John Dickerson, a white man in his late 40's with blonde hair, a white shirt and tie, sits at a busy reporter's desk
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John Dickerson of “Face the Nation” talks about how he uses a Reporter’s Notebook and how he helped Field Notes make one.

Reporter John Dickerson talking about his notebook.

While he doesn’t mention it, he’s capturing the spirit of the commonplace book and the zettelkasten.

[…] I see my job as basically helping people see and to grab ahold of what’s going on.

You can decide to do that the minute you sit down to start writing or you can just do it all the time. And by the time you get to writing you have a notebook full of stuff that can be used.

And it’s not just about the thing you’re writing about at that moment or the question you’re going to ask that has to do with that week’s event on Face the Nation on Sunday.

If you’ve been collecting all week long and wondering why a thing happens or making an observation about something and using that as a piece of color to explain the political process to somebody, then you’ve been doing your work before you ever sat down to do your work.

I’d love to interview him about his process as well as keeping track of his notes after-the-fact. Does he index them? Collate them? How does he archive them? What role do they play in his book writing processes? Is his system something that he was taught, something which he created and refined over time, or a little bit of both?

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Chris Aldrich

I'm a biomedical and electrical engineer with interests in information theory, complexity, evolution, genetics, signal processing, IndieWeb, theoretical mathematics, and big history. I'm also a talent manager-producer-publisher in the entertainment industry with expertise in representation, distribution, finance, production, content delivery, and new media.

8 thoughts on “”

  1. Reporter John Dickerson talking about his notebook.
    While he doesn’t mention it, he’s capturing the spirit of the commonplace book and the zettelkasten.

    […] I see my job as basically helping people see and to grab ahold of what’s going on.
    You can decide to do that the minute you sit down to start writing or you can just do it all the time. And by the time you get to writing you have a notebook full of stuff that can be used.
    And it’s not just about the thing you’re writing about at that moment or the question you’re going to ask that has to do with that week’s event on Face the Nation on Sunday.
    If you’ve been collecting all week long and wondering why a thing happens or making an observation about something and using that as a piece of color to explain the political process to somebody, then you’ve been doing your work before you ever sat down to do your work.

    I’d love to interview him about his process as well as keeping track of his notes after-the-fact. Does he index them? Collate them? How does he archive them? What role do they play in his book writing processes? Is his system something that he was taught, something which he created and refined over time, or a little bit of both?

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