While looking forward to IndieWeb Summit this weekend, I take a listen back at the past courtesy of the Ontario Extend and the Great 78 Project at the Internet Archive.
18 track album
Hat tip: Aaron Davis
While messing with Dat last night, I got carried away in nostalgia and began… recreating Muxtape in Dat. I wanted to see how far I could get. (If you don’t know what Muxtape was—it was a way of sharing mp3 mixtapes online for a brief window of time in 2008, until it was shut down by the grown-ups.)
So, it seemed interesting to try to replicate Muxtape, because it would be very hard to “shut down” on the Dat network. And, sure enough, I was able to get it working quite well: you can upload songs, tweak the colors and titles, order the songs and such—I think this is quite faithful.
And, yes, it’s peer-to-peer. You can edit your tape using the URL created for you. Then you can pass that same URL out to share your tape. Visitors can listen to the music and seed the tape for everyone else.
This is an awesome idea. I really wish I had the bandwidth to dig into DAT. Who wouldn’t want to be able to make mixtapes like this for the internet? It’s not too dissimilar to my listen feed (aka faux-cast), but could be more customized and curated for friends/family.
It was the biggest disaster in the history of the music business — and almost nobody knew. This is the story of the 2008 Universal fire.
This brings back some memories of when I worked for several months for Iron Mountain at their Hollywood facility right next to Anawalt lumber. They had quite a large repository of music masters stored there as well as a custom nitrate film vault. At the time I remember thinking many of the same things mentioned here. I suspect that there’s an even bigger issue in film preservation, though this particular article makes it seem otherwise.
I’m surprised that the author doesn’t whip out any references to the burning of the Library at Alexandria, which may have been roughly on par in terms of cultural loss to society. It’s painfully sad that UMG covered up the devastating loss.
The artwork for the piece is really brilliant. Some great art direction here.
It’s a crisis that has left, by some estimations, billions on the table unpaid to musicians
Rare footage from back in '97 featuring supergroup "The B-KISSty2's" performing their hit song about a spunky crustacean from Motor City struggling with mental health issues.
Hat tip: Eric Alper
Seona Dancing was a 1980s British pop group best known for providing Ricky Gervais with his first taste of fame. The band was formed in 1982 by aspiring pop stars Bill Macrae and Ricky Gervais. Their single "More to Lose", released in 1983, only made it to number 70 on the Billboard charts, and the band quickly disbanded in 1984. A year later, in 1985, a DJ from 99.5 DWRT-FM in Manila in the Philippines started playing a song called "Fade" by Medium (also billed as "Medium" by Fade). It became a runaway hit, and the angsty theme song for many Filipino teenagers in the mid 1980s. Eventually, the identity of the song was revealed as "More to Lose" by Seona Dancing. Bill Macrae faded into obscurity, but years later Ricky Gervais found new fame as the co-writer and star of the hit BBC comedy The Office.
He definitely had a different look when he was young!
Seona dancing was a 1980s British new wave group, best known for providing comedian Ricky Gervais with his first experiences as a public performer. Although the band were not successful, their single "More to Lose" went on to become a teen anthem in the Philippines.
In June 1982, in his final year as a student at University College London, Ricky Gervais and his friend Bill Macrae formed Seona Dancing, with Macrae writing the songs and playing keyboards and Gervais writing and singing the lyrics. After recording a sixteen-song demo tape, they were signed by London Records which released two of their singles: "More to Lose" and "Bitter Heart". In 1983, the duo performed their single "More to Lose" on the ITV syndicated children's television show Razzamatazz. Yet, despite the promotion of "Bitter Heart" through its music video and "More to Lose" by its TV performance, both singles failed to break the Top 40. With "More to Lose" charting at number 117 and "Bitter Heart" at number 79 on the UK Singles Chart. After the lacklustre performance of their two singles, the band split up in 1984.
Gervais went on to have a successful international career as a comedian and actor, while Macrae later embarked on a solo career, though he has not made any real media appearance since. When Jimmy Kimmel asked about Macrae in an interview in 2014, Gervais said jokingly, "I hope he got fat too."
Tesla CEO Elon Musk, weeks after the Securities and Exchange Commission asked a judge to hold him in contempt, has dropped a surprise rap sing
Because I’m reading it on April Fool’s Day, it could be insane, but then again so is Elon Musk, so we’ll have to do some research to see if this is actually true. Though it is also most likely an Elon Musk joke that’s getting widespread attention.
The tune is kinda catchy though…
I’ve been getting busy working on my new project, a little band of musical robots. My short-term goal is to use MIDI from my computer to trigger these robot to hit things and make music. I’m experimenting with different techniques, creating different things for them to hit, and generally having ... Readtrack is an experimental tool built during the 2012 NYT TimesOpen Hack Day. It gives music recommendations based on the content you’re looking at by doing semantic analysis of the current…
This is a killer start for a fun little app.
In this episode, Haley interviews Natalia Komarova, Chancellor's Professor of the School of Physical Sciences at the University of California, Irvine. Komarova talks with Haley at the Ninth International Conference on Complex Systems about her presentation, which explored using applied mathematics to study the spread of mutants, as well as the evolution of popular music.
There’s some interesting sounding research being described here. Be sure to circle back around to some of her papers.
Let's face it: Baby Shark is an undeniable force. James invites his guests, Sophie Turner, playing the role of Mommy Shark, and Josh Groban, taking on the role of Daddy Shark, for the definitive performance of this global phenomenon.
This is just too awesome.
Hat tip: Aaron Davis