Should we view it as a coincidence or not that the information management carrier of the early 20th century is the same size and scale as the carrier at the opening of the 21st century?
The humble index card and the cellular phone have more in common than we might expect.
- SET OF 30 NOTECARDS – Evoking memories of book-filled libraries, the Card Catalog: 30 Notecards from The Library of Congress reproduces the original cards used to keep track of literary classics.
- HISTORIC DESIGNS – Enclosed in a keepsake cardboard replica card catalog box with tabbed dividers, each card features a different beloved work from the storied collection of the Library of Congress.
- INCLUDED – This vintage notecard set includes a box tray with slipcase, 30 color cards (30 different designs), 30 envelopes, and 5 tabbed dividers.
- MAKES AN EXCELLENT GIFT – This gorgeously designed notecard set makes an inspired gift for any writer or fan of The Library of Congress.
This small box is made of heavy cardboard and is incredibly well done to look like actual dovetailed oak. The replica cards are quite a joy to browse through. I almost don’t want to use them as the stationery they were intended to be.
I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I’d love to have a social reader with additional affordances for both this time shifting and Ton’s idea of reading based on social distance.
I’m struck by the seemingly related idea of Peter Hagen’s LindyLearn platform and annotations which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring ’83 provide some of this?
I’m also struck by some similarities this has with the idea of Derek Siver’s /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the “board” of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring ’83.) This reminds me of Stanley Meyers’ frequent assertion that he attempted to design a certain “sense of quiet” into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.
The form reminds me a bit of the signature pages of one’s high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!
Beyond the thing as a standard, I wondered what the actual form of Spring ’83 adds to a broader conversation? What does it add to the diversity of voices that we don’t already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties? This last is hard to know without experimenting at larger scales.
It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn’t worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?
It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its “Cambrian explosion”?
I’ve been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random “Markov monkey” change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?
This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?
For more on these related ideas and the experiment, see some of these threads of conversation I’m aware of:
Know of others? I’m happy to aggregate them here.
Featured image: Collection of 1990s 88×31 buttons by https://anlucas.neocities.org/88x31Buttons.html
He ultimately died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura. Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments. Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin’s published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn’t.
More details at: https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html
Aegir (Aegir.org)I've been meaning to do some kind of index card style template for the site for ages and never got round to it. Now I have. I’m quite pleased with it. CSS repeating gradient lines and all that. ❧
ᔥ in // pimoore.ca ()
A few weeks ago I saw Ben Stokes’ post about PaperWebsite.com and my immediate reaction was, “I have to be able to do that!” I’ve long enjoyed writing by hand over typing as the tactile feel of of pen or pencil and paper is such an enjoyable one. I particularly enjoy using a nice fountain pen on high quality paper.
Obviously there was a route to doing a workflow like this as Ben had shown. I just needed to figure out a method with a low enough barrier that I could personally implement for doing this with my own WordPress website.
Not being a serious coder, I immediately began looking for ways I could leverage some of the IndieWeb building blocks my site supports. Micropub seemed like a no-brainer for the posting portion since I’ve got an endpoint using the Micropub WordPress plugin. Certainly not wanting to manually re-type everything once I was finished writing, I needed a way of converting my handwriting to text and then automating a way to plug that into my micropub client.
A short burst of searching revealed that Google Docs could do Optical Character Recognition (OCR) on photos. I pulled out my IFTTT app and found a recipe for taking a photo and saving it to Google Drive. Then I set up another recipe to watch a particular folder in Google Drive and take whatever text appears in new documents and send it to my website using a webhook that uses my Micropub endpoint. The whole thing only took a half hour from idea to a working prototype. In the end it took a tap to open IFTTT on my phone and another tap to take the photo. Then I had to manually open the document to trigger the OCR. Finally, I had to manually open and edit the post before posting.
I had set the micropub client to post as a draft as a default just in case the OCR wasn’t perfect. This was fortunate as the Google photo OCR was so solid that the letters “Dia” of the microscopic text from the word “Diamond” partially visible on my pen cap that was in the photo got pulled into the post.
In the few times I’ve used this workflow so far, I’ve mostly done straight text and syndicated posts to Twitter, Mastodon, and Micro.blog. Perhaps in the future I might set things up to add HTML links, but they’re fairly easy to add at the editing stage.
Since I started my experimentation, a few others in the IndieWeb community have noticed the paperwebsite.com site. Greg McVerry popped up and linked to it as well. He mentioned that he had a digital notebook with OCR capability. This reminded me that I’ve got both a Livescribe Echo pen and a Rocketbook notebook with a Pilot Frixion pen that has an app for uploading digitized images of notebook pages. I hadn’t done OER with Livescribe in ages, so I pulled out the Rocketbook, which is cleverly erasable and thus reusable not to mention being fairly inexpensive. A bit of quick set up allowed me to take a photo of a page which automatically uploads to Google Drive and does its own OCR process. This already dovetails with my prior process, so the whole thing is much smoother. As a result, I’m composing this post in my Rocketbook notebook and will automatically upload and post it to my site as a draft. I’ll probably add some links, a photo or two, and then publish it in a bit.
The Rocketbook notebook has some solid pages with an odd shiny texture and feel, presumably part of the technology that makes it easy to wipe them clean for reuse. The bottom of each page has seven different faint icon images which are meant to allow the app to determine where to send the digital copy of the notes. One can send them via email or to a variety of storage or sharing services. I could imagine having different recipes set up to allow one to publish their notes to different websites based on the icon X-ed out. Given the micropub possibilities, one could also use the icons as a means of differentiating post kinds (for example, indicating that a particular post is a note, an article, or a bookmark). Another alternate idea would be to use the icons as a means of selecting which services to syndicate your content to (for example, the diamond could mean syndicate this post to Micro.blog, the bell could mean Mastodon, and the clover syndicates the post to Twitter).
The overall process is quite elegant and pleasant. The OCR for Rocketbook is reasonably good aside from a few spelling errors which are easy enough to click and fix. I’ll admit that I far prefer using a fountain pen on some Tomoe River paper to using the Rocketbook paper and the Frixion pen, but really, who wouldn’t?
Since I’ve already got most of the infrastructure, I’ve gone the extra mile and set things up so that I can take notes on index cards zettelkasten-style and use a similar set up to post them to my Obsidian vault using similar IFTTT recipes.
For those who want to set this up themselves, I’ve documented the IFTTT/micropub portion before. I’ll post the specific code I’m using below for these who may want it. The nice part is that as long as you have a micropub server for your website platform (there are many CMSs that have native or plugin support) the WordPress portion isn’t a deal breaker for others.
I’m sure, now that there are multiple proofs of concept, some enterprising developer will build a custom micropub client to do all of this work automatically or with a few options built into a clever interface.
I could see pen and paper manufacturers (Moleskin, Leuchtturm, Rocketbook, etc.) creating apps for doing this too. I’d love to see and hear about others trying this out for themselves. Hopefully it can be done with almost no code or some easy cut and paste from my example. Ask if you need help, and I’ll see what I can do to help.
This following will be roughly standard for WordPress endpoints using the plugin, but they can obviously be modified for your platform of choice.
https://example.com/wp-json/micropub/1.0/endpointPOSTapplication/x-www-form-urlencodedaccess_token=PasswordHere&content=<<<{{Body}}>>>&h=entry&category[]=Social%20Stream&post-status=published&visibility=privateWhile doing some of this I did come across some older examples of handwriting to websites. Aside from handwriting typography which I think is usually ugly, I saw some interesting examples from Jeff Bridges[1] [2], gRegor Morrill, and scrolled through some great examples of handwritten and typed Tweets by Alton Brown. In his case, he was simply taking photos of his writing, but it worked! I’ll admit he had some fun and was definitely creative about it. Hopefully Twitter always exists to save the copies for him.
— Alton Brown (@altonbrown) November 20, 2012
— Alton Brown (@altonbrown) December 22, 2012
— Alton Brown (@altonbrown) December 10, 2012
— Alton Brown (@altonbrown) October 10, 2012
In short, I’ve now got another great way to post to my website. I love the great old school tactile user interface of pen and paper. Now I’m glad to have a reason to be able to do more of it in an ever-digitized culture.
Until I start working on cuneiform solutions…
Write On! 🖋
Editor’s note: This post was originally handwritten on Dec 16, 2021 at 20:15.