👓 I worked in a video store for 25 years. Here’s what I learned as my industry died. | Vox

I worked in a video store for 25 years. Here’s what I learned as my industry died. by Dennis Perkins (Vox)

Some interesting analysis of what we’re loosing with the death of video stores. In particular, we’re losing some of the same type of recommendations and serendipity we’re loosing with the rise of e-books and less use of libraries/librarians. In particular, loosing well-curated collections is a big issue as we replace them with streaming services which don’t seem to have the same curatorial business models.

I particularly enjoyed this quote:

A great video store’s library of films is like a little bubble outside the march of technology or economics, preserving the fringes, the forgotten, the noncommercial, or the straight-up weird. Championed by a store’s small army of film geeks, such movies get more traffic than they did in their first life in the theater, or any time since. Not everything that was on VHS made the transition to DVD, and not every movie on DVD is available to stream. The decision to leave a movie behind on the next technological leap is market-driven, which makes video stores the last safety net for things our corporate overlords discard.

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How Hollywood Remembers Steve Bannon | The New Yorker

How Hollywood Remembers Steve Bannon by Connie Bruck (The New Yorker)
He says that, before he became a senior adviser to the President, he was a successful player in the film industry. But what did he actually do?

Continue reading “How Hollywood Remembers Steve Bannon | The New Yorker”

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👓 Jonathan Demme, ‘Silence of the Lambs’ and ‘Philadelphia’ Director, Dead at 73 | Rolling Stone

Acclaimed Director Jonathan Demme Dead at 73 by David Fear, Ryan Reed (Rolling Stone)
'Stop Making Sense' filmmaker succumbs to esophageal cancer

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A New Way to “Know and Master Your Social Media Flow”

On the anniversary of the death of FriendFeed, I update Louis Gray's flawed social media diagram.

I was reminded this morning that two years ago yesterday FriendFeed, one of my favorite social media sites, was finally shut down after years of flagging support (outright neglect?) after it was purchased by Facebook.

This reminded me of something which I can only call one of the most hurtful diagrams I saw in the early days Web 2.0 and the so-called social web. It was from an article from May 16, 2009, entitled Know and Master Your Social Media Flow by Louis Gray, a well-known blogger who later joined Google almost two years later to promote Google+.

Here’s a rough facsimile of the diagram as it appeared on his blog (and on several syndicated copies around the web):

Louis Gray’s Social Media Flow Diagram from 2009

His post and this particular diagram were what many were experimenting with at the time, and certainly inspired others to do the same. I know it influenced me a bit, though I always felt it wasn’t quite doing the right thing.

Sadly these diagrams all managed to completely miss the mark. Perhaps it was because everyone was so focused on the shiny new idea of “social” or that toys like Twitter, Facebook, FriendFeed, and thousands of others which have now died and gone away were so engaging.

The sad part in searching for new ways to interact was that the most important piece of the puzzle is right there in his original diagram. No, it’s not the sorely missed FriendFeed service represented by the logo in the middle, which has the largest number of arrows pointing into or out of it. It’s not Facebook or Twitter, the companies which now have multi-billion dollar valuations. It’s not even the bright orange icon representing RSS, which many say has been killed–in part because Facebook and Twitter don’t support it anymore. The answer: It’s the two letters LG which represent Louis Gray’s own personal website/blog.

Sadly bloggers, and thousands upon thousands of developers, lost their focus in the years between 2007 and 2009 and the world is much worse off as a result. Instead of focusing on some of the great groundwork that already existed at the time in the blogging space, developers built separate stand-alone massive walled gardens, which while seemingly democratizing the world, also locked their users into silos of content and turned those users into the actual product to monetize them. (Perhaps this is the real version of Soylent Green?) Most people on the internet are now sharecropping for one or more multi-billion dollar companies without thinking about it. Our constant social media addiction now has us catering to the least common denominator, unwittingly promoting “fake news”, making us slower and less thoughtful, and it’s also managing to slowly murder thoughtful and well-researched journalism. Like sugar, fat, and salt, we’re genetically programmed to be addicted, and just like the effect they have on us, we’re slowly dying as a result.

The new diagram for 2017

Fortunately, unlike for salt, fat, and sugar, we don’t need to rely on simple restraint, the diet of the week, or snakeoil to fix the problem. We can do what Louis Gray should have done long ago: put ourselves, our identities, and our web presences at the center of the diagram and, if necessary, draw any and ALL of the arrows pointing out of our own sites. Facebook, Twitter, Instagram, LinkedIn, FourSquare/Swarm, etc. can all still be there on our diagrams, but the arrows pointing to them should all originate from our own site. Any arrows starting with those same social networks should ALL point (only) back to our sites.

This is how I always wanted my online diagram to look:

This is how I always thought that the diagram should have been drawn since before 2009. Now it can be a reality. POSSE definition. Backfeed definition.

How can I do this?

In the past few years, slowly, but surely, I’ve managed to use my own website to create my diagram just like this. Now you can too.

A handful of bright engineers have created some open standards that more easily allow for any website to talk to or reply to any other website. Back in January a new W3C recommendation was made for a specification called Webmention. By supporting outgoing webmentions, one’s website can put a link to another site’s page or post in it and that URL serves the same function as an @mention on services like Twitter, Facebook, Medium, Google+, Instagram, etc. The difference here is that these mentions aren’t stuck inside a walled garden anymore, they can reach outside and notify anyone anywhere on the web that they’ve been mentioned. Further, it’s easy for these mentions to be received by a site and be posted as comments on that mentioned page. Because the spec is open and not controlled by a third party corporation, anyone anywhere can use it.

What does this mean? It means I can post to my own site and if you want to write a comment, bookmark it, like it, or almost anything else, you post that to your own website and mine has the option of receiving it and displaying it. Why write your well thought out reply on my blog in hopes that it always lives there when you can own your own copy that, though I can delete from my site, doesn’t make it go away from yours. This gives me control and agency over my own platform and it gives you ownership and agency over yours.

Where can I get it?

Impatient and can’t wait? Get started here.

More and more platforms are beginning to support this open protocol, so chances are it may already be available to you. If you’re using an open source platform like WordPress.org, you can download a plugin and click “activate”. If you want to take few additional steps to customize it there’s some additional documentation and help. Other CMSes like Known have it built in right out of the box. Check here to see if your CMS or platform is supported. Don’t see your platform listed? Reach out to the developers or company and ask them to support it.

If you’re a developer and have the ability, you can easily build it right into your own CMS or platform of choice (with many pre-existing examples to model off if you need them) and there are lots of tools and test suites built which will let you test your set up.

If you need help, there are people all over the world who have already implemented it who can help you out. Just join the indieweb in your favorite chat client option.

Some parting thoughts

Let’s go back to Louis Gray’s blog and check on something. (Note that my intention isn’t to pick on or shame Mr. Gray at all as he’s done some excellent work over the years and I admire it a lot, he just serves as a good public example, particularly as he was recruited into Google to promote and launch G+.)

Number of posts by year on Louis Gray’s personal blog.

If you look at his number of posts over time (in the right sidebar of his homepage), you’ll see he was averaging about 500+ posts a year until about the time of his diagram. That number then drops off precipitously to 7 and 5 in 2015 and 2016 respectively!! While life has its vagaries and he’s changed jobs and got kids, I seriously doubt the massive fall off in posts to his blog was because he quit interacting online. I’ll bet he just moved all of that content and all of his value into other services which he doesn’t really own and doesn’t have direct control over.

One might think that after the demise of FriendFeed (the cog at the center of his online presence) not to mention all the other services that have also disappeared, he would have learned his lesson. Even browsing back into his Twitter archive becomes a useless exercise because the vast majority of the links on his tweets are dead and no longer resolve because the services that made them died ignominious deaths. If he had done it all on his own website, I almost guarantee they’d still resolve today and all of that time he spent making them would be making the world a richer and brighter place today. I spent more than twenty minutes or so doing a variety of complicated searches to even dig up the original post (whose original URL had moved in the erstwhile) much less the original diagram which isn’t even linked to the new URL’s post.

 

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The Platform Press: How Silicon Valley reengineered journalism | Tow Center for Digital Journalism

The Platform Press: How Silicon Valley reengineered journalism by Emily Bell and Taylor Owen (Tow Center for Digital Journalism)

Continue reading “The Platform Press: How Silicon Valley reengineered journalism | Tow Center for Digital Journalism”

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Indieweb Quote of the Day: Vladimir Bukovsky On Samizdat

Vladimir Konstantinovich Bukovsky (— ), a Russian writer, neurophysiologist, and activist who was prominent in the Soviet dissident movement of the 1960s and 1970s and spent a total of twelve years in psychiatric prison-hospitals, labor camps and prisons within the Soviet Union
in To Build a Castle: My Life as a Dissenter (Viking Press, 1979, ISBN 978-0-670-71640-1)

 

Etymologically, the word samizdat derives from sam (Russian: сам, “self, by oneself”) and izdat (Russian: издат, an abbreviation of издательство, izdatel’stvo, “publishing house”), and thus translates as “self-published”.

With exception of the jail portion, these ideas underlie much of the Indieweb movement.

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To AMP, or Not To AMP, That is the Question: Whether ’tis Nobler in the Mind to Bookmarklet

“Hi. My name is Chris and I’m a web browser bookmarklet junkie.”

Accelerated Mobile Pages

I’ve been following most of the (Google) Accelerated Mobile Pages (AMP) discussion (most would say debate) through episodes of This Week in Google where Leo Laporte plays an interesting foil to Jeff Jarvis over the issue. The other day I came across a bookmark from Jeremy Keith entitled Need to Catch Up on the AMP Debate? which is a good catch up by CSS-Tricks. It got me thinking about creating a bookmarklet to strip out the canonical URL for AMP pages (the spec requires them to exist in markup) to make them easier to bookmark and share across social media. In addition to social sites wrapping their URLs with short URLs (which often die or disappear as the result of linkrot) or needing to physically exit platforms (I’m looking at you Facebook with your three extra life-sucking clicks meant to protect your walled garden) to properly bookmark canonical URLs for later consumption, I’ve run across several Google prepended URLs which I’d rather not share in lieu of the real ones.

Apparently I wasn’t the first to think of such a thing, nor am I the second. Last night I came across a bit of research and genius by Kevin Marks who referenced a bookmarklet by Alan Storm back in January for switching to an AMP’d version of a web page (in an effort to cut down on the large JavaScript and advertising payloads that come along with most modern web pages). Naturally there was also a bookmarklet to switch back to the canonical (and non-Google) URL included for those who want to share an original.

Clean and Simple URLs

Kevin then took it a step further and included a JavaScript bookmarklet that shortens URLs down to their pure essence.

As an example, his canonical bookmarklet will take something ugly like
http://mashable.com/2017/03/26/dog-chasing-hockey-puck-joy/?utm_cid=mash-com-Tw-main-link#xvCRlgf_vsqY
and strip it down to its most basic
http://mashable.com/2017/03/26/dog-chasing-hockey-puck-joy
so that if you want to share it, it will remove all of the tracking cruft that comes along for the ride.

Even worse offenders like
https://www.nytimes.com/2017/03/24/opinion/sunday/chinas-communists-embrace-religion.html?action=click&pgtype=Homepage&clickSource=story-heading&module=opinion-c-col-left-region&region=opinion-c-col-left-region&WT.nav=opinion-c-col-left-region&_r=0
suddenly become cleaner and clearer
https://www.nytimes.com/2017/03/24/opinion/sunday/chinas-communists-embrace-religion.html

These examples almost remind me of the days of forwarding chain letter emails where friends couldn’t be bothered to cut out the 10 pages of all the blockquoted portions of forwards or the annoying

>  > >>  >>
>  > >>  >>
>  > >>  >>

nonesense before they sent it to you… The only person who gets a pass on this anymore is Grandpa, and even he’s skating on thin ice.

Remember, friends don’t let friends share ridiculous URLs…

So in that spirit, here are the three bookmarklets that you can easily drag and drop into the bookmark bar on your browser:

🔲 To AMP

🔳 Not to AMP

✁ Base URL

The code for the three follow respectively for those who prefer to view the code prior to use, or who wish to fashion their own bookmarklets:

As a bonus tip, Kevin Marks’ post briefly describes how one can use their Chrome browser on mobile to utilize these synced bookmarklets more readily.

Alternatives

Of course, if you want the AMP version of pages just for their clean appearance, then perhaps you may appreciate the Mercury Reader for Chrome. There isn’t a bookmarklet for it (yet?), but it’ll do roughly the same job, but without the mobile view sizing on desktop. And then while looking that link up, I also notice Mercury also has a one line of code AMP solution too, though I recommend you brush up on what AMP is, what it does, and do you really want it before adding it.

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Oscars red carpet:`The gravy train is over’ for TV stations and networks | Los Angeles Times

Oscars red carpet:`The gravy train is over' for TV stations and networks by Meg James (latimes.com)
For the first time the Academy of Motion Pictures Arts and Sciences is charging a license fee to TV stations and networks that broadcast live shows

Continue reading “Oscars red carpet:`The gravy train is over’ for TV stations and networks | Los Angeles Times”

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Don’t Cancel the Academy Awards Over Trump. Oscar Nominees, Try This Instead. | Slate

Don’t Cancel the Academy Awards Over Trump. Oscar Nominees, Try This Instead. by Matthew Dessem (Slate Magazine)
With the news that that the latest disaster in Donald Trump’s Lizard Brain Jamboree will bar Oscar nominee Asghar Farhadi from attending the Academy Awards (and Farhadi’s later decision to skip them whether he is allowed to come or not), the film community has been scrambling to find an effective response.

Continue reading “Don’t Cancel the Academy Awards Over Trump. Oscar Nominees, Try This Instead. | Slate”

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How Authors and Publishers Can Increase Book Discovery | DBW

How Authors and Publishers Can Increase Book Discovery by Daniel Berkowitz (Digital Book World)
Chris Sim, founder and CEO of Kadaxis, spoke at Digital Book World about how indie authors and publishers can better use keywords to increase book sales.

Continue reading “How Authors and Publishers Can Increase Book Discovery | DBW”

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The 86-Year-Old Breakout Star of Sundance | The Daily Beast

The 86-Year-Old Breakout Star of Sundance by Kevin Fallon (The Daily Beast)
After six decades in showbiz—she made her film debut opposite James Dean—Lois Smith is finally getting her due as a grieving widow in the Sundance sci-fi drama ‘Marjorie Prime.’

Continue reading “The 86-Year-Old Breakout Star of Sundance | The Daily Beast”

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Constance Wu Slams Casey Affleck’s Oscar Nom | Vulture

Constance Wu Is Disgusted by Casey Affleck’s Oscar Nomination: ‘Art Isn’t About Humanity, Right?’ by Halle Kiefer (Vulture)
The Manchester by the Sea actor has been accused of sexual harassment.

Constance Wu Is Disgusted by Casey Affleck’s Oscar Nomination: ‘Art Isn’t About Humanity, Right?’

By

As anticipated, Casey Affleck received a Best Actor Academy Award nomination for Manchester by the Sea this morning. The news served as evidence to some that multiple allegations of sexual harassment against him and a related lawsuit have been successfully swept under the rug, at least in the Academy’s eyes (Affleck has previously denied all allegations against him, and settled the suits out of court for an undisclosed sum). Fresh Off the Boat actress Constance Wu, however, is not about to let the viewing public forget the accusations against Affleck, who is now being celebrated for his talent. “Men who sexually harass women 4 OSCAR! Bc good acting performance matters more than humanity, human integrity! Bc poor kid rly needs the help!,” the actress tweeted sardonically. Continue reading “Constance Wu Slams Casey Affleck’s Oscar Nom | Vulture”

Recap and Photos from Hopkins in Hollywood

A Johns Hopkins Alumni and Student Networking Event and Panel Discussion in Los Angeles on 1-12-17

Over 75 alumni, students, and faculty from Johns Hopkins got together on January 12, 2017 for a networking mixer and panel discussion relating to the entertainment and media business. Johns Hopkins alum and emeritus board of trustees member Don Kurz (A&S ’77) graciously hosted the event at his company Omelete in Culver City.

Just prior to the event the current students, primarily seniors and juniors who were visiting Los Angeles as part of an Intersession course within the Film and Media Studies Program, met with alum and cinematography legend Caleb Deschanel (A&S ’66) to hear about his industry experiences and ask questions. Following this there was an hour long drinks/hors d’oeuvres mixer of both students and alumni.

Host Don Kurz then thanked everyone for attending and introduced Film and Media Studies Program Director Linda DeLibero. She gave a quick overview of the program and its growth over the past few years and introduced the group of students who had traveled out from Baltimore for the class.

Don Kurz (JHU A&S ’77) welcomes everyone to Omelete while Caleb Deschanel and Linda DeLibero watch from the far left.

Following this Don moderated a panel discussion and Q&A featuring alumni Paul Boardman (A&S ’89), Jason Altman (A&S ’99), Devon Chivvis (A&S ’96), and Chris Aldrich (Engr. ’96). Panelists discussed how some of their Hopkins experiences helped to shape their subsequent careers in the entertainment and media sectors.

Panelist Paul Boardman (seated at far end) describing how his experience in breaking down films scene by scene at Hopkins helped to prepare him for a subsequent career as a screenwriter. Jason Altman and Devon Chivvis sit to his right.

After the discussion, Linda presented Don with a gift of a framed artistic print of the newly renovated Center Theatre, part of Station North and a hub for the Film and Media Studies Program. She thanked him for all of his work and effort on behalf of the program, saying she knew he’s “always got our back.”

Panelist Devon Chivvis (right) watches as Linda DeLibero presents host Don Kurz (left) with a small token of the Film and Media Studies Program’s gratitude.

Emily Hogan gave a brief overview of her work at the JHU Career Center and encouraged alumni who had job openings or internship opportunities within their companies or knew of other opportunities for students/alumni to contact her with details and help in filling them.

Following some additional networking, a portion of the crowd retired to nearby pub/restaurant Public School 310 to continue the discussion.

Alumni continue the conversation at Public School 310. Picutred left to right: Jason Somerville, Jason Altman, Paul Boardman (obscured), Devon Chivvis, Cari Ugent, Karen Swift, Mark Swift, and Kathryn Alsman.

Event Photo Gallery

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The IndieWeb and Journalism

Some thoughts about how journalists could improve their online presences with IndieWeb principles along with a mini-case study of a site that is employing some of these ideas.

I’ve been officially participating in the IndieWeb movement for almost two years–though from a philosophical standpoint it’s much closer to twenty. While I can see lots of value in the IndieWeb for even the average person on the internet, I’ve always felt that there’s also a tremendous amount of specific value for journalists and web-based publishers.

I suspect that a lot of the value of the IndieWeb philosophy is that it encompasses how many people inherently wish the internet worked. As a result I’ve seen a growing number of people discovering the concept de novo either on their own or by borrowing bits and pieces from their friends and colleagues who are practicing parts of it as well. This harkens back to the early days of the web when bloggers incrementally improved their websites based on what they saw others doing and sharing ideas more directly and immediately with their audiences.

An(other) unwitting example in the wild

Recently I came across the personal website of journalist Marina Gerner which is one of the few, but growing number, I’ve come across that is unknowingly practicing some of the primary tenets of the IndieWeb movement that I suspect more journalists will eventually come to embrace to better reach and engage with their audiences.

Another brief example I’ll mention having seen recently that almost explicitly rewrote the IndieWeb philosophy verbatim was on the the website redesign launch of PressThink, the blog of Jay Rosen, a journalism professor at NYU. It’s a great read individually as is the majority of what Mr. Rosen writes.

Though I read many of the publications for which Ms. Gerner is writing and might see most of what she’s writing organically, having all of her work in one primary location is a spectacular convenience! I can quickly and easily subscribe to all her work by email or RSS. For a working journalist, this is a boon, because like musicians in the evolving music business a lot of the value that they bring to the table (and to the venues in which they play) is a result of their individual fan bases.

While her personal website probably doesn’t drive even a tiny fraction of exposure for her work as when it appears in The Economist or the Financial Times, for example, it does allow her fans to easily keep up with what she’s writing and thinking about. Ideally in the future, outlets will make links to writer’s bylines direct to the writer’s own website rather than to archive pages within their own publications (or perhaps both if necessary).

Journalistic Brand & the Sad Case of Leon Wieseltier: The Counter-example

Here I’m reminded of the seemingly sad case of Leon Wieseltier, the long time literary editor of The New Republic, who was ousted by its editor-in-chief and publisher Chris Hughes, a former Facebook executive. Wieseltier’s brand was almost all-too-wrapped up in The New Republic, where he had worked for decades, and when he was pushed out (ostensibly for the puerile desire to get more clicks and eyeballs), his output and influence seemingly disappeared overnight. Suddenly there just wasn’t as much of him to read. While he still has some output, as a fan who enjoyed reading his work, the problematic hurdles of finding his new work were the equivalent of using a cheese grater to file down one’s knee cap. I suspect that if he had his own website or even a semblance of a Twitter presence, he could easily have taken a huge portion of his fans and readership built up over decades along with him almost anywhere.

While there are some major brand names in journalism (examples like James Fallows, Walt Mossberg, or Steven Levy spring to mind), who are either so wrapped up in their outlet’s identities or who can leave major outlets and take massive readerships with them, this isn’t the case for the majority of writers in the game. Slowly building one’s own personal journalistic brand isn’t easy, but having a central repository that also doubles as additional distribution can certainly be beneficial. It can also be an even bigger help when one decides to move from one outlet to another, bridge the gap between outlets, or even strike out entirely on one’s own.

Portfolio

From a work/business perspective, Ms. Gerner’s site naturally acts as a portfolio of her work for perspective editors or outlets who may want to see samples of what she’s written.

Sadly, however, she doesn’t seem to be utilizing the WordPress category or tag functions which she could use to help delineate her work by broad categories or tags to help find specific types of her writing. She appears to have a “featured” category/tag for some of her bigger pieces to appear at the top of her front page, but I can see the benefit of having a “portfolio” or similar tag to give to prospective outlets to encourage them to read her “best of” work. This would also be helpful to new readers and future fans of her work.

Categories/tags could also be beneficial to readers who may want to follow only her book reviews and not her economics related work, or vice-versa. With a bit of massaging, she could easily have an economics-only RSS feed for those who wanted such a thing. I spent a bit of time in December writing about how I customized my own RSS feeds and helping to make them more discoverable.

An IndieWeb mini-case study of Ms. Gerner’s website

Because it might take some a bit of time to delve into and uncover a lot of the spectacular and inherent value in the the massive and growing wiki behind IndieWeb.org, I thought I’d take a minute or two to point out some of the subtle IndieWeb-esque things that Ms. Gerner’s site does well and point out a few places she (or others) could quickly and easily add a lot of additional value.

IndieWeb-forward things that she is doing

She has her own domain name.

If you’re looking for all things Marina Gerner on the web, where better to start than http://www.marinagerner.com?

She owns her own data.

Technically, it looks like her site is hosted on WordPress.com, so they own, backup, and maintain it for her, but there is a very robust export path, so she can easily export it, back it up, or move it if she chooses.

She’s posting her own content on her own site.

I’m not sure if she’s posting on her site first using the concept of Post on your Own Site, Syndicate Elsewhere (POSSE), but even if she’s posting it secondarily (known as PESOS), she’s still managing to capture it on her site and thereby own a full copy of her output. If any of the publications for which she’s published should go out of business or disappear from the internet, she will still own a copy of her work. (See and compare also the commentary at Anywhere but Medium.)

Syndication Links

She’s even got a syndication link (or attribution) at the bottom of each article to indicate alternate locations where the content lives on the internet. Since she’s not using Webmentions to back-port the resulting commentary (see below for more), this is highly useful for finding/reading the potential ensuing commentary on her posts or interacting with it in the communities in which it was originally intended.

Missing IndieWeb pieces that could provide additional value

Syndication Links to Social Media

There are no syndication links to where her content may be living on Twitter, Facebook, LinkedIn, or other social media spaces to give an idea of the conversations that are taking place around her work. In addition to the value that these conversations add to her work, they also give an idea of the breadth of the reach of her work, which could be useful not only to her, but to future outlets/employers.

Webmention and back-feed from Brid.gy

She’s clearly not using Webmention (now a W3C Recommendation) or services like Brid.gy which would allow her to have the comments and conversation about her articles from other sites or social media silos come back to live with the original articles on her own site. Given the quality of what she’s writing, I’m sure there are some interesting threads of thought stemming from her work which she’s not capturing back on her own site, but certainly could. As it stands, it’s highly unlikely (and perhaps nearly impossible) that I would go trolling around the thousands or hundreds of thousands of links to try to uncover even a fraction of it myself, but it wouldn’t take much for her to be able to capture all that data and make it easy to consume.

Webmention is a simple protocol that allows one website to indicate to another that it has been mentioned elsewhere on the web–it’s akin to Twitter @mentions, but is something that works internet-wide and not just within Twitter. Brid.gy is a service that bootstraps services like Facebook, Twitter, Instagram, Google+, and Flickr via API to make them support webmention until they choose to implement it directly themselves.

Given the schedules of many journalists, they may not always have time to pay attention to the commentary on past articles, but if she were aggregating them back to her own site, she could occasionally check back in on them and interact as necessary or appropriate. Even better she could do this herself without necessarily needing to spend the additional time and energy to go to multiple other social websites to do so. I suspect that a lot of the value that journalists get out of Twitter could be better had by aggregating some of it within their own websites instead.

As an example, the reader will note that I also have syndication links (by means of icons) at the bottom of this post, but I’ve enabled Webmentions and have most of the replies and commentary from these social silos coming back to this original post to aggregate as much of the conversation back to this original post. In the event that any of these social media sites are acquired or go out of business for any reason, all of this commentary will be archived here on the site. As an experiment, if you’d like, click on the Twitter icon at the bottom of this post and reply to that post on Twitter, your reply will be sent to me via webmention through Brid.gy and I can choose to display it as a comment under this post.

Owning her replies to others

Naturally if she does interact with her pieces via other social channels (Twitter, for example), she could post those replies on her own site and automatically syndicate them to Twitter. This would also allow her to own all of that subsidiary content and conversation as well.

Search and SEO

Once she owns all of her own writing and subsidiary data, her platform of choice (WordPress along with many others) also provides her with some good internal search tools (for both public-facing and private posts), so that her online hub becomes an online commonplace book of sorts for not only searching her past work, but potentially for creating future work. Naturally this search also extends to the broader web as her online presence gives her some reasonable search engine optimization for making it more discoverable to future fans/followers.

And much more…

Naturally the IndieWeb encompasses far more than what I’ve written above, but for journalists, some of these highlighted pieces are likely the most immediately valuable.

I’ll refer those interested in learning more to browse the wiki available at IndieWeb or join the incredibly helpful community of developers who are almost always in the online chatroom which is accessible via multiple methods (online chat, Slack, IRC, etc.) Major portions of the IndieWeb have become easily attainable to the average person, particularly on ubiquitous platforms like WordPress which have simple configurable plugins to add a lot of this simple functionality quickly and easily.

Another IndieWeb Journalism Example

While I was writing this piece, I heard Mathew Ingram, who currently writes for Fortune, say on This Week in Google that he’s been posting his work to his own website for several years and “syndicating” copies to his employers’ sites. This means he’s got a great archive of all of his own work, though I suspect, based on his website, that much of is posted privately, which is also an option, though it doesn’t help me much as a fan.

Thoughts/Questions/Comments

I’d love to hear thoughts, comments, or questions journalists have about any of the above. Are there other online tools or features journalists would like to see on their own websites for improved workflow?

Please post them below, on your own website along with a permalink back to the original article (see “Ping Me” below), via webmention, or even by responding/replying on/to one of the social media silos listed just below in the syndication links, or natively on the social platform on which you’re currently reading.

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Hopkins in Hollywood | Johns Hopkins Alumni Event on 1-12-17

Join students and alumni from the Film and Media Studies Program in Culver City

I’ve been invited to participate in a panel discussion as part of an Intersession course by the Johns Hopkins Film and Media Studies Program. I hope fellow alumni in the entertainment and media sectors will come out and join us in Culver City on Thursday.


Join the Hopkins in Hollywood Affinity Group (AEME LA) as they welcome Linda DeLibero, Director of the JHU Film and Media Studies Program, and current students of the program for a dynamic evening of networking which features an alumni panel of industry experts.

Open to alumni, students, and friends of Hopkins, this event is sponsored by Donald Kurz (A&S ’77), Johns Hopkins University Emeritus Trustee and School of Arts and Sciences Advisory Board Member, and the Hopkins in Hollywood (AEME LA) Affinity Group.

Event Date: Thursday, January 12, 2017
Start Time: 6:30pm
End Time: 8:30pm

Panelists

Donald Kurz, A&S ’77
Moderator

Donald Kurz is Chairman and CEO of Omelet LLC, an innovative new media and marketing services firm based in Los Angeles.   Previously, Mr. Kurz was co-founder and CEO of hedge fund Artemis Capital Partners.  Between 1990 and 2005, Mr. Kurz was Chairman, President, and CEO of EMAK Worldwide, Inc, a global, NASDAQ-traded company providing Fortune 500 companies with strategic and marketing services internationally. Mr. Kurz’s 25 years’ experience in senior leadership includes management positions with Willis Towers Watson, PwC, and the J.C. Penney Company. Mr. Kurz is a Trustee Emeritus of the Johns Hopkins University, having served for 12 years on the Hopkins board.  He received an MBA from the Columbia University Graduate School of Business and a BA from Johns Hopkins University.

J Altman

Jason Altman, A&S ’99

Jason Altman is an Executive Producer at Activision working on the Skylanders franchise and new development projects.  Prior to Activision, he spent the past 5 years at Ubisoft Paris in different leadership roles, most recently as the Executive Producer of Just Dance, the #1 music video game franchise.  He is a veteran game producer who loves the industry, and is a proud graduate of the media studies program at Johns Hopkins.

Boardman

Paul Harris Boardman, A&S ’89

Paul Boardman wrote The Exorcism of Emily Rose (2005) and Devil’s Knot (2014), both of which he also produced, and Deliver Us From Evil (2014), which he also executive produced.  In 2008, Paul produced The Day the Earth Stood Still for Fox, and he did production rewrites on Poltergeist, Scream 4, The Messengers, and Dracula 2000, as well as writing and directing the second unit for Hellraiser:  Inferno (2000) and writing Urban Legends:  Final Cut (2000).  Paul has written screenplays for various studios and production companies, including Trimark, TriStar, Phoenix Pictures, Miramax/Dimension, Disney, Bruckheimer Films, IEG, APG, Sony, Lakeshore, Screen Gems, Universal and MGM.

D Chivvis

Devon Chivvis, A&S ’96

Devon Chivvis is a showrunner/director/producer of narrative and non-fiction television and film. Inspired by a life-long passion for visual storytelling combined with a love of adventure and the exploration of other cultures, Devon has made travel a priority through her work in film and television. Devon holds a B.A. from Johns Hopkins University in International Relations and French, with a minor in Italian.

Chris Aldrich

Chris Aldrich, Engr ’96

Chris started his career at Hopkins while running several movie groups on campus and was responsible for over $200,000 of renovations in Shriver Hall including installing a new screen, sound system, and 35mm projection while also running the 29th Annual Milton S. Eisenhower Symposium “Framing Society: A Century of Cinema” on the 100th anniversary of the moving picture.

Following Hopkins he joined Creative Artists Agency where he worked in Motion Picture Talent and also did work in music-crossover. He later joined Davis Entertainment with a deal at 20th Century Fox where he worked on the productions of Heartbreakers, Dr. Dolittle 2, Behind Enemy Lines as well as acquisition and development of Alien v. Predator, Paycheck, Flight of the Phoenix, Garfield, The Man from U.N.C.L.E., I, Robot and countless others.

Missing the faster pace of representation, he later joined Writers & Artists Agency for several years working in their talent, literary, and book departments. Since that time he’s had his own management company focusing on actors, writers, authors, and directors. Last year he started Boffo Socko Books, an independent publishing company and recently put out the book Amerikan Krazy.

Source: Hopkins in Hollywood | Johns Hopkins Alumni

 

Register Here

More information Office of Alumni Relations
800-JHU-JHU1 (548-5481)
alumevents@jhu.edu

Part of the course:

The Entertainment Industry in Contemporary Hollywood

Students will have the opportunity to spend one week in Los Angeles with Film and Media Studies Director Linda DeLibero. Students will meet and network with JHU alums in the entertainment industry, as well as heads of studios and talent agencies, screenwriters, directors, producers, and various other individuals in film and television. Associated fee with this intersession course is $1400 (financial support is available for those who qualify). Permission of Linda DeLibero is required. Film and Media Studies seniors and juniors will be given preference for the eight available slots, followed by senior minors.Students are expected to arrive in Los Angeles on January 8. The actual course runs January 9-13 with lodging check-in on January 8 and check-out on January 14.

Course Number: AS.061.377.60
Credits: 1
Distribution: H
Days:  Monday 1/9/2017 – Friday 1/13/2017
Times:  M – TBA | Tu- TBA | W- TBA | Th- TBA | F- TBA
Instructor: Linda DeLibero

Omlete LLC, 3540 Hayden Ave, Culver City, CA 90232

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