Acquired A-Z (1-25) Gray Pressboard 1/5 Cut Tab File Guides, Letter Sized (Oxford Pendaflex)
25/Set (PN 925)
I saw these while browsing through a thrift store and correctly clocked them as thick tabbed dividers though the person who rang them up for $1.50 thought they were folders because of their heft. 

I’ve been wanting some for use with 8.5 x 11″ index cards, but thought that most major stationers had quit manufacturing them decades ago. It turns out you can still get them from Tops via a variety of different office supply outlets, though closer to the range of $15-40 per pack. I’m sure these will work wonders in my Shaw-Walker filing cabinet

Interestingly, one outlet I saw was pitching them for dividing files within a single a folder, but I’m guessing they weren’t aware of how these were used historically. (The entire group of 25 would fill up a standard manilla folder all by itself!) It’s sort of a shame that they only count up to 25 instead of 31 so that one could also easily use them as a days-of-the-month tickler file. 

Oxford Pendaflex tabbed dividers 1/5 cut showing the letters/numbers on tabs A/1 up to E/5

I’ve been thinking about typewriter stationery and carbon copies lately, as has our friend Joe Van Cleave. Has anyone used or had NCR paper stationery made for themselves?

I tried some half-sheet stationery at the International Printing Museum not long ago and that seemed like a lovely way to write and keep copies of typewritten correspondence. 

Of course recommendations for designers and printers for personal stationery is welcome here too. 

Acquired 1971 Sears Newport Portable Typewriter (Messa Typewriter )
Serial number: 5124993
Sears Model No. 405-5295 (Pica)
carriage shift; bichrome; 3 touch select settings; tabulator; 13" wide carriage; key de-jammer; carriage lock; 44 keys & 88 characters
Manufactured in Portugal
How could I not pick up his avocado beauty at Acts Thrift for $17.36?! A day’s worth of cleaning ought to bring this bad boy up to snuff. I’m most shocked at the fantastic design of its case.

This is a re-branded Messa typewriter manufactured in Portugal with other known re-badgings as the ABC 3001 and the Brother XL-1016. These were made/advertised from 1971 to 1974, but based on the serial numbers in the Typewriter Database, I would suspect mine is from the early side of 1971. (It’s entirely possible they made the entire run in a year and sold them through 1974.) Including this one there are currently only seven exemplars in the database, but many of them are owned by some of the most prolific collectors.   

With my 52nd birthday coming up this may be one of the youngest machines I own, though it’s still a few years older than me. 

And how could you possibly not love the green typebar jam release key? The only thing that could be cooler would be to have versions in harvest yellow, burnt orange, and coppertone brown. I’ll have to get my old Tupperware set out to properly show this off.

Manual available on Richard Polt’s site.

I’ve already fixed/adjusted most of the primary issues and done a little bit of the work to clean this out. I should be able to finish up the rest of it over the long weekend with the exception of one or two screws that I can tell are missing and need replacements.  Portions of the case are going to require some attention as well.

oblique angle onto the front left corner of a Sears Newport typewriter there's a button on the corner of the hood that reads "TOUCH"

Typesample of a pica 1971 Sears Newport typewriter

Close up of about 12 slugs on a Sears Newport faturing what looks like a 95 and the mushed together "AR" stamp of Albert Rodrian of RaRo fame.

Close up of the right side of an avocado Sears Newport typewriter featuring a dark green key next to the @/¢ featuring what appears to be two typebars crossing each other

Bookmarked Bookmarklet for IndieBookClub.biz by Marty McGuireMarty McGuire (martymcgui.re)
I once offered gRegor to write up a bookmarklet for turning Bookshop.org book pages into want-to-read (or currently-reading or finished-reading) posts on your own site with Micropub courtest of IndieBookClub.biz.
I really ought to get back to bookmarking things on my own site again…
Acquired Early 1900s Wooden Woodstock Standard Typewriter Shipping Crate (Woodstock Typewriter Company, Woodstock, ILL, U.S.A.)
I acquired this Woodstock Typewriter crate earlier this month to pair with my 1938 Woodstock No. 5 standard typewriter

A black enamel 1938 Woodstock No. 5 sitting on a desk next to a wooden Woodstock Standard Typewriter Crate.

Usually it’s only portable typewriters that come with cases. But often unseen and unsaved are the “cases” that came with the larger standard typewriters. These are usually unseen because they were heavy wooden crates that standard typewriters were originally shipped in, but which the dealer discarded or recycled once a customer bought their typewriter.

The crate has the company logo and some advertising as well as a typewriter stamped/embossed with ink into the larger front and back sides as well as some unpacking instructions and a handle with care admonishment on the top. The two short sides of the crate have “handles” carved into the wood to make it easier to carry. But “easy” is a tough word to use as unloaded, the crate itself weighs in at 15.9 pounds which is roughly what a portable typewriter might weigh by itself. If you add the 34.2 pounds of my Woodstock No. 5 typewriter to it, you’re looking at an overall weight of just over 50 pounds.

Oblique angle on a wooden crate sitting on a glass desktop. Semi-circular cut outs have been made to the slats of wood on the side so as to fabricate a handle.

Of interest, the top of the crate indicates that although it should be shipped “This side up”, to remove the typewriter, one should flip the crate over and remove the 12 wood screws holding the bottom of the crate on. This allows access to four cross braces that are locked into the crate by the bottom. The braces have four large screws in them which would have held the typewriter physically bolted into the case upside down. Presumably, one would have removed the typewriter and the cross braces as a unit and then removed the four bolts to allow the typewriter to be either placed onto or bolted into a desk depending on the desk type.

A view down onto the top of a stained an patina covered Woodstock Typewriter Crate which has a shipping label stained and mostly peeled off.

The inside of the crate featuring four cross braces held firmly into the bottom. The two braces across the long end of the box have two large screws drilled up through them which would have held the typewriter in place.

I’m unsure of the age of the crate and don’t have much in terms of provenance. The typewriter pictured on the case seems to be an early version of the Woodstock No. 5 between 1916 and 1931 when the typewriter had openings on the side of the machine. After 1931 these openings were supplied with covers and after 1936 they had removable hoods which covered the typebasket, a feature that isn’t depicted on this crate. 

My 1938 Woodstock only has two bolt holes on the bottom which presumably would have been used to bolt it into a desk (or in shipping). Looking at earlier models of Woodstock machines might help to narrow down the age range of this crate by finding machines which would have used all four bolts/screws in this crate to dovetail with the bottoms of those machines.

Close up of the front side of a Woodstock typewriter crate. It features the Woodstock stylized name over the words "The Typewriter" sandwiching an image of the typewriter itself.

Condition

The crate isn’t in bad shape given that it’s likely an antique at this point. There is some obvious wear to the wood as well as patina, but the writing and images are fairly clear. The shipping label on the top is nearly worn off and only partially legible. The edges of some of the wood are worn and the top is missing most of its original nails, but this allows one to easily open up the crate and use a portion of the top as a “lid”. Only four of the original wood screws are present to hold the bottom of the crate on and the cross-braces locked into place.

Angle on the top corner of the crate showing some of the wear and patina to the wood. One of the nails holding one plank of the lid on can be seen sticking out about an eighth of an inch.

Close up of one of the extant wood screws on the bottom of the crate. The edges of the wood show some heavy wear.

A close up of the very worn shipping label on the top of the crate. One can make out some words like "REPAID", "... Express Agency", Waybill Label", "5966", "BY SHIPPER" on different parts of the label.

Display in the collection

I’m not yet sure how I’ll use or display this crate with the rest of my typewriter collection. It has been sitting on the floor next to one of my reading chairs and it’s actually tall enough that it functions pretty well as a side table to hold a book, some notes, and the occasional glass of whisky. Once I’ve blown out the dirt and dust inside it and removed the four inconvenient packing screws, I might use the crate to store some books. It could probably also hold two or three 1970s era portable typewriters in their cases too… 

Do you have any crates in your collection? How do you display them? What alternate use cases do you employ them in?

Wooden typewriter crate sitting on a steel table in front of several card index filing cabinets and a bookcase.

RSVPed Attending QWERTY! A Typewriter Festival
Clicky-clack, we are bringing the typewriters back on Saturday, June 27, from 12 pm to 5 pm, in celebration of National Typewriter Day!

Experience the timeless beauty of typewriters as you test your speed and precision in a typewriter contest, hear from typewriter experts, join in the collaborative process of writing “never-ending tales” on vintage typewriters, look for hidden gems in our scavenger hunt, and much more.

Local vendors and makers are offering typo-o-grams, original poetry, themed merch, retro treasures, hand-crafted greeting cards, and even fully working typewriters for sale. Guests can bring their own typewriter to show, share, use, or get an estimate for repair.

There’s something uniquely inspiring about the sound and feel of these classic machines! Special thanks to Typewriter Connection, our event co-host.

Tickets are $15 for adults, or $12 for students/seniors.
Last year’s event was fantastic, so I’m looking forward to all the things on “tap, tap, tap” for this year. Come and celebrate National Typewriter Day in Southern California.