A Domain of One's Own is an international initiative in higher education to give students and faculty more control over their personal data. The movement started at the University of Mary Washington in 2012, and has since grown to tens of thousands of faculty and students across hundreds of universities. The first part of this presentation (5-10 minutes) will provide a brief overview of how these Domains projects enable not only data portability for coursework, but also a reflective sense of what a digital identity might mean in terms of privacy and data ownership.
The second part of this presentation will explore how Domain of One's Own could provides a powerful example in how higher education could harness application programming interfaces (APIs) to build a more user-empowered data ecosystem at universities. The initial imaginings of this work has already begun at Brigham Young University in collaboration with Reclaim Hosting, and we will share a blueprint of what a vision of the Personal API could mean for a human-centric data future in the realm of education and beyond.
A short talk at the re:publica conference in Germany which touches on the intersection of the Domain of One’s Own which is very similar to the broader IndieWeb movement. POSSE makes a brief appearance at the end of the presentation, although just on a slide with an implicit definition rather than a more full-fledged discussion.
Toward the end, Groom makes mention of MyData, a Nordic Model for human-centered personal data management and processing, which I’d not previously heard of but which has some interesting resources which look like they might dovetail into some of what those in the IndieWeb are looking at. I’m curious if any of the folks in the EU like Sebastian Greger have come across them, and what their thoughts are on the idea/model they’ve proposed? It looks like they’ve got an interesting looking conference coming up at the end of August in Helsinki. There seems to be a white paper outlining a piece of their philosophy, which I’ll link to below:
This white paper presents a framework, principles, and a model for a human-centric approach to the managing and processing of personal information. The approach – defined as MyData – is based on the right of individuals to access the data collected about them. The core idea is that individuals should be in control of their own data. The MyData approach aims at strengthening digital human rights while opening new opportunities for businesses to develop innovative personal data based services built on mutual trust.
Based on a quick overview, this is somewhat similar to a model I’ve considered and is reminiscent to some ideas I’ve been harboring about applications of this type of data to the journalism sphere as well.
In these times of centralised services like Facebook, Twitter, and Medium, having your own website is downright disruptive. If you care about the longevity of your online presence, independent publishing is the way to go. But how can you get all the benefits of those third-party services while still owning your own data? By using the building blocks of the Indie Web, that’s how!
Directed by James Burrows. With Eric McCormack, Debra Messing, Megan Mullally, Sean Hayes. A baby shower makes Grace and Will question their life choices; Karen and Jack find a way to combine child labor with musical theater.
Directed by Cherie Nowlan. With Freddie Highmore, Nicholas Gonzalez, Antonia Thomas, Chuku Modu. The twins suffer complications from their surgery forcing the team at San Jose Boneventure Hospital to make a life-changing decision. Meanwhile, Dr. Shaun Murphy returns to the hospital after his trip with Lea and decides he needs a more permanent change and gives Dr. Aaron Glassman his two weeks' notice.
I’m finding it harder and harder to want to keep up with this series. I like many of the actors, but the ones I like the best are seemingly given the least screen time. The characters here just aren’t as solid as those from previous series like House, and the “cases” aren’t really interesting or dramatic enough to bother with. Rejoining conjoined twins just after separating them? Really?!
It took me 3 tries to finally make it through this episode.
Directed by Félix Enríquez Alcalá. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. While the Secretary attends a summit intended to resolve territorial claims on the North Pole, an activist group detonates a bomb, and Russia is behind it. Henry helps a student through a hard decision.
Directed by Rob J. Greenlea. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. Elizabeth and the cabinet must brace for fallout after President Dalton announces a retaliatory nuclear strike on a nation that has launched missiles at the US.
Interesting subject matter that doesn’t directly impinge on current administration policy, except it subtly does…
I pray for the deep state.
Directed by James Alan Hensz. With Ed O'Neill, Sofía Vergara, Julie Bowen, Ty Burrell. In the Season 9 finale, Mitchell sneaks out to "Hero-Con" with fanboy Phil, dressed as their favorite characters from the show "Clash of Swords." It's great until Phil commits the ultimate fan faux pas. In a clash of another kind, Gloria's dinosaur party for Joe is ruined when her nemesis, Dr. Donna Duncan, upstages her with a far bigger and better party right next door.
Prince Charles walked Meghan Markle down the aisle for the American actress to take vows of marriage with Prince Harry
I taped this last night and am watching all six hours (sans advertising) this afternoon.
CBS coverage was alright despite the fact that they seemed to be getting information either wrong or fixing it after the fact. It makes me wonder if the royal press office was releasing details contemporaneously? In particular they really botched the coverage of the designer of the dress.
I would have appreciated more details on the royals and the culture aspect rather than the heavy emphasis on American-based actors. I think I learned more in the Lifetime-esque movies I saw last weekend than I did in the huge amount of fill time CBS seemed to waste here. They did a vaguely decent job of situating the action at least. Another missing piece here was some reasonable chemistry among the primary team that seemed to be lacking in the reportage–they spent just a bit too much time speaking over each other than I would expect on this level of coverage.
I would have appreciated one or two different key images in the chyron as the same engagement image for 3 hours did seem a bit much.
I did love the fact that 2 billion people were able to see some merging of cultures that wouldn’t otherwise be seen in decades or centuries past. The fact that MLK was quoted in a British wedding was fantastic.
With Alivia Clark, David Kaye, Thomas Kopache, John Oliver.
'Iran Deal' is the worst deal of all time in Donald Trump's Eyes. But John Oliver Explains Why It Is Better Than No Deal. Because this deal strictly forbade Iran to develop any sort of nuclear weapons. And all of their declared nuclear sites have close monitoring, as well as any suspected site could be monitored within 24 days of the request. The sad part is, top advisers of Trump administration are also against the deal. That is why John prepared a new ad with catheter cowboy to explain the matter to Trump and scheduled it on his favorite Sean Hannity's show.
This would be funny if it weren’t so painfully true. The idea of placing ads on Hannity is pretty intriguing though.
Directed by Paul Pennolino. With David Kaye, John Oliver. John Oliver talks about the Corporate Taxes. He gives examples of how big corporation always tries to evade taxes. They are using the loop holes in American tax system. He also expressed his doubts about the promises were made by the new tax plan. He used the unfruitful past experience of tax holiday to support his claim.
Directed by Charlotte Brändström. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. When terrorists threaten to cause a flood in the Middle East that could kill millions of people, Elizabeth's hopes of getting a neighboring country to close the dam fade after the government suddenly goes dark during a coup. Also, Stevie is tasked with finding Russell an activity that will help manage his stress.
Thirty years after the events of the 1984 All Valley Karate Tournament, Johnny Lawrence’s life has taken a rocky turn as he tries to forget a past that constantly haunts him. He seeks redemption by reopening the infamous Cobra Kai karate dojo. But the LaRusso-Lawrence rivalry of yesteryear is reignited when their lives become intertwined with the next generation of “karate kids.”
I half expected Daniel to be more of a bad guy here as they redeemed Johnny, but it’s actually working out better than I would have anticipated. They do a reasonable job of making the viewer sympathetic to Johnny and his mission. I’ll give this a shot.
Directed by Dennis Steinmetz. With Wesley Eure, Kathy Coleman, Dave Greenwood, Bill Laimbeer. While searching the Lost City, Will and Holly are captured by lizard-men which are known as Sleestak.
Someone asked me why Lost in Space ended up in their Netflix queue as recommendation because they had watched The West Wing but they confused it with Land of the Lost. Somehow I got sucked into watching this old episode which reminded me of my childhood. It is truly dreadful. The plot, dialogue, and acting are atrocious, but somehow the nostalgia sucks me in. Stuck in this new place and they don’t find it interesting that there’s a sign written in English saying “Beware of Sleestak”?!
Hearing Cha-ka pronounce Sleestack sounds to me more like “Slease attack-a”. I wonder if it was a political statement of some sort (but not really)?