I love some of the things she’s documenting here though I’ll have to dig into her references. She’s much better versed in memory practice than Yates, in part because she actually makes a practice of using the techniques. There are pieces I wish she went into greater depth on.
Syndicated to Goodreads on March 15, 2020 at 11:52AM
As I delve further into the ancient history of mnemonics and mnemotechnics, I strongly suspect that attributes in paintings (like those frequently seen in depictions of Christian saints) originally stem from memory techniques that date from Simonides of Ceos (Σιμωνίδης ὁ Κεῖος; c. 556 – 468 BCE) and potentially earlier by means of the oral tradition.
The National Gallery has a short little primer on paintings of saints and recognizing them by means of their attributes. As an example, in the painting below Saint Genevieve of Paris holds the candle which she miraculously relit. On the brooch at her neck are the alpha and omega signs. Saint Apollonia of Alexandria’s brooch shows pincers: she was tortured by having her teeth extracted.
As I delve into the history of mnemotechnics, I suspect that attributes in paintings originally stem from memory techniques that date from Simonides of Ceos (c. 556 – 468 BCE) and potentially earlier through the oral tradition.