An exploration of the weird history that led to Ohio State settling on a poisonous nut as its mascot.
Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.
A Film By Yorgos Lanthimos
Written by: Deborah Davis, Tony McNamara
Produced by: Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos
Cast: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult , Joe Alwyn, James Smith, Mark Gatiss
A short video on using tools to search the WordPress core code for filters and actions. Tips and tricks for WordPress development with Github and grep.
A short and useful little tutorial. It’s small stepping stones like these that can lead you down the primrose path of some additional serious hacking.
hat tip: John Johnson
Foldable Phone, Online Civility
- The Samsung Developers Conference Keynote features a foldable phone, SmartThings IoT, and Bixby innovations.
- Android will support foldable phones.
- Google employees stage a walkout over sexual harassment
- Tim Berners-Lee's Contract for the Web
- How to encourage civility online
- YouTube Content ID
- Facebook and "White Genocide"
- Young people are deleting Facebook in droves
- Facebook's holiday pop-up store
- Everybody gets free Amazon shipping
- Amazon's new HQ2(s)
- 8 new Chromebook features
- Google Home Hub teams up with Sephora
- Ajit Pai's FCC is hopping mad about robocalls
Picks of the Week
- Jeff's Number: Black Friday home tech deals
- Stacey's Thing: Extinct cables, Alexa Christmas Lights
Leo Laporte doesn’t talk about it directly within an IndieWeb specific framework, but he’s got an interesting discussion about YouTube Content ID that touches on the ideas of Journalism and IndieWeb and particularly as they relate to video, streaming video, and YouTube Live.
While most people are forced to rely on Google as their silo of choice for video and specifically live streaming video, he points out a painful single point of failure in their system with regard to copyright rules and Google’s automatic filters that could get a user/content creator permanently banned. Worse, as Leo indicates, this ban could also extend to related Google accounts (YouTube, Gmail, etc.) One is thus open to potential chilling effects of intimidation, censorship, and deplatforming.
Leo discusses the fact that he’s not as beholden to YouTube because he streams and hosts all of his content on his own website and only utilizes silos like YouTube as ancillary distribution. In IndieWeb parlance what he does is known as POSSE or Post to your Own Site, Syndicate Elsewhere and this prevents his journalism, commentary, and even his business from being ravaged by the whims of corporate entities whose rules he can’t control directly.
The discussion starts at 1:05:11 into the episode and goes for about 10 minutes for those who are interested in this particular sub-topic.
As an interesting aside, I’ll note that just a few months ago that YouTube allowed people to do embeds with several options, but they’re recently removed the option to prevent their player from recommending additional videos once you’re done. Thus the embedding site is still co-opted to some extent by YouTube and their vexing algorithmic recommendations.
In a similar vein audio is also an issue, but at least an easier and much lower bandwidth one. I’ve been running some experiments lately on my own website by posting what I’m listening to on a regular basis as a “faux-cast” and embedding the original audio. I’ve also been doing it pointedly as a means of helping others discover good content, because in some sense I can say I love the most recent NPR podcast or click like on it somewhere, but I’m definitely sure that doesn’t have as much weight or value as my tacitly saying, “I’ve actually put my time and attention on the line and actually listened to this particular episode.” I think having and indicating skin-in-the-game can make a tremendous difference in these areas. In a similar vein, sites like Twitter don’t really have a good bookmarking feature, so readers don’t know if the sharing user actually read any of an article or if it was just the headline. Posting these things separately on my own site as either reads or bookmarks allows me to differentiate between the two specifically and semantically, both for others’ benefit as well as, and possibly most importantly, for my own (future self).
This video presents the basic idea of the so-called Coleman Boat.
Definitely some sage advice. I recall The Economist going a step further in their analysis a few years back and providing visuals on a 4 minute video: The hidden cost of Gangnam Style: What humanity could achieve if it weren’t galloping in front of computer screens
Let's face it: Baby Shark is an undeniable force. James invites his guests, Sophie Turner, playing the role of Mommy Shark, and Josh Groban, taking on the role of Daddy Shark, for the definitive performance of this global phenomenon.
This is just too awesome.
Hat tip: Aaron Davis
In these times of centralised services like Facebook, Twitter, and Medium, having your own website is downright disruptive. If you care about the longevity of your online presence, independent publishing is the way to go. But how can you get all the benefits of those third-party services while still owning your own data? By using the building blocks of the Indie Web, that’s how!
I almost can’t believe this silly video has over 147 million hits. And it’s just one of many versions of this song. I actually saw a couple in their late 30’s a few weeks back talking about the song in public. They had no idea what it was about or why it was popular.
“Elsku Stelpur (Dear Girls) - YouTube”
This is an amazing performance on gender equality by a group of girls from my old high school. Happy it exists and can be shared. Proud that it won the Skrekkur talent show in 2015.
I'd just like to point out that this was made before the metoo movement started.
"Elsku Stelpur" or "Dear Girls" was the winning performance by Hagaskóli in Skrekkur 2015, an annual Icelandic talent show between high schools in Reykjavík. The performance consists of contemporary dancing and feminist slam poetry in Icelandic, which I've subtitled in English so that more people can understand its powerful message, please enjoy.
A powerful piece. Possibly even more powerful watching it in a language that isn’t English.
POKÉMON Detective Pikachu - In Theaters May 10, 2019
The first-ever live-action Pokémon movie, “POKÉMON Detective Pikachu” stars Ryan Reynolds as the titular character in the first-ever live-action movie based on the iconic face of the global Pokémon brand—one of the world’s most popular, multi-generation entertainment properties and most successful media franchises of all time.
Ryan as the voice is just inspired casting.
Ricky is a great magician and a great raconteur. Here he performs an amazing trick while telling a story from Japanese cinema.
The incomparable Mr Jay demonstrating differing styles of patter and presentation working around a theme of the Four Ladies
The language here is almost more complicated than the trick.