I remember the first time I heard the term “free riders” being used in the context of the open education movement. It was at the Open Education Conference in 2015 in Vancouver when, dur…
Of course the Open Education conference is just an open education conference and it certainly isn’t the only place to have these conversations. Regional events such as the Northeast OER Summit, the Cascadia Open Education Summit, Wisconsin’s E-ffordability Summit, the Statewide Colorado OER conference and others are wonderful options. Further afield, the OER conference and the Open Education Global conference are both events that welcome critical conversations. As do other events like Digital Pedagogy Lab and the many virtual conference hallway conversations facilitated by Virtually Connecting.
Nice list of open education and OER related conferences and communities.
Our high-quality educational tools give students access to the learning materials they need to succeed, at little to no cost. Because we don't believe anything should come between students and their future.
She was a presenter and wrote a couple of nice follow up pieces about her experiences on her website. I bookmarked one of them to read later, and then two days later I came across this tweet by Terry Green, who had also apparently noticed her post:
I really hope this new post of the Open Learner Patchbook comes across the feed of lots of learners who haven’t experienced a Domain of One’s Own program before.
But I was surprised to see the link in the tweet points to a different post in the Open Learner Patchbook, which is an interesting site in and of itself.
This means that there are now at least two full copies of Cassie’s post online:
While I didn’t see a Creative Commons notice on Cassie’s original or any mention of permissions or even a link to the source of the original on the copy on the Open Patchbook, I don’t doubt that Terry asked Cassie for permission to post a copy of her work on his site. I’ll also suspect that it may have been the case that Cassie might not have wanted any attention drawn to herself or her post on her site and may have eschewed a link to it. I will note that the Open Patchbook did have a link to her Twitter presence as a means of credit. (I’ll still maintain that people should be preferring links to their own domain over Twitter for credits like these–take back your power!)
Even with these crediting caveats aside, there’s a subtle technical piece hiding here relating to search engines and search engine optimization that many in the Domain of One’s Own space may not realize exists, or if they do they may not be sure how to fix. This technical subtlety is that search engines attempt to assign proper credit too. As a result there’s a very high chance that Open Patchbook could rank higher in search for Cassie’s own post than Cassie’s original. As researchers and educators we’d obviously vastly prefer the original to get the credit. So what’s going on here?
Search engines use a web standard known as rel=“canonical”, a microformat which is most often found in the HTML <header> of a web page. If we view the current source of the copy on the Open Learner Patchbook, we’ll see the following:
By adding rel=“canonical” to a hyperlink, a page indicates that the destination of that hyperlink should be considered the preferred or definitive version of the current page. This helps search engines avoid duplicate content, and is useful for deciding how to link to a page when citing it.
In the case of our example of Cassie’s post, search engines will treat the two pages as completely separate, but will suspect that one is a duplicate of the other. This could have dramatic consequences for one or the other sites in which search engines will choose one to prefer over the other, and, in some cases, search engines may penalize one site for having duplicate content and not stating that fact (in their metadata). Typically this would have more drastic and averse consequences for Cassie’s original in comparison with an institutional site.
How do we fix the injustice of this metadata?
There are a variety of ways, but I’ll focus on several in the WordPress space.
WordPress core has built-in functionality that should set the permalink for a particular page as the canonical one. This is why the Open Patchbook page displays the incorrect canonical link. Since most people are likely to already have an SEO related plugin installed on their site and almost all of them have this capability, this is likely the quickest and easiest method for being able to change canonical links for pages and posts. Two popular choices for this are Yoast and All in One SEO which have simple settings for inputting and saving alternate canonical URLs. Yoast documents the steps pretty well, so I’ll provide an example using All in One SEO:
If not done already, click the checkbox for canonical URLs in the “General Settings” section for the plugin generally found at /wp-admin/admin.php?page=all-in-one-seo-pack%2Faioseop_class.php.
For the post (or page) in question, within the All in One SEO metabox in the admin interface (pictured) put the full URL of the original posts’ location.
(Re-)publish the post.
If you’re using another SEO plugin, it likely handles canonical URLs similarly, so check their documentation.
For aggregation websites, like the Open Learner Patchbook, there’s also another solid option for not only setting the canonical URL, but for more quickly copying the original post as well. In these cases I love PressForward, a WordPress plugin from the Roy Rosenzweig Center for History and New Media which was designed with the education space in mind. The plugin allows one to quickly gather, organize, and republish content from other places on the web. It does so in a smart and ethical way and provides ample opportunity for providing appropriate citations as well as, for our purposes, setting the original URL as the canonical one. Because PressForward is such a powerful and diverse tool (as well as a built-in feed reader for your WordPress website), I’ll refer users to their excellent documentations.
Another useful reason I’ll mention for using rel-canonical mark up is that I’ve seen cases in which using it will allow other web standards-based tools like Hypothes.is to match pages for highlights and annotations. I suspect that if the Open Patchwork page did have the canonical link specified that any annotations made on it with Hypothes.is should mirror properly on the original as well (and vice-versa).
I also suspect that there are some valuable uses of this sort of small metadata-based mark up within the Open Educational Resources (OER) space.
In short, when copying and reposting content from an original source online, it’s both courteous and useful to mark the copy as such by putting a tag onto the URL of the original to provide it with the full credit as the canonical source.
Preface This is a first draft of a free (as in speech, not as in beer) (although it is free as in beer as well) undergraduate number theory textbook. It was used for Math 319 at Colorado State University – Pueblo in the spring semester of 2014. Thanks are hereby offered to the students in that class — Megan Bissell, Tennille Candelaria, Ariana Carlyle, Michael Degraw, Daniel Fisher, Aaron Griffin, Lindsay Harder, Graham Harper, Helen Huang, Daniel Nichols, and Arika Waldrep — who offered many useful suggestions and found numerous typos. I am also grateful to the students in my Math 242 Introduction to Mathematical Programming class in that same spring semester of 2014 — Stephen Ciruli, Jamen Cox, Graham Harper, Joel Kienitz, Matthew Klamm, Christopher Martin, Corey Sullinger, James Todd, and Shelby Whalen — whose various programming projects produced code that I adapted to make some of the figures and examples in the text.
The author gratefully acknowledges the work An Introductory Course in Elementary Number Theory by Wissam Raji [see www.saylor.org/books/] from which this was initially adapted. Raji's text was released under the Creative Commons CC BY 3.0 license, see creativecommons.org/licenses/by/3.0. This work is instead released under a CC BY-SA 4.0 license, see creativecommons.org/licenses/by-sa/4.0. (The difference is that if you build future works off of this one, you must also release your derivative works with a license that allows further remixes over which you have no control.)
You can buy a physical copy, if that's your thing, from the on-demand printing service Lulu at this link for $6 (plus shipping and handling). [I make 61¢ profit for each such sale: I'm happy to reimburse you that amount if you will personally contact me.]
be sure to check out the materials that @poritzj has shared at his website, incl. all you wanted to know about cryptography but were afraid to ask:https://t.co/SdxbbNlNsT
Yet Another Introductory Number Theory Textbook (Cryptology Emphasis Version) — CC-licensed! #Domains19https://t.co/HsWU5gxvmM
Fellow educators, teachers, specialists, instructional designers, web designers, Domains proponents, programmers, developers, students, web tinkerers, etc.,
Want to expand the capabilities of what your own domain is capable of?
Interested in improving the #OER tools available on the open web?
Want to help make simpler, ethical digital pedagogy a reality in a way that students and teachers can implement themselves without relying on predatory third-party platforms?
Are you looking to use your online commonplace book as an active hub for your research, writing, and scholarship?
Bring your ideas and passions to help us all brainstorm, ruminate, and then with help actually design and build the version of the web we all want and need–one that reflects our values and desires for the future.
I’d like to invite you all to the 9th Annual IndieWeb Summit in Portland, Oregon, USA on June 29-30, 2019. It follows a traditional BarCamp style format, so the conference is only as good as the attendees and the ideas they bring with them, and since everyone is encouraged to actively participate, it also means that everyone is sure to get something interesting and valuable out of the experience.
We need more educators, thinkers, and tinkerers to begin designing and building the ethical #edtech, #OER, and interactive pedagogy systems we all want.
Come and propose a session on a topic you’re interested in exploring and building toward with a group of like-minded people.
While on-site attendance can be exciting and invigorating for those who can come in person, streaming video and online tools should be available to make useful and worthwhile virtual attendance of all the talks, sessions, and even collaborative build time a real possibility as well. I’ll also note that travel assistance is also available for the Summit if you’d like to apply for it, or you’re able to donate funds to help others.
I hope you can all attend, and I encourage you to invite along friends, students, and colleagues.
I heartily encourage those who don’t yet have a domain of their own to join in the fun. You’ll find lots of help and encouragement at camp and within the IndieWeb community so that even if you currently think you don’t have any skills, you can put together the resources to get something up and working before the Summit’s weekend is over. We’re also around nearly 24/7 in online chat to continue that support and encouragement both before and after the event so you can continue iterating on things you’d like to have working on your personal website.
Never been to an IndieWebCamp? Click through for some details about what to expect. Still not sure? feel free to touch base in any way that feels comfortable for you.
CommentPress Core is a WordPress plugin for creating and debating social texts in social contexts. It replaces all previous plugins (standalone and multisite) and includes the default theme.
I’m totally going to play around with this plugin!
Below is a draft proposal which I’m submitting for a possible upcoming talk at WPCampus from July 25-27, 2019 in Portland, OR. If you don’t have the patience and can’t wait for the details, feel free to reach out and touch base. I’m happy to walk people through it all before then. If you’re looking for other upcoming events or need help, check out any of the upcoming Homebrew Website Clubs, IndieWebCamps, the IndieWeb Summit 2019, or even Domains2019.
Session Title
Dramatically extending a Domain of One’s Own with IndieWeb technology: How to improve your online research notebooks, commonplace books, and digital pedagogy
Session description
(This description will be edited and used on the website. Please include 1-2 paragraphs and a list of key takeaways for the audience.)
Having a Domain of One’s Own and using it as a “thought space” to own your online identity and work is just the tip of the iceberg. Can you imagine how useful it would be if you could use your Twitter account to reply to someone on Facebook (without needing a Facebook account) or vice versa? Open web technology from the IndieWeb movement that utilizes simple plugins, modules, or even built-in functionality now exists so that people can now use WordPress, Drupal, WithKnown, Grav and many other content management systems on any domain name to have rich site-to-site communications in a simple and intuitive way. Third party (and often unethical) corporate platforms are no longer needed to have rich interactions between scholars on the web.
It is now easily possible to have a teacher write a post on their own website and their students to easily reply/react to that post on their own websites (along with a useful reply context) and send that reply to the teacher’s website for possible display. Each participant can now own a copy of both sides of the conversation.
Teachers and students will learn how to (individually or together) collect, analyze, write, collaborate, and interact easily online while doing so in a space they own and control without giving away their data to third party platforms.
Researchers can now easily bookmark, highlight, or annotate portions of the web and keep this data (public/private) on their own website (aka digital commonplace book or notebook) for future reference or use.
We’ll show how courseware can be decentralized so that the instructor and the students each own their own pieces of the learning processes and can keep them for as long as they wish.
We will demonstrate how one can use their WordPress-based website with a few simple plugins to own all of the traditional social media types (bookmarks, items read, highlights, annotations, comments/replies, photos, status updates, audio, checkins, etc.) on their own site while still allowing interacting (if desired) with other websites as well as in social spaces like Twitter, Instagram, Swarm, etc.
We will demonstrate a new generation of free feed readers that allow composing in-line responses and reactions that post them directly to one’s own website as well as send notification to the site being read and interacted with.
You can now have the joy of a Domain of Your Own and still easily interact just as if your site were a (better-than) first class social media platform.
More Information About Your Session
(Please describe your session in greater detail for the organizers. You may be more casual in this description as it will not be posted on the website.)
In some sense, this session will be a crash course on using IndieWeb technologies and building-blocks with WordPress in the Education space. I’ll aim to remove a lot of technical jargon and keep coding examples to a bare minimum (if using any at all) so that those with the technical ceiling of downloading and installing a plugin can immediately benefit from the talk. I will also provide enough pointers and describe the broad outlines that developers will have a broad overview of the IndieWeb space to find and extend these plugins and functionality if they wish.
I’ll be covering the basics of new W3C recommendations like Webmention, Micropub, and WebSub along with forthcoming specs like Microsub in combination with IndieAuth (a version of OAuth2 for login). I’ll show how they can be applied to personal websites in research, teaching, collaboration, and other educational domains like creating Open Educational Resources. Many of these can be easily implemented in WordPress with just a handful of simple plugins that allow the web to become the social media platform we all wish it would be.
I’ll use examples from my own personal website and several others (which use Drupal, WithKnown, Grav, etc.) to show how these plugins can be used in educational settings and will walk through a case study of a course built using DoOO and IndieWeb philosophies and technologies (EDU 522: Digital Teaching and Learning at Southern Connecticut State University) on which I collaborated with Dr. Gregory McVerry.
Read Chapters: The Ethics of Design, How Designers Destroyed the World, and Moving Fast and Breaking Things
I was very reticent about this book at first, but it is way more essential than I initially thought! I knew I was going to know almost all of the examples, and I’ve generally been right on that account so far, but he’s going beyond the problems with potential solutions. I was worried it was going to be something that I would appreciate and heartily recommend to others without getting much out of it myself, but it reads quickly and easily and there’s a lot here that I want to come back and ponder about further.
Despite the fact that I don’t feel like a professional web designer by trade, what he’s talking about here are standards of human care and interaction that anyone who makes anything should be thinking about on a daily basis. Whether you’re building or creating things for others or even making your own daily life, at heart, you’re designing something.
If Chuck Chugumlung hasn’t come across this book yet with respect to his Design X Pasadena group, I’ll recommend it heartily to him.
I also find myself thinking a lot about how people are building and designing technologies in the edtech space. May of the researchers, professors, and instructional designers I know are immersed in some of the ethics and morals behind using these technologies. Generally I hear them talking about what they “wish” they had as tools, but often they seem to be stuck with things they don’t really want and are then attempting to figure out ways around these technologies after-the-fact so that they can use them in an ethical manner. They really need to stand up, refuse to use what they’re given, and demand better design from the start. Even if they’re incapable of building their own tools, they’re slowly, but surely going to loose the war if they don’t move upstream to where the actual decisions are being made. Fortunately some of the work I see in the OER space is being done at the grass roots where people have more choice and say in the design, but I worry that if they’re not careful, those tools will be siloed off with bad design choices by for-profit companies as well.
Some of us have thought about doing it before, but perhaps just jumping into the water and trying it out may be the best way to begin designing, testing, and building a true online IndieWeb Book Club.
Here’s the description of the book from the publisher:
The world is working exactly as designed. The combustion engine which is destroying our planet’s atmosphere and rapidly making it inhospitable is working exactly as we designed it. Guns, which lead to so much death, work exactly as they’re designed to work. And every time we “improve” their design, they get better at killing. Facebook’s privacy settings, which have outed gay teens to their conservative parents, are working exactly as designed. Their “real names” initiative, which makes it easier for stalkers to re-find their victims, is working exactly as designed. Twitter’s toxicity and lack of civil discourse is working exactly as it’s designed to work.The world is working exactly as designed. And it’s not working very well. Which means we need to do a better job of designing it. Design is a craft with an amazing amount of power. The power to choose. The power to influence. As designers, we need to see ourselves as gatekeepers of what we are bringing into the world, and what we choose not to bring into the world. Design is a craft with responsibility. The responsibility to help create a better world for all. Design is also a craft with a lot of blood on its hands. Every cigarette ad is on us. Every gun is on us. Every ballot that a voter cannot understand is on us. Every time social network’s interface allows a stalker to find their victim, that’s on us. The monsters we unleash into the world will carry your name. This book will make you see that design is a political act. What we choose to design is a political act. Who we choose to work for is a political act. Who we choose to work with is a political act. And, most importantly, the people we’ve excluded from these decisions is the biggest (and stupidest) political act we’ve made as a society.If you’re a designer, this book might make you angry. It should make you angry. But it will also give you the tools you need to make better decisions. You will learn how to evaluate the potential benefits and harm of what you’re working on. You’ll learn how to present your concerns. You’ll learn the importance of building and working with diverse teams who can approach problems from multiple points-of-view. You’ll learn how to make a case using data and good storytelling. You’ll learn to say NO in a way that’ll make people listen. But mostly, this book will fill you with the confidence to do the job the way you always wanted to be able to do it. This book will help you understand your responsibilities.
I suspect that this book will be of particular interest to those in the IndieWeb, A Domain of One’s Own, the EdTech space (and OER), and really just about anyone.
How to participate
I’m open to other potential guidelines and thoughts since this is incredibly experimental at best, but I thought I’d lay out the following broad ideas for how we can generally run the book club and everyone can keep track of the pieces online. Feel free to add your thoughts as responses to this post or add them to the IndieWeb wiki’s page https://indieweb.org/IndieWeb_Book_Club.
Buy the book or get a copy from your local bookstore
Read it along with the group
Post your progress, thoughts, replies/comments, highlights, annotations, reactions, quotes, related bookmarks, podcast or microcast episodes, etc. about the book on your own website on your own domain. If your site doesn’t support any of these natively, just do your best and post simple notes that you can share. In the end, this is about the content and the discussion first and the technology second, but feel free to let it encourage you to improve your own site for doing these things along the way.
Folks can also post on other websites and platforms if they must, but that sort of defeats some of the purpose of the Indie idea, right?
Optionally syndicate them to other services like Twitter, Facebook, Instagram, LinkedIn, etc.
Optionally mention this original post, and my website will also aggregate the comments via webmention to the comment section below.
At regular intervals, check in on the conversations linked on indieweb.xyz/en/bookclub/ and post your replies and reactions about them on your own site.
If your site doesn’t support sending/receiving webmentions (a special type of open web notifications), take a look at Aaron Parecki’s post Sending your first Webmention and keep in mind that you can manually force webmentions with services like Telegraph or Mention-Tech.
I’ll also try to keep track of entries I’m aware about on my own site as read or bookmark posts which I’ll tag with #IWBCMM (ostensibly for IndieWeb Book Club Mike Monteiro), which we can also use on other social silos for keeping track of the conversation there.
Perhaps as we move along, I’ll look into creating a planet for the club as well as aggregating OPML files of those who create custom feeds for their posts. If I do this it will only be to supplement the aggregation of posts at the stub on indieweb.xyz which should serve as the primary hub for the club’s conversation.
If you don’t already have your own website or domain to participate, feel free to join in on other portions of social media, but perhaps consider jumping into the IndieWeb chat to ask about how to get started to better own your online identity and content.
If you need help putting together your own site, there are many of us out here who can help get you started. I might also recommend using micro.blog which is an inexpensive and simple way to have your own website. I know that Manton Reece has already purchased a copy of the book himself. I hope that he and the rest of the micro.blog community will participate along with us.
If you feel technically challenged, please ping me about your content and participation, and I’m happy to help aggregate your posts to the indieweb.xyz hub on your behalf. Ideally a panoply of people participating on a variety of technical levels and platforms will help us create a better book club (and a better web) for the future.
Of course, if you feel the itch to build pieces of infrastructure into your own website for improved participation, dive right in. Feel free to document what you’re doing both your own website and the IndieWeb wiki so others can take advantage of what you’ve come up with. Also feel free to join in on upcoming Homebrew Website Clubs (either local or virtual) or IndieWebCamps to continue brainstorming and iterating in those spaces as well.
Kickoff and Timeline
I’m syndicating this post to IndieNews for inclusion into next week’s IndieWeb newsletter which will serve as a kickoff notice. That will give folks time to acquire a copy of the book and start reading it. Of course this doesn’t mean that you couldn’t start today.
Share and repost this article with anyone you think might enjoy participating in the meanwhile.
I’ll start reading and take a stab at laying out a rough schedule. If you’re interested in participating, do let me know; we can try to mold the pace to those who actively want to participate.
I’ve already acquired a copy of the book and look forward to reading it along with you.
Today CC Search comes out of beta, with over 300 million images indexed from multiple collections, a major redesign, and faster, more relevant search. It’s the result of a huge amount of work from the engineering team at Creative Commons and our community of volunteer developers.
I am a philologist fascinated by the metamorphoses of text on the Web. Curious about the ways the Semantic Web unfolds, I explore how content writing is changing, changing us and the way we think, write and live. Currently I am a PhD student at the Sofia University Faculty of Journalism and Mass Communication. Read more about me
Kate Bowles gave a great Keynote at the Open Education Resources 2019 (OER19) conference in Galway last night. In it she indicates how politicians, economists and even universities themselves measure their growth at the level of imports/exports and even compare it with mining in a cynical way to describe the movement of their educational resources and students.
A slide from
“What a chilling thing to say about young people crossing the world to learn.” –Kate Bowles (in response to the slide immediately above)
The fact that businesses, governments, and even universities themselves would take such an ugly standpoint on teaching and learning is painful. It reminds me that one of the things that I think the open IndieWeb movement gets right is that it is people-centric first and foremost. If you can take care of people at the most base level, then hopefully what gets built upon that base–while still watching it carefully–will be much more ethical.
The IndieWeb is a people-focused alternative to the “corporate web”.
As a result of this people-centric vision, I’m seeing a lot less of the sort of ills, unintended consequences, and poor emergent behaviors caused by the drive toward surveillance capitalism within the giant social media silos like Facebook, Twitter, Instagram, et al.
I’m reminded of a part of the thesis that Cesar Hidalgo presents in Why Information Grows: The Evolution of Order from Atoms to Economies of the idea of the personbyte and what that looks like at a group level, then a corporate level, and I wonder how it may grow to the next level above that. Without ultimately focusing on the person at the bottom of the pyramid however, we may be ethically losing sight of where we’re going and why. We may even be building an edifice that is far more likely to crumble with even worse unintended consequences.
The Association for Learning Technology (ALT) represents individual and organisational Members from all sectors and parts of the UK. Our Membership includes practitioners, researchers and policy makers with an interest in Learning Technology. Our community grows more diverse as Learning Technology has become recognised as a fundamental part of learning, teaching and assessment.
Our charitable objective is "to advance education through increasing, exploring and disseminating knowledge in the field of Learning Technology for the benefit of the general public". We have led professionalisation in Learning Technology since 1993.
How we define Learning Technology
We define Learning Technology as the broad range of communication, information and related technologies that can be used to support learning, teaching and assessment. Our community is made up of people who are actively involved in understanding, managing, researching, supporting or enabling learning with the use of Learning Technology. We believe that you don't need to be called 'Learning Technologist' to be one.
What we value and what we do
Our current strategy sets out our aims for 2017-2020:
Increasing the impact of Learning Technology for the wider community, strengthening recognition and representation for the Membership at a national level and leading professionalisation for individual Learning Technology professionals in a broad range of roles.
ltaub
