There’s something so whimsical and lovely about Sky’s art…
"It is no secret that David Lynch, the writer-director-composer-painter, has an unusual relationship with Bob's Big Boy," begins a 1999 Los Angeles Times article on the auteur of films like Eraserhead and Blue Velvet. "For seven years in the 1980s he ate lunch there every day, ordering cup after cup of over-sweetened coffee and a single chocolate milkshake while scribbling notes on Bob's little square napkins." He took pains, notes reporter Amy Wallace, "to arrive at Bob's at precisely 2:30 p.m. each day. The reason: It increased the odds that he would encounter perfection."
The Royal Academy in London turned down a work by “Bryan S. Gaakman” for an exhibition, then asked Banksy — who had made it — if he had a submission.
This reminds me a bit of episode one of Revisionist History, though the way it is presented is much more cutsey with a soupcon of aw-shucks. They really should do more blind screening of artwork the way that orchestras in the US are typically doing blind auditions these days.
Birmingham, 1963. The image of a police dog viciously attacking a young black protester shocks the nation. The picture, taken in the midst of one of Martin Luther King Jr.’s most famous marches, might be the most iconic photograph of the civil rights movement. But few have ever bothered to ask the people in the famous photograph what they think happened that day. It’s more complicated than it looks.
What a stunning and unexpected story. I do so love this podcast.
Grooves on an ancient piece of flint might have been made intentionally to encode information. Andrew Masterson reports.
An interesting synopsis though I suspect the paper is far more detailed.
h/t to @CosmosMagazine
Grooves on an ancient piece of flint might have been made by Neanderthals to intentionally to encode information. https://t.co/DkXzFjbegA
— Cosmos Magazine (@CosmosMagazine) May 4, 2018
bookmarked on May 03, 2018 at 09:03PM
In 1984, Elvis Costello released what he would say later was his worst record: Goodbye Cruel World. Among the most discordant songs on the album was the forgettable “The Deportees Club.” But then, years later, Costello went back and re-recorded it as “Deportee,” and today it stands as one of his most sublime achievements.
“Hallelujah” is about the role that time and iteration play in the production of genius, and how some of the most memorable works of art had modest and undistinguished births.
And here I thought I knew a lot about the story of Hallelujah. I haven’t read any of the books on its history, nor written any myself, but this short story does have a good bit I’ve not heard before in the past. I did read quite a bit when Cohen passed away, and even spent some time making a Spotify playlist with over five hours of covers.
The bigger idea here of immediate genius versus “slow cooked” genius is the fun one to contemplate. I’ve previously heard stories about Mozart’s composing involved his working things out in his head and then later putting them on paper much the same way that a “cow pees” (i.e. all in one quick go or a fast flood.)
Another interesting thing I find here is the insanely small probability that the chain of events that makes the song popular actually happens. It seems worthwhile to look at the statistical mechanics of the production of genius. Perhaps applying Ridley’s concepts of “Ideas having sex” and Dawkin’s “meme theory” (aka selfish gene) could be interestingly useful. What does the state space of genius look like?
We just wrapped up development on Lightwalk, an interactive art installation living at Abilene Christian University in Abilene, Texas. For a number of reasons, this has been one of the most interesting projects I've ever worked on. There is the obvious wow factor of the installation itself, but we also developed a whole suite of dev tools running behind the scenes that not only keep the installation running, but also enable engagement from ACU students in multiple ways. It's this tie between hardware and software that makes the project truly shine, it's taking art and making it sm-art, it's the internet of things but it's actually interesting, and it's what I'm going to be talking about today.
This is a cool art installation! I’d like to have one please… It’s like a miniature version of the installation at Los Angeles International Airport, but small enough to fit in my front yard. If only the LAX version was controllable like this one!Syndicated copies to:
Ian Bremmer, the president of the Eurasia Group, and Michael Hanna, a senior fellow at the Century Foundation, on Donald Trump's first foreign trip of his presidency. A discussion of Robert Mueller's special counsel appointment with John Carlin, the former assistant Attorney General for national security and Chief of Staff to Robert Mueller. Gabe Sherman and Jim Rutenberg reflect on the legacy of the late media titan Roger Ailes, known for launching Fox News in 1996. Adam Lindemann, an art collector and gallery owner who held the previous auction record for a Jean Michel Basquiat painting with his sale of Untitled (Devil) for $57.3 million last year.
I haven’t been following the deeper analysis of Trump’s Middle East trip, but Ian Bremmer’s pre-analysis here which I’ll synopsize as Trump is taking a cheese-puff trip to areas where he’s likely to be loved, adored, and appreciated (surprise!!) and which the US won’t really benefit from in the coming decades seems sadly correct. I suppose it’s better for him to focus on his vanity rather than destroying value.
I could have appreciated another 20 minutes on Ailes and analysis on his ongoing influence, but then again, it’s just as well to relegate him to the dustbin of history.
“Amerikan Krazy: Life Out of Balance” takes part of its name from the new book <a href="http://boffosockobooks.com/books/authors/henry-james-korn/amerikan-krazy/">"Amerikan Krazy”</a> by <a href="http://www.henryjameskorn.com">Henry James Korn</a>. From 2008 to 2013, Korn worked at the Orange County Great Park. He was responsible for the creation of the Palm Court arts complex and culture, music, art and history programs.<br /><br /> “The book is very much about total corporate control of public and private space,” Korn said. The story follows a wounded Marine veteran haunted after having missed the chance to assassinate a presidential candidate who later causes massive human suffering and wreaks havoc on America’s wealth and democracy.<br /><br /> It’s a way of understanding what’s happening in politics now, Korn said.<br /><br /> “Because if ever there was a recognition that our public life and politics have gone crazy, it’s this moment.”
If you haven’t manage to make it down, this exhibition is running for another week at BC Space!Syndicated copies to:
Yesterday, along with my friend Henry James Korn, I attended the opening of the BC Space Gallery exhibition Amerikan Krazy: Life Out of Balance, and it was fantastic! If you’ve got time to see it sometime in the next few weeks until it closes on May 20th, I guarantee you won’t be disappointed. I don’t think I’ve experienced so much shock and amazement at an exhibition in a long time.
Sadly, Henry won’t be there doing a live reading of his new novel Amerikan Krazy every day for the next month, but you’ll be continually astounded for the entire time you’re there emoting over all of the work on display in an exhibition that is not only aptly named but touches on many aspects of the cultural zeitgeist.
I walked through the gallery half a dozen times over four hours and was continually amazed by new things I’d run into that I somehow hadn’t seen on my first passes, or I’d experience new emotions in pieces I’d spent time studying after coming back to them after viewing others.
For those attending, I hope you’ll notice the experience begins almost as soon as you open the door, it continues even for those who visit the restrooms(!), and it doesn’t end until you’re dumbfounded even as you leave the gallery–in fact, I was so intrigued that I walked back up the stairs to leave a second time.
I was particularly enamored by many of the Glenn Brooks pieces, a fantastic video by Max Papeschi, and the haunting work of Tom Lamb, who I had the pleasure of meeting at the gallery.
Below is a small sampling of some snapshots I took (along with a few professional shots), but don’t let the poor quality of my photography detract from experiencing it more viscerally in person. (Click photos to enlarge and view slideshow.)
Here’s the original invitation from Mark Chamberlain and the BC Space Gallery in Laguna Beach:
Dear Friends of BC Space
…Here we go again, as go we must.
BC Space Gallery is proud to present Amerikan Krazy: Life Out of Balance featuring the work of over twenty notable southland artists.
There will be an opening reception on Sunday, March 20, MMXVI, from 1-5 PM in celebration of the Vernal Equinox when our planet once again achieves balance between light and dark.
At the opening, from 2-4 PM, Henry James Korn will launch his new book Amerikan Krazy after which this show was named and thematically assembled. Henry’s comic masterpiece picks up where George Orwell, Jules Verne, and Edward Abbey left off, and turns political writing into art.
Henry Korn is the former director of the Art, Culture, and Heritage program at the Orange County Great Park. At the conclusion of his reading, there will be a discussion period on how the original grand dream for the transformation of the former Marine Corps air base has changed from a public serving project into a corporate theme park, sports complex, and housing development that mirrors the “Founding Father Land” depicted in Korn’s relentless satirical novel.
Amerikan Krazy: Life Out of Balance includes work by: Jorg Dubin, Joella March, Stephen Anderson, Jeff Gillette, F. Scott Hess, Tom Lamb, Douglas McCulloh, Haley Blatte, Jerry Burchfield, Mark Chamberlain, Ricardo Duffy, Jared Milar, Max Papeschi, Jessica DeStephano, Lynn Kubasek, Glenn Brooks, Ron English, Dustin Shuler, Clayton Spada, Jacques Garnier, Pat Spakuhl, and Dan Van Clapp.
This exhibition will be on display until May 20, 2016. Gallery hours are by arrangement. The opening reception is free to the public, but seating for the book launch is limited so reservations are encouraged.
For additional information please contact the gallery or Mark Chamberlain.
Source: BC Space
The gallery can be contacted at the details below:
BC Space Gallery
235 Forest Avenue
Laguna Beach, CA 92651
Instagram filter used: Normal
Photo taken at: Boffo Socko Books