"Mr CL Pelman in his study" - The Review of Reviews , v.25, 1902 Department of Near-Forgotten Fads. Via discussions at Ptak's Science Bo...
Category: Memory
Charles Lutwidge Dodgson (a.k.a. Lewis Carroll, author of Alice’s Adventures in Wonderland) practiced memory techniques. His memory system has some similarities with the Major System but seems more complicated in its letter choices: 1. “b” and “c,” the first two consonants in the alphabet. 2. “d” from “duo,” “w” from “two.” 3. “t” from “tres,” the other may wait awhile.
A companion to Mary Carruthers' earlier study of memory in medieval culture, The Book of Memory, this book, The Craft of Thought, examines medieval monastic meditation as a discipline for making thoughts, and discusses its influence on literature, art, and architecture, deriving examples from a variety of late antique and medieval sources, with excursions into modern architectural memorials. The study emphasizes meditation as an act of literary composition or invention, the techniques of which notably involved both words and making mental "pictures" for thinking and composing.
Donald Beecher, Grant Williams, eds. Ars Reminiscendi: Mind and Memory in Renaissance Culture. Publications of the Centre for Reformation and Renaissance Studies. Toronto: Centre for Reformation and Renaissance Studies, 2009. 440 pp. $37.00 (paper), ISBN 978-0-7727-2048-1.
Reviewed by Asaph Ben-Tov (Minerva Foundation / Forschungszentrum Gotha)
Commissioned by Susan R. Boettcher
The Art of Memory in Renaissance scholarship was, for many years, confined to a footnote in classical rhetoric, until Francis Yates’s groundbreaking study of 1966 argues for its considerable influence on hermetic philosophy and literature. Over the last few decades, another shift in scholarship has occurred that goes well beyond Yates’s conceptualization of memory as an occult and occulted phenomenon in the history of ideas. Recent studies suggest memory to be less a theme or idea than the prevailing episteme, whose discourses, practices, and mentations produce and reproduce Renaissance culture. Humanism’s project of recovering the past by retrieving and reconstructing textuality privileges recollection as a mode of epistemological engagement with the world, as a means of subjective and collective identity formation, and as an organ for achieving ethical goals. For that reason, memory finds itself involved in the passage to modernity, when its ascendancy is challenged by the rise of seventeenth-century science and fall of rhetoric, the emergence of the European nation state, and the explosion of the printing press and book technologies. Acknowledging this new direction in scholarship, this volume seeks to trace the plurality and complexity of memory’s cultural work throughout the English and Continental Renaissance. Among the thinkers and writers to receive attention are Thomas Hoby, Conrad Gesner, Erasmus, Conrad Celtis, Johann Sturm, Machiavelli, Jehan du Pré, Spenser, Robert Hooke, Milton, Sebastian Münster, and Shakespeare. A long critical and historical afterword extends the historical contexts around the contributions and provides an overview of the materials central to the field, as well as a sense of the field’s future development.
PROFILE of Dr. Bruno Furst, a memory expert, mental telepathist, hypnotist, & professional graphologist, & founder of the School of Memory & Concentration.…
No need to be a Houdini or a Trilby to work these amazing card tricks or mind-reading feats. Just let Dr. Bruno Furst train your mind. By Dr. Bruno Furst (Dr. Bruno Furst, lawyer and psychologist, is the director and founder of the school of Memory and Concentration with headquarters in New York and branches all over the country, South America, and Canada. Its Correspondence Course Division extends over five continents. Dr. Furst's system is taught at many Universities, Colleges, Adult Education Centers, Business Firms, and Trade Associations.)
Conradus Celtis, German scholar known as Der Erzhumanist (“The Archhumanist”). He was also a Latin lyric poet who stimulated interest in Germany in both classical learning and German antiquities. Celtis studied at the universities of Cologne and Heidelberg and was crowned poet laureate by the Holy...
Conrad Celtes (German: Konrad Celtes; Latin: Conradus Celtis (Protucius); 1 February 1459 – 4 February 1508) was a German humanist scholar and poet of the German Renaissance born in Franconia (nowadays part of Bavaria). He led the theatrical performances at the Viennese court and reformed the syllabi. In 1500, he published Tacitus' "Germania" and his rediscovered works (e.g. Hrotsvit von Gandersheim, 1501) and wrote the "Quatuor libri amorum" in 1500, after the model of Ovid.
Furst doesn’t make any references to prior art or work in the historical record except the one which @Graham has mentioned. It appears on p131 of How to Remember as:
This numerical system has been used by Berol, Roth, Loisette and other writers on the subject, and it seems pointless not to avail ourselves of a tested method which has proved satisfactory for many years.
There’s also a reference on page 56 of How to Remember:
Books of modern times dealing with association-laws, for instance those by Loisette and Poehlmann, are divided as follows in respect to the differences in concepts from a purely practical point of view
I’m digging up copies of David M. Roth’s Roth Memory Course, Felix Berol’s Berol System (which may have included work by his brothers William and Max), and Christof Ludwig Poehlmann aka Christopher Louis Pelman about whom I’ve found a nice trove of material on a related method at https://www.ennever.com/histories/history386p.php?sitever=standard. I don’t have much hope that any of these references will credit any of their prior sources as most of them seem to have made their livings on their courses and writing and wouldn’t have wanted to “give away their sources as potential competition”.
There is a chance that Major Beniowski was the source of the system for all of these authors given the relatively wide spread nature of his work during his life, his international travel, and the fact that he spoke multiple languages. But at the same time there’s a large number of people using this or similar methods in the 1800’s. Having more direct evidence would be useful. I only became aware of the moniker by seeing it on the Wikipedia page, and previously used the “number system” as Furst did to describe it.
I do notice that Furst uses the phrase “Furst Method” at least once in his correspondence course, but it’s in reference to the Major System and several other peg and related systems (notably not the method of loci in *You Can Remember*). It seems fairly regular for practitioners of this time period who were writing books to use their surname and call it their method.
One interesting case seems to be that of Marcus Dwight Larrow alias Silas Holmes alias Alphonse Loisette (referenced by Furst) who peddled a system for inordinate sums (including to Mark Twain who gave him a testimonial at the time). His system was exposed in a book in 1888 and was interesting or influential enough to have garnered a book review in the journal Science (see: “Loisette” exposed, together with Loisette’s Complete System of Physiological Memory. By G. S. FELLOWS. New York, The Author. 8‡ 25 cents published 20 July 1888).
Today, we explore whether memory still has a practical place in the world of big data and computing. As a science writer, Lynne has written 18 books including The Memory Code. Her research showed that without writing, people used the most extraordinary suite of memory techniques to memorise massive amounts of practical information. This explains the purpose of monuments like Stonehenge, the Nazca Lines and the statues of Easter Island. Her next book, Unlocking The Memory Code explains the most effective memory methods from around the world and throughout time. Lynne shows how these can be invaluable in modern world.
This took me back to a time and something I’d forgotten writing, that has made me rethink where we are now: https://t.co/COgNQnutZr
— Kate Bowles (@KateMfD) April 25, 2020
“power is distributed very unevenly throughout the global network of higherEd institutions. If digital innovation is left to the market, we will continue to see scale and standardisation dressed up as personalisation and differentiation.” @KateMfD https://t.co/pqskuKPbQj
— Robin DeRosa (@actualham) April 25, 2020
What surprises me is that it’s about education and pedagogy that starts off with a vignette in which Kate Bowles talks about the unknown purpose of Stonehenge.
But I’ve been doing some serious reading on the humanities relating to memory, history, and indigenous cultures over the last few years. It dawns on me:
I know what those stones are for!
A serious answer provided by Australian science and memory researcher Dr. Lynne Kelly indicates that Stonehenge and similar monolithic sites built by indigenous cultures across the world are–in fact–pedagogic tools!!
We’ve largely lost a lot of the roots of our ancient mnemonic devices through gradual mis- and dis-use as well as significant pedagogic changes by Petrus Ramus, an influential French dialectician, humanist, logician, and educational reformer. Scholar Frances Yates indicated in The Art of Memory that his influential changes in the mid-1500’s disassociated memory methods including the method of loci, which dated back to ancient Greece, from the practice of rhetoric as a field of study. As a result we’ve lost a fantastic tradition that made teaching and the problem of memory far worse.
Fortunately Lynne Kelly gives a fairly comprehensive overview of indigenous cultures across human history and their use of these methods along with evidence in her book Memory Code which is based on her Ph.D. thesis. Even better, she didn’t stop there and she wrote a follow up book that explores the use of these methods and places them into a modern pedagogy setting and provides some prescriptive uses.
I might suggest that instead of looking forward to technology as the basis of solutions in education, that instead we look back—not just to our past or even our pre-industrial past, but back to our pre-agrarian past.
Let’s look back to the tremendous wealth of indigenous tribes the world over that modern society has eschewed as “superstitious” and “simple”. In reality, they had incredibly sophisticated oral stories and systems that they stored in even more sophisticated memory techniques. Let’s relearn and reuse those techniques to make ourselves better teachers and improve our student’s ability to learn and retain the material with which they’re working.
Once we’ve learned to better tap our own memories, we’ll realize how horribly wrong we’ve been for not just decades but centuries.
This has been hard earned knowledge for me, but now that I’ve got it, I feel compelled to share it. I’m happy to chat with people about these ideas to accelerate their growth, but I’d recommend getting them from the source and reading Dr. Kelly’s work directly. (Particularly her work with indigenous peoples of Australia, who helped to unlock a large piece of the puzzle for her.) Then let’s work together to rebuild the ancient edifices that our ancestors tried so desperately to hand down, but we’ve managed to completely forget.
The historical and archaeological record:
The Memory Code: The Secrets of Stonehenge, Easter Island and Other Ancient Monuments by Dr. Lynne Kelly
A variety of methods and teaching examples:
Memory Craft: Improve Your Memory with the Most Powerful Methods in History by Dr. Lynne Kelly
Annotated on April 26, 2020 at 08:34PM
I imagine that there are potentially examples of this sort of behavior going back as far as 30-40,000 years or more, but there is is no direct (known) archaeological evidence left to make such cases. There are oral histories of indigenous peoples in Australia that indicate memories of things that do exist in the geological record to provide some evidence of this.
I’ll also point out that astronomical use is NOT equal to memory use. To make that claim you’d need a lot of additional evidence. In fact, I might suggest something stronger, particularly about Stonehenge. Stonehenge’s primary use was not an astronomical one. Its primary use was as a mnemonic device. The astronomical one was important for the ritual practice (we would call it spaced repetition in modern psychology and pedagogic contexts), but wholly tangential.
If you’re interested in the underlying evidence, Dr. Lynne Kelly has an excellent Ph.D. thesis on the topic, but you might find her book The Memory Code, which expands on the thesis, more accessible. She’s also got a great bibliography of these topics on her website.
Hey everyone, Can anyone help me in graphical mnemonics i am unable to understand and need ur advice on this The link is above @Josh @LikeARollingStone @FlorianMinges @magicman619