mark a Book.” Saturday Review of Literature, July 6, 1941.

Adler, Mortimer J., and Charles Van Doren. How to Read a Book: The Classic Guide to Intelligent Reading. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

Benderitter, Thierry. “The Tomb of Djehutyhotep ‘Great Chief of the Hare Nome’ Page 2 of 2.” Osirisnet: Tombs of Ancient Egypt, 2006. https://osirisnet.net/tombes/el_bersheh/djehoutyhotep/e_djehoutyhotep_02.htm.

Fall, A., B. Weber, M. Pakpour, N. Lenoir, N. Shahidzadeh, J. Fiscina, C. Wagner, and D. Bonn. “Sliding Friction on Wet and Dry Sand.” Physical Review Letters 112, no. 17 (April 29, 2014): 175502. https://doi.org/10.1103/PhysRevLett.112.175502.

Heubeck, Elizabeth. “‘I Literally Cried’: Teachers Describe Their Transition to Science-Based Reading Instruction.” Education Week, September 15, 2023, sec. Teaching & Learning, Reading & Literacy. https://www.edweek.org/teaching-learning/i-literally-cried-teachers-describe-their-transition-to-science-based-reading-instruction/2023/09.

Mills, C. Wright. “On Intellectual Craftsmanship (1952).” Society 17, no. 2 (January 1, 1980): 63–70. https://doi.org/10.1007/BF02700062.

Thomas, Keith. “Diary: Working Methods.” London Review of Books, June 10, 2010. https://www.lrb.co.uk/the-paper/v32/n11/keith-thomas/diary.

Weinberg, Gerald M. Weinberg on Writing: The Fieldstone Method. New York, N.Y: Dorset House, 2005.

LIFE. “The 102 Great Ideas: Scholars Complete a Monumental Catalog.” January 26, 1948. https://books.google.com/books?id=p0gEAAAAMBAJ&pg=PA92&source=gbs_toc_r&cad=2#v=onepage&q&f=false. Google Books.

The Process of Writing World History of Design, 2015. https://www.youtube.com/watch?v=Kxyy0THLfuI.

Anne Frank’s Zettelkasten 🗃️

Slipped in between paragraphs about being worried that her family’s hiding place will be discovered by a new building owner and the fairness of rationing butter, Anne Frank mentions being gifted a zettelkasten to track her reading:

Father emptied a card file for Margot and me and filled it with index cards that are blank on one side. This is to become our reading file, in which Margot and I are supposed to note down the books we’ve read, the author and the date.
—Anne Frank (1929-1945), diary entry dated Saturday, February 27, 1943 (age 13)

Niklas Luhmann (December 8, 1927-1998), famous for his own 90,000+ slip reading file was a year and a half older than Anne Frank (June 12, 1929-1945) who received her first card index file in February 1943 (likely between the 27th, the date of her diary entry mentioning it and the prior diary entry on February 5th). It was given to her by her father at the age of 13. As would have been commonplace, she was intended to use it as a “reading file” to note down the books she’d read along with the author and the date.

One can only wonder at how many entries she would have made over the span of her life had it not come to such an abrupt end.


Frank, Anne. The Diary of a Young Girl: The Definitive Edition. Edited by Otto H. Frank and Mirjam Pressler. Translated by Susan Massotty. 1947. Reprint, New York: Bantam, 1997.

If you’re going to punch holes in 3 x 5″ index cards for your new library card catalog and want something to match your 20 gauge office furniture, you really ought to have an era-appropriate hole punch. Presenting the industrial strength Mutual Centamatic Punch No. 250 (Made in Worchester, Mass. U.S.A.), which I picked up today at the local thrift store for $0.75. 

Atomic era industrial hole punch with eleven adjustable positions and adjustable paper guides. A stack of index cards with a single hole punched into them sits in front of it.

Close up of the paper guide on a Mutual Centamatic Punch No. 250 with measurement markings for 12, 11, 9 1/2, 8 1/2, 7 3/4, 7 1/4, 6 3/4, 6, 5 1/2, and 5 inch paper sizes.

Custom Zettelkasten Stationery?

For those who have a significant paper-based zettelkasten practice, have you considered commissioning custom made cards? There are a variety of stationers who do custom work and one could also purchase directly from Chinese manufacturers to get costs down by buying in bulk.

Ryan Holliday is one of the few I’ve seen in the wild who has mentioned custom making cards, usually done on a per-project (book) basis where he’ll put a header title at the top of his note cards. Example: https://www.instagram.com/p/CeWV6xBuZUN/?hl=en

 
 
 
 
 
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Other options could include doing custom/personalized stamps. (I have a date stamp handy for quickly stamping the dates of creation/updating in the corner of cards.)

I’m curious what suppliers/manufacturers folks have researched/used? What were your experiences? What sort of templates or printing did you use on them? Paper weight? Did you go Grid, blank, dot, lined, or all of the above? If you were looking to purchase something for yourself, what would you want?