Twitch is a video streaming platform where millions of people broadcast their lives in real-time. Like unedited, raw, reality TV.
Twitch.tv is a video streaming platform where millions of people broadcast their lives and video game action in real-time. It's like unedited, real, reality TV. This week, On the Media digs into why so many people want to share so much on Twitch, and what it tells us about the future of entertainment. First, a look at a couple of the biggest streamers of the platform, Ninja and Dr. Disrespect, who command devoted audiences and giant paychecks. Then, Bob dives into the inaugural season of the Overwatch League, the most expensive and highly produced pro gaming venture to date. Finally, Brooke speaks with Radiolab's Jad Abumrad about the life of a homeless streamer who's life was saved by Twitch.
2. Cecilia D'Anastasio [@cecianasta] a reporter with Kotaku, Saebyeolbe [@saebyeolbe] and Pine [@tf2pine], two pro gamers, and Farzam Kamel, a venture capitalist with Sterling VC, on the inaugural season of the Overwatch League. Listen.
3. Jad Abumrad [@JadAbumrad] of Radiolab and VP Gloves, a homeless Twitch streamer, on the murky ethics of Twitch's IRL (in real life) section. Listen.
This hour was originally broadcast on August 18th, 2018.
Even a year ago, this would have been pretty behind the times…
As a public critic of social media, I’m often asked if my concerns extend to YouTube. This is a tricky question.
As I’ve written, platforms such as Facebook and Instagram didn’t offer something fundamentally different than the world wide web that preceded them. Their main contribution was to make this style of online life more accessible and convenient.
As an interesting aside, I’ll note that just a few months ago that YouTube allowed people to do embeds with several options, but they’re recently removed the option to prevent their player from recommending additional videos once you’re done. Thus the embedding site is still co-opted to some extent by YouTube and their vexing algorithmic recommendations.
In a similar vein audio is also an issue, but at least an easier and much lower bandwidth one. I’ve been running some experiments lately on my own website by posting what I’m listening to on a regular basis as a “faux-cast” and embedding the original audio. I’ve also been doing it pointedly as a means of helping others discover good content, because in some sense I can say I love the most recent NPR podcast or click like on it somewhere, but I’m definitely sure that doesn’t have as much weight or value as my tacitly saying, “I’ve actually put my time and attention on the line and actually listened to this particular episode.” I think having and indicating skin-in-the-game can make a tremendous difference in these areas. In a similar vein, sites like Twitter don’t really have a good bookmarking feature, so readers don’t know if the sharing user actually read any of an article or if it was just the headline. Posting these things separately on my own site as either reads or bookmarks allows me to differentiate between the two specifically and semantically, both for others’ benefit as well as, and possibly most importantly, for my own (future self).