Picked up a copy at Little Free Library #21797 at 8:29 am
ISBN: 978-1-4555-0421-3 First Edition Hardcover

Picked up a copy at Little Free Library #21797 at 8:29 am
ISBN: 978-1-4555-0421-3 First Edition Hardcover

Not sure how I feel about a group of potential suspects showing up in the final act this way. The racists in KKK garb here could certainly have been the motivation for the scenes in the film Fletch Lives.
The plot here was very subtly crafted together and done rather well for a novel format. Things seem to have unraveled so quickly at the end–I wish it had been a tad slower so that I could have enjoyed it longer.
This feels more like a drawing room mystery or a book version of Clue rather than a traditional shoe-leather detective story. All the suspects seem to be holed up in a house and conversing as Fletch makes a few calls out for details. In this sense, it’s not a nail-biter, but is focusing more on character than some of the others in the series.
The second act has begun after some interesting/reasonable character building. Waiting for the next chunk of plot to hit.
The second half read incredibly fast. The plot particularly began unfolding in the end almost too quickly. I wish the last act could have lasted a bit longer.
I really enjoyed the Crystal character and the snide banter she continually spouts with Fletch. The wrap up with Freddie was generally unexpected, but delicious in its oddity in the larger canon. There was surprisingly little talk of Fletch’s ex-wives or even of his potentially adding another to the collection.
Some of my favorite jokes were the chapter headings of the schedule of the conference along with even funnily named rooms in which the sessions were taking place.
I’ll hope to write a longer review shortly.
Making good progress, hope to finish tomorrow. There are certainly some interesting characters here, though perhaps feeling like too many, particularly since most seem to potentially have committed the murder.
Things have slowed down a smidge, but the forward momentum of the murder investigation begins to move things along a bit.
As usual, a great zinger of an opening… Mcdonald knows how to open a first act.
A slightly different ending than one in the film, but still nicely tied together… Possibly my second favorite in the series so far.
This just keeps getting better. I’m enjoying some of the subtle differences between the film and the book. No surprise that the movie renamed Joan Collins to Boyd. I know I’d read this 20+ years ago and I remember it being darker than the film, but the tone seems lighter to me now somehow.
In Washington: A Life celebrated biographer Ron Chernow provides a richly nuanced portrait of the father of our nation. With a breadth and depth matched by no other one-volume life of Washington, this crisply paced narrative carries the reader through his troubled boyhood, his precocious feats in the French and Indian War, his creation of Mount Vernon, his heroic exploits with the Continental Army, his presiding over the Constitutional Convention, and his magnificent performance as America's first president. Despite the reverence his name inspires, Washington remains a lifeless waxwork for many Americans, worthy but dull. A laconic man of granite self-control, he often arouses more respect than affection. In this groundbreaking work, based on massive research, Chernow dashes forever the stereotype of a stolid, unemotional man. A strapping six feet, Washington was a celebrated horseman, elegant dancer, and tireless hunter, with a fiercely guarded emotional life. Chernow brings to vivid life a dashing, passionate man of fiery opinions and many moods. Probing his private life, he explores his fraught relationship with his crusty mother, his youthful infatuation with the married Sally Fairfax, and his often conflicted feelings toward his adopted children and grandchildren. He also provides a lavishly detailed portrait of his marriage to Martha and his complex behavior as a slave master. At the same time, Washington is an astute and surprising portrait of a canny political genius who knew how to inspire people. Not only did Washington gather around himself the foremost figures of the age, including James Madison, Alexander Hamilton, John Adams, and Thomas Jefferson, but he also brilliantly orchestrated their actions to shape the new federal government, define the separation of powers, and establish the office of the presidency. In this unique biography, Ron Chernow takes us on a page-turning journey through all the formative events of America's founding. With a dramatic sweep worthy of its giant subject, Washington is a magisterial work from one of our most elegant storytellers.
So far this is maybe even better than I remember it.
Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice. In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries -- and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how. How can companies discover who their customers are, what they want, and how much they are willing to pay for it? Data. The entertainment industries, must learn to play a little "moneyball." The bottom line: follow the data.