The main purpose of this blog is to share updates about the open-access, open-source textbook Understanding Linear Algebra. Though work is continuing on this project, the HTML version of the text is now freely available, the forthcoming PDF version will also be free, and low-cost print options will be provided. The PreTeXt source code will be posted on GitHub as well.
h/t Robert Talbert
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My awesome colleague @davidaustinm is unveiling his new, open-source linear algebra text at the JMM, but you can access it NOW at his (new!) blog, the aptly named "More Linear Algebra": https://t.co/AAreqGk8DW
— Robert Talbert (@RobertTalbert) January 9, 2018
Aaron, the IndieWeb PressThis version bookmarklets are certainly a laudable solution for bookmarking things (even as WordPress moves the functionality of the original out of core), but I suspect you may find a more robust solution given some of your current set up.
Post Kinds Bookmarklets
Since you have the Post Kinds plugin set up, you might consider using that for a lot of the distance it can give you instead. I’ve written up some basic usage instructions for the plugin along with screenshots, but you’ll probably be most interested in the section on Bookmarklet Configuration. I’ve created a dozen or so browser bookmarklets, with handy visual emoji, for creating specific bookmark types for my site.
As for mobile posting, I’ll mention that I’ve heard “rumors” that David Shanske has a strong itch for improving the use of Post Kinds with a better mobile flow, so I would expect it to improve in the coming months. Until that time however, you can find some great tips on the wiki page for mobile posting. I recommend reading the entire page (including the section on Known which includes tools like URL Forwarder for Android that will also work with WordPress in conjunction with Post Kinds and the URL scheme described in the Bookmarklet Configuration section noted above.)
Using these details you should be able to make bookmarklets for your desktop browser and an Android phone in under an hour. If for some reason the documentation at these locations isn’t clear enough for you to puzzle out, let me know and I can do a more complete write up with screenshots and full code. (It’s still a piece of the book I need to expand out, or I’d include it here.)
WordPress has the option of setting up an email address by which to post to your site. You can configure this pretty quickly, especially for mobile use to send URLs to your website that way. I typically use this method for quickly bookmarking things to my site for private use at a later date.
There are also services that do bookmarking and include RSS feeds to your content which you could also potentially use to trigger IFTTT.com actions to post to your website. I have something similar to this set up for Reading.am which I’ve described in the past. You could certainly use this in combination with Diigo, which I see you use. Again, here more often than not I use these methods when I post things to my site as drafts or private posts.
Directed by John Madden. With Jessica Chastain, Mark Strong, Gugu Mbatha-Raw, Michael Stuhlbarg. In the high-stakes world of political power-brokers, Elizabeth Sloane is the most sought after and formidable lobbyist in D.C. But when taking on the most powerful opponent of her career, she finds winning may come at too high a price.
This was certainly a well constructed script though some of the turns weren’t subtly executed enough to have confounded me as well as I would have liked. Still there was enough unexpectedness in the telegraphing that I suspect most were caught unawares, which makes it a fantastic film.
There were far more supporting characters here than in a typical studio picture, but that actually made it more interesting and gritty somehow. Generally well acted by everyone, though Michael Stuhlbarg and Mark Strong stood out to me as incredibly solid here.
Though Elizabeth Sloane doesn’t seem to have much of a character arc, like most of her life, she’s living it out internally so that it really isn’t seen until the last minute when everything is revealed. It’s nice to see a painfully flawed central character as a lead.
I’m skipping around a bit in the plot since it’s not entirely linear…
I really appreciate the sophisticated philosophy of a kindergartner loosing her identity by wearing a mask. This idea was certainly something I find intriguing.
I’m pretty sure I read this book in my youth, but I’m finding that I honestly don’t recall any of the plot for some reason.
Coming down the homestretch for my #newwwyear resolution.Syndicated copies to:
Created by Amy Sherman-Palladino. With Rachel Brosnahan, Alex Borstein, Michael Zegen, Marin Hinkle. A housewife in the 1950s decides to become a stand-up comic.
This is more fun and entertaining than I would have expected it to be.
My one disappointment so far: The first couple episodes has some stronger and better written characters that seem much more true to themselves. By episode four/early episode 5 they’re feeling white washed and almost caricatures of themselves. Certainly by episode four Mrs. Maisel has somehow morphed into a somewhat older Rory Gilmore (from Gilmore Girls). All the characters eventually seem to have the same witty banter and methods of speech (including the time period) which mirrors Amy Sherman Palladino’s work in Gillmore Girls. Some of Mrs. Maisel’s grittiness from the early episodes simply disappears, and not as an evolving result of her character arc.
While I can appreciate that the writer certainly has a “voice”, she should be able to modulate it to better differentiate her characters going forward. I’ll keep sampling it through the end of the season, but if the tenor doesn’t improve, I’m sure to give up on future seasons.
Watched on Amazon Prime.
Directed by Mel Stuart. With Gene Wilder, Jack Albertson, Peter Ostrum, Roy Kinnear. Charlie receives a golden ticket to a factory, his sweet tooth wants going into the lushing candy, it turns out there's an adventure in everything.
I remember watching this twice a year every year at Hopkins. I miss those Rocky Horror-esque performances with massive amounts of candy. Throwing nerds across the room in the path of the projected light when Mike Teevee was sent in a million little pieces was so gratifying.
It’s been a few years since I watched this, but even the “Cheer up Charlie” song doesn’t grate on me like it once did. I used to think it was the worst part of the film and now it’s vaguely tolerable–still not great–but tolerable at least.
I had re-read the book last year and put a tracker on the film version. Netflix just added it to their mix last week, so it’s now available there for a while.
Watched on Netflix
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