Author: Chris Aldrich

I'm a biomedical and electrical engineer with interests in information theory, complexity, evolution, genetics, signal processing, IndieWeb, theoretical mathematics, and big history. I'm also a talent manager-producer-publisher in the entertainment industry with expertise in representation, distribution, finance, production, content delivery, and new media.
Typewritten index card in black elite typeface that reads: Hello! I'm a 1955 Royal HH. I'm what's known as a standard typewriter. Usually I would sit permanently on a desk in one space and rarely move, much like a desktop computer now. Smaller and lighter portable typewriters existed for easier use, but they didn't come close to my performance, particularly for long periods of typing. Of course this performance is the reason that writers and creators like Truman Capote, Sylvia Plath, Elia Kazan, Mario Puzo, Robert Penn Warren, Eudora Welty, Charles Bukowski, George Burns, Herb Coen, Bruce Catton, Paddy Chayefski, Don Dellilo, Alice Denham, Paul Russell, James T. Farrell, William F. Buckley, Sterling North, Robert B. Parker, William Zinzer and even Hugh Heffner used Royal HH typewriters just like this one. I've got the standard Royal elite typeface and I can lay down type at 12 characters per inch and 6 lines per vertical inch. This makes me an excellent candidate to write the next great American novel. Why don't you get some paper and give me a whirl?

I usually type up a short introduction card for the handful of typewriters sitting around the house so that visitors will have an idea of what they’re appreciating. It’s almost like having a museum card on a work of art, but usually mine have a call to type on them. Naturally there are either index cards or paper close at hand to encourage both touching and typing.

Above is the brief introduction to the 1955 Royal HH I finished repairing, cleaning out, and re-assembling today.

A large standard Royal HH typewriter on a side table next to an old fashioned glass with a Negroni in it.
Ready to type at the end of the day, a Royal HH sits next to a Negroni.

Parable of the Sower Day: 2024-07-20

Today is the chronological first diary entry in Octavia Butler’s 1993 book The Parable of the Sower. It’s particularly poignant for me as parallels in the book mirror portions of my life. I’ve just turned 50, my daughter is 13, I live in Altadena, CA, near the neighborhood where Octavia Butler grew up and in the neighborhood which ostensibly serves as the setting for the story. More eerily, the state of politics in America doesn’t seem very far away from what is described in Butler’s prescient book. 

If you’ve never read it, today is an excellent one to start. If you don’t have a copy, I highly recommend buying one from my friend Nikki who runs the independent bookstore Octavia’s Bookshelf in Pasadena.

I’ve just begun re-reading it again today as a reminder…

You see photos of standard typewriters, but you’re never ready for what shows up. To provide some scale, here are my 12.8 pound 1949 Royal Quiet De Luxe portable and my 29.8 pound 1955 Royal HH standard next to each other. The Royal HH is a substantial typewriter. (I think I’m in love. 😍)

A straight on view of a small gray Royal QDL typewriter next to a brown Royal HH which is almost 2 1/2 times the size of the first. Both sit on top of a wooden library card catalog.

View from the left of a small looking Royal QDL in the foreground with a larger Royal HH sitting behind it.

Angle from the right of a hulking Royal HH looming over a much smaller and delicate looking Royal QDL in the background.

 

I remember chuckling when I saw Tom Hanks’ tags on his typewriters. Now that I’m over 15 of my own which are constantly out and about the house, I realize the benefit of matching tags on machines and their cases. I don’t have an issue with identification and matching (yet), but if nothing else, less interested family members can properly store them out of the way if they need to without causing issues. Interested visitors can also get a quick précis of machines they run across.

Thank goodness I’ve got a card catalog big enough to log and cross-file a couple hundred models. I’m thinking of categorizing by manufacturer, by decade, and including typeface samples, which I’ve already been doing as I add them to the typewriter database.

Aggregated Resources and Playlist for a Crash Course on the Olympia SM3 Portable Typewriter

I got a 1958 Olympia SM3 De Luxe typewriter in a gray crinkle finish for my birthday. Naturally I’ve been doing some research and working on cleaning it up for regular use.

Along the way I’ve been aggregating some related Olympia SM3 (and other SM family) resources and videos which include several on use, a few comparing them to other machines (for those considering buying them), and a variety on taking them apart and adjusting them to peak performance including doing rack, ring & cylinder, on feet, motion, silent return spring, trip timing, and spacebar adjustments. 

The only significant piece missing is for cleaning them, but that’s remedied with an endless variety of videos (including one of my favorites) and advice from Richard Polt on restoration. 

I’ve tried to place the videos in rough order of introductory to more advanced as well as in order of adjustments. They’re now available as a Olympia SM3 playlist:

Special thanks should go to Duane Jensen of Phoenix Typewriter and Gerren Balch of The HotRod Typewriter Co. for the bulk of the work in creating and generating most of these videos. 

Surely there are other excellent videos out there, but this list makes a pretty solid crash course which can be used as a jumping off point.

Along with other typewriter manuals collected by Richard Polt, he’s got manuals for the Olympia SM3 in both English and German.

And for the completist, you’ll naturally want copies of the repair manuals via Theodore Munk: [paperback] [digital]. There are also downloadable versions of a 1955 repair manual and a 1959 Spare Parts and Price List Catalog available.

Hopefully this aggregated list of resources will help the next Olympia typewriter enthusiast who finds one in grandma’s basement or who wants to kick off a writing career following in the footsteps of fellow SM3 typists including John Updike, Woody Allen, Frank Herbert, Patricia Highsmith, Robert Penn Warren, Harlan Ellison, Carson McCullers, John Hughes, Louis L’ Amour, William Gaddis, Stan Laurel, Ryan Adams, Ruskin Bond, Evan S. Connell, Kevin McGowin, or Anaïs Nin.

If I’ve missed any truly important resources, please do let me know. 

Cheers!

A light gray Olympia SM3 De Luxe typewriter on a wooden table next to a highball glass of Penderyn whisky. In the background we can see a library card catalog.