Hello! I’m a Johns Hopkins trained biomedical and electrical engineer with a variety of interests in the entertainment industry, information theory, evolution, big history, genetics, signal processing, transgenetics, translational medicine, and theoretical mathematics. I’m a strong advocate of the IndieWeb movement.
This is what I’m doing now.
Engineering, Science, & Research
In addition to my research work at the intersections of microbiology, information theory, and complexity theory, I run the biotech startup Apsugen, which assists cutting-edge genetics researchers in the areas of microscopy, microinjection, micromanipulation, transgenics, stem cell research, in-vitro fertilization (IVF), intracytoplasmic sperm injection (ICSI), translational medicine, epifluorescence imaging, experimental design, and custom laboratory equipment. Apsugen primarily assists researchers working with animal models including: C. elegans, drosophila, Xenopus, zebra fish, Saccharomyces cerevisiae, mice, rats, mosquitoes, and occasionally human embryos. My experience includes work with several Nobel prize winners in physiology/medicine and chemistry.
I am also a talent manager and producer in the entertainment industry with interests in representation, distribution, finance, production, publishing, content delivery, and new media. I have spent over 20 years in entertainment representing a variety of clients in film, television, stage, music, and publishing (book publishing rights as well as ancillary rights including stage and screen adaptations and self-publishing platforms). Though my current primary focus is on writers/authors and actors, I represent a variety of multi-hyphenates as writers, directors, actors, musicians, producers. I consult in various other areas including finance and distribution in a variety of platforms and media.
I often teach entertainment related courses for the Film and Media Studies Program at the Johns Hopkins University.
I’m currently working on a textbook covering how the representation business operates within and drives the entertainment industry.
Chris Aldrich on Social Media
You can follow me or find additional information about me and my work and interests via some of the following social media platforms:
If your social network of choice isn’t included above, please visit my Social Media Accounts and Links page for a huge variety of other places you can find/follow me on the internet for specific types of content.
What does Boffo Socko mean anyway?
“Boffo” and “socko” are neologisms in the family of Variety-speak after the well known business trade journal covering Tinseltown (often better known as Hollywood aka the Coast, aka H’w’d.)
Their definitions from Variety’s “slanguage” dictionary follow:
boff (also boffo, boffola) — outstanding (usually refers to box office performance); ” ‘My Best Friend’s Wedding’ has been boffo at the B.O.” (See also, socko, whammo)
sock (also socko) — very good (usually refers to box office performance); ” ‘My Best Friend’s Wedding’ has done socko B.O.” (See also, boff, whammo)
Incidentally, one of the first movies I saw on cable via HBO when our family first got it when I was a youth (and easily saw over 100 times that summer) was THE MUPPETS TAKE MANHATTAN. Within it, there’s a great scene where Kermit schmoozes a big Broadway producer (played by John Landis) that I’m sure must have had a profound effect on me.
For those interested further in the linguistic stylings of Hollywood, this cartoon does a reasonable job of running through a fair amount of it very quickly: