Replied to Ames Segment Pick by Anthony HereldAnthony Hereld (noctisadversaria.com)
I ordered a segment pick from Bremerton Typewriter Company several weeks ago. The segment is the arched piece near the center of a typewriter where every typebar passes through on its way to the platen. Decades of ink and paper dust can pack into the grooves there. That’s why an old machine can fe...
Anthony,

I’m glad you finally managed to get your own segment pick from Paul at Bremerton Typewriter. They’re really quite lovely and clever. I will say that oddly, since I bought it, none of the typewriters I’ve gotten since are terribly gummed up as badly as a stretch of them I had gotten before and which were the reason I bought the pick in the first place! The luck of the repairman I suppose…

I must also admit that you seem to be another new member of the typosphere I’ve noticed who has Webmentions on your site! Kudos on that.

Best regards,

Chris
1971h3k77/CJA

cc: Tom Fasano, Ted Munk

 

Replied to So What’s all this Indieweb and Webmentions stuff? by Ted Munk (typecast.munk.org)

Typewritten message that reads: "AND INTERACTS WITH IT'S ENVIRONMENT* - BUT, it quickly adds up in complexity and file size. Well, alright! Let's us try out this Indieweb and Webmentions thing that's been going around. Hello, Chris & Tom - I'm not sure why your webmentions aren't showing up here, but I did see Tom's on Chris's blog. We'll try this post and see if it works for a specific post..."

Thanks for your reply Ted. I’m putting some text here in the case that your site filters out img tags the way most WordPress comment sections do. Clicking through to my site will provide the photo of the typed response if this is the case. Tom has a snippet of code which may help this if you need it. Once you’ve got some kinks worked out, it’s not half bad… It might require even more intention that sitting down at a typewriter though?!

A typed index card sitting in the keys of a light green Hermes 3000 typewriter. It reads: Ted, Congratulations, your message came through properly. It did get stuck in my moderation queue, though I think I've fixed that for the future. It also appears that your site doesn't like hotlinking photos from external sites, so I had to tweak that as well. Tom, Now for the fun part: Let's test to see if threaded messages via the comments section work properly as well. I've done it in the past with success, so here's hoping... .I suspect that Ted's site may require some tweaking to show photos in comments the way yyou and I have modified things for ours. Here's to the next wave of typewriter technology! Best, Chris

A visit to Helmut Schulze at Rees Electronics/Star Typewriter

Usually I’m so busy chatting and marveling when I visit Helmut that I totally forget to take a few photos. Fortunately someone stopped in for some ribbon on a Hermes yesterday, so I took a moment to document some of the density of typewriters in Helmut’s spectacular typewriter shop. I only got photos of about half of the space, but tried to cover all the various refurbished machines ready for sale. Generally not pictured are the client machines for repair.

If you’re looking for a really great refurbished machine, then this is the place to stop in and try out almost anything ever manufactured.

I have to admit, even for an experienced collector, this shop is overwhelming, so perhaps do yourself the favor of browsing what he’s got listed online to make a shopping list before you go! Without some prep you could easily spend a week here and not see everything much less try out a tiny fraction of what’s on offer.

Helmut Schuze on the phone in the front of his typewriter shop literally stuffed with machines and typewriter paraphernalia.

Glass display cases with antique typewriters

Four display cases of typewriters with a row of seven typewriters in cases lined up on the floor in front of them. On top of the row are a handful of typewriters standing on their backs as well.

A display case with a dozen portable typewriters in various shapes and colors.

A bookcase crammed floor to ceiling with typewriters, and decorative items including book bags with typewriters printed on them.

a 4 foot by 5 foot corner of a typewriter shop with shelving absolutely jam-packed with portable typewriters. More typewriters are stacked on the floor in front of them.

Even more shelves jam-packed with typewriters. They just don't end in this shop.

Typewriters standing on their "backs" on a shelf and packed in like sardines up to the ceiling.

A filing cabinet in the background completely surrounded in the background, middleground, and foreground by hundreds of portable typewriter cases.

A back corner of a typewriter shop with portable typewriter cases stacked literally from the floor to the ceiling. On the floor in front of them is a box with about 6 ultra-portables in cases all standing on their backs.

Wedge-shaped wordprocessors jammed into shelving in the foreground with manual portable typewriters on shelving in the background.

Several dozens of parts typewriters packed into shelves in a dark corner of a typewriter shop.

A corner of a typewriter shop with more than 36 portable typewriter cases stacked up and filling the entire frame.The front door of Star Typewriter featuring a poster from the movie  Ready, Willing and Able (1937) in which dancers perform on a massive typewriter whose keys are the "dance floor".

Metal case with the business directory of an office building. Rees Electronics/Star Typewriter appears at the bottom.

What words could we use to better describe the soul of a typewriter?

Hot take: Is it just me or has the word “snappy” ceased having meaning within the typosphere?

I’ve heard “snappy” applied to the best typewriters, the worst typewriters, and nearly everything in between. While almost everyone uses it with a positive connotation, the noise of the depth and breadth of machines it’s used to describe has drowned out any signal of actual meaning for me. 

I hear someone say that a “typewriter is snappy”, and it translates to me as the tautology that a “typewriter is typewriter-y”. Yet I know the difference between the action of an Olympia SM3 versus an Olivetti Lettera 32 are as markedly different from each other as a Remington Quiet-Riter is from an Olympia SG1. Even a freshly cleaned, oiled, and properly adjusted Royal KMG with a brand new platen is dramatically different from that same machine just out of a barn after 77 years of dust collection, cobweb accumulation, and abject neglect. Yet I know people who would call both of them snappy without a moment’s hesitation.

I get the feeling that many are attempting to use the word to describe the “action of the machine” rather than just the noise it makes or the “voice” it presents. One might say some sound flat and tin-y while others are solid and sonorous. One might describe a typewriter with a new platen as having the velvety sweetness of a romantic crooner. These words all get at something. They strive to touch the soul of the machine and how it functions. Snappy as an adjective to describe a typewriter has lost touch with the soul of typewriters. We need some new words!

What other words could we use to better describe the “action” of a typewriter’s key levers and typebar assemblies? Words that give more depth and actual meaning to the joy of typing on the wealth of machines that one might run across in the wild?

If you were to put these new words onto the perpendicular axes of speed (fast versus slow) and a measure like key travel distance (deep versus shallow) where would they sit? Are there other axes we should consider plotting the “soul of a typewriter” on to better situate descriptive words of typewriters, their condition, qualities, and how well they work?  Maybe we include an axis of “press” from soft to firm? How might we verbally quantify the touch and feel of the keys and how they respond to the variety of typists? How might we better capture the engineering of a machine and how well it has been maintained? There are miles of distance between the performance of a Hermes 3000 and the typewriter-like simulacra known as the Maplefield Classic Portable Manual Typewriter. We need some words to help convey this to someone who lacks the personal experience.

I’ve got some ideas already, but I thought it would be more interesting to put the idea out to the creativity of the community to see how far we might expand the universe of the idea first.

What better words could we be using to expand the experience of the space?

What is the prettiest typewriter typeface?

Typewriten sample of 7 typewriter typefaces  on the same page including an art deco Royal Vogue, a slightly italic, san serif and smaller Professional Elite No. 41, a san serif Hermes Epoca, a serifed Italic Pica No. 31, a blocky serifed Congress Elite No. 84, a crisp, san serif Clarion Gothic, and a computer-esque, san serif Numode No. 61.

I often see typewriter enthusiasts “debating” over which is the prettiest or best typeface, and often, they’re making their judgement on one machine they happen to have or really wish they had. Rarely are these judgements made with multiple typefaces on the same page for easier direct apples-to-apples comparison, so I threw together a small sample from a few in my own collection. 

Gut reaction time: Which of these is your favorite?

Royal Standard Typewriter Collection

I’m slowly closing in on a completist collection of Royal standard typewriters. 

Here’s most of my collection so far. Only a few major must haves left, but also still a few to finish refurbishing. Seven are fully refurbished, though two still need some small tweaks; all type but two need some reasonable work, and the rest need a full clean/oil/adjust.

A wire metal shelving unite on concrete in front of a grassy yard with some bushes and flowers in the background. On the 5 shelves are a collection of Royal Standard typewriters with three on each shelf except the top which only has two.

From bottom to top, left to right: 1935 H (with 5 key decimal tabulator), 1935 KH, 1936 KHM; 1945 KMM, 1946 KMM-18 (with a 10-key decimal tabulator), 1950 KMG-P; 1950 KMG-E, 1955 HHE, 1954 HHS (pica double gothic); 1957 FPP (cameo pink smooth), 1961 FPE (sandstone), 1959 FPP (sea blue smooth); 1960 FPE (light green smooth), 1961 FPS-18 (clarion double gothic, pearl light gray smooth).

Anyone with a nice Royal 10, please inquire within.

Two new additions to the Royal FP collection this year give me most of the major colors. Anyone want to join me for a type in? 

A dining room table with two rows of Royal FP standard typewriters set up for use. In the background are two different bookcases and a library card catalog with a flower arrangement next to a black typewriter

Overhead view of five Royal FP standard typewriters in pink, yellow, green, blue, and a pearl-gray.

Acquired 1971 Hermes 3000 (3rd Generation) Portable Typewriter (Paillard S.A. Yverdon Switzerland)
Serial Number: 7084044
Hermes Epoca typeface, 10 pitch, slugs: SNO, 6 lines/vertical inch, portable, bichrome, segment shift, tabulator, U.S. keyboard with 44 keys and 88 characters
light green plastic body, grey-ish cream colored plastic keys
Manufactured in France
Purchased from from Jan M. Macho in Pasadena, CA. This was the personal typewriter of his father John J. Macho, Sr., an émigré from Czechoslovakia who was in regional sales for Paillard in America and sold millions of Hermes typewriters. 

Jan Macho, Sr.’s grandson Chris Macho eulogized his grandfather on Instagram:

This is a Hermes 3000. My grandfather, Jan Macho, “Deda” to me, made a living and a small fortune as an exec at Hermes Typewriter Co., and he sold a million of these. I admit, I don’t think of him as often as I should, and it takes hints like these in the wild to remind me of him. Fuck me, he was just so legendarily amazing, kind, generous, and plain THE SHIT in how he carried himself (and now I’m tearing up as I write this). I mentioned him and the Hermes thing to the people at this place here and they gave me a beer. So here he is, still hooking me up from the other side. Love you, miss you Deda.

A greenish gray 1971 Hermes 3000 with a boxy plastic body sits on a library card catalog next to three gift bottles of Scotch.

Generally his typewriter is in solid condition aside from some cosmetic issues in the rear body plastic possibly due to heat exposure. It’ll need a full C/O/A and some new rubber, but will be resurrected to be a spectacular little portable typewriter for a few more generations.

I was so enamored of the provenance of the typewriter that I  barely managed to get through a preliminary check of the functionality before buying. I completely didn’t even notice the Epoca typeface until I got it home. Somehow I’ve always been the bridesmaid when it comes to Hermes machines, but it seems I’ve jumped right over the bride title straight to princess.

yellowish card tag featuring the san serif epoca typeface sample of a 1971 Hermes 3000 typewriter

Close up of the slugs on the left hand side of a 1971 Hermes 3000 featuring a san serif Epoca typeface. The foundry mark on the slugs is "S NO".

Resources

Oblique angle from above the left side of a green Hermes 3000 typewriter

Acquired 1959 Olympia SM3 portable typewriter (Olympia-Werke AG)
Serial number: 1477358
Professional Elite No. 41 typeface, 11 pitch, 2.3m/m, 6 lines/inch, bichrome, carriage shift, tabulator
American keyboard, 44 keys, 88 characters
green crinkle paint, black plastic keys
Manufactured in Wilhelmshaven, Germany
Found at The Predecessors while typewriter hunting in Anacortes, WA. It was paired with another similar green Olympia SM3, but I immediately picked this one up because of its beautiful and uncommon typeface. 

It’ll need several new parts including rubber, but this portends to be a fantastic typewriter.

Typed manilla card with sample of a 1959 Olympia SM3 typewriter with a Professional Elite No. 41 typeface which is a small sans serif slightly italic face.

1959 Olympia SM3 portable typewriter in green crinkle paint on an oak library card catalog next to a silver plated cocktail shaker in the shape of a zeppelin.

A Stopgap Repair Solution for Impatient New Olympia SM3 Typewriter Owners

You just picked up a dusty, but somewhat functional Olympia SM3 and you know that you need to replace the rubber body bushings to prevent your carriage from hitting the body panels and scratching the paint job. The problem is that you’ve got a lovely new-to-you typewriter in front of you, and you don’t have the patience to not type on it until you’ve done this easy repair. 

I’ve never seen it mentioned anywhere, but I’ve got a quick, temporary solution that’ll get you typing in just a few minutes. (Incidentally squished, old rubber bushings is the number one issue with vintage Olympia SM3s, and if you’ve not come across it, I’ve written out the details for a permanent repair/replacement solution.)

One can remove the two front smashed bushings near the space bar on either side and pair/stack them up with the two smashed bushings in the rear. It may take a bit of removing some of the “proud” protrusions to smooth the bushing pairings, but it’ll work. In my case, I used an X-acto knife (though a pair of scissors might also suffice) to slim down portions of the bushings that were sticking out. This also helped to keep the bushing combination from being too tall and not allowing me to get the shoulder bolt back into the machine. 

Close up of the left rear of the bottom of an Olympia SM3 typewriter featuring a stacked pair of black rubber bushings in the corner of the machine.

The one issue you may encounter with this solution is potentially while typing with the shift lock engaged. This is because the front bushings help provide the proper clearance for the space bar while the shift lock is enabled. Typically one doesn’t type in all caps, so you might not notice this subtle issue at all.

Another possible solution depending on your particular machine is to swap the front bushings with the back ones as the rear ones typically carry more weight and are more squished than those in the front. Your mileage may vary based on your particular machine.

If nothing else, hopefully either the swap or the stack hack will help get you typing right away while you wait to pick up some replacement bushings from the local hardware store.

Good luck and happy typing.

I’ve been thinking about typewriter stationery and carbon copies lately, as has our friend Joe Van Cleave. Has anyone used or had NCR paper stationery made for themselves?

I tried some half-sheet stationery at the International Printing Museum not long ago and that seemed like a lovely way to write and keep copies of typewritten correspondence. 

Of course recommendations for designers and printers for personal stationery is welcome here too. 

Acquired 1971 Sears Newport Portable Typewriter (Messa Typewriter )
Serial number: 5124993
Sears Model No. 405-5295 (Pica)
carriage shift; bichrome; 3 touch select settings; tabulator; 13" wide carriage; key de-jammer; carriage lock; 44 keys & 88 characters
Manufactured in Portugal
How could I not pick up his avocado beauty at Acts Thrift for $17.36?! A day’s worth of cleaning ought to bring this bad boy up to snuff. I’m most shocked at the fantastic design of its case.

This is a re-branded Messa typewriter manufactured in Portugal with other known re-badgings as the ABC 3001 and the Brother XL-1016. These were made/advertised from 1971 to 1974, but based on the serial numbers in the Typewriter Database, I would suspect mine is from the early side of 1971. (It’s entirely possible they made the entire run in a year and sold them through 1974.) Including this one there are currently only seven exemplars in the database, but many of them are owned by some of the most prolific collectors.   

With my 52nd birthday coming up this may be one of the youngest machines I own, though it’s still a few years older than me. 

And how could you possibly not love the green typebar jam release key? The only thing that could be cooler would be to have versions in harvest yellow, burnt orange, and coppertone brown. I’ll have to get my old Tupperware set out to properly show this off.

Manual available on Richard Polt’s site.

I’ve already fixed/adjusted most of the primary issues and done a little bit of the work to clean this out. I should be able to finish up the rest of it over the long weekend with the exception of one or two screws that I can tell are missing and need replacements.  Portions of the case are going to require some attention as well.

oblique angle onto the front left corner of a Sears Newport typewriter there's a button on the corner of the hood that reads "TOUCH"

Typesample of a pica 1971 Sears Newport typewriter

Close up of about 12 slugs on a Sears Newport faturing what looks like a 95 and the mushed together "AR" stamp of Albert Rodrian of RaRo fame.

Close up of the right side of an avocado Sears Newport typewriter featuring a dark green key next to the @/¢ featuring what appears to be two typebars crossing each other