Fletch #4 (in the stories' chronological order: #3)
Fiction; Mystery, Thriller & Suspense
Vintage Crime/Black Lizard
May 5, 2010
When Fletch finds a wallet with $25,000 in cash inside, he doesn’t realize it’s the last piece of good luck he’s going to see for a while. Because when he calls in to the News-Tribune, he discovers a story he’s written is causing quite a sensation, and not the good kind. He might just be out of a job permanently.
If Tom Bradley, the chairman of Wagnall-Phipps and one of Fletch’s principal sources, and not incidentally, the source of his paper’s embarrassment, is dead, who’s been signing his name to company documents, and why doesn’t the company treasurer seem to know? If he’s alive, how come his widow, Enid, has Tom’s ashes on the mantel?
Fletch may have more questions than answers on his hands, but he knows he’s a pretty good reporter, and if he’s going to get his reputation back, not to mention his job, he’s going to have to get to the bottom of more than one mystery.
Fletch’s romantic interest Moxie was quirky, but didn’t do very much for the plot. His quest within the story was fairly straightforward, but wasn’t very well motivated from an internal perspective given his lackadaisical viewpoint in life and his general inability to afford his situation.
The finding of the $25,000 was an interesting opening, but sadly and quickly took a back seat in the plot. Given subsequent events, it could have played a better tangential role as a more integral B-plot. The final wrap up in the closing scenes was very unsatisfying for our viewpoint of Fletch as a hero and could have had a better twist. I’m getting the feeling that Mcdonald is still coming into his own at this point in his career and that the success of the 1984 film version of Fletch had a more significant influence on subsequent character development.
Most surprising was that the major plot twist occurred in a book in 1981, making it far more prescient of American culture to come in the new millennium. Barring the differences in the current state of journalism, this plot would still easily fit into the zeitgeist today from a cultural standpoint.
Given that the series is set in Los Angeles, I was curious to see if Tom Bradley, the dead character that motivates the plot, bore any resemblance to long time Los Angeles Mayor Tom Bradley. The real Bradley had been mayor for nearly 8 years (of an eventual 20 year reign) at the time the book was written, but I couldn’t discern any direct political satire in the naming of the character, though my knowledge of early 80’s Los Angeles politics is sketchy at best.
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