I am wholly unsurprised that Harold Innis (1894-1952) maintained a card index (zettelkasten) through his research life, but I am pleased to have found that his literary estate has done some work on it and published it as The Idea File of Harold Adams Innis (University of Toronto Press, 1980). The introduction seems to have some fascinating material on the form and structure as well as decisions on how they decided to present and publish it.
For those unaware of his work, primarily as a political economist, he wrote extensively on media and communication theory including the influential works Empire and Communications (1950) and The Bias of Communication (1951).
While I appreciate the published book nature of the work, it would be quite something to have it excerpted back down to index card form as a piece of material culture to purchase and play around with. Perhaps something in honor of the coming 75th anniversary of his passing?
Below I’ve aggregated a list of some of the longer articles and material I’ve written about these topics. The completist can find and search my…
I am wholly unsurprised that Harold Innis (1894-1952) maintained a card index (zettelkasten) through his research life, but I am pleased to have found that his literary estate has done some work on it and published it as The Idea File of Harold Adams Innis (University of Toronto Press, 1980). The introduction seems to have some fascinating material on the form and structure as well as decisions on how they decided to present and publish it.
For those unaware of his work, primarily as a political economist, he wrote extensively on media and communication theory including the influential works Empire and Communications (1950) and The Bias of Communication (1951).
While I appreciate the published book nature of the work, it would be quite something to have it excerpted back down to index card form as a piece of material culture to purchase and play around with. Perhaps something in honor of the coming 75th anniversary of his passing?
(Originally published with aggregated replies at https://boffosocko.com/2023/05/25/harold-innis-the-idea-file/)
Bookmark: reddit.com/r/Zettelkasten…
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https://boffosocko.com/2023/05/25/harold-innis-the-idea-file/
@chrisaldrich https://anagora.org/zettelkasten
Node [[zettelkasten]] in anagora.org
@chrisaldrich Woah interesting
Chris Aldridge has discovered yet another writer who used index cards to construct an extensive body of work from smaller pieces. This practice is often referred to as keeping a Zettelkasten, whether or not the owner was actually German.
The Idea File of Harold Adams Innis (University of Toronto Press, 1980) reproduces an edited version of the typescript Innis, an economic historian, made of his original index cards.
Chris wonders if the index cards themselves might be re-issued for interested readers.
I guess such a work might look something like the 138-index-card edition of Nabokov’s unfinished novel, The Original of Laura, which Chip Kidd designed; or his dream diary, constructed from 118 index cards and published with some images of the original notes as Insomniac Dreams.
Sadly, a new edition such as this seems unlikely. That’s because according to the Introduction of the Idea File, Innis himself had around 1,500 of his index cards transcribed to 339 typed and numbered sheets of paper. And the cards themselves were lost, it seems, so I’m not holding my breath. However, it’s always possible that some interpid researcher might investigate the archives[^Manuscript Collection #845, Innis Papers, Archives of the University of Toronto, Thomas Fisher Library, Box 8] and discover them hidden away there one day. Stranger things have happened.
I’ve gleaned a few ideas from all this.
First, cross-referencing matters. Innes kept a very extensive index to his cards: 5 inches of index to 18 inches of actual notes. This means his ideas were probably extensively cross-referenced. Makes me think no amount of cross-referencing is too much, if you feel like doing it. But also: don’t get obsessive. Life’s too short to cross-reference everything.
Second, I’m wondering about longevity of work. It really seems like the original notes on index cards were lost. This is such an interesting feature of the resurgence of interest in the working methods of writers and scholars. Is the ‘finished product’ – book or article – really more important and permanent than the supposedly transient and disposable noted from which it was created? And what happens to the ‘Nachlass’ in the age of digitization? Is it both eternal and wipeable at the same time?
Third, the meaning is in the links, but the links are fragile. Given the interlinking of the original notes and their subsequent disappearance, it’s fairly clear that the published ‘idea file’ has lost a significant part of its meaning, since that meaning resides in the links between ideas, not just in the ideas themselves.
Fourth, I noticed that Innis’s notes were often very short. Sometimes just a sentence or two, with compressed, abbreviated syntax. It reminds me of Lichtenberg’s aphorisms, many of which fall slightly flat as prose. Here’s an example. I just wonder what it used to link to:
I really appreciate looking into the working practices of writers like this. No doubt there are many more such examples to be found and explored.
@chrisaldrich If you happen to summarize the intro, I’d be interested! 🙂
This is a very interesting piece of work. Quite a few of these collections of notes, that were never really intended for publication, did get published anyway. Wittgenstein’s Zettelkasten is one of the more famous of them.
It seems unlikely that Innis’s ‘idea file’ will be republished in the form of the original index cards. According to the introduction to this book, they’ve probably been lost. More at The lost notes of Harold Innis
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