Replied to a post by Patrick Rhone (patrickrhone.net)
I created a shop on Bookshop.org for all the books I read this year for easier browsing and, if interested, purchase.
I like this idea Patrick. I’d recently used Bookshop to create a list of books I’m currently reading. Having finished one or two, perhaps it’s time to start a read shelf like you have?

It might be interesting to see them build out some UI to make a less corporate Goodreads-esque site as well.

Read Why I’m no longer linking to Amazon for books… by Patrick Rhone (patrickrhone.net)
For a long time now, I’ve linked to Amazon when linking to books, especially on my /reading page. The reasons: It was an easy default and I always knew that if something existed at all there would be a greater than 99% chance one could find it there. As an author, I know from direct experience tha...
Watched The Booksellers (2019) from Amazon Prime
Directed by D.W. Young. With Parker Posey, Fran Lebowitz, Gay Talese, Susan Benne. A behind-the-scenes look at the New York rare book world.

Rating: ★★★½
My sort of catnip. How do they not ask about whether or not these sellers use the internet that is killing them?
Read Standing up for developers: youtube-dl is back (The GitHub Blog)
Today we reinstated youtube-dl, a popular project on GitHub, after we received additional information about the project that enabled us to reverse a Digital Millennium Copyright Act (DMCA) takedown. 
Good to seem them taking a positive stance on this.
Read Pasadena Bookstores Pushed to Brink by Pandemic (pasadenanow.com)
Bookstores across the Southland and the nation have long been challenged by a changing marketplace increasingly dominated by online giants such as Amazon, but the increased pressure placed upon local brick-and-mortar booksellers by the ongoing pandemic is pushing some to the brink of closure.
Liked a tweet (Twitter)
Read Understanding Library eBook Lending: Q&A with Panorama Project Lead Guy LeCharles Gonzalez (IBPA)

(Manhattan Beach, CA - October 13, 2020) -- When an IBPA member sent the office a link to this Wired article about ebooks flying off libraries’ virtual shelves with the question,...

“I am a bit confused by why one ebook could cost 40-60 dollars. Is that only with the Big 5?”

...IBPA reached out to Panorama Project lead Guy LeCharles Gonzalez for more information.


IBPA: Hi Guy. So, what's with the average $40 price for a library ebook?

Guy LeCharles Gonzalez (GLG): That Wired article has caused quite a stir despite being a little behind the story! The ebook pricing cited is a little too broad, but it's on the right track, especially for Big 5 ebooks which are what most of these articles tend to focus on.

I’ve been meaning to do some research into pricing that libraries pay. Apparently it’s more than I would have expected.
Read Your Local Bookstore Wants You to Know That It’s Struggling (nytimes.com)
Independent booksellers are desperate for customers to return, and not just for an online reading.
Bookmarked on: Oct 15, 2020 at 20:19


Avid Bookshop in Athens, Ga., sends personalized URLs to customers with a list of handpicked recommendations. 

Perhaps if they went the step further to set up domains for their customers, they could ostensibly use them not only as book blogs, but also to replace their social media habits?

An IndieWeb friendly platform run by your local bookseller might be out of their wheelhouse, but it could potentially help solve their proximal problem while also solving one of society’s problems all while helping to build community.
Annotated on October 16, 2020 at 12:51PM

Take Vroman’s Bookstore, a 126-year-old institution in Pasadena, Calif. It has more than 200 employees, 20,000 square feet of space and the rent to go along with it. In a normal year, it hosts anywhere from 300 to 400 events, bringing in authors for readings and signings, along with customers who buy books and maybe a glass of wine from the bar. But none of that is happening this year. 

Coincidentally I bought two books at Vroman’s yesterday and it looked reasonably busy for mid-day. (Maybe because of this article?)

It’s a bit disingenuous to mention wine at their bar as their wine bar was only finally open for a minute before the pandemic shut everything down.
Annotated on October 16, 2020 at 12:54PM

Like many other stores, Vroman’s is hosting online events to promote new books, which can attract attendees from all over the country but generally bring in almost no money. 

Maybe they need a book paywall for admission into those events? Buy a book to get the zoom code to get into the event?

David Dylan Thomas essentially did this for his recent book launch.
Annotated on October 16, 2020 at 12:55PM

In the best of times, the margins at a bookstore are paper thin — traditionally, a successful shop hopes to make 2 percent in profits — but operating during a pandemic is even more expensive. 

Yes—they said paper thin…
Annotated on October 16, 2020 at 12:57PM

Read The Layered Deceptions of Jessica Krug, the Black-Studies Professor Who Hid That She Is White by Lauren Michele JacksonLauren Michele Jackson (The New Yorker)
During her scholastic career, Krug’s advisers, editors, and colleagues failed to recognize the gap between something thrown-on and something lived-in. That inattentiveness was her escape hatch.

Consider, for instance, the footage that has been circulating from a New York City Council hearing, held over Zoom in June, which shows Krug in her Afro-Latinx pose. She introduces herself as Jess La Bombalera, a nickname apparently of her own making, adapted from Bomba, an Afro-Puerto Rican genre of music and dance. Broadcasting live from “El Barrio,” and wearing purple-tinted shades and a hoop in her nose, she lambasts gentrifiers, shouts out her “black and brown siblings,” and twice calls out “white New Yorkers” for not yielding their speaking time. What stands out, though, is the way Krug speaks, in a patchy accent that begins with thickly rolled “R”s and transitions into what can best be described as B-movie gangster. This is where desire outruns expertise. The Times, in a piece on Krug’s exposure, last week, nonetheless called this a “Latina accent,” lending credence to Krug’s performance. (The phrase was later deleted.) The offhand notation is a tiny example of the buy-in Krug has been afforded her entire scholastic career, by advisers and committee members and editors and colleagues. They failed to recognize the gap not between real and faux, so much, as between something thrown-on and something lived-in. That inattentiveness was Krug’s escape hatch. 

If nothing else, this is indicative of human cognitive bias. We’ll tend to take at face value what is presented to us, but then once we “know” our confirmation bias will kick in on the other direction.

I’m curious if there were examples of anyone calling out her accent contemporaneously? We’re also stuck with the bias of wanting to go with the majority view. When you’re the lone voice, you’re less likely to speak up. This is also evinced in the story of her previous colleagues who had “gut feelings” that something was wrong, but didn’t say anything or do any research at the time.
Annotated on September 19, 2020 at 09:14AM

She introduces herself as Jess La Bombalera, a nickname apparently of her own making, adapted from Bomba, an Afro-Puerto Rican genre of music and dance. Broadcasting live from “El Barrio,” and wearing purple-tinted shades and a hoop in her nose, she lambasts gentrifiers, shouts out her “black and brown siblings,” and twice calls out “white New Yorkers” for not yielding their speaking time. 

I hear this name and immediately think “Bamboléo“! Gipsy Kings! and then this:


Annotated on September 19, 2020 at 09:30AM

Lauren Michele Jackson is a contributing writer at The New Yorker and an assistant professor of English at Northwestern University. 

This is an excellent article on its own without the context, but it is more interesting with the context on the click-thru that Jackson’s first book, the essay collection “White Negroes,” was published in 2019.

I’m curious about the editorial decision to not mention it in the mini-bio here, particularly when the piece is so pointedly about identity and authenticity.
Annotated on September 19, 2020 at 09:57AM

Read Tombstone (typography) (Wikipedia)
In mathematics, the tombstone, halmos, end-of-proof, or Q.E.D. symbol "∎" (or "□") is a symbol used to denote the end of a proof, in place of the traditional abbreviation "Q.E.D." for the Latin phrase "quod erat demonstrandum", meaning "which was to be demonstrated". In magazines, it is one of the various symbols used to indicate the end of an article. In Unicode, it is represented as character U+220E ∎ END OF PROOF (HTML ∎). Its graphic form varies, as it may be a hollow or filled rectangle or square.
Read a thread by Liz (threadreaderapp.com)
Read 5 Excellent YA Books About Selkies by Abby Hargreaves
If books about mermaids aren’t really your thing and you’re looking for something a bit earthier, you might be interested in selkie lore. For the uninitiated, selkies come from Scottish folklore, stemming particularly from the Northern Isles of Orkney and Shetland. Selkies, a kind of mythical creature that shapeshifts from a seal to a human form. In many examples of selkie legends, part of the lore typically involves a woman selkie who loses her pelt to a man of the land. When this happens, she is tied to him so long as she is unable to find her pelt, and therefore unable to return to her seal form and her ocean habitat. These six YA books about selkies drop readers into stormy seaside towns, sparkling ocean depths, and treacherous rocky crags.
Apparently this is a “thing”? I’m going to download a sample of one and give it a try.