Alex Jones says getting banned by YouTube and Facebook will only make him stronger. The research says that's not true.
An R&B song by American singers James Ingram and Michael McDonald. It was written by Ingram, McDonald, Rod Temperton, and producer Quincy Jones. The song originally appeared on Ingram's 1983 album It's Your Night, released on Jones's Qwest Records label. It was released as a single in late 1983, peaking at No. 19 on the U.S. charts in 1984, and No. 44 on the UK charts also in 1984, (the remixed version by John Jellybean Benitez hit No. 12 in the Spring of 1985 in the UK), and has subsequently appeared on several of Ingram and McDonald's greatest hits albums as well as various 1980s compilation albums. The performance earned the duo a 1985 Grammy Award for Best R&B Performance by a Duo or Group with Vocals. It was one of a series of very successful duets involving Ingram. It also received a nomination for Best R&B Song, losing to "I Feel for You" (Prince).
I was listening to Yacht Rock (channel 70) on Sirius/XM this afternoon. I can’t help but wonder if Yah-Mo is the younger brother to Yahweh?
Listening to Yacht Rock on Sirius/XM I ran across this Holmes track. The modern day image of him makes me wonder that he ever could have been a musician, much less the one who spawned the hit
Escape (The Pina Colada Song). The cover image of his album also makes me wonder what kind of influence the album can only have had on the movie Flashdance? Are these really the photo of the same man?
From the album Babel - Music From And Inspired By The Motion Picture
"Natural Blues" is a song by American electronica musician Moby, released as the fifth single from his 1999 studio album Play. It samples "Trouble So Hard" by American folk singer Vera Hall. It was first released in the United Kingdom, where it peaked at number 11. The song received remixes by Paul Oakenfold, Mike D, Peace Division, Katcha and the Olmec Heads.
"Find My Baby" is a song by American musician Moby, released as the ninth and final single from his 1999 studio album Play. It features samples from the song "Joe Lee's Rock" by Boy Blue.
A song written by Belgian-Australian singer-songwriter Gotye, featuring New Zealand singer Kimbra. The song was released in Australia and New Zealand by Eleven Music on 5 July 2011 as the second single from Gotye's third studio album, Making Mirrors (2011). It was later released by Universal Music in December 2011 in the United Kingdom, and in January 2012 in the United States and Ireland. "Somebody That I Used To Know" was written and recorded by Gotye at his parents' house on the Mornington Peninsula in Victoria and is lyrically related to the experiences he has had with relationships.
"I Need You," released in 1972, is the second single by the band America from their eponymous debut album America. The song was written by Gerry Beckley. It appears on the live albums Live (1977), In Concert (1985), In Concert (King Biscuit), Horse With No Name - Live! (1995), and The Grand Cayman Concert (2002). The studio version is included on the compilation albums Highway (2000) and The Complete Greatest Hits (2001). George Martin remixed the studio recording for inclusion on History: America's Greatest Hits (1975). An alternate mix from 1971 appears on the 2015 release Archives, Vol. 1.
I like Alan Levine’s take on type one and type two silo services. Adobe/Storify definitely seems to be doing things the wrong way for shutting down a service. He does a great job of laying out some thought on how to create collection posts, particularly on WordPress, though I suspect the user interface could easily be recreated on other platforms.
I would add some caution to some of his methods as he suggests using WordPress’s embed capabilities by using raw URLs to services like Twitter. While this can be a reasonable short term solution and the output looks nice, if the original tweet or content at that URL is deleted (or Twitter shuts down and 86s it the same way Storify has just done), then you’re out of luck again!
Better than relying on the auto-embed handled by WordPress, actually copy the entire embed from Twitter to capture the text and content from the original.
There’s a big difference in the following two pieces of data:
<blockquote class="twitter-tweet" data-lang="en">
<p dir="ltr" lang="en">I hope <a href="https://twitter.com/Storify?ref_src=twsrc%5Etfw">@storify</a> will follow the example set by <a href="https://twitter.com/dougkaye?ref_src=twsrc%5Etfw">@dougkaye</a> when he shut down ITConversations: <a href="https://t.co/oBTWmR5M3A">https://t.co/oBTWmR5M3A</a>.</p>
My shows there are now preserved (<a href="https://t.co/IuIUMvMXi3">https://t.co/IuIUMvMXi3</a>) in a way that none of my magazine writing was.
— Jon Udell (@judell) <a href="https://twitter.com/judell/status/940973536675471360?ref_src=twsrc%5Etfw">December 13, 2017</a>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8">
While WordPress ostensibly displays them the same, one will work as long as Twitter lives, and the other lives as long as your own site lives and actually maintains the original content.
Now there are certainly bigger issues for saving video content this way from places like YouTube given copyright issues as well as bandwidth and other technical concerns. In these cases, perhaps embedding the URLs only within WordPress is the way to go. But keep in mind what it is you’re actually copying/archiving when you use the method he discusses.
Incidentally, I use both Broken Link Checker and Post Archival in the Internet Archive plugins to save a copy of content as well as to help fix broken links on my site when services or sites go down unexpectedly.
Those who are interested in better saving/archiving their content might appreciate the following links/resources:
- Indieweb archival copy
- Dodging the Memory–Hole Past Conferences and resources at Reynolds Journalism Institute
- The Internet Archive
Side note: I prefer the closer Yiddish spelling of bupkis. It is however a great term for what you often end up receiving from social silos that provide you with services that you can usually pretty easily maintain yourself.Syndicated copies to:
In honor of tomorrow’s release of Jimmy Soni and Rob Goodman’s book A Mind at Play: How Claude Shannon Invented the Information Age, I’ve created an Information Theory playlist on Spotify.
Songs about communication, telephones, conversation, satellites, love, auto-tune and even one about a typewriter! They all relate at least tangentially to the topic at hand. To up the ante, everyone should realize that digital music would be impossible without Shannon’s seminal work.
Let me know in the comments or by replying to one of the syndicated copies listed below if there are any great tunes that the list is missing.
Enjoy the list and the book!Syndicated copies to:
I’ve been stuck on this playlist in the mornings for the past two days.
Including Time Out, Time Further Out, Time Changes, Countdown: Time in Outer Space, and Time In, this series of albums commonly known as the Time Series from Dave Brubeck and the Dave Brubeck Quartet is a masterclass in how important time is in music as well as how it can evolve.
Here you’ll find Brubeck experimenting with time signatures including recordings of “Take Five” in 5/4 time, “Pick Up Sticks” in 6/4, “Unsquare Dance” in 7/4, “World’s Fair” in 13/4, and “Blue Rondo à la Turk” in 9/8.
This is a great way to spend the day/night when you have some active listening time.Syndicated copies to: