I’ve been stuck on this playlist in the mornings for the past two days.
Written by band members Eric Stewart and Graham Gouldman, the song is notable for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK singles chart for two weeks. The song was also the band's breakthrough hit worldwide, reaching number one in Ireland and Canada and number two on the Billboard Hot 100 in the US, as well as reaching the top ten in Australia, New Zealand and several European countries.
Released on their 1975 Face the Music album. Released as a single in 1976, the single was edited in the US, whereas in the UK the song appeared as the album cut minus the orchestral intro. The US single edit can be found on the remastered Face the Music released in September 2006. The song was also included on the band's 1978 The ELO EP. A remastered version was included on the box set Flashback in 2000. The 'weeping' guitar lick was provided by keyboardist Richard Tandy while Jeff Lynne played a 12-string acoustic guitar fed through a phase shifter.
"Rich Girl" is a song by Daryl Hall and John Oates. It debuted on the Billboard Top 40 on Feb. 5, 1977 at number 38 and on March 26, 1977, it became their first (of six) number-one singles on the "Billboard" Hot 100. The single originally appeared on the 1976 album Bigger Than Both of Us.
"You Make My Dreams", sometimes referred to as "You Make My Dreams Come True", is a song by the American duo Hall & Oates, taken from their ninth studio album, Voices (1980). The song reached number five on the Billboard Hot 100 chart in 1981.
Including Time Out, Time Further Out, Time Changes, Countdown: Time in Outer Space, and Time In, this series of albums commonly known as the Time Series from Dave Brubeck and the Dave Brubeck Quartet is a masterclass in how important time is in music as well as how it can evolve.
Here you’ll find Brubeck experimenting with time signatures including recordings of “Take Five” in 5/4 time, “Pick Up Sticks” in 6/4, “Unsquare Dance” in 7/4, “World’s Fair” in 13/4, and “Blue Rondo à la Turk” in 9/8.
This is a great way to spend the day/night when you have some active listening time.