Irked by the overinflated prices on Ebay for typewriters, I’ve been casting about for other sources of reasonably priced machines to purchase. Today I purchased two I saw at auction: 

  • Smith-Corona Classic 12 in metallic green for $18.00
  • 1969 Smith-Corona Galaxie Deluxe in steel blue for $23.00

Both appear to be in good shape and functional though one is going to need some reasonable cleaning and repair of a few linkages. I can’t wait for them to ship to see what I’ve got. They both look like a lot of fun… 

On a quick front-of-the-index card calculation, I realize that with the recent Steelcase cabinet acquisition, I now have 8 boxes comprising 61 drawers and 103.25 feet of storage space for approximately 172,296 index cards. Having spent a total of $786.52 on them over the past year this comes out at about $12.89 per drawer, which is fantastically under the $14-25 ubiquitous 11″ cardboard boxes for such a massive step up in quality and longevity. 
Three notebooks stacked up next to three separate piles of 1,300 index cards.

On average, the typical A5 sized notebook (Leuchtturm, Hobonichi, Stalogy, Moleskine, Midori, Clairefontaine, Apica, Kleid, etc. ranging from 192 to 368 pages) has an equivalent square footage of writing surface to the front (only) of about 420 4 x 6 inch index cards. On a cost basis, for the same amount of money, on average one can buy 1,200 index cards for what they’re shelling out for equivalent notebooks.

Acquired Shift Happens: A Book About Keyboards by Marcin Wichary (Kickstarter)
Shift Happens tells the story of keyboards like no book ever before, covering 150 years from the early typewriters to the pixellated keyboards in our pockets.
It’s a book about typists competing during the Shift Wars of the 1880s; Nobel-prize winner Arthur Schawlow using a laser to build the best typo eraser; August Dvorak – and many others – trying to dethrone QWERTY; Margaret Longley and Lenore Fenton perfecting touch typing; Soviet agents listening to American keystrokes; women pouring into offices, eager to do more than typing and re-typing; people aspiring to make the best mechanical keyboard today by blending the past and the future.
This is the only book that connects the world of typewriters to the universe of computers. Whether you’re into vintage typewriters, classic clicky IBM keyboards, or modern mechanical wonders, it will have something for you. None of the above? Get ready to become a keyboard nerd anyway, and look at an everyday boring QWERTY slab with newfound respect.
You’ve never seen a book on technology like this. Shift Happens is full of stories – some never before told – interleaved with 1,000+ beautiful full-color photos across two volumes. This edition features an extra volume of additional illustrations and “making of” material, and everything comes wrapped in a slipcase. It’s a great gift for keyboard or typewriter aficionados, but also suits everyone who cares about design, the stories of everyday objects, or tech history.
This is easily worth thrice the price. So glad I managed to snag this.

A copy of Shift Happens by Marcin Wichary sits on a library card catalog next to a 1948 Smith-Corona typewriter. The three books with orange spines sit in a handsome black leather case.

Surfing around with respect to library card catalogs, I ran across John Blyberg‘s Library Card Generator this afternoon. Anyone who’s playing at the intersection of analog and digital zettelkasten is sure to love the possibilities here.

Yellowed library card catalog card with top red horizontal line and two vertical lines that split the card into three colums. Printed on the card are a red 9/8j on the left with the contents of Niklas Luhmann's jokerzettel card typed out. There are a few scribbles handwritten onto the card as well.

Incidentally, if you’re still into the old-school library card catalog cards, Demco still sells the red ruled cards!

David L. Solin passed away this morning after several trying days in hospice care. We spent most of the day with him yesterday as he struggled to hold on, but his body ultimately gave out.

I was just a few blocks from the nursing home going to see him when I got the call that he had passed away at 9:44 AM. After spending much of the last 4 years with severe dementia, its a relief that he’s left us, undoubtedly for a better place. 

His memory will be a blessing.

Congratulations to Christoph Adami (@ChristophAdami) on release day for The Evolution of Biological Information: How Evolution Creates Complexity, from Viruses to Brains! I’m awaiting the post for my own hardcover copy. 

Replied to #ENG818 by Kathleen Fitzgerald (kfitz)
I’m a huge advice writing nerd.
One of my favorite but secreted and very subtle bits of writing advice can be found in James Somers’ blogpost “You’re probably using the wrong dictionary“, which gains advantage by prudent counsel from John McPhee’s “Draft No. 4” (The New Yorker, April 29, 2013) along with some useful technology hacks.
Replied to Chris Rock's zettelkasten output process by thread by Chris, Andy, Sascha (Zettelkasten Forum)
Chris is going to keep insisting that any set of slips is a Zettelkasten, and Sascha is going to keep insisting that a Zettelkasten is a cohesive and coherent system.

My impression is that human brains are very much of a pattern, that under the same conditions they react in the same way, and that were it not for tradition, upbringing, accidents of circumstance, and particularly of accidental individual obsessions, we should find ourselves—since we all face the same universe—much more in agreement than is superficially  apparent. We speak different languages and dialects of thought and can even at times catch ourselves flatly contradicting one another in words while we are doing our utmost to express the same idea. How often do we see men misrepresenting one another in order to exaggerate a difference and secure the gratification of an argumentative victory!
—H. G. Wells, “The Idea of a World Encyclopedia.” Harper’s Magazine, April 1937. https://harpers.org/archive/1937/04/the-idea-of-a-world-encyclopedia/.

I’ll agree with Wells that most of our difference here is nitpicking for the sake of argument itself rather than actual meaning.

Because we’re in a holiday season, I’ll use our holiday traditions to analogize why I view things more broadly and prefer the phrase “zettelkasten traditions”. Much of Western society uses the catch-all phrase “Happy Holidays” to subsume a variety of specific holidays encompassing Christmas, Hannukah, New Years, Kwanzaa, and some even the comedically invented holiday of Festivus (“for the rest of us”). Each of these is distinct in its meaning and means of celebration, but each also represents a wide swath of ideas and means of celebration. Taking Christmas as an example: Some celebrate it in a religious framing as the birth of Christ (though, in fact, there is no solid historical attestation for the day of his birth). Some celebrate it as an admixture of Christianity and pagan mid-winter festivities which include trees, holly, mistletoe, lights, a character named Santa Claus, and even elves and reindeer which wholly have nothing to do with Jesus. Some give gifts and some don’t. Some put up displays of animals and mangers while others decorate with items from a 2003 New Line Cinema film starring Will Farrell. Some sing about a reindeer with a red nose created in 1939 as an inexpensive advertising vehicle in a coloring book. Almost everyone differs wildly in both the why and how they choose to celebrate this one particular holiday. The majority choose not to question it, though some absolutists feel that the Jesus-only perspective is what defines Christmas. 

I have only touched on the other holidays, each of which has its own distribution of ideas, beliefs, and means of celebration. And all of these we wrap up in an even broader phrase as “Happy Holidays” to inclusively capture them all. Collectively we all recognize what comprises them and defines them, generally focusing on what makes them mean something to us individually. Less frequently do we focus in on what broadly defines them in aggregate because the distribution of definitions is so spectacularly broad. Culturally trying to create one and only one definition is a losing proposition, so why bother beyond attributing the broader societal definitions, which assuredly will change and shift over time. (There was certainly a time during which Christmas was celebrated without any trees or carols, and a time after which there was.)

Zettelkasten traditions have a similar very broad set of definitions and practices, both before Herr Luhmann and after. Assuredly they will continue to evolve. One can insist their own personal definition is the “true one”, while others are sure to insist against it. Spending even a few moments reading almost anything about zettelkasten, one is sure to encounter half a dozen versions. I quite often see people (especially in the Obsidian space) say that they are keeping a zettelkasten, when on a grander scheme of distributions in the knowledge management space, what they’re practicing is far closer to a digital commonplace book than something Luhmann would recognize as something built on his own model, which itself was built on a card index version of a commonplace book, though in his case, one which prescribed a lot of menial duplication by hand. The idiosyncratic nature of the varieties of software and means of making a zettelkasten is perforce going to make a broad definition of what it is. Neither Marshall Mathers nor Chris Rock are prone to call their practices zettelkasten—primarily because they speak English—but they would both very likely recognize the method as a close variation to what they’ve been doing all along. 

Humankind has had various instantiations of sense making, knowledge keeping, and transmission over the millennia classified under variations of names from talking rocks, menhir, songlines, Tjukurpa, standing stones, massebah, henges, ars memoria, commonplaces, florilegia, commonplace books, card indexes, wikis, zettelkasten and surely thousands of other names. While they may shift about in their methods of storage, means of operation, and the amount of work both put into them as well as value taken out, they’re part of a broader tradition of human sense making, learning, memory, and creation that brings us to today. 

Perhaps it’s worth closing with a sententia from Terence‘s (161 BC), comedy Phormio (line 454)? 

Quot homines tot sententiae: suo’ quoique mos.

Translation: “There are as many opinions as there are people who hold them: each has his own correct way.” Given the limitations of the Latin and the related meanings of sententiae, one could almost be forgiven for translating it as “zettelkasten”… Perhaps we should consult the zettelkasten that is represented by the Thesaurus Linguae Latinae?

Replied to a post by Aaron DavisAaron Davis (https://collect.readwriterespond.com/)
https://en.wikipedia.org/wiki/Videodrome
I had never seen Videodrome. It felt like a film that leaves many questions. It made me want to dig back into Deleuze and the body without organs. The concept of the body without organs was mainly defined by Deleuze and Guattari in the two volumes of their work Capitalism and Schizophrenia, Anti-Oedipus and A Thousand Plateaus.[11] In both books, the abstract body is defined as a self-regulating process—created by the relation between an abstract machine and a machinic assemblage “Assemblage (philosophy)”)—that maintains itself through processes of homeostasis and simultaneously limits the possible activities of its constituent parts, or organs.[12] The body without organs is the sum total intensive and affective activity of the full potential for the body and its constituent parts.[13] Source: Body Without Organs by Wikipedia
ᔥ “Jim Groom” in AI106: Long Live the New Flesh | bavatuesdays (01/01/2024 21:36:56)
I keep running into references of Deleuze lately myself, so it may be time to pull some of his works off the shelf.
https://hypothes.is/users/chrisaldrich?q=tag%3A%22Gilles+Deleuze%22