👓 the register | Danny O’Brien’s Oblomovka

Read the register by Danny O'BrienDanny O'Brien (oblomovka.com)
It’s about two in the morning on Thursday, I’m scrabbling around for things to put into NTK, and I get an e-mail from the Register’s Andrew Orlowski. He sounds deliriously happy. He’s uncovered an apparently hidden link to a wiki set up for some s00p3r s33krit confab that Tim O’Reilly’s organising. The descriptions and notes fit completely into Orlowski’s view of particular segment of the West Coast tech scene. Mainly, that it looks like some weird Californian cult.
This post has some interesting thoughts about the differences between public, private, and secret and how they’re being carried out online.

Highlights, Quotes, Annotations, & Marginalia

The problem here is one (ironically) of register. In the real world, we have conversations in public, in private, and in secret. All three are quite separate. The public is what we say to a crowd; the private is what we chatter amongst ourselves, when free from the demands of the crowd; and the secret is what we keep from everyone but our confidant. Secrecy implies intrigue, implies you have something to hide. Being private doesn’t. You can have a private gathering, but it isn’t necessarily a secret. All these conversations have different implications, different tones.  

December 19, 2018 at 04:53PM

On the net, you have public, or you have secrets. The private intermediate sphere, with its careful buffering. is shattered. E-mails are forwarded verbatim. IRC transcripts, with throwaway comments, are preserved forever. You talk to your friends online, you talk to the world.  

December 19, 2018 at 04:54PM

hat tip: Kevin Marks in IWC chat

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Chris Aldrich

I'm a biomedical and electrical engineer with interests in information theory, complexity, evolution, genetics, signal processing, IndieWeb, theoretical mathematics, and big history. I'm also a talent manager-producer-publisher in the entertainment industry with expertise in representation, distribution, finance, production, content delivery, and new media.

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