Medium-weight colored blank punched catalog cards
blue, green, buff, ivory, white, salmon




Medium-weight colored blank punched catalog cards
blue, green, buff, ivory, white, salmon




Keep your A6 notebooks, pens, and essentials organized on the go with the Field Folio A6. Durable, vegan waxed canvas, slim design, and flexible pockets—perfect for travel, journaling, or everyday carry.
I recently asked the kind folks at Lochby “if the Folio A6 will comfortably fit 25-50 standard 4 x 6″ index cards which are slightly larger than an A6 notebook? If not, is it something you might consider for some of us ‘Hipster PDA’ tribe members in the future?”
Erring on the side of caution their customer service replied, “Unfortunately, since the Field Folio A6 zips up, there’s no way to fit this many index cards in it without the potential for damaging them when zipping it up. But I’ll take note of your suggestion and pass it on to our product development team so we can consider it as well as gauge interest.”
Because I often use A6 sized notebooks, I couldn’t resist adding to my Lochby collection, so I went ahead and ordered it anyway.

It arrived in the post yesterday. Today I’m happy to report that it actually will accommodate 4 x 6″ index cards reasonably well. I can comfortably fit about 30 cards into the right side pocket and still have room to tuck a Hobonichi A6 notebook into the folio and still zip it shut handily.

Because I usually have a few pre-glued decks of index card “notebooks” sitting around, I tried one of these and can happily report that the back cover/board fits into the right pocket easily (just as you’d tuck the back cover of a notebook into it) and works well with the Lochby A6 folio! (The center elastic bands are slightly smaller and fairly tight, and could work with these glued decks too, but will tend to cut the glue at the ends, so one should take care here or carefully only glue the center 5 inches of the deck for this use case.) I suspect that if one had a plastic wallet-photo type holder, it might work well in this, particularly if you’re carrying around some of your daily use cards in addition to blank cards for future use.


a steel task lamp in gray paint with a dual pipe adjustable arm and art deco fluting
Thrift purchase for $24.98 from Goodwill on 2025-10-02.



A mid-19th century typing accessory in steel with putty colored paint.
9" x 7" x 4 3/4"
Design by Gibson Greeting Cards, Inc.
$3.99 at Acts Thrift Store, Pasadena, CA. Acquired on 2025-10-07.
This textbook has evolved from a set of lecture notes which I prepared for a semester course in Hilbert space. I have in mind first- or second-year graduate students in Mathematics and related fields such as Physics.
S/N: KMM-3072465

Serial Number: KMG-4294086
4 bank, 42 keys / 84 characters, tabulator, Magic Margins, Royal standard elite typeface
Today I pulled it out of the office closet where it’s been waiting patiently since the Eaton Fire for some restoration attention. I acquired it with the drawband disconnected, but in under five minutes I was able to get it re-connected and re-tensioned. The ribbon was a total loss, so i swapped it out with about 22 feet of black/red bichrome cotton ribbon from Baco Ribbon Supply Co. A few tweaks later, and I’ve now got this machine up and running with some pretty reasonable alignment.

It’s a bit slower than it ought to be, so it’s definitely going to need a full clean/oil/adjust. The rubber feet are completely shot on this, so they’re going to require complete replacement. The platen has pretty much lost all of it’s “give”, so it will need replacement too. There’s two dents in the paper table that ought to flatten out with some care. Beyond this, I suspect I’ll be able to get this lovely machine shined up and running with less than a day’s worth of modest work.
Presuming that I can tune it up to the same standard as my other KMG, this one will replace it as my daily driver, though the pica version will still get lots of attention.

Body serial number: 7-2663226
Carriage serial number: 8-2710434
Custom Basic Writing No. 67 typeface; 6 CPI (4.2 m/m), 3 lines/inch
Body cover in Saturn White with Slate Gray bottom shell.
None of the Olympia typeface catalogs I’ve ever seen include this particular typeface. The closest I’ve seen to a match for it is the Basic Writing No. 67 (6 CPI) which was available as a custom order for Smith-Corona machines in the 60s onward. The 1964 NOMDA Blue Book includes it as does the Smith-Corona Typestyles catalog from 1968. Slug/foundry marks I’ve seen for the Smith-Coronas have a “29” on them while mine reads “2985”. I’m suspecting the 29s have something in common via the foundry while the 85 might be indicative of the length of the rule on the carriage.
In comparing exemplars, I’m reasonably certain that they’re identical due to the nature of the distinctive numbers 4, 9, the letter t and the sharply angled connectors on the u and the n.

While it was surely a custom order, Olympia apparently did it often enough that they bothered to have Perspex carriage rules custom made for the size. The rule on the back of this one has a “42” in the left rear corner which was surely an internal indicator for a 4.2m/m typeface. (4.2 m/m = 25.4 mm/inch x 1 inch/6 characters). It’s common on most Olympias for their rules to be either stamped or marked with the rule size like this most likely to ensure the correct rules were put onto the appropriate typewriters during manufacturing and assembly.

This particular machine has a very wide 15 inch platen and the rule only measures up to 85 characters! For type this large, you’re sure to want wider paper to actually fit something on it. As a comparison, my 1977 Olympia SG-3 with a shorter 13″ platen has a rule that measures up to 145 characters. That machine is also marked with a 21 in the left corner to indicate that it’s 2.1 m/m or 12 pitch (elite) machine.

Because of the large format typeface, this machine does not accommodate bichrome ribbon like most SG-3s. As a result, the ribbon color selector on the left side of the keyboard which would typically be labeled blue, white, red (from top to bottom) is labeled white, white, blue. I’ve spooled it up with a new monochrome black ribbon on universal spools. Though it’s from the early 70s when it was more common, this machine also has a 1/! key to better differentiate the numeral 1 and the lower case letter L.

To show just how large this typeface really is, I’m including a sample of it along side of the standard Royal pica and elite typefaces.

The typewriter itself is in reasonable condition for its age. Someone has obviously left it in a somewhat humid environment where it was neglected for a few decades. The spacious area underneath the carriage had the cobwebs and skeletons of at least four nice sized spiders. Some of the metal pieces inside have some surface rust that will need to be mitigated. I’ve wiped off the exterior shell and given the interior a preliminary blow out with the air compressor. I’ve oiled the carriage rails lightly, and I’ve put a new ribbon into it and the alignment seems reasonable, though I’m sure to make an adjustment or two when I get to giving it a full clean, oil, and adjust. The carriage has something slightly out of alignment as it binds at about the midpoint, but I’m sure I’ll find it when I’ve stripped it down for a full clean.
In the meanwhile, it’s in good enough condition for general use.




Black cast iron and metal



Serial number: FPS-16-7133632
Sandstone (yellow) panels on a gray frame with cream colored plastic keys and platen knobs
Clarion (Double) Gothic typeface in elite (12CPI), 6 lines/inch; US keyboard with 43 keys/86 characters
Manufactured in U.S.A.
It doesn’t have a “1” key and the traditional use of the lower case “L” as a substitute fails. Here one has to use the uppercase “I” to make a 1 to match the rest of the numerals.







Six slots for organizing your typing papers and envelopes as well as space for your stapler, tape dispenser, and various other desk drawer implements.
In the 1943 film Basic Typing Methods, in the very opening seconds of the film, you’ll see the woman in the foreground pulling paper quickly from her desk drawer for typing. While it’s not immediately visible, she’s surely got a similar paper organizer in her drawer. (Pardon the heavily gendered references in the film.)



Ultimately, the paper organizer came to live in the top drawer of my executive tanker desk.

Acquired at the local Acts Thrift shop for about $2.00, this organizer was a no-brainer purchase.
Serial Number: 13-9707863
Distinctive elite typeface, 12 CPI, 6 lines/inch, standard, bichrome, segment shift, tabulator, American keyboard, 44 keys
Body: light gray in steel; Keys: dark gray with white letters in plastic
Manufactured in the U.S.A
As William Forrester admonished Jamal to do on his Touch-Master Five, I’ll “Punch the keys, for God’s sake!”









Serial number: AX-168959
Pica typeface, 10 characters per inch, monochrome, carriage shift
The case is in exceptional shape given that these usually aren’t extant or have been shattered into pieces. There is one piece broken off, but it came with the machine and should be able to be fused back onto the case. Came without the hubs or covers. It’s slightly more mint green than the mint blue of the other Streamliner I’ve got which has a somewhat smaller serial number.
I’ve cleaned it up a tad this week to take to the type-in at Vroman’s Bookstore this weekend. It still needs a tweak to the line selector, but isn’t terrifically noticeable and I might be able to fix it before then.


