Read The master tapes by Robin Sloan (Robin Sloan)
“What do I miss” is the wrong question, because the feeling isn’t an absence, but a presence.

If running your own website is like operating a nuclear reactor, then, yes: let’s give up on that. But what if it’s more like cooking dinner at home? That’s an activity that many people find challenging and/or intimidating, one with all sorts of social and economic ~encumbrances~, but even so, who would argue that it’s inappropriate to hope more people might learn to cook for themselves?
Maybe, after everything, we’ve actually ended up in a healthy place. Maybe the great gluey Katamari ball of technology has served us well. In 2020, you can, using nothing but the free app provided by Instagram, publish something very close to a multimedia magazine. Or, sitting at your laptop, you can produce a lightning-fast website all by yourself, every line of code calibrated just so, and host its files at a domain of your choosing. Or! You can do something in between, using a service like WordPress or Squarespace. This is not a bad range of options! 

There’s something between the lines here that feels like it’s closer to what the idea of IndieWeb Generations should really become. Perhaps it’s the case that when even a small handful of larger competitors like micro.blog exist it will force the larger corporate silos to come into line (they’ll lose out on market share and need to offer better service) and be more IndieWeb-like over time?
Annotated on March 21, 2020 at 11:34PM

Whether their scenario is a historical reenactment (albeit with higher-res images) or a seductive counterfactual, I don’t know. Whether it “matters,” I don’t know. I do know that I am enjoying my fraidy-follows, their slow pulse—people really are blogging, doing the dang thing—and the feeling of an old instinct waking up. 

Annotated on March 21, 2020 at 11:36PM

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Chris Aldrich

I'm a biomedical and electrical engineer with interests in information theory, complexity, evolution, genetics, signal processing, theoretical mathematics, and big history. I'm also a talent manager-producer-publisher in the entertainment industry with expertise in representation, distribution, finance, production, content delivery, and new media.

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