I enjoyed his treatment of inversion, but it seems like there’s a better way of laying the idea out, particularly for applications. Straightforward coverage of nested intervals and rectangles, limit points, convergent sequences, Cauchy convergence criterion. Given the level, I would have preferred some additional review of basic analysis and topology; he seems to do the bare minimum here.
A simple preface followed by an anecdote about the beginning of a deal relating to telecom. The style is quick moving and history, details, and philosophy are liberally injected into the story as it moves along. This seems both interesting as well as instructive.
Highlights, Quotes, & Marginalia
“There are some who believe that an immutable law of history holds that conflict is inevitable when a rising power begins to bump up against an established one. But no law is immutable. Choices matter. Lessons can be learned.”
“Prescriptions, after all, are easier to make than predictions.”
“Note taking allows Party and government officials to get quick reads on what went on at meetings they didn’t attend. […] Private meetings with senior government officials without recoring devices or note takers are rare and highly sought after.”
“…the so-called iron rice bowl, the cradle-to-grave care and support guaranteed by the government through the big companies people worked for.”
“The Party had made a simple bargain with the people: economic growth in return for political stability. That in turn meant Party control. Prosperity was the source of Party legitimacy.”
“Messages in China are sent in ways that aren’t always direct; you have to read the signs.”
“It was the nature of dealing with China: nothing was done until it was done.”
Picked up a copy at Little Free Library #21797 at 8:29 am
ISBN: 978-1-4555-0421-3 First Edition Hardcover
Not sure how I feel about a group of potential suspects showing up in the final act this way. The racists in KKK garb here could certainly have been the motivation for the scenes in the film Fletch Lives.
The plot here was very subtly crafted together and done rather well for a novel format. Things seem to have unraveled so quickly at the end–I wish it had been a tad slower so that I could have enjoyed it longer.
This feels more like a drawing room mystery or a book version of Clue rather than a traditional shoe-leather detective story. All the suspects seem to be holed up in a house and conversing as Fletch makes a few calls out for details. In this sense, it’s not a nail-biter, but is focusing more on character than some of the others in the series.
The second act has begun after some interesting/reasonable character building. Waiting for the next chunk of plot to hit.
The second half read incredibly fast. The plot particularly began unfolding in the end almost too quickly. I wish the last act could have lasted a bit longer.
I really enjoyed the Crystal character and the snide banter she continually spouts with Fletch. The wrap up with Freddie was generally unexpected, but delicious in its oddity in the larger canon. There was surprisingly little talk of Fletch’s ex-wives or even of his potentially adding another to the collection.
Some of my favorite jokes were the chapter headings of the schedule of the conference along with even funnily named rooms in which the sessions were taking place.
I’ll hope to write a longer review shortly.
Making good progress, hope to finish tomorrow. There are certainly some interesting characters here, though perhaps feeling like too many, particularly since most seem to potentially have committed the murder.
Things have slowed down a smidge, but the forward momentum of the murder investigation begins to move things along a bit.
As usual, a great zinger of an opening… Mcdonald knows how to open a first act.
A slightly different ending than one in the film, but still nicely tied together… Possibly my second favorite in the series so far.
This just keeps getting better. I’m enjoying some of the subtle differences between the film and the book. No surprise that the movie renamed Joan Collins to Boyd. I know I’d read this 20+ years ago and I remember it being darker than the film, but the tone seems lighter to me now somehow.