Acquired 5 x 8 (Hunt Manufacturing Co., Lit-Ning Products Division)
8 5/8 x 5 3/4 x 4 1/8" exterior dimensions
putty color
This seemed like a nice way to enter the exciting world of 5 x 8″ index cards. 

A pittance of $5.00 at the local thrift shop also included a full set of Universal Paper Goods Stock No. 58-25 card dividers with both alphabetic and numeral printing.

A set of 1/5 cut tabbed 5 x 8 inch dividers with the UPG logo and the title Universal Paper Goods Stock No. 58-25. The visible tabs are labeled A 1, B 2, C 3, D 4, and E 5 which will allow for both alphabetic filing as well as filing monthly by date.

Replied to Ames Segment Pick by Anthony HereldAnthony Hereld (noctisadversaria.com)
I ordered a segment pick from Bremerton Typewriter Company several weeks ago. The segment is the arched piece near the center of a typewriter where every typebar passes through on its way to the platen. Decades of ink and paper dust can pack into the grooves there. That’s why an old machine can fe...
Anthony,

I’m glad you finally managed to get your own segment pick from Paul at Bremerton Typewriter. They’re really quite lovely and clever. I will say that oddly, since I bought it, none of the typewriters I’ve gotten since are terribly gummed up as badly as a stretch of them I had gotten before and which were the reason I bought the pick in the first place! The luck of the repairman I suppose…

I must also admit that you seem to be another new member of the typosphere I’ve noticed who has Webmentions on your site! Kudos on that.

Best regards,

Chris
1971h3k77/CJA

cc: Tom Fasano, Ted Munk

 

I went searching at Star Typewriters yesterday for a nice mid-century Adler Universal.

As if he knew I was coming, Helmut had this lovely Royal/Triumph-Adler R 700 sitting right up front on the counter. It’s essentially a Royal-badged version of the Adler Universal 200 which was manufactured under the Litton regime. It’s a solid standard with some nice speed hiding under the hood. Helmut has added some nice touches of what he calls “lipstick” to zhuzh it up.

Frontal view of a Red and cream Royal (Triumph-Adler) R 700 typewriter

Replied to So What’s all this Indieweb and Webmentions stuff? by Ted Munk (typecast.munk.org)

Typewritten message that reads: "AND INTERACTS WITH IT'S ENVIRONMENT* - BUT, it quickly adds up in complexity and file size. Well, alright! Let's us try out this Indieweb and Webmentions thing that's been going around. Hello, Chris & Tom - I'm not sure why your webmentions aren't showing up here, but I did see Tom's on Chris's blog. We'll try this post and see if it works for a specific post..."

Thanks for your reply Ted. I’m putting some text here in the case that your site filters out img tags the way most WordPress comment sections do. Clicking through to my site will provide the photo of the typed response if this is the case. Tom has a snippet of code which may help this if you need it. Once you’ve got some kinks worked out, it’s not half bad… It might require even more intention that sitting down at a typewriter though?!

A typed index card sitting in the keys of a light green Hermes 3000 typewriter. It reads: Ted, Congratulations, your message came through properly. It did get stuck in my moderation queue, though I think I've fixed that for the future. It also appears that your site doesn't like hotlinking photos from external sites, so I had to tweak that as well. Tom, Now for the fun part: Let's test to see if threaded messages via the comments section work properly as well. I've done it in the past with success, so here's hoping... .I suspect that Ted's site may require some tweaking to show photos in comments the way yyou and I have modified things for ours. Here's to the next wave of typewriter technology! Best, Chris

Okay Typosphere, Who else is using their typewriter to converse with others via web and Webmention?

As I was scrolling along yesterday, a post about the lovely Professional Elite typeface popped up in my feed on Reddit. It linked back to Tom Fasano’s website, so I read the original there. I noticed a syndication icon at the bottom and stopped dead in my tracks! Had I run into a fully featured IndieWeb website in the wild?!?

I peeked at the code and saw a Webmention endpoint hiding in there and nearly fell over. Webmention is a web standard that allows any website to talk directly to any other website as if they were social media peers on the same platform. 

I immediately fired up my new-to-me 1959 Olympia SM3 which also has a Professional Elite No. 41 typeface to dash off a note to Tom and his typewriter. I posted it to my website as a typecast reply. But most importantly, my website sent a webmention (think @mention/notification) to Tom that I had replied to his post. Voila! My reply was in his comments section just moments later, as if by magic.  I’ve only done this a few times as there aren’t many typewriter collector/typecasting bloggers out there who’ve added the technology to their sites yet, but this certainly opens up a new space for typewriter social networking by way of the web rather than just via post.

The careful observer will also notice that because Tom syndicated his original post to Reddit and included a syndication link, he’s getting replies from Reddit back into his website via Webmention using a service called Brid.gy. So if you want to type up a reply to his post, or even this one, and post it to the Reddit thread you can participate that way (if your website doesn’t have the capability yet.)

Who else in the typosphere has a website that supports webmention? Let’s start a chat.

Angle on a typewriter keyboard with glass tombstone keys. In the front, we're focused on the @ key.
A new use for your typewriter’s @ key: to send @mentions by typewriter on the web!

If you’d like to go deeper into the subject of Webmention, try this article in A List Apart: “Webmentions: Enabling Better Communication on the Internet“.

What is the prettiest typewriter typeface?

Typewriten sample of 7 typewriter typefaces  on the same page including an art deco Royal Vogue, a slightly italic, san serif and smaller Professional Elite No. 41, a san serif Hermes Epoca, a serifed Italic Pica No. 31, a blocky serifed Congress Elite No. 84, a crisp, san serif Clarion Gothic, and a computer-esque, san serif Numode No. 61.

I often see typewriter enthusiasts “debating” over which is the prettiest or best typeface, and often, they’re making their judgement on one machine they happen to have or really wish they had. Rarely are these judgements made with multiple typefaces on the same page for easier direct apples-to-apples comparison, so I threw together a small sample from a few in my own collection. 

Gut reaction time: Which of these is your favorite?

Acquired 1971 Hermes 3000 (3rd Generation) Portable Typewriter (Paillard S.A. Yverdon Switzerland)
Serial Number: 7084044
Hermes Epoca typeface, 10 pitch, slugs: SNO, 6 lines/vertical inch, portable, bichrome, segment shift, tabulator, U.S. keyboard with 44 keys and 88 characters
light green plastic body, grey-ish cream colored plastic keys
Manufactured in France
Purchased from from Jan M. Macho in Pasadena, CA. This was the personal typewriter of his father John J. Macho, Sr., an émigré from Czechoslovakia who was in regional sales for Paillard in America and sold millions of Hermes typewriters. 

Jan Macho, Sr.’s grandson Chris Macho eulogized his grandfather on Instagram:

This is a Hermes 3000. My grandfather, Jan Macho, “Deda” to me, made a living and a small fortune as an exec at Hermes Typewriter Co., and he sold a million of these. I admit, I don’t think of him as often as I should, and it takes hints like these in the wild to remind me of him. Fuck me, he was just so legendarily amazing, kind, generous, and plain THE SHIT in how he carried himself (and now I’m tearing up as I write this). I mentioned him and the Hermes thing to the people at this place here and they gave me a beer. So here he is, still hooking me up from the other side. Love you, miss you Deda.

A greenish gray 1971 Hermes 3000 with a boxy plastic body sits on a library card catalog next to three gift bottles of Scotch.

Generally his typewriter is in solid condition aside from some cosmetic issues in the rear body plastic possibly due to heat exposure. It’ll need a full C/O/A and some new rubber, but will be resurrected to be a spectacular little portable typewriter for a few more generations.

I was so enamored of the provenance of the typewriter that I  barely managed to get through a preliminary check of the functionality before buying. I completely didn’t even notice the Epoca typeface until I got it home. Somehow I’ve always been the bridesmaid when it comes to Hermes machines, but it seems I’ve jumped right over the bride title straight to princess.

yellowish card tag featuring the san serif epoca typeface sample of a 1971 Hermes 3000 typewriter

Close up of the slugs on the left hand side of a 1971 Hermes 3000 featuring a san serif Epoca typeface. The foundry mark on the slugs is "S NO".

Resources

Oblique angle from above the left side of a green Hermes 3000 typewriter

Groups, Fields, and Galois: Part 1 | UCLA Extension

Dr. Michael Miller, a retired researcher at RAND, has been teaching upper level undergraduate/graduate level math courses for fun at UCLA Extension for over 50 years. This fall he’ll be introducing the areas of groups, fields, and Galois theory from abstract algebra to those interested in abstract math: Groups, Fields, and Galois: Part 1. His intention is to do a follow-on class on Galois theory in the Winter which will use this class as a foundation. If you’re in the Los Angeles area his class starts on September 22, 2026 at UCLA on Tuesday nights from 7-10PM. Register here: https://www.uclaextension.edu/sciences-math/math-statistics/course/groups-fields-and-galois-part-1-math-9001

His courses are thorough and rigorous, but geared toward lifelong learners and beginners in abstract mathematics to allow people better entry points into higher level mathematics. His classes are interesting and relatively informal, and most students who take one usually stay on for future courses. The vast majority of students in the class (from 16-90+ years old) take his classes for fun and regular exposure to mathematical thought, though there is an option to take it for a grade if you like. There are generally no prerequisites for his classes, and he makes an effort to meet the students at their current level of sophistication. For this particular class, if you’ve got some experience in high school algebra and know some preliminaries about mathematical proofs you’ll be ready to dive in.

There are regular commuters joining from as far out as Irvine, Ventura County and even Riverside. Most in the class are dedicated hobbyist and professional mathematicians, engineers, physicists, and others from all walks of life (I’ve seen actors, directors, doctors, artists, poets, retirees, and even house-husbands in his classes.)

If you’re unsure of what you’re getting into, I recommend visiting on the first class to consider joining us for the Fall quarter. Sadly, this is an in-person course. There isn’t an option to take this remotely or via streaming, and he doesn’t typically record his lectures. I hope to see all the Southern California math fans next month!

Course Description

Group theory is recognized as one of the great unifying mathematical disciplines, with far-reaching applications in virtually all scientific (and many non-scientific) fields. This course, the first of a two-quarter sequence that concludes in Winter 2027 with a course on fields and Galois Theory, is geared toward developing the tools of group theory needed to establish the Abel-Ruffini theorem on the insolvability by radicals of the general polynomial of degree five or greater. Results established along this journey will also be applied toward addressing the three classical ruler and compass construction problems of antiquity: trisecting the angle, duplication of the cube, and squaring the circle, as well as Gauss’ surprising characterization of constructible regular polygons.
September 22 – December 1
Tuesday 7:00PM – 10:00PM PT
REG# 410697
Fee: $450.00

Recommended textbook: TBD 

Dr. Miller provides enough background and thorough notes that if you’re taking notes on his lectures, you typically won’t need a textbook.

If you’ve never joined the class before (Dr. Miller has been teaching these for 53 years and some of us have been with him for nearly that long; I’m starting into my 20th year personally), I’ve written up some tips and hints.

Acquired 1959 Olympia SM3 portable typewriter (Olympia-Werke AG)
Serial number: 1477358
Professional Elite No. 41 typeface, 11 pitch, 2.3m/m, 6 lines/inch, bichrome, carriage shift, tabulator
American keyboard, 44 keys, 88 characters
green crinkle paint, black plastic keys
Manufactured in Wilhelmshaven, Germany
Found at The Predecessors while typewriter hunting in Anacortes, WA. It was paired with another similar green Olympia SM3, but I immediately picked this one up because of its beautiful and uncommon typeface. 

It’ll need several new parts including rubber, but this portends to be a fantastic typewriter.

Typed manilla card with sample of a 1959 Olympia SM3 typewriter with a Professional Elite No. 41 typeface which is a small sans serif slightly italic face.

1959 Olympia SM3 portable typewriter in green crinkle paint on an oak library card catalog next to a silver plated cocktail shaker in the shape of a zeppelin.

Acquired Lit-Ning Model 1K Card Index for 2 x 3.5" Cards
Overall dimensions: 3.5 x 4.5 x 8"
I picked up this vintage card index meant for filing business cards on July 20th for a fantastic $1.50.  I hadn’t seen a card index this small before and suspected that it was designed as a sort of Rolodex for storing 2 x 3.5″ standard business cards. It makes an excellent storage for those as well as for the several dozen other old affinity cards and library cards I’ve got. Of course, my problem is that it only fits about half of the business cards I’ve got. 

There are a few places that still make card dividers for this size format, but I opted to make my own from 11 x 17″ card stock.

Acquired A-Z (1-25) Gray Pressboard 1/5 Cut Tab File Guides, Letter Sized (Oxford Pendaflex)
25/Set (PN 925)
I saw these while browsing through a thrift store and correctly clocked them as thick tabbed dividers though the person who rang them up for $1.50 thought they were folders because of their heft. 

I’ve been wanting some for use with 8.5 x 11″ index cards, but thought that most major stationers had quit manufacturing them decades ago. It turns out you can still get them from Tops via a variety of different office supply outlets, though closer to the range of $15-40 per pack. I’m sure these will work wonders in my Shaw-Walker filing cabinet. 

Interestingly, one outlet I saw was pitching them for dividing files within a single a folder, but I’m guessing they weren’t aware of how these were used historically. (The entire group of 25 would fill up a standard manilla folder all by itself!) It’s sort of a shame that they only count up to 25 instead of 31 so that one could also easily use them as a days-of-the-month tickler file. 

Oxford Pendaflex tabbed dividers 1/5 cut showing the letters/numbers on tabs A/1 up to E/5

I’ve been thinking about typewriter stationery and carbon copies lately, as has our friend Joe Van Cleave. Has anyone used or had NCR paper stationery made for themselves?

I tried some half-sheet stationery at the International Printing Museum not long ago and that seemed like a lovely way to write and keep copies of typewritten correspondence. 

Of course recommendations for designers and printers for personal stationery is welcome here too.