a steel task lamp in gray paint with a dual pipe adjustable arm and art deco fluting
I had the ballast replaced to work with modern LED replacement bulbs and the switch upgraded to be able to control each of the two bulbs independently. I also cleaned of decades of grime and polished it up a bit.
Thrift purchase for $24.98 from Goodwill on 2025-10-02.
A mid-19th century typing accessory in steel with putty colored paint.
9" x 7" x 4 3/4"
I picked this copy holder up at a thrift store in early 2025 for about $2. Along with a binder clip or some small magnets, it’s great for transcribing notes using one of my typewriters.
I’ve been wanting a vintage desktop index card holder and pen set for a bit. This excellent version has a nautical theme featuring a ship with subtle blue lines on the sails and red rope lines that call to mind the red and blue lines on standard lined index cards. The fact that the blue color pairs well with my executive tanker desk doesn’t hurt.
$3.99 at Acts Thrift Store, Pasadena, CA. Acquired on 2025-10-07.
This textbook has evolved from a set of lecture notes which I prepared for a semester course in Hilbert space. I have in mind first- or second-year graduate students in Mathematics and related fields such as Physics.
I’d purchased this in 2024 as a late Christmas present for myself, but it took several weeks to be delivered due to our neighborhood being closed off by the National Guard for the Eaton Fire. It finally arrived on January 23 in true “barn” condition. The carriage took a hit and is off about 1/2″ and is going to take some careful forming to attempt to salvage it. Otherwise this will sadly be a parts machine. Beyond this issue it appears to be reasonably restorable.
Serial Number: KMG-4294086
4 bank, 42 keys / 84 characters, tabulator, Magic Margins, Royal standard elite typeface
Back on March 7, 2025, I picked up my second Royal KMG for the pittance of $21. The first was in pica, but this one has my preferred elite/12 pitch size.
Today I pulled it out of the office closet where it’s been waiting patiently since the Eaton Fire for some restoration attention. I acquired it with the drawband disconnected, but in under five minutes I was able to get it re-connected and re-tensioned. The ribbon was a total loss, so i swapped it out with about 22 feet of black/red bichrome cotton ribbon from Baco Ribbon Supply Co. A few tweaks later, and I’ve now got this machine up and running with some pretty reasonable alignment.
Future work
It’s a bit slower than it ought to be, so it’s definitely going to need a full clean/oil/adjust. The rubber feet are completely shot on this, so they’re going to require complete replacement. The platen has pretty much lost all of it’s “give”, so it will need replacement too. There’s two dents in the paper table that ought to flatten out with some care. Beyond this, I suspect I’ll be able to get this lovely machine shined up and running with less than a day’s worth of modest work.
Presuming that I can tune it up to the same standard as my other KMG, this one will replace it as my daily driver, though the pica version will still get lots of attention.
Body serial number: 7-2663226
Carriage serial number: 8-2710434
Custom Basic Writing No. 67 typeface; 6 CPI (4.2 m/m), 3 lines/inch
Body cover in Saturn White with Slate Gray bottom shell.
An observant friend knew I was looking for either an Olympia SG-1 or an SG-3 typewriter and got an SG-3 for me for my birthday on July 8th. It arrived on Friday the 11th. Naturally I was excited to open it up, but I was even more surprised to discover that it was hiding a relatively rare typeface, particularly for an Olympia. (The sender confirmed they had no idea about the typeface, they were just trying to snag an SG-3 for me.)
Basic Writing No. 67 Typeface
None of the Olympia typeface catalogs I’ve ever seen include this particular typeface. The closest I’ve seen to a match for it is the Basic Writing No. 67 (6 CPI) which was available as a custom order for Smith-Corona machines in the 60s onward. The 1964 NOMDA Blue Book includes it as does the Smith-Corona Typestyles catalog from 1968. Slug/foundry marks I’ve seen for the Smith-Coronas have a “29” on them while mine reads “2985”. I’m suspecting the 29s have something in common via the foundry while the 85 might be indicative of the length of the rule on the carriage.
In comparing exemplars, I’m reasonably certain that they’re identical due to the nature of the distinctive numbers 4, 9, the letter t and the sharply angled connectors on the u and the n.
While it was surely a custom order, Olympia apparently did it often enough that they bothered to have Perspex carriage rules custom made for the size. The rule on the back of this one has a “42” in the left rear corner which was surely an internal indicator for a 4.2m/m typeface. (4.2 m/m = 25.4 mm/inch x 1 inch/6 characters). It’s common on most Olympias for their rules to be either stamped or marked with the rule size like this most likely to ensure the correct rules were put onto the appropriate typewriters during manufacturing and assembly.
This particular machine has a very wide 15 inch platen and the rule only measures up to 85 characters! For type this large, you’re sure to want wider paper to actually fit something on it. As a comparison, my 1977 Olympia SG-3 with a shorter 13″ platen has a rule that measures up to 145 characters. That machine is also marked with a 21 in the left corner to indicate that it’s 2.1 m/m or 12 pitch (elite) machine.
Because of the large format typeface, this machine does not accommodate bichrome ribbon like most SG-3s. As a result, the ribbon color selector on the left side of the keyboard which would typically be labeled blue, white, red (from top to bottom) is labeled white, white, blue. I’ve spooled it up with a new monochrome black ribbon on universal spools. Though it’s from the early 70s when it was more common, this machine also has a 1/! key to better differentiate the numeral 1 and the lower case letter L.
The custom modified ribbon color selector on the SG-3 keyboard.
To show just how large this typeface really is, I’m including a sample of it along side of the standard Royal pica and elite typefaces.
Condition
The typewriter itself is in reasonable condition for its age. Someone has obviously left it in a somewhat humid environment where it was neglected for a few decades. The spacious area underneath the carriage had the cobwebs and skeletons of at least four nice sized spiders. Some of the metal pieces inside have some surface rust that will need to be mitigated. I’ve wiped off the exterior shell and given the interior a preliminary blow out with the air compressor. I’ve oiled the carriage rails lightly, and I’ve put a new ribbon into it and the alignment seems reasonable, though I’m sure to make an adjustment or two when I get to giving it a full clean, oil, and adjust. The carriage has something slightly out of alignment as it binds at about the midpoint, but I’m sure I’ll find it when I’ve stripped it down for a full clean.
In the meanwhile, it’s in good enough condition for general use.
Photo Gallery
Acquired3 Hole Punch(Master Products Mfg. Co., Los Angeles, Calif.)
Black cast iron and metal
Swung through the thrift store today and found this fantastic beast. $3.82 was absolutely too little for such a lovely vintage piece. Not sure of the age, but definitely manufactured to last. Twenty minutes of cleaning and a light oiling and it’s almost as new as the day it came off the factory floor. Handles up to 20 sheets of paper and slices through them like butter.
Serial number: FPS-16-7133632
Sandstone (yellow) panels on a gray frame with cream colored plastic keys and platen knobs
Clarion (Double) Gothic typeface in elite (12CPI), 6 lines/inch; US keyboard with 43 keys/86 characters
Manufactured in U.S.A.
Acquired in April 2025 from a bank in Idaho Falls. I spent way more on shipping than the pittance I spent on the machine itself. I had modest hopes that purchasing it as an ex-bank machine that it would have a non-standard typeface and my bet paid off. It was all bonus points that it came in the Sandstone colorway.
It doesn’t have a “1” key and the traditional use of the lower case “L” as a substitute fails. Here one has to use the uppercase “I” to make a 1 to match the rest of the numerals.
Six slots for organizing your typing papers and envelopes as well as space for your stapler, tape dispenser, and various other desk drawer implements.
In an effort to slowly improve my analog office proficiency and productivity, I have heeded Lenore Fenton’s advice to have all my supplies organized at my fingertips. Toward that end I’ve picked up this excellent paper organizer for the top desk drawer of my executive tanker desk. This mid-century marvel is perfect for storing a variety of paper types and envelopes to have them easily to hand. (For ease of viewing and use, you’ll see photos of it sitting on my desktop right next to my typewriter.)
In the 1943 film Basic Typing Methods, in the very opening seconds of the film, you’ll see the woman in the foreground pulling paper quickly from her desk drawer for typing. While it’s not immediately visible, she’s surely got a similar paper organizer in her drawer. (Pardon the heavily gendered references in the film.)
Photo Gallery
Ultimately, the paper organizer came to live in the top drawer of my executive tanker desk.
Acquired at the local Acts Thrift shop for about $2.00, this organizer was a no-brainer purchase.
Serial Number: 13-9707863
Distinctive elite typeface, 12 CPI, 6 lines/inch, standard, bichrome, segment shift, tabulator, American keyboard, 44 keys
Body: light gray in steel; Keys: dark gray with white letters in plastic
Manufactured in the U.S.A
Acquired used at a second hand store for the As-Seen-On-TV price of $19.99 and in stunning condition. It’ll need a clean, but this is in almost perfect cosmetic condition. It’s my first Underwood and technically also my first Olivetti as it was manufactured after the merger. The touch and speed are truly stunning and may be the best in my collection even before being cleaned, oiled, and adjusted.
Serial number: AX-168959 Pica typeface, 10 characters per inch, monochrome, carriage shift
Acquired 2024-09-04. In generally good shape.
The case is in exceptional shape given that these usually aren’t extant or have been shattered into pieces. There is one piece broken off, but it came with the machine and should be able to be fused back onto the case. Came without the hubs or covers. It’s slightly more mint green than the mint blue of the other Streamliner I’ve got which has a somewhat smaller serial number.
I’ve cleaned it up a tad this week to take to the type-in at Vroman’s Bookstore this weekend. It still needs a tweak to the line selector, but isn’t terrifically noticeable and I might be able to fix it before then.
Serial Number: 3Y 2279770
Brown crinkle paint; white plastic keys; SCM Elite No. 66 typeface; US keyboard
Acquired for a song and a dance on 2025-04-14; Seems to be in relatively solid shape; nothing huge out of place; need a full COA, but seems fully restorable; the case is a bit dirty and has a light smell, but should be cleanable; came with the original manual and warranty card stub. The dried out 18 feet of black ribbon was replaced on 2025-04-30.
Dirty as all get out, but seems to function nearly flawlessly. A full clean, oil, and adjust is mandatory as will be new ribbon, but in surprisingly solid condition for all the accumulated filth. Not all bad for a thrift purchase of $11.00.
