Acquired 1964 Sears Cutlass portable Typewriter (Smith-Corona Marchant)
Serial Number: 6ASP-103936
Sears Futura typeface (aka SCM Numode No. 61 typeface), pica, 10 CPI, 6 lines/inch, American 88 No. 423 keyboard, bichrome, 44 keys, 88 characters, Change-A-Type, ¶ key
A red typewriter for Christmas! And it was hiding the uncommon Sears Futura typeface (aka Smith-Corona Numode No. 61) for its American 88 No. 423 keyboard which also features the Change-A-Type functionality. (Sadly it’ll be a slog to try to find matching Numode typeface slugs to match, though some of my math slugs may work well.) This means that it meets my current collector’s criteria for an interesting model I don’t already have as well as an uncommon typeface.

Futura typeface sample of a 1964 Sears Cutlass'

I’ve been on the hunt for one of these for over two years and always lost out in online auctions which generally went in the range of $150-200 in part because of the hot reddish/burgundy paint job with white racing stripes and the fact that Taylor Swift used this same typewriter in her All Too Well: The Short Film.

In the last two years I’ve only seen three of these on ShopGoodwill, so they definitely don’t pop up often. There are only 5 others on the Typewriter Database. Many of the online auctions where they went for a few hundred on ShopGoodwill.com had them being relisted by flippers on eBay in the $600-800 range within two weeks with no cleaning or restoration work. I’ve seen prices for them on eBay for $1,000 and over. For comparison, similar typewriter models in the 5 and 6 series of the period would otherwise be selling in the $25-50 range in this condition. (Ultimately, I’m glad I waited.)

1964 Sears Cutlass sitting at an angle on a sea green metal bar stool in front of a barrister bookcase flanked by card index filing cabinets.

Close up angled from the top of a burgundy 1964 Sears Cutlass which has a pair of racing strips on the right side of the hood.

1964 Sears Cutlass with the hood open to show the stickers underneath the hood and a portion of the basket. One of the stickers indicates the type as "Futura".

This one is in generally exceptional shape and works well out of the box. The shop it came from (or more likely the prior owner) was definitely on the liberal side with their lubrication. One of the two carriage release levers is broken off, which is extremely common on the 6-series models which used plastic which apparently brittled with age. I’ll give it a once over to touch up some of the dirtier parts and make some subtle adjustments. I will probably hold off on a major overhaul at the moment because it’s in such good condition. The platen is solid and plastic-y feeling. It definitely needs an upgrade on this front.

This model seems to bridge the gap between the 5 series Smith-Coronas into the 60s and the 6 series machines like the Galaxie. It’s a top-of-the-line model with the keyboard tabulator and the hood hinges up and back like the 5 series rather than sliding forward like the 6 series models. I don’t have one, but I would suspect it’s closest to the Sterling 5AX typewriter which started in 1963. It’s also got a great little paragraph indent button for use at the beginning of new paragraphs. I look forward to seeing how they implemented this feature mechanically.

A 1964 Sears Cutlass sits on a stool in front of a Christmas tree. To the side is a wooden bureau with a wide screen television on it featuring the face of Joe Pesci as Harry in Home Alone. It almost appears as if he's squinting at the typewriter.

A 1964 Sears Cutlass sits on a stool in front of a Christmas tree. To the side is a wooden bureau with a wide screen television on it featuring the face of Macauley Culkin as Kevin in Home Alone as he claps his hands to his face and screams.

A 1964 Sears Cutlass sits on a stool in front of a Christmas tree. To the side is a wooden bureau with a wide screen television on it featuring the face of Kieran Culkin as Fuller in Home Alone. His face is being squished up against a chair and it gives the appearance that he's trying to look at the typewriter in front of the television.

Acquired 1960 Smith-Corona Skyriter ultraportable typewriter (Smith-Corona)
Serial Number: 3Y 2279770
Brown crinkle paint; white plastic keys; SCM Elite No. 66 typeface; US keyboard
Acquired for a song and a dance on 2025-04-14; Seems to be in relatively solid shape; nothing huge out of place; need a full COA, but seems fully restorable; the case is a bit dirty and has a light smell, but should be cleanable; came with the original manual and warranty card stub. The dried out 18 feet of black ribbon was replaced on 2025-04-30.

A brown crinkle painted 1960 Smith-Corona Skyriter typewriter sitting at an angle on a wooden card catalog Close up angle on 1960 Smith-Corona Skyriter typewriter with the front right corner facing us. Side view of a 1960 Smith-Corona Skyriter typewriter. In the foreground we see a gleaming chromed return lever on the left. Angle onto the left rear corner of a 1960 Smith-Corona Skyriter typewriter with a view into the typebasket An opened soft typewriter case with a manual for a 1960 Smith-Corona Skyriter typewriter and the original warranty card sitting on them. View into the basket of a 1960 Smith-Corona Skyriter typewriter from the back. We clearly see all the silver slugs featuring a standard elite typeface Angle on a brown leather soft case for a 1960 Smith-Corona Skyriter typewriter. It's obviously dirty and grimy and sitting on a wooden table top. View down onto the right hand side of the carriage section of a 1960 Smith-Corona Skyriter typewriter. On the side of the chassis inside of it we see the serial number scratched into the frame. The left 1 5/8" diameter spool of a typewriter sitting next to a friction fit "C"-shaped clamp that is meant to hold the ribbon onto the spools hub. Side view of a 1 5/8 inch black metal typewriter spool. On the left side of the hub in the middle is a hinged curved piece of metal that when opened will allow one to lock the end of a 1/2 inch wide typewriter ribbon in

Acquired 1929 Corona 4 Portable Typewriter (L.C. Smith Bros. & Corona Typewriters, Inc.)
Serial number: D3P08521
Received on Saturday 03-08, but didn’t open it up until this morning. The case is fairly worn and has the fabric peeled off in several spots, but the leather handle is in tact and in reasonably good shape. The machine has seen better days certainly and needs a thorough cleaning. The paint has some significant chipping in many of the common spots, including the ribbon covers, but I think it’ll polish up nicely and the resultant used patina will add to the machine’s charm. Some one has removed the ribbon vibrator, so that’s going to need some serious attention and possibly some additional replacement parts. The carriage doesn’t move smoothly and I suspect it’s because the drawstring has been replaced at some point by some inadequate cotton string which is now caught on something under the carriage. The rubber feet are totally shot and have a few chips. It’s definitely one of the rougher machines I’ve ever picked up, but I think it’s imminently restorable.

While I wouldn’t call these rare, I don’t see them pop up very frequently, and even less frequently do I see them in the non-traditional black enamel. I’m definitely thrilled to have one with the DuPont DUCO light maroon with the contrasting panels in crackle finish rose gold. I’m hoping it’ll be a stunning workable machine when I’m done with the cleaning and restoration work.

Preparation of a typeface sample is going to require some repair work.

Close up of the slugs and basket of a 1929 Corona 4 typewriter. The top levels of yellowed legends can be seen on the glass keys.

Focus on the front and upper carriage portion of a 1929 Corona 4 typewriter which has two patches of crinkle painted rose gold on the front.

View of the right side of a maroon and gold 1929 Corona 4 typewriter.

Left side of a 1929 Corona 4 typewriter. There are a variety of paint chips missing from the edges of the front of the typewriter.

Acquired 1920 Corona 3 Ultra-portable Typewriter (Corona Typewriter Company)
Serial number: 335207
A 3 bank typewriter that folds in half for portability.
Received on Saturday 03-10 and unpacked this morning. This is now the oldest machine in my collection and the first true antique as it’s now 105 years old. The first thing I’m struck by is the tiny size and scant weight of the entire machine and the case. I’m curious to compare the weight to that of my Zephyr and Skyriter.

The case is in reasonably good shape considering its age, but some of the fabric is coming off and a previous owner has chosen to tape portions of it together. I’ll likely do some serious restoration work to the case at some point.

1920 Corona 3 folding typewriter in an old and worn wooden fabric-covered case. The typewriter is folded in half in the case and on the back side of the lid of the case we see the typewriter's manual.

Condition

The machine itself is in pretty solid shape considering the age. Someone kept the slugs clean. Things are a bit sluggish, so it’s going to need a solid cleaning which I’m hoping will bring most of the functionality back to snuff. The ribbon vibrator seems a tad slow, particularly for keys struck on the left side of the keyboard. The platen and carriage area are going to need a good scrub as there’s some dirt and grime stuck in it. I suspect that I won’t be using the manual’s suggestion of gasoline to clean things out however.

Accessories

The machine came with a cleaning brush and an original instruction manual, which is somewhat useful as some of the mechanisms aren’t as straightforward as on later models as well as things unique to this particular folding machine.

Interior of the top of a typewriter case which has hardware for holding a nylon bristled brush and a small manual

Functionality

This has an even smaller return/line advance mechanism than my Orga Privat 5 and is bordering on almost not existing. It’s just the tiniest little nub actuated with the forefinger and thumb to advance the line while pushing the carriage to the right. There really isn’t a carriage return lever to speak of, but the mechanism is quite clever.

This is my first machine with a “figure” key, which allows for the use of the third row of characters on the slugs. It’ll take some getting used to for using it, particularly as the keyboard seems shifted over with respect to the home row of keys which means that there isn’t a key for one’s pinky to rest on or use. As a result it’s going to be difficult doing traditional touch typing at speed.

Right side view of the 1920 Corona 3 typewriter.

The machine only came with a monochrome ribbon though it does have bichrome capability using a switch on the ribbon vibrator assembly which is found on the left side in an odd configuration.

I was able to eke out a typesample without too much trouble, but I’ll wait until the machine is cleaned up and back in proper order before attempting to use it for more than a minute or two. I suspect it’ll need some tensioning on the miniscule mainspring assembly.

Typed index card with stark black lettering from the pica typeface 1920 Corona 3 typewriter

Overall, it’s compact and clever in so many interesting ways.

1920 Corona 3 folding typewriter folded in half and sitting in it's wooden case