Directed by Mike Nichols. With Melanie Griffith, Harrison Ford, Sigourney Weaver, Alec Baldwin. When a secretary's idea is stolen by her boss, she seizes an opportunity to steal it back by pretending she has her boss' job.
DVRed from cable; watched on television
You hear the opening title music and you immediately know what you’re watching even though you haven’t seen this in decades…
Holy crap their 80’s hair is high and insane. What were people thinking?!
Interesting to re-watch this in a post me-too era. Somewhat bizarre to see Kevin Spacey play an assaulter in the opening act. Art imitating life?
This really did have some awesome casting. Bully to Juliet Taylor with Ellen Lewis as her associatet. Many of the smaller players became bigger later or have done some interesting character work hereafter. Zach Grenier in an early turn hitting on Weaver at her office party. He really is underappreciated. This is one of his first big film appearance. Most will recognize him from his break through role in Fight Club as the overbearing boss. Quick turn by Leslie Ayvazian as a receptionist… Ricki Lake with a short appearance as a bridesmaid. Apparently David Duchovny had a role in one of the bar scenes, but I didn’t really catch it. Kind of cool to see Amy Aquino as the assistant at the end of the picture. I recognized her name in the credits having appreciated her in Bosch (Amazon) recently, but kept waiting for her to pop up. And wow! That curly hair!
Are you looking for low stakes ways to store and display data? Welp, here’s Google Sheets. Do you want to automate all of the boring parts of your job and sip a drink on a beach somewhere? Looks like you owe Google Sheets a beer. Have you ever wanted to build a lightweight full stack application without spinning up an orchestrated Docker container cluster running on AWS using Typescript that has 90% unit test coverage. Well, hold on to your hats, cause Google Sheets is about to hit 88 MPH while keeping your molecular structure intact.
There’s some low-level stuff here that could be dovetailed with IFTTT.com to do some simple automation for maybe doing Snarfed’s backfeed problem.
The mission of the new Master’s of Learning, Design, and Technology program at Georgetown University is “to give our students a deep foundation in the tools and theory of learning design, technology innovation, learning analytics, and higher education leadership, a foundation on which they can create engaging and innovative learning experiences for all students.” Working in and with Georgetown Domains is a key part of this engagement; the students learn about and create their domains during the opening week-long foundations course, and build on it throughout the duration of the degree, ending with a final portfolio on their domain of their work. In between, the students have the option of taking a one-credit course in Domains, as well as showcasing their coursework and projects on the site. For some, their personal Domains specifically and Georgetown Domains more generally have become the subject of their research and study. What this allows is for students to engage directly with the technology, as well as questions of accessibility, privacy, surveillance, and tools. They learn about and apply these lessons as they move through the program, perform and reflect on their research, and build their sites. But most importantly, this allows for students to own their own intellectual property, as well as provide the tools to apply what they have learned in a practical and holistic way. The e-portfolio requirement at the end of the degree highlights this commitment to students’ intellectual property as well as professionalization, while also providing an experimental and reflective space for students to connect their work. This short presentation will discuss curricular examples (Intro week, Domains course, Studio and Studio Capstone) of how Domains has been integrated into the program, sharing some student sites, projects, and portfolios.
While many universities strive to offer the latest and greatest tech support and IT services to support innovation, at NYU, we’ve found that old school style web hosting fills an important need and service gap for digital pedagogy, digital humanities, and other forms of innovation and creativity on campus. Offered through the NYU Libraries, our simplified, down-to-earth service is easy to manage with a small team and integrates into a larger ecosystem of digital publishing services and support on campus. Come hear about our approach and the strengths and weaknesses we’ve encountered in our three years of offering the service.
A bit dry from my perspective, but this could be interesting to people new to managing a larger Domains project or considering doing so.
Listening to this I’m surprised they don’t have a more institutionalized version of a Homebrew Website Club set up to allow their user base to help each other.
There is a war a raging in our cyberworld and it is time for you to join the resistance. Cambridge Analytica stealing Facebook user’s data, white supremacists getting verified on Twitter, and child pornography on Instagram. The list of atrocities continues. We as technologists know the inner workings of social media platforms more than anybody. We see the hypocrisy and the evil of social media platforms in a way that most people do not. It is time for us to awaken from our passivity and take a stance against our corporate social media overlords. Weaponizing Your Website will give you ideas, or ammunition, to fight against our broken social media world. This bootcamp will include learning how to utilize the strongest weapons in your stockpile; your voice and your website. With me, Jenn Hill, a University of Mary Washington student, at the helm I will prepare you for taking up arms and battling the corporate social media tyrants.
For the past 15 years, I’ve included blog assignments in my classes as a default, routine, and generally low-stakes assignment. It began with a simple journal where students kept track of their progress through a video game, and through the years, the assignment has ranged from similarly simple logs or progress reports to the more ornate and decorous “features articles” where students seek to emulate magazine writing and engage with a public audience. At times, like when having a platform online was still a novelty and the adrenaline rush of Web 2.0-fueled activism took flight in the optimism of Barack Obama’s first presidential campaign, blogging totally made sense. As a classroom experience, a blog assignment helped students find their digital identity through written expression. By finding their voice digitally, students found themselves.
But while this will still happen, and while I still see brilliant writing from my students, the era when the exigency of a blog assignment can be reliably vindicated by an authentic external audience has ended. It’s time for something else, which means it’s time to re-evaluate what blogs have been and what we have needed them for in order to find the best ways to meet those goals through other means. In this short presentation, I will offer several suggestions.
This is, however, an aspirational proposal. I’m writing this between semesters as I reflect on the Fall — where blog assignments didn’t always meet my goals or in some cases arguably undermined other goals for my class — and thinking ahead to the Spring — when I hope to implement some new assignments based on this recent conviction about the ineffectuality of blog assignments. Therefore, by June, my expectation is that I will have something new to report: either finding success with an entirely new set of assignments and corresponding tools, or returning to the familiar embrace of blog assignments with a renewed sense of their value.
Most likely, I’ll be somewhere in between, but my hunch is that different forms of discursive content creation will help students take control of their learning and find direction for their digital identities. Whatever I find in the coming semester, I’m confident that I’ll be ready to share some insight into the intents, purposes, and outcomes of inviting students to do intellectual work on the internet of 2019.
Notes as they occur to me while I’m watching this video:
To me blogging is a means of thinking out loud.
Of course having a site doesn’t mean one is blogging. In fact, in my case, I’m collecting bits and pieces on my site like a digital commonplace book, and out of those collections come some quick basic thoughts, and often some longer pieces, which could be called blog posts, but really are essays that help to shape my thinking. I really wish more people would eschew social media and use their own websites this way.
We need to remember that a website or domain is FAR, FAR more than just a simple blog.
It kills me how many in the edtech/Domains space seem to love memes. It’s always cute and fun, but they feel so vapid and ineffectual. It’s like copying someone else’s work and trying to pass it off as our own. English teachers used to say, “Don’t be cliché,” but now through the use of digital memes they’re almost encouraging it. Why not find interesting images and create something new and dramatically different. (I can’t help but think of the incredibly unique Terry Gilliam “cartoons” in Monty Python’s Flying Circus and the phrase “and now for something completely different…”.
Zach uses the phrase “personal learning journal” but doesn’t quite get to the idea of using domains as digital commonplace books. He also looks at other social sites like Tik-Tok, Instagram stories, YouTube channels, and Twitter hashtags, but doesn’t consider that what those things are could easily be contained within one’s own personal site/domain. The IndieWeb has been hacking away at just this for several years now. What he’s getting at here, but isn’t quite saying is “Why can’t we expand the Domain beyond the restrained idea of “just a blog.” And isn’t that just the whole point of the IndieWeb movement? Your website can literally be anything you want it to be! Just go do it. Invent. Iterate. Have fun!
Zack should definitely take a look at what one can do with Webmention. See: Webmentions: Enabling Better Communication on the Internet. I suppose some of the restraint is that most people don’t know that it’s relatively easy now to get one domain to be able to talk to another domain the way social sites like Facebook and Twitter do @mentions. And once you’ve got that, there’s a whole lot more you can do!
Perhaps what we should do is go back to the early web and the idea of “small pieces, loosely joined“. What can we do with all the smaller, atomized pieces of the web? How can we use these building blocks in new and unexpected ways? To build new and exciting things? What happens when you combine Facebook, Twitter, Instagram, Snapchat, Blogger, Soundcloud, Foursquare, Flickr, Goodreads, Periscope, Lobsters, TikTok, Quora, Zotero, Flipboard, GitHub, Medium, Huffduffer, Plurk, etc., etc. altogether and mix them up in infinite ways? You get Domains! You may get something as cutting edge–but still relatively straight-laced–as Aaron Parecki’s website, which you might have to dig into to realize just how much he’s got going on there, or you might end up with something as quirky and cool as Kicks Condor’s site or his discovery/syndication channel Indieweb.xyz.
Directed by John Howard Davies, Ian MacNaughton. With Graham Chapman, John Cleese, Eric Idle, Terry Jones. 'It's Wolfgang Amadeus Mozart', Famous Deaths, Italian Lesson, Whizzo Butter, 'It's the Arts', Arthur "Two-Sheds" Jackson, Cycling Race, and The Funniest Joke in the World.
Somehow this hasn’t aged as well as one might expect.
On Tuesday we have the makings of an intensely glorious chat with sava saheli singh (screeningsurveillance.com), Tim Maughan (Infinite Detail) and Chris Gilliard (hypervisible.com). Your onsite buddies will be Autumm Caines and Joe Murphy. Virtual buddy duties will be handled by the delightful Helen Dewaard. This will probably get very, very interesting.
Great recap of the morning including a discussion of surveillance.
Directed by Christopher Misiano. With Dulé Hill, Allison Janney, Joshua Malina, Janel Moloney. Trying to participate in a late-night staff poker game proves difficult as news arrives that an unmanned U.S. spy plane has crashed in a remote part of Russia, and Bartlet and Leo have to deal with an incensed Russian President Chagorin and convince him via phone to let the military go in and recover the plane; C.J. obsesses over the fact that on the exact moment of the spring equinox (today), ...
Coalition for Networked Information (CNI)
Spring 2019 Membership Meeting
April 8-9, 2019
St. Louis, MO cni.org/mm/spring-2019/
Joseph explores the extent to which discourses about community suggest an antidote to or escape from capitalism’s depredations, while distracting us from the supplementary role that community actually serves with respect to capital, filling its gaps and smoothing over its rifts in ways that permit it to function untrammeled. The alternative presented by community allows the specter of socialism, or genuine state support for the needs of the public, to be dismissed. This relationship becomes particularly clear in Joseph’s discussion of the role of non-profit organizations — entities highly likely to participate in and benefit from the idealized discourse of community — which often fill needs left behind by a retreating state, allowing that retreat to go unchallenged.
…raises the key question of what it is we mean when we talk about community?
As Miranda Joseph argues in Against the Romance of Community, the concept is often invoked as a place holder for something that exists outside the dominant economic and institutional structures of contemporary life. A set of estensibly organic felt relationships that harken back to a mythical pre-modern moment in which people lived and worked in direct connection with one another without the mediating forces of capitalism.
Now community is in this sense, in Benedict Anderson’s sense, an imagined relationship, and even an imaginary one. As its invocation is designed to yoke together bodies whose existence as a group is largely constructed. It’s a concept often used both idealistically and as a form of discipline.
A claim of unity that smoothes over and thus suppresses internal difference and disagreement. And as Joseph points out, the notion of community is often deployed as if the relationships that it describes could provide an antidote to or an escape from the problems created by contemporary political and economic life.
But this suggestion, serves to distract us, she says, from the supplementary role that community, in fact, actually serves with respect to capitalism. Sort of filling its gaps and smoothing over its flaws in ways that permit it to function without real opposition. So we call upon the community to support projects that the dominant institutions of the mainstream economy will not. And this is how we end up with social network-based fundraising campaigns to support people facing major health crises rather than demanding universal health care, and elementary school bake sales rather than full funding for education.
So community becomes, in this sense, an alibi for the creeping privatization of what should be social responsibilities.
Some interesting thought here with respect to economics, community, the commons, and education. While a large piece of the talk is about higher education, there are definitely some things that can be learned and used with respect to social media, and particularly the IndieWeb movement. I’d recommend everyone take a peek at it and think about how we can better deploy and give credit to some of our shared resources.
Directed by Alan Poul. With Jeff Daniels, Emily Mortimer, John Gallagher Jr., Alison Pill. The team looks forward as they mourn the loss of a coworker.
I’d noticed it before, but there’s an episode of The West Wing with this same title (as well as several other Sorkin series).
The funeral scenes were shot at The Church of Our Saviour in San Gabriel. I immediately recognized it from having been there frequently, but even moreso because I happened to have been there on the day they shot the episode. I think my car may have been visible in one of the long shot scenes.