Close up from above of a burgundy Sears Cutlass typewriter with white keys. A Christmas tree with red and green lights is in the background.
Acquired 1964 Sears Cutlass portable Typewriter (Smith-Corona Marchant)
Serial Number: 6ASP-103936
Sears Futura typeface (aka SCM Numode No. 61 typeface), pica, 10 CPI, 6 lines/inch, American 88 No. 423 keyboard, bichrome, 44 keys, 88 characters, Change-A-Type, ¶ key
A red typewriter for Christmas! And it was hiding the uncommon Sears Futura typeface (aka Smith-Corona Numode No. 61) for its American 88 No. 423 keyboard which also features the Change-A-Type functionality. (Sadly it’ll be a slog to try to find matching Numode typeface slugs to match, though some of my math slugs may work well.) This means that it meets my current collector’s criteria for an interesting model I don’t already have as well as an uncommon typeface.

Futura typeface sample of a 1964 Sears Cutlass'

I’ve been on the hunt for one of these for over two years and always lost out in online auctions which generally went in the range of $150-200 in part because of the hot reddish/burgundy paint job with white racing stripes and the fact that Taylor Swift used this same typewriter in her All Too Well: The Short Film.

In the last two years I’ve only seen three of these on ShopGoodwill, so they definitely don’t pop up often. There are only 5 others on the Typewriter Database. Many of the online auctions where they went for a few hundred on ShopGoodwill.com had them being relisted by flippers on eBay in the $600-800 range within two weeks with no cleaning or restoration work. I’ve seen prices for them on eBay for $1,000 and over. For comparison, similar typewriter models in the 5 and 6 series of the period would otherwise be selling in the $25-50 range in this condition. (Ultimately, I’m glad I waited.)

1964 Sears Cutlass sitting at an angle on a sea green metal bar stool in front of a barrister bookcase flanked by card index filing cabinets.

Close up angled from the top of a burgundy 1964 Sears Cutlass which has a pair of racing strips on the right side of the hood.

1964 Sears Cutlass with the hood open to show the stickers underneath the hood and a portion of the basket. One of the stickers indicates the type as "Futura".

This one is in generally exceptional shape and works well out of the box. The shop it came from (or more likely the prior owner) was definitely on the liberal side with their lubrication. One of the two carriage release levers is broken off, which is extremely common on the 6-series models which used plastic which apparently brittled with age. I’ll give it a once over to touch up some of the dirtier parts and make some subtle adjustments. I will probably hold off on a major overhaul at the moment because it’s in such good condition. The platen is solid and plastic-y feeling. It definitely needs an upgrade on this front.

This model seems to bridge the gap between the 5 series Smith-Coronas into the 60s and the 6 series machines like the Galaxie. It’s a top-of-the-line model with the keyboard tabulator and the hood hinges up and back like the 5 series rather than sliding forward like the 6 series models. I don’t have one, but I would suspect it’s closest to the Sterling 5AX typewriter which started in 1963. It’s also got a great little paragraph indent button for use at the beginning of new paragraphs. I look forward to seeing how they implemented this feature mechanically.

A 1964 Sears Cutlass sits on a stool in front of a Christmas tree. To the side is a wooden bureau with a wide screen television on it featuring the face of Joe Pesci as Harry in Home Alone. It almost appears as if he's squinting at the typewriter.

A 1964 Sears Cutlass sits on a stool in front of a Christmas tree. To the side is a wooden bureau with a wide screen television on it featuring the face of Macauley Culkin as Kevin in Home Alone as he claps his hands to his face and screams.

A 1964 Sears Cutlass sits on a stool in front of a Christmas tree. To the side is a wooden bureau with a wide screen television on it featuring the face of Kieran Culkin as Fuller in Home Alone. His face is being squished up against a chair and it gives the appearance that he's trying to look at the typewriter in front of the television.

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Chris Aldrich

I'm a biomedical and electrical engineer with interests in information theory, complexity, evolution, genetics, signal processing, IndieWeb, theoretical mathematics, and big history. I'm also a talent manager-producer-publisher in the entertainment industry with expertise in representation, distribution, finance, production, content delivery, and new media.

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