Today, the Academy of Motion Picture Arts and Sciences announced new representation and inclusion standards for Oscars® eligibility in the Best Picture category, as part of its Academy Aperture...
Long overdue and could have been an even higher bar, particularly on the studio side.
Hair Love, an Oscar®-winning animated short film from Matthew A. Cherry, tells the heartfelt story of an African American father learning to do his daughter’s hair for the first time.
Wesley Morris joins us to talk about “Green Book,” the latest Oscar winner to focus on a white character’s moral journey in an interracial friendship.
I love Wesley Morris’s analysis here. Racial reconciliation fantasy is a great name for a rampant problem we’ve got in America. While it’s nice to try to sweep the problem under the rug, we really need to bring it out front and center and have a more honest discussion about it.
This may be one of the best podcast episodes I’ve heard in two months. I highly recommend it.
Just 48 hours after agreeing to host the 91st Academy Awards, Kevin Hart unceremoniously stepped down late Thursday night on social media.
The turn of events followed outcry over previous anti-gay tweets, and comments Hart made during stand-up routines nearly 10 years ago. Some of the tweets were feverishly deleted throughout the day on Thursday, leading to an Instagram video from the comedian that only made matters worse for him.
With the news that that the latest disaster in Donald Trump’s Lizard Brain Jamboree will bar Oscar nominee Asghar Farhadi from attending the Academy Awards (and Farhadi’s later decision to skip them whether he is allowed to come or not), the film community has been scrambling to find an effective response.
The Manchester by the Sea actor has been accused of sexual harassment.
As anticipated, Casey Affleck received a Best Actor Academy Award nomination for Manchester by the Sea this morning. The news served as evidence to some that multiple allegations of sexual harassment against him and a related lawsuit have been successfully swept under the rug, at least in the Academy’s eyes (Affleck has previously denied all allegations against him, and settled the suits out of court for an undisclosed sum). Fresh Off the Boat actress Constance Wu, however, is not about to let the viewing public forget the accusations against Affleck, who is now being celebrated for his talent. “Men who sexually harass women 4 OSCAR! Bc good acting performance matters more than humanity, human integrity! Bc poor kid rly needs the help!,” the actress tweeted sardonically. Continue reading Constance Wu Slams Casey Affleck’s Oscar Nom | Vulture
With a slight nod toward the Academy’s announcements of the Oscar nominees this morning, there’s something more interesting which they’ve recently released which hasn’t gotten nearly as much press, but portends to be much more vital in the long run.
As books enter the digital age and we watch the continued convergence of rich media like video and audio enter into e-book formats with announcements last week like Apple’s foray into digital publishing, the ability to catalog, maintain and store many types of digital media is becoming an increasing problem. Last week the Academy released part two of their study on strategic issues in archiving and accessing digital motion picture materials in their report entitled The Digital Dilemma 2. Many of you will find it interesting/useful, particularly in light of the Academy’s description
The Digital Dilemma 2 reports on digital preservation issues facing communities that do not have the resources of large corporations or other well-funded institutions: independent filmmakers, documentarians and nonprofit audiovisual archives.
There is also a recent Variety article which gives a more fully fleshed out overview of many of the issues at hand.
In the meanwhile, if you’re going to make a bet in this year’s Oscar pool, perhaps putting your money on the “Digital Dilemma” might be more useful than on Brad Pitt for Best Actor in “Moneyball”?
My first realization I was hooked on Oscar was when I seriously began pondering one of mankind's most profound dilemmas: whether to rent or buy a tux. That first step, as with any descent down a...
This is a great (and hilarious) story by and about the writer of THE KING’S SPEECH.
Confessions of David Seidler, a 73-year-old Oscars virgin
The screenwriter, whose first nomination was for ‘The King’s Speech,’ ponders his formalwear options for the big night, his standing in Hollywood and much more.
Kristopher Tapley (Variety)
