Virtual Homebrew Website Club Meetup on May 30, 2018

Are you building your own website? Indie reader? Personal publishing web app? Or some other digital magic-cloud proxy? If so, come on by and join a gathering of people with likeminded interests. Bring your friends who want to start a personal web site. Exchange information, swap ideas, talk shop, help work on a project…

Everyone of every level is welcome to participate! Don’t have a domain yet? Come along and someone can help you get started and provide resources for creating the site you’ve always wanted.

This virtual HWC meeting is for site builders who either can’t make a regular in-person meeting or don’t yet have critical mass to host one in their area. It will be hosted on Google Hangouts.

Homebrew Website Club Meetup – Virtual Americas

Time:  to
Location: Google Hangouts (link to Hangout TBD)

  • 4:30 – 5:30 pm (Pacific): (Optional) Quiet writing hour
    Use this time to work on your project, ask for help, chat, or do some writing before the meeting.
  • 5:30 – 7:00 pm (Pacific): Meetup

More Details

Join a community of like-minded people building and improving their personal websites. Invite friends that want a personal site.

  • Work with others to help motivate yourself to create the site you’ve always wanted to have.
  • Ask questions about things you may be stuck on–don’t let stumbling blocks get in the way of having the site you’d like to have.
  • Finish that website feature or blog post you’ve been working on
  • Burn down that old website and build something from scratch
  • Share what you’ve gotten working
  • Demos of recent breakthroughs

Skill levels: Beginner, Intermediate, Advanced

Any questions? Need help? Need more information? Ask in chat: http://indiewebcamp.com/irc/today#bottom

RSVP

Add your optional RSVP in the comments below; by adding your indie RSVP via webmention to this post; or by RSVPing to one of the syndicated posts below:
Indieweb.org event: https://indieweb.org/events/2018-05-30-homebrew-website-club#Virtual_Americas

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On the mission of the IndieWeb movement

What you see is what you get (WYSIWYG) is fine when you’re given all the functionality and control you need or want. It’s when you have additional needs and desires than the tools allow that WYSIWYG becomes a problem.

Social media WYSIWYG platforms like SnapChat, Twitter, Facebook/Instagram, et al. have become a problem as they’re not allowing us the control, flexibility, and privacy we would all like to have while they pursue their own agendas.

In these terms, the general mission of the IndieWeb movement is to be the proverbial simple text editor meant to give everyone increasingly easier, direct control over their own identity and communication on the open internet.

hat tip: Greg McVerry

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A pencast overview (with audio and recorded visual diagrams) of IndieWeb technologies

I’ve seen a bunch of new folks coming into the IndieWeb community recently who are a bit overwhelmed with the somewhat steep learning curve of both new jargon as well as new ideas and philosophies of what it means to have one’s own domain and presence on the internet.

While parts of the IndieWeb’s overall idea are quite simple, where the actual rubber meets the road things can be a bit overwhelming, and more so if you’re a non-technical person. This doesn’t have to be the case. Generally I’d recommend to people to begin attending local Homebrew Website Clubs or, even better, to attend an IndieWebCamp in person to get a one day crash course followed by a day of building and help. Sadly, life can intervene making these not as quick and immediate a reality as one might otherwise like.

So toward the end of making the crash course to explain in relatively broad terms some of the basic terminology as well as some of the bigger individual pieces and what’s happening when using an IndieWeb site with most of the major new functionality built in, I’ve made a short pencast of what is going on. Naturally there’s still a tremendous amount to learn and do, and a million things which could always be better or improved, but if you’re setting up a site using WordPress this overview will hopefully get you a lot further a lot faster. (It may also be useful for those setting up Known or even something for micro.blog, though those will have different plugins and other small quirks that aren’t covered here.)

What is a Pencast?

Pencast?! What is that? It’s a technology that has been around for a while courtesy of Livescribe.com digital pens which not only record an audio file of what is being said, but also record penstroke by penstroke what is being written. Even better the audio and the penstrokes are crosslinked, so you can more easily jump around within a lecture or talk.

To do this you should download the version of the notes in Livescribe’s custom Pencast .pdf format. This seems like a standard .pdf file but it’s a bit larger in size because it has an embedded audio file in it that is playable with the free Adobe Reader X (or above) installed. With this version of the notes, you should be able to toggle the settings in the file (see below) to read and listen to the notes almost as if you were sitting with me in person and I was drawing it out in front of you as I spoke. You can also use your mouse to jump around within the pencast by touching/mousing to particular areas or by jumping forward and back by means of the audio bar. If you need to, also feel free to zoom in on the page to have a closer look.

Pencast version

An IndieWeb Crash Course [14.9MB .pdf with embedded audio]

Viewing and Playing a Pencast PDF

Pencast PDF is a new format of notes and audio that can play in Adobe Reader X or above.

You can open a Pencast PDF as you would other PDF files in Adobe Reader X. The main difference is that a Pencast PDF can contain ink that has associated audio—called “active ink”. Click active ink to play its audio. This is just like playing a Pencast from Livescribe Online or in Livescribe Desktop. When you first view a notebook page, active ink appears in green type. When you click active ink, it turns gray and the audio starts playing. As audio playback continues, the gray ink turns green in synchronization with the audio. Non-active ink (ink without audio) is black and does not change appearance.

Audio Control Bar

Pencast PDFs have an audio control bar for playing, pausing, and stopping audio playback. The control bar also has jump controls, bookmarks (stars), and an audio timeline control.

Active Ink View Button

There is also an active ink view button. Click this button to toggle the “unwritten” color of active ink from gray to invisible. In the default (gray) setting, the gray words turn green as the audio plays. In the invisible setting, green words seem to write themselves on blank paper as the audio plays.

 
If you have comments or feedback, I’m thrilled to receive it. Feel free to comment below, or if you’ve already IndieWebified your site, write your comment there and send it to me via webmention, or add your permalink to the box below. Ideally this version of the pencast is a first draft and I’ll put something more polished together at a later date, but I wanted to get this out there to have a few people test-drive it to get some feedback.

Thanks!​​​​​​​​​

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Setting up WordPress for IndieWeb use

I spent some time this morning doing a dry run through setting up a suite of IndieWeb plugins on a fresh WordPress installation. Going off of a scant outline I talked for almost two hours describing IndieWeb functionality as I set it all up. Hopefully it will provide a useful guide to newcomers to the space until I can write up a more solid outline and take a more polished approach. Apologies in advance for the roughness of the audio, lack of quality, and even live mistakes. Hopefully folks won’t mind suffering through until we can come up with some better tutorials.

As prerequisites, I assume you’ve already got your own domain and have installed WordPress on a server or other host. I actually finish setting up the WordPress install as I start the video and then sign in for the first time as we begin.

While many of the core plugins are straightforward, there is a huge amount of leeway in how folks can choose (or not) to syndicate to sites like Twitter, Facebook, and others. Here I make the choice to use the Bridgy Publish plugin and only demonstrate it with Twitter. With one example shown, hopefully other silos can be set up with Brid.gy as well. The IndieWeb wiki details other options for those who want other methods.

At the end I walk through creating and syndicating a post to Twitter. Then I demonstrate commenting on that post using another CMS (WithKnown) from a separate domain.

I do my best to provide verbal descriptions and visual examples, but these can certainly be supplemented with further detail on the IndieWeb wiki. I hope to come back and add some diagrams at a later date, but this will have to suffice for now.​​​​​​​​​

For those who would like an audio only version of this talk, you can listen here (.mp3):

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On the topic of RSS audio feeds for The Gillmor Gang

Some suggestions for extracting audio only podcast-friendly feeds for one of my favorite shows.

I’ll start off with the fact that I’m a big fan of The Gillmore Gang and recommend it to anyone who is interested in the very bleeding edge of the overlap of technology and media. I’ve been listening almost since the beginning, and feel that digging back into their archives is a fantastic learning experience even for the well-informed. Most older episodes stand up well to the test of time.

The Problem

In the Doc Soup episode of The Gillmor Gang on 5/13/17–right at the very end–Steve Gillmor reiterated, “This isn’t a podcast. This was a podcast. It will always be a podcast, but streaming is where it’s at, and that’s what we’re doing right now.” As such, apparently Tech Crunch (or Steve for that matter) doesn’t think it’s worthwhile to have any sort of subscribe-able feed for those who prefer to listen to a time shifted version of the show. (Ironically in nearly every other episode they talk about the brilliance of the Apple TV, which is–guess what?–a highly dedicated time shifting viewing/listening device.) I suppose that their use of an old, but modified TV test pattern hiding in the og:image metadata on their webpages is all-too-apropos.

It’s been several years (around the time of the Leo Incident?) since The Gillmor Gang has reliably published an audio version, a fact I find painful and frustrating as I’m sure many others do as well. At least once or twice a year, I spend an hour or so searching around to find one, generally to no avail. While watching it live and participating in the live chat may be nice, I typically can’t manage the time slot, so I’m stuck trying to find time to watch the video versions on Tech Crunch. Sadly, looking at four or more old, wrinkly, white men (Steve himself has cautioned, “cover your eyes, it’ll be okay…” without admitting it could certainly use some diversity) for an hour or more isn’t my bailiwick. Having video as the primary modality for this show is rarely useful. To me, it’s the ideas within the discussion which are worthwhile, so I only need a much lower bandwidth .mp3 audio file to be able to listen. And so sadly, the one thing this over-technologized show (thanks again TriCaster!) actually needs from a production perspective is a simple .mp3 (RSS, Atom, JSON feed, or h-feed) podcast feed!

Solutions

In recent batches of searching, I have come across a few useful resources for those who want simple, sweet audio out of the show, so I’m going to document them here.

First, some benevolent soul has been archiving audio copies of the show to The Internet Archive for a while. They can be found here (sorted by upload date): https://archive.org/search.php?query=subject%3A%22Gillmor+Gang%22&sort=-publicdate

In addition to this, one might also use other search methods, but this should give one most of the needed weekly content. Sadly IA doesn’t provide a useful feed out…

To create a feed quickly, one can create a free Huffduffer account. (This is one of my favorite tools in the world by the way.) They’ve got a useful bookmarklet tool that allows you to visit pages and save audio files and metadata about them to your account. Further, they provide multiple immediate means of subscribing to your saves as feeds! Thus you can pick and choose which Gillmor Gang episodes (or any other audio files on the web for that matter) you’d like to put into your feed. Then subscribe in your favorite podcatcher and go.

For those who’d like to skip a step, Huffduffer also provides iTunes and a variety of other podcatcher specific feeds for content aggregated in other people’s accounts or even via tags on the service. (You can subscribe to what your friends are listening to!) Thus you can search for Gillmor Gang and BOOM! There are quick and easy links right there in the sidebar for you to subscribe to your heart’s content! (Caveat: you might have to filter out a few duplicates or some unrelated content, but this is the small price you’ll pay for huge convenience.)

My last potential suggestion might be useful to some, but is (currently) so time-delayed it’s likely not as useful. For a while, I’ve been making “Listen” posts to my website of things I listen to around the web. I’ve discovered that the way I do it, which involves transcluding the original audio files so the original host sees and gets the traffic, provides a subscribe-able faux-cast of content. You can use this RSS feed to capture the episodes I’ve been listening to lately. Note that I’m way behind right now and don’t always listen to episodes in chronological order, so it’s not as reliable a method for the more avid fan. Of course now that I’ve got some reasonable solutions… I’ll likely catch up quickly and we’re off to the races again.

Naturally none of this chicanery would be necessary if the group of producers and editors of the show would take five minutes to create and host their own version. Apparently they have the freedom and flexibility to not have to worry about clicks and advertising (which I completely appreciate, by the way) to need to capture the other half of the audience they’re surely missing by not offering an easy-to-find audio feed. But I’m dead certain they’ve got the time, ability, and resources to easily do this, which makes it painful to see that they don’t. Perhaps one day they will, but I wouldn’t bet the house on it.

I’ve made requests and been holding my breath for years, but the best I’ve done so far is to turn blue and fall off my chair.

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IndieWeb Journalism in the Wild

Some tidbits I really appreciate about John Naughton's website

I noticed a few days ago that professor and writer John Naughton not only has his own website but that he’s posting both his own content to it as well as (excerpted) content he’s writing for other journalistic outlets, lately in his case for The Guardian. This is awesome for so many reasons. The primary reason is that I can follow him via his own site and get not only his personally posted content, which informs his longer pieces, but I don’t need to follow him in multiple locations to get the “firehose” of everything he’s writing and thinking about. While The Guardian and The Observer are great, perhaps I don’t want to filter through multiple hundreds of articles to find his particular content or potentially risk missing it?  What if he was writing for 5 or more other outlets? Then I’d need to delve in deeper still and carry a multitude of subscriptions and their attendant notifications to get something that should rightly emanate from one location–him! While he may not be posting his status updates or Tweets to his own website first–as I do–I’m at least able to get the best and richest of his content in one place. Additionally, the way he’s got things set up, The Guardian and others are still getting the clicks (for advertising sake) while I still get the simple notifications I’d like to have so I’m not missing what he writes.

His site certainly provides an interesting example of either POSSE or PESOS in the wild, particularly from an IndieWeb for Journalism or even an IndieWeb for Education perspective. I suspect his article posts occur on the particular outlet first and he’s excerpting them with a link to that “original”. (Example: A post on his site with a link to a copy on The Guardian.) I’m not sure whether he’s (ideally) physically archiving the full post there on his site (and hiding it privately as both a personal and professional portfolio of sorts) or if they’re all there on the respective pages, but just hidden behind the “read more” button he’s providing. I will note that his WordPress install is giving a rel=”canonical link to itself rather than the version at The Guardian, which also has a rel=”canonical” link on it. I’m curious to take a look at how Google indexes and ranks the two pages as a result.

In any case, this is a generally brilliant set up for any researcher, professor, journalist, or other stripe of writer for providing online content, particularly when they may be writing for a multitude of outlets.

I’ll also note that I appreciate the ways in which it seems he’s using his website almost as a commonplace book. This provides further depth into his ideas and thoughts to see what sources are informing and underlying his other writing.

Alas, if only the rest of the world used the web this way…

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Thoughts on linkblogs, bookmarks, reads, likes, favorites, follows, and related links

Within the social media space there’s a huge number of services that provide a variety of what I would call bookmark-type functionality of one sort or another. They go under a variety of monikers including bookmarks, likes, favorites, stars, reads, follows, claps, and surely many quirky others. Each platform has created its own semantics which don’t always overlap with the others.

Because I’m attempting to own all of my own data, I’ve roughly mapped many of these intents into my own website. But because I have the ultimate control over them, I get to form my own personal definitions. I also have a lot more control over them in addition to adding other metadata to each for better after-the-fact search and use within my personal online commonplace book. As such, I thought it might be useful to lay out some definitions (both for myself and others) for how I view these on my website.

At the basest level, I look at most of these interactions simply as URL permalinks to interesting content and their aggregation as a “linkblog”, or a feed of interesting links I’ve come across. The specific names given to them imply a level of specificity about what I think exactly makes them interesting.

In addition to a bookmark specific feed, which by itself could be considered a “traditional” linkblog, my site also has separate aggregated feeds for things I’ve liked, read, followed, and favorited. It’s the semantic reasons for saving or featuring these pieces of content which ultimately determine which names they ultimately have. (For those interested in subscribing to one or or more, or all of these, one can add /feed/ to the ends of the specific types’ URLs, which I’ve linked,  for an RSS feed. Thus, for example, http://boffosocko.com/type/link/feed/ will give you the RSS feed for the “Master” linkblog that includes all the bookmarks, likes, reads, follows, and favorites.)

On my site, I try to provide a title for the content and some type of synopsis of what the content is about. These help to provide some context to others seeing them as well as a small reminder to me of what they were about. When appropriate/feasible, I’ll try to include an image for similar reasons. I’ll also often add a line of text or two as a commentary or supplement to my thoughts on the piece. Finally, I add an icon to help to quickly visually indicate which of the types of posts each is, so they can be more readily distinguished when seen in aggregate.

In relative order of decreasing importance or value to me I would put them in roughly the following order of importance (with their attached meanings as I view them on my site):

  1. Favorite – This is often something which might easily have had designations of bookmark, like, and/or read, or even multiple of them at the same time. In any case they’re often things which I personally find important or valuable in the long term. There are far less of these than any of the other types of linkblog-like posts.
  2. Follow – Indicating that I’m now following a person, organization, or source of future content which I deem to have enough regular constant value to my life that I want to be able to see what that source is putting out on a regular basis. Most often these sources have RSS feeds which I consume in a feed reader, but frequently they’ll appear on other social silos which I will have ported into a feed reader as well. Of late I try to be much more selective in what I’m following and why. I also categorize sources based on topics of value to me. Follows often include sources which I have either previously often liked or bookmarked or suspect I would like or bookmark frequently in the future. For more details see: A Following Page (aka some significant updates to my Blogroll) and the actual Following page.
  3. Read – These are linkblog-like posts which I found interesting enough for one reason or another to have actually spent the time to read in their entirety. For things I wish to highlight or found most interesting, I’ll often add additional thought or commentary in conjunction with the post.
  4. Like – Depending on the content, these posts may not always have been read in their entirety, but I found them more interesting than the majority of content which I’ve come across. Most often these posts serve to show my appreciation for the original source of the related post as a means of saying “congratulations”, “kudos”, “good job”, or in cases of more personal level content “I appreciate this”, “you’re awesome”, or simply as the tag says “I liked this.”
  5. Bookmark – Content which I find interesting, but might not necessarily have the time to deal with at present. Often I’ll wish to circle back to the content at some future point and engage with at a deeper level. Bookmarking it prevents me from losing track of it altogether. I may optionally add a note about how the content came to my attention to be able to better remember it at a future time. While there are often things here which others might have “liked” or “favorited” on other social silos, on my site these things have been found interesting enough to have been bookmarked, but I haven’t personally read into them enough yet to form any specific opinion about them beyond their general interest to me or potentially followers interested in various category tags I use. I feel like this is the lowest level of interaction, and one in which I see others often like, favorite, or even repost on other social networks without having actually read anything other than the headline, if they’ve even bothered to do that. In my case, however, I more often than not actually come back to the content while others on social media rarely, if ever, do.

While occasionally some individual specimens of each might “outrank” others in the category above this is roughly the order of how I perceive them. Within this hierarchy, I do have some reservations about including the “follow” category, which in some sense I feel stands apart from the continuum represented by the others. Still it fits into the broader category of a thing with a URL, title, and high interest to me. Perhaps the difference is that it represents a store of future potentially useful information that hasn’t been created or consumed yet? An unseen anti-library of people instead of books in some sense of the word.

I might also include the Reply post type toward the top of the list, but for some time I’ve been categorizing these as “statuses” or “note-like” content rather than as “links”. These obviously have a high priority if lumped in as I’ve not only read and appreciated the underlying content, but I’ve spent the time and thought to provide a reasoned reply, particularly in cases where the reply has taken some time to compose. I suppose I might more likely include these as linkblog content if I didn’t prefer readers to value them more highly than if they showed up in those feeds. In some sense, I value the replies closer on par to my longer articles for the value of not only my response, but for that of the original posts themselves.

In general, if I take the time to add additional commentary, notes, highlights, or other marginalia, then the content obviously resonated with me much more than those which stand as simple links with titles and descriptions.

Perhaps in the near future, I’ll write about how I view these types on individual social media platforms. Often I don’t post likes/favorites from social platforms to my site as they often have less meaning to me directly and likely even less meaning to my audiences here. I suppose I could aggregate them here on my site privately, but I have many similar questions and issues that Peter Molnar brings up in his article Content, Bloat, privacy, arichives.

I’m curious to hear how others apply meaning to their linkblog type content especially since there’s such a broad range of meaning from so many social sites. Is there a better way to do it all? Is it subtly different on sites which don’t consider themselves (or act as) commonplace books?

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Podcasts of things I’ve listened to or want to listen to

I don’t really think of it as a “podcast” per se, but since I make “listen” posts of all the various podcasts and audio I listen to and the vast majority of those posts include direct links to the audio files, my own listen feed essentially becomes a self-published podcast of all the stuff I’m listening to that others could potentially consume. Maybe I should call it a faux-cast?

Here’s the link you can use to subscribe in your favorite podcatcher: http://boffosocko.com/kind/listen/feed/

Perhaps one day I’ll do more with feed validation and submit it to various distribution channels to make searching/subscribing easier, but since I’m not really “promoting” it as anything other than a means of discovery (or extreme stalker behavior) I won’t take the time now.

As I think about creating “want” posts in the near term, perhaps I’ll create a feed of want-to-listen-to items as another discovery channel option as well. In some sense, this is how I use my Huffduffer.com account. It has a subscribe-able list of audio items I want to listen to at some point in the future. Since I can add my Huffduffer feed (or those of others) to my podcatcher, it helps enable me to easily get the content to my phone or other devices to listen to a variety of new things. There’s no reason not to do all of this on my own site explicitly.

Now if only podcatchers could support micropub for more easily creating scrobbles or “listens”…

Image credit: Text imposed on original photo: Tilt_Shift_Wallpaper_24_by_leiyagami flickr photo by Ray Che shared under a Creative Commons (BY-NC) license.

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Organizing my research related reading

There’s so much great material out there to read and not nearly enough time. The question becomes: “How to best organize it all, so you can read even more?”

I just came across a tweet from Michael Nielsen about the topic, which is far deeper than even a few tweets could do justice to, so I thought I’d sketch out a few basic ideas about how I’ve been approaching it over the last decade or so. Ideally I’d like to circle back around to this and better document more of the individual aspects or maybe even make a short video, but for now this will hopefully suffice to add to the conversation Michael has started.

Keep in mind that this is an evolving system which I still haven’t completely perfected (and may never), but to a great extent it works relatively well and I still easily have the ability to modify and improve it.

Overall Structure

The first piece of the overarching puzzle is to have a general structure for finding, collecting, triaging, and then processing all of the data. I’ve essentially built a simple funnel system for collecting all the basic data in the quickest manner possible. With the basics down, I can later skim through various portions to pick out the things I think are the most valuable and move them along to the next step. Ultimately I end up reading the best pieces on which I make copious notes and highlights. I’m still slowly trying to perfect the system for best keeping all this additional data as well.

Since I’ve seen so many apps and websites come and go over the years and lost lots of data to them, I far prefer to use my own personal website for doing a lot of the basic collection, particularly for online material. Toward this end, I use a variety of web services, RSS feeds, and bookmarklets to quickly accumulate the important pieces into my personal website which I use like a modern day commonplace book.

Collecting

In general, I’ve been using the Inoreader feed reader to track a large variety of RSS feeds from various clearinghouse sources (including things like ProQuest custom searches) down to individual researcher’s blogs as a means of quickly pulling in large amounts of research material. It’s one of the more flexible readers out there with a huge number of useful features including the ability to subscribe to OPML files, which many readers don’t support.

As a simple example arXiv.org has an RSS feed for the topic of “information theory” at http://arxiv.org/rss/math.IT which I subscribe to. I can quickly browse through the feed and based on titles and/or abstracts, I can quickly “star” the items I find most interesting within the reader. I have a custom recipe set up for the IFTTT.com service that pulls in all these starred articles and creates new posts for them on my WordPress blog. To these posts I can add a variety of metadata including top level categories and lower level tags in addition to other additional metadata I’m interested in.

I also have similar incoming funnel entry points via many other web services as well. So on platforms like Twitter, I also have similar workflows that allow me to use services like IFTTT.com or Zapier to push the URLs easily to my website. I can quickly “like” a tweet and a background process will suck that tweet and any URLs within it into my system for future processing. This type of workflow extends to a variety of sites where I might consume potential material I want to read and process. (Think academic social services like Mendeley, Academia.com, Diigo, or even less academic ones like Twitter, LinkedIn, etc.) Many of these services often have storage ability and also have simple browser bookmarklets that allow me to add material to them. So with a quick click, it’s saved to the service and then automatically ported into my website almost without friction.

My WordPress-based site uses the Post Kinds Plugin which takes incoming website URLs and does a very solid job of parsing those pages to extract much of the primary metadata I’d like to have without requiring a lot of work. For well structured web pages, it’ll pull in the page title, authors, date published, date updated, synopsis of the page, categories and tags, and other bits of data automatically. All these fields are also editable and searchable. Further, the plugin allows me to configure simple browser bookmarklets so that with a simple click on a web page, I can pull its URL and associated metadata into my website almost instantaneously. I can then add a note or two about what made me interested in the piece and save it for later.

Note here, that I’m usually more interested in saving material for later as quickly as I possibly can. In this part of the process, I’m rarely ever interested in reading anything immediately. I’m most interested in finding it, collecting it for later, and moving on to the next thing. This is also highly useful for things I find during my busy day that I can’t immediately find time for at the moment.

As an example, here’s a book I’ve bookmarked to read simply by clicking “like” on a tweet I cam across late last year. You’ll notice at the bottom of the post, I’ve optionally syndicated copies of the post to other platforms to “spread the wealth” as it were. Perhaps others following me via other means may see it and find it useful as well?

Triaging

At regular intervals during the week I’ll sit down for an hour or two to triage all the papers and material I’ve been sucking into my website. This typically involves reading through lots of abstracts in a bit more detail to better figure out what I want to read now and what I’d like to read at a later date. I can delete out the irrelevant material if I choose, or I can add follow up dates to custom fields for later reminders.

Slowly but surely I’m funneling down a tremendous amount of potential material into a smaller, more manageable amount that I’m truly interested in reading on a more in-depth basis.

Document storage

Calibre with GoodReads sync

Even for things I’ve winnowed down, there is still a relatively large amount of material, much of it I’ll want to save and personally archive. For a lot of this function I rely on the free multi-platform desktop application Calibre. It’s essentially an iTunes-like interface, but it’s built specifically for e-books and other documents.

Within it I maintain a small handful of libraries. One for personal e-books, one for research related textbooks/e-books, and another for journal articles. It has a very solid interface and is extremely flexible in terms of configuration and customization. You can create a large number of custom libraries and create your own searchable and sort-able fields with a huge variety of metadata. It often does a reasonable job of importing e-books, .pdf files, and other digital media and parsing out their meta data which prevents one from needing to do some of that work manually. With some well maintained metadata, one can very quickly search and sort a huge amount of documents as well as quickly prioritize them for action. Additionally, the system does a pretty solid job of converting files from one format to another, so that things like converting an .epub file into a .mobi format for Kindle are automatic.

Calibre stores the physical documents either in local computer storage, or even better, in the cloud using any of a variety of services including Dropbox, OneDrive, etc. so that one can keep one’s documents in the cloud and view them from a variety of locations (home, work, travel, tablet, etc.)

I’ve been a very heavy user of GoodReads.com for years to bookmark and organize my physical and e-book library and anti-libraries. Calibre has an exceptional plugin for GoodReads that syncs data across the two. This (and a few other plugins) are exceptionally good at pulling in missing metadata to minimize the amount that must be done via hand, which can be tedious.

Within Calibre I can manage my physical books, e-books, journal articles, and a huge variety of other document related forms and formats. I can also use it to further triage and order the things I intend to read and order them to the nth degree. My current Calibre libraries have over 10,000 documents in them including over 2,500 textbooks as well as records of most of my 1,000+ physical books. Calibre can also be used to add document data that one would like to ultimately acquire the actual documents, but currently don’t have access to.

BibTeX and reference management

In addition to everything else Calibre also has some well customized pieces for dovetailing all its metadata as a reference management system. It’ll allow one to export data in a variety of formats for document publishing and reference management including BibTex formats amongst many others.

Reading, Annotations, Highlights

Once I’ve winnowed down the material I’m interested in it’s time to start actually reading. I’ll often use Calibre to directly send my documents to my Kindle or other e-reading device, but one can also read them on one’s desktop with a variety of readers, or even from within Calibre itself. With a click or two, I can automatically email documents to my Kindle and Calibre will also auto-format them appropriately before doing so.

Typically I’ll send them to my Kindle which allows me a variety of easy methods for adding highlights and marginalia. Sometimes I’ll read .pdf files via desktop and use Adobe to add highlights and marginalia as well. When I’m done with a .pdf file, I’ll just resave it (with all the additions) back into my Calibre library.

Exporting highlights/marginalia to my website

For Kindle related documents, once I’m finished, I’ll use direct text file export or tools like clippings.io to export my highlights and marginalia for a particular text into simple HTML and import it into my website system along with all my other data. I’ve briefly written about some of this before, though I ought to better document it. All of this then becomes very easily searchable and sort-able for future potential use as well.

Here’s an example of some public notes, highlights, and other marginalia I’ve posted in the past.

Synthesis

Eventually, over time, I’ve built up a huge amount of research related data in my personal online commonplace book that is highly searchable and sortable! I also have the option to make these posts and pages public, private, or even password protected. I can create accounts on my site for collaborators to use and view private material that isn’t publicly available. I can also share posts via social media and use standards like webmention and tools like brid.gy so that comments and interactions with these pieces on platforms like Facebook, Twitter, Google+, and others is imported back to the relevant portions of my site as comments. (I’m doing it with this post, so feel free to try it out yourself by commenting on one of the syndicated copies.)

Now when I’m ready to begin writing something about what I’ve read, I’ve got all the relevant pieces, notes, and metadata in one centralized location on my website. Synthesis becomes much easier. I can even have open drafts of things as I’m reading and begin laying things out there directly if I choose. Because it’s all stored online, it’s imminently available from almost anywhere I can connect to the web. As an example, I used a few portions of this workflow to actually write this post.

Continued work

Naturally, not all of this is static and it continues to improve and evolve over time. In particular, I’m doing continued work on my personal website so that I’m able to own as much of the workflow and data there. Ideally I’d love to have all of the Calibre related piece on my website as well.

Earlier this week I even had conversations about creating new post types on my website related to things that I want to read to potentially better display and document them explicitly. When I can I try to document some of these pieces either here on my own website or on various places on the IndieWeb wiki. In fact, the IndieWeb for Education page might be a good place to start browsing for those interested.

One of the added benefits of having a lot of this data on my own website is that it not only serves as my research/data platform, but it also has the traditional ability to serve as a publishing and distribution platform!

Currently, I’m doing most of my research related work in private or draft form on the back end of my website, so it’s not always publicly available, though I often think I should make more of it public for the value of the aggregation nature it has as well as the benefit it might provide to improving scientific communication. Just think, if you were interested in some of the obscure topics I am and you could have a pre-curated RSS feed of all the things I’ve filtered through piped into your own system… now multiply this across hundreds of thousands of other scientists? Michael Nielsen posts some useful things to his Twitter feed and his website, but what I wouldn’t give to see far more of who and what he’s following, bookmarking, and actually reading? While many might find these minutiae tedious, I guarantee that people in his associated fields would find some serious value in it.

I’ve tried hundreds of other apps and tools over the years, but more often than not, they only cover a small fraction of the necessary moving pieces within a much larger moving apparatus that a working researcher and writer requires. This often means that one is often using dozens of specialized tools upon which there’s a huge duplication of data efforts. It also presumes these tools will be around for more than a few years and allow easy import/export of one’s hard fought for data and time invested in using them.

If you’re aware of something interesting in this space that might be useful, I’m happy to take a look at it. Even if I might not use the service itself, perhaps it’s got a piece of functionality that I can recreate into my own site and workflow somehow?

If you’d like help in building and fleshing out a system similar to the one I’ve outlined above, I’m happy to help do that too.

Related posts

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Enabling two way communication with WordPress and GitHub for Issues

This week, using the magic of open web standards, I was able to write an issue post on my own website, automatically syndicate a copy of it to GitHub, and later automatically receive a reply to the copy on GitHub back to my original post as a comment there. This gives my personal website a means of doing two way communication with GitHub.

This functionality is another in a long line of content types my website is able to support so that I’m able to own my own content, yet still be able to interact with people on other websites and social media services. Given the number of social sites I’ve seen disappear over the years (often taking my content with them), this functionality gives me a tremendously larger amount of control and ownership over my web presence and identity while still allowing me to easily communicate with others.

In this post I wanted to briefly sketch what I’ve done to enable this functionality, so others who are so inclined can follow along to do the same thing.

Setting up WordPress to syndicate to GitHub

I’ll presume as a first step that one has both a GitHub account and a self-hosted WordPress website, though the details will also broadly apply to just about any content management system out there that supports the web standards mentioned.

Register your GitHub account and your website with Bridgy

Ryan Barrett runs a fantastic free open sourced service called Bridgy. To use it you’ll need the microformat rel=​​​“me” links on both your GitHub account and your website’s homepage that point at each other.  GitHub will do most of the work on its side for you simply by adding the URL of your website to the URL field for your GitHub account at https://github.com/settings/profile. Next on your website’s homepage, you’ll want to add a corresponding rel=​​​​​“me” link from your website to your GitHub account.

In my case, I have a simple widget on my homepage with roughly the following link:
<a href="https://github.com/username">GitHub</a>
in which I’ve replaced ‘username’ with my own GitHub username. There are a variety of other ways to add a rel=​​​​​“me” link to your webpage, some of which are documented on the IndieWeb wiki.

Now you can go to Brid.gy and under “Connect your accounts” click on the GitHub button. This will prompt you to sign into GitHub via oAuth if you’re not already logged into the site. If you are already signed in, Brid.gy will check that the rel=​​​​​“me” links on both your site and your GitHub account reciprocally point at each other and allow you to begin using the service to pull replies to your posts on GitHub back to your website.

To allow Brid.gy to publish to GitHub on your behalf (via webmention, which we’ll set up shortly), click on the “Publish” button.

Install the Webmention Plugin

The underlying technology that allows the Bridgy service to both publish on one’s behalf as well as for the replies from GitHub to come back to one’s site is an open web standard known as Webmention. WordPress can quickly and easily support this standard with the simple Webmention plugin that can be downloaded and activated on one’s site without any additional configuration.

For replies coming back from GitHub to one’s site it’s also recommended that one also install and activate the Semantic Linkbacks Plugin which also doesn’t require any configuration. This plugin provides better integration and UI features in the comments section of one’s website.

Install Post Kinds Plugin

The Post Kinds Plugin is somewhat similar to WordPress’s Post Formats core functionality, it just goes the extra mile to support a broader array of post types with the appropriate meta data and semantic markup for interacting with Bridgy, other web parsers, and readers.

Download the plugin, activate it, and in the plugin’s settings page enable the “Issue” kind. For more details on using it, I’ve written about this plugin in relative detail in the past.

Install Bridgy Publish Plugin

One can just as easily install the Bridgy Publish Plugin for WordPress and activate it. This will add a meta box to one’s publishing dashboard that, after a quick configuration of which social media silos one wishes to support, will allow one to click a quick checkbox to automatically syndicate their posts.

Install the Syndication Links Plugin

The Syndication Links plugin is also a quick install and activate process. You can modify the settings to allow a variety of ways to display your syndication links (or not) on your website if you wish.

This plugin will provide the Bridgy Publish Plugin a place to indicate the permalink of where your syndicated content lives on GitHub. The Bridgy service will use this permalink to match up the original content on your website and the copy on GitHub so that when there are replies, it will know which post to send those replies to as comments which will then live on your own website.

Post away

You should now be ready to write your first issue on your website, cross post it to GitHub (a process known in IndieWeb parlance as POSSE), and receive any replies to your GitHub issue as comments back to your own website.

Create a new post.

In the “Kinds” meta box, choose the “Issue” option.

Screen capture of the Kinds meta box with "Issue" option chosen.
Kinds meta box with “Issue” option chosen.

Type in a title for the issue in the “Title” field.

In the “Response Properties” meta box, put the permalink URL of the Github repopository for which you’re creating an issue. The plugin should automatically process the URL and import the repository name and details.

The “Response Properties” meta box.

In the primary editor, type up any details for the issue as you would on GitHub in their comment box. You can include a relatively wide variety of custom symbols and raw html including

and  with code samples which will cross-post and render properly.

In the GitHub meta box, select the GitHub option. You can optionally select other boxes if you’re also syndicating your content to other services as well. See the documentation for Bridgy and the plugin for how to do this.

Screen capture of the Bridgy Publish meta box with GitHub chosen
Bridgy Publish meta box with GitHub chosen.

Optionally set any additional metadata for your post (tags, categories, etc.) as necessary.

Publish your post.

On publication, your issue should be automatically filed to the issue queue of the appropriate GitHub repo and include a link back to your original (if selected). Your post should receive the syndicated permalink of the issue on GitHub and be displayed (depending on your settings) at the bottom of your post.

Syndication Links Plugin will display the location of your syndicated copies at the bottom of your post.

When Bridgy detects future interactions with the copy of your post on GitHub, it will copy them and send them to your original post as a webmention so that they can be displayed as comments there.

An example of a comment sent via webmention from GitHub via Brid.gy. It includes a permalink to the comment as well as a link to the GitHub user’s profile and their avatar.

If you frequently create issues on GitHub like this you might want a slightly faster way of posting. Toward that end, I’ve previously sketched out how to create browser bookmarklets that will allow you one click post creation from a particular GitHub repo to speed things along. Be sure to change the base URL of your website and include the correct bookmarklet type of “issue” in the code.

The Post Kinds plugin will also conveniently provide you with an archive of all your past Issue posts at the URL http://example.com/kind/issue/, where you can replace example.com with your own website. Adding feed/ to the end of that URL provides an RSS feed link as well. Post Kinds will also let you choose the “Reply” option instead of “Issue” to create and own your own replies to GitHub issues while still syndicating them in a similar manner and receive replies back.

Other options

Given the general set up of the variety of IndieWeb-based tools, there are a multitude of other ways one can also accomplish this workflow (both on WordPress as well as with an infinity of other CMSes). The outline I’ve provided here is one of the quickest methods for beginners that will allow a relatively high level of automation and almost no manual work.

One doesn’t necessarily need to use the Post Kinds Plugin, but could manually insert all the requisite HTML into their post editor to accomplish the post side of things via webmention. (One also has the option to manually syndicate the content to GitHub by cutting and pasting it as well.) If doing things manually this way is desired, then one will need to also manually provide a link to the syndicated post on GitHub into their original so that Bridgy can match up the copy and the original to send the replies via webmention.

More details on how to use Bridgy with Github manually in conjunction with WordPress or other CMSes can be found here: https://brid.gy/about#github-issue-comment

Further steps

If you’ve followed many of these broad steps, you’ve given already given yourself an incredibly strong IndieWeb-based WordPress installation. With a minimal amount of small modifications you can also use it to dovetail your website with other social services like Twitter, Facebook, Flickr, Instagram, Google+ and many others. Why not take a quick look around on the IndieWeb wiki to see what other magic you can perform with your website!

I’ve documented many of my experiments, including this one, in a collection of posts for reference.

Help

If you have questions or problems, feel free to comment below or via webmention using your own website. You can also find a broad array of help with these plugins, services, and many other pieces of IndieWeb technology in their online chat rooms.​​​​​​​​

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Recap of Los Angeles Area Homebrew Website Club February 21, 2018

After a relatively quiet quiet writing hour where I worked on acquisition posts a bit, people began arriving just before the 6:30 pm official start time.

I kicked off the meeting with a quick overview of IndieWeb’s concepts and principles for newcomers. As a mini-case study I talked a bit about some of my work and conversations earlier today about thinking about adding acquisition posts to my website and the way in which I’m approaching the problem.

Asher Silberman was glad to be back at a meeting. He has recently been working on more content over functionality.

Micah Cambre showed off a gorgeous development version of the new theme he’s building for his site which is a super clean and pared down theme based on the Sage platform using WordPress. He’s hoping to finish it shortly so he can relaunch his personal site at http://asuh.com. He spent some time talking about the process of using David Shanske’s IndieWebified version of the Twenty Sixteen theme as a template for adding microformats and functionality to the Sage set up.

Richard Hopp, a gen2/gen3 user who is completely new to the community and interested in learning, has a personal domain at http://www.ricahardhopp.com/ on which he’s installed WordPress. He’s currently considering whether he’d like to begin blogging soon and what other functionality he’d like to have on his site. He’s relatively new to Facebook, having only joined about six months ago. On the professional side, he does some governmental related work and has some large collections of documents that he’s also doing some research for in consideration of how to best put them on the web for ease of search and use.

I wrapped up the demo portion with a quick showing of how I leveraged the power of the Post Kinds Plugin to facetiously add chicken posts to my site as a prelude to doing a tad more work to begin adding explicit follow posts.

We took a short break to take a photo of the group.

In the end of the evening we talked over a handful of broad ideas including user interface, webactions, and Twitter interactions.

We wrapped things up with a demo of how I use the URL Forwarder app on Android to post to my website via mobile. We then used some of this documentation to try to help Asher fix his previously broken browser bookmarklets to hopefully work better with the Post Kinds Plugin. I spent a few minutes to create a similar bookmarklet to add the ability to more easily add follow posts to my website since I hadn’t done it after adding them last week.

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Henninger Trailhead / Eaton Canyon Wild Fire Coverage in Altadena, CA

A small brush fire broke out today just a few blocks from the house.

A helicopter buzzing a palm tree

At roughly 4:09pm I noticed an incredibly low flying Los Angeles County Sherrif’s Office water drop helicopter buzz our neighborhood nearly missing the neighbors’ 50ft palm tree. There had been helicopter noise for about 10 minutes prior, so this got my immediate attention. I went outside to see a copious amounts of white smoke coming from the neighborhood just about 2 blocks north of the house.

I put on my shoes to see where the fire was originating and walked up the street.

View North from Harding Avenue and Berendo as I walked toward the fire

A satellite map of the exact location of the blaze.

Arrival at the Scene

I walked up to the rough scene (or as close as I could get given the situation and the smoke) at about 6:22. Traffic is being stopped on Altadena Drive from roughly Canyon Close Dr. up past Roosevelt Ave.

Firefighters are connecting hoses at Canyon Close Drive and running them up the street. I suspect this is to potentially defend the homes on the top side of the street because the fire and certainly the smoke are close enough to warrant it.

Water drops in progress

As I was walking up to the scene until about ten minutes later there were about 4 or 5 water drops by LA County Sheriff’s Helicopters.

Scene on the street

Ground Troops Arrive

Water drops seem to have stopped for the moment and groups of firefighters are arriving to descend down into Eaton Canyon to finish off the blaze. By rough count there were about 50-60 firefighters down in the canyon and roughly another 30 or so additional firefighters and other first responders up on the street providing support.

Clean up time

It’s now 4:43 pm and water drops have stopped for the past 10 minutes or so. It’s now roughly 45 minutes after the firefight started. Here are some pictures from the vantage point just above the location of the fire just a few feet away from the canyon edge. Based on my guestimate the fire took up approximately 2-4 acres of space which was primarily dry scrubbrush and several trees in the middle of the arroyo.

Reporting live from the scene

With things beginning to look like they’re winding down, and with a clearer view of the scene now that the smoke has abated significantly I take a moment to do a quick video recap for the viewers at home.

Heading home

Things appear to be under control by about 5pm, so I headed home. Stopping to ask local police how long the street is likely to be closed through rush hour.

I arrive at the house and toss in the coordinates of the fire into Google Maps to discover the center of the fire was 2,426 feet from the house (roughly 2 blocks away.) It was easy to get exact coordinates given the size of the trees in the fire zone and the specificity of the images in Google’s satellite view. We definitely dodged one today, particularly given the dryness of the last year and the high winds we’ve seen all afternoon.

It also dawns on me that I took a hike through this exact portion of Eaton Canyon yesterday morning. My checkin at the time captures a photo across the canyon almost 30 hours before the incident. I’ll try to get another sometime this week to provide a direct comparison.

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Facebook is Censoring My Notes

I don’t post “notes” to Facebook often, but I’d noticed a few weeks ago that several pieces I’d published like this a while back were apparently unpublished by the platform. I hadn’t seen or heard anything from Facebook about them being unpublished or having issues, so I didn’t realize the problem until I randomly stumbled back across my notes page.

They did have a piece of UI to indicate that I wanted to contest and republish them, so I clicked on it. Apparently this puts these notes into some type of limbo “review” process, but it’s been a few weeks now and there’s no response about either of them. They’re still both sitting unseen in my dashboard with sad notes above them saying:

We’re reviewing this post against our Community Standards.

There is no real indication if they’ll ever come back online. Currently my only option is to delete them. There’s also no indication, clear or otherwise, of which community standard they may have violated.

I can’t imagine how either of the posts may have run afoul of their community standards, or why “notes” in particular seem to be more prone to this sort of censorship in comparison with typical status updates. I’m curious if others have had this same experience?

We’re reviewing these posts against our Community Standards.

This is just another excellent example of why one shouldn’t trust third parties over which you have no control to publish your content on the web. Fortunately I’ve got my own website with the original versions of these posts [1][2] that are freely readable. If you’ve experienced this or other pernicious problems in social media, I recommend you take a look at the helpful IndieWeb community which has some excellent ideas and lots of help for re-exerting control over your online presence.

Notes Functionality

Notes on Facebook were an early 2009 era attempt for Facebook to have more blog-like content and included a rather clean posting interface, not un-reminiscent of Medium’s interface, that also allowed one to include images and even hyperlinks into pages.

The note post type has long since fallen by the wayside and I rarely, if ever, come across people using it anymore in the wild despite the fact that it’s a richer experience than traditional status updates. I suspect the Facebook black box algorithm doesn’t encourage its use. I might posit that it’s not encouraged as unlike most Facebook functionality, hyperlinks in notes on desktop browsers physically take one out of the Facebook experience and into new windows!

The majority of notes about me are spammy chain mail posts like “25 Random Things About Me”, which also helpfully included written instructions for how to actually use notes.

25 Random Things About Me

Rules: Once you’ve been tagged, you are supposed to write a note with 25 random things, facts, habits, or goals about you. At the end, choose 25 people to be tagged. You have to tag the person who tagged you. If I tagged you, it’s because I want to know more about you.

(To do this, go to “notes” under tabs on your profile page, paste these instructions in the body of the note, type your 25 random things, tag 25 people (in the right hand corner of the app) then click publish.)

Most of my published notes were experiments in syndicating my content from my own blog to Facebook (via POSSE). At the time, the engagement didn’t seem much different than posting raw text as status updates, so I abandoned it. Perhaps I’ll try again with this post to see what happens? I did rather like the ability to actually have links to content and other resources in my posts there.

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Brief Review of The Atlantic Interview Podcast

An awesome policy-focused and interview-based podcasts from one of the premiere news outlets of our day.

I’ve now listened to a dozen of the opening episodes of The Atlantic Interview and am enamored. It’s officially ensconced at the top of my regular rotation.

The weekly show, hosted by Jeffrey Goldberg, The Atlantic’s editor in chief, features him doing a relatively in-depth interview of a single guest for about thirty minutes.

I almost look at this podcast as a far better version of some of the “Sunday shows” where the guest isn’t always so heavily guarded because it would be impolitic or that they’re lost in a sea of voices amongst a larger panel where they just can’t develop some longer coherent thoughts or theses.

To some extent, this podcast is starting to fill a hole in my daily schedule that was created by the disappearance of The Charlie Rose show late last year. The sad part is that, at only once a week, I’m going to wish I had a lot more when I’m done binge-listening to the short backlog I’ve got. On The Atlantic Interview I appreciate that the “thing guests may be selling” (book, article, show, film, etc.) takes a pointed back seat to the broader topic(s) at hand.

Much of the strength of what I’ve heard thus far stems from interviews with people that are slightly off the beaten path, but with serious messages and interesting viewpoints. They’ve all been journalisticly solid and almost always provide me with news, viewpoints, and subtle information that I didn’t have before. Another strength is that the show can give guests additional time and depth than they might receive on other traditional shows. The guests so far have been very smart, cogent, and interesting. Their selection has been well balanced for gender, topic, and general variety within the space the show occupies. The show has generally impeccable audio and production values.

While initial guests seem to have an air of familiarity with the host as the result of closer (disclosed) interpersonal connections, I suspect that even when the list of immediate friends in his Rolodex runs dry, the show will easily have enough value and gravitas to successfully run on long beyond this.

One of my favorite parts of these podcasts are the somewhat snarky bumpers that Goldberg puts onto the the end encouraging people to give reviews and subscribe. I kind of wish he’d let loose a bit more and inject some of this kind of snark into the interviews too. If nothing else, he’s at least having fun with a part of the show that would otherwise be typically painful to trudge through.

Suggestions

I’d love to hear more about education policy, health care, public heath, internet, and foreign policy. A few guest ideas I’d love to hear in this format: Tressie McMillan Cottom, Mike Morrell, Susan J. Fowler, César A. Hidalgo, Tantek Çelik, Ellen J. MacKenzie, and Ezekiel Emanuel. Continuing in the vein of interviewing the interviewers, which I find terrifically fascinating, I’d love to see Judy Woodruff, Fareed Zakaria, W. Kamau Bell, Trevor Noah, and John Dickerson in the future. These aside, I suspect that anyone that Mssr. Goldberg finds intriguing, I’m sure I will as well.

Additional Technical Commentary

I really wish their podcast had individual web pages for each episode so I could more easily email, share, or target individual episodes for people. It would also be nice if the main page actually had .mp3 versions of the audio embedded in them to make it easier to bookmark and share through services like Huffduffer.com. I really don’t know why podcasters insist on using third party podcasting services to hide their .mp3 files from the outside world–it’s literally their most important product! Stop it! I find the practice to be as irksome as newspapers that use Facebook as their primary means of distribution, and just like that case, they’ll regret it in the long run.

While Megaphone.fm is a nice hosting platform for the show, I’m not sure why a publication the size and scope of The Atlantic isn’t simply self-hosing their own content using their own URLs.

The content for the show is still a bit scatter-brained. The main page on The Atlantic has the best and most comprehensive meta-descriptions of episodes, while the Megaphone page has some nice individual episode artwork that The Atlantic doesn’t have or present. This is sure to cause uneven experiences for people depending on how they choose to subscribe.

I appreciate that some of the early episodes went to the trouble to have full transcripts and some additional snippet content and images. I miss these transcripts. I do know that doing this can be painful and expensive, though perhaps services like Gretta.com might have some technology to help. If they want to go crazy, it would be cool to see Audiogram functionality, which they could use instead of relying on Megaphone or some other platform.

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Homebrew Website Club Meetup on February 21, 2018

Are you building your own website? Indie reader? Personal publishing web app? Or some other digital magic-cloud proxy? If so, come on by and join a gathering of people with likeminded interests. Bring your friends who want to start a personal web site. Exchange information, swap ideas, talk shop, help work on a project…

Everyone of every level is welcome to participate! Don’t have a domain yet? Come along and someone can help you get started and provide resources for creating the site you’ve always wanted.

Homebrew Website Club Meetup – Los Angeles Area

Time:  to

Location: Pasadena Central Library, 285 East Walnut Street (at Garfield), 4th floor Conference Room, Pasadena, CA

  • Parking at the library is at a premium, so please park on the street or use one of these nearby lots: Parking details
  • 5:30 – 6:30 pm (Optional) Quiet writing hour at your favorite location within the library for those interested. Use this time to work on your project or do some writing before the meeting.
  • 6:30 – 8:00 pm Meetup in 4th floor Conference Room

More Details

Join a community of like-minded people building and improving their personal websites. Invite friends that want a personal site.

  • Work with others to help motivate yourself to create the site you’ve always wanted to have.
  • Ask questions about things you may be stuck on–don’t let stumbling blocks get in the way of having the site you’d like to have.
  • Finish that website feature or blog post you’ve been working on
  • Burn down that old website and build something from scratch
  • Share what you’ve gotten working
  • Demos of recent breakthroughs

Skill levels: Beginner, Intermediate, Advanced

Any questions? Need help? Need more information? Ask in chat: http://indiewebcamp.com/irc/today#bottom

RSVP

Our space within the library is somewhat limited, so please RSVP prior to attending so we can ensure that we can accomodate as many people as possible.

Add your optional RSVP in the comments below; by adding your indie RSVP via webmention to this post; or by RSVPing yes to one of the syndicated posts below:
Indieweb.org event: https://indieweb.org/events/2018-02-21-homebrew-website-club#Los_Angeles_Area
Facebook: https://www.facebook.com/events/1841008432590283/
Meetup.com: https://www.meetup.com/IndieWeb-Homebrew-Website-Club-Los-Angeles/events/247817484/
Twitter: https://twitter.com/ChrisAldrich/status/963911115271938048

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