The Order I’ve read the series in so far
At the opening of this he’s going by the name of Peter Fletcher which was quirky, even knowing how much I.M. dislikes his given names, and he seemed to have a far more Italian flair and a rich man’s flâneur attitude toward life compared with his previous character. Gone was the ne’er-do-well under employed hero and in his place was a well-to-do more suave man. What was I missing/forgetting from the intervening books? It wasn’t until about halfway through the book that the Fletch character I’ve come to enjoy popped out of the woodwork as himself.
In stark contrast to the almost no plot line of Fletch, Too, which I found disappointing, this one starts off like a shot. The opening scene of the story starts out with Fletch in an apartment swap and calling the police to report a body of a dead woman in the flat which he’s staying for the next few weeks.
“This is the Police Business phone.”
“Isn’t murder police business?”
“You’re supposed to call Emergency with a murder.”
“I think the emergency is over.”
“I mean, I don’t even have a tape recorder on this phone.”
“So talk to your boss. Make a recommendation.”
The following morning he’s on the hunt for the missing art collection of an Italian nobleman who’s been kidnapped and presumed dead.
What follows is a nicely developed set of A and B plot lines that rival even those of the original Fletch. (N.B. I’ve still yet to reread the original, so it’s been over 25 years that I’m making this comparison.) The characters are great and the dialogue as witty and snarky as ever. This is Fletch as it was meant to be. Reading this after Fletch, Too brings my faith back for Mcdonald’s work.
I just hope the rest are just this good.
The added benefit is that apparently Mcdonald spun off the Frances Xavier Flynn character from this work into another series, and he’s a sufficiently complex and interesting enough character that I’m glad the Fletch odyssey isn’t really over once I’m done with these eleven.
From a time period perspective, I’ll again note, as I did for Fletch and the Widow Bradley, that this book (written in 1976) had some very progressive views about gay/homosexual lifestyle that I wouldn’t have expected.
I really can’t believe I had the patience to make it through to the end. There was a minor twist at the bitter end which was poorly foreshadowed and a bit too predictable. There was no real mystery at all and definitely no “detective” work or journalistic probing which usually moves the plot in Fletch books along. I would almost suspect that the long-time editor of the series died and no one else could reign the writer in to produce something more compelling.
I kept wondering where the plot was going and why I should keep carrying. So far, of the 4 I’ve read in the series, this was, by far, the least gripping book in the series. The dialogue was poorly attributed, if at all, which made reading and understanding things even more of a chore. It also wasn’t as sharp or witty as usual and characters are “off” and unsympathetic. The plot was just generally flat and didn’t pay off despite what could have been an interesting twist with Fletch witnessing a murder well before I would have anticipated as the end of the first act.
I’m hoping that though it was the second in the chronological story timeline of the Fletch canon, the fact that it was one of the last written means that Mcdonald was just getting tired of the formula and trying to close out the series in some stilted way. I still have higher hopes for the others remaining on my list.
In an odd way, the title was interesting from both a character standpoint as well as it being a follow up to Fletch Won.
- 8/7/16 marked as: want to read; “The Rio Olympics reminded me that I’d gotten Carioca Fletch to read back in the 80’s and never got around to it, so I thought I’d come back and revisit the series.”
- 8/14/16: marked as currently reading
- 8/14/16: 10%
- 8/18/16: 30% “Took a bit to get into the first few chapters, but eventually gets moving along. The plot opens up just days after we left Fletch in Fletch Won.”
- 8/29/16: 64% “I keep wondering where this is going and why I should keep caring. So far this isn’t the most gripping book in the series. Dialogue isn’t as sharp as usual and characters are off. The plot is just generally flat.”
- 9/2/16: 100%
Fletch’s romantic interest Moxie was quirky, but didn’t do very much for the plot. His quest within the story was fairly straightforward, but wasn’t very well motivated from an internal perspective given his lackadaisical viewpoint in life and his general inability to afford his situation.
The finding of the $25,000 was an interesting opening, but sadly and quickly took a back seat in the plot. Given subsequent events, it could have played a better tangential role as a more integral B-plot. The final wrap up in the closing scenes was very unsatisfying for our viewpoint of Fletch as a hero and could have had a better twist. I’m getting the feeling that Mcdonald is still coming into his own at this point in his career and that the success of the 1984 film version of Fletch had a more significant influence on subsequent character development.
Most surprising was that the major plot twist occurred in a book in 1981, making it far more prescient of American culture to come in the new millennium. Barring the differences in the current state of journalism, this plot would still easily fit into the zeitgeist today from a cultural standpoint.
Given that the series is set in Los Angeles, I was curious to see if Tom Bradley, the dead character that motivates the plot, bore any resemblance to long time Los Angeles Mayor Tom Bradley. The real Bradley had been mayor for nearly 8 years (of an eventual 20 year reign) at the time the book was written, but I couldn’t discern any direct political satire in the naming of the character, though my knowledge of early 80’s Los Angeles politics is sketchy at best.
The Rio Olympics reminded me that I’d gotten Carioca Fletch to read back in the late 80’s and never got around to it, so I thought I’d come back and revisit the series. This certainly didn’t disappoint, so I’ll be delving back through the rest to fill in some entertainment in the late end of the summer. Since I couldn’t get my hands on the second in the series from a publishing chronology, I thought I’d read them in the series timeline order instead. (Or as closely as I can from the perspective of obtaining them in this order.)
I read an e-book version of the text which was fair obviously an OCR’ed version of an earlier paperback version. There were a handful of egregious spelling errors and typos that should have been fixed, but fortunately the quality wasn’t too horrific. Hopefully the quality of OCR is maintained or improved throughout the remainder of the series.
The Rio Olympics reminded me that I’d gotten Carioca Fletch to read back in the 80’s and never got around to it, so I thought I’d come back and revisit the series.