In the political turmoil of mid-1990s Britain, a brilliant young comic named Harry Enfield set out to satirize the ideology and politics of Prime Minister Margaret Thatcher. His parodies became famous. He wrote and performed a vicious sendup of the typical Thatcherite nouveau riche buffoon. People loved it. And what happened? Exactly the opposite of what Enfield hoped would happen. In an age dominated by political comedy, “The Satire Paradox” asks whether laughter and social protest are friends or foes.
An interesting dissection of satire and the effects it does (or doesn’t) have on society. Sadly, a lot of the best biting satire doesn’t have the effect that many of us would like it to have. How can we subtly change this to create more desirous effects? I’d like to delve more deeply into the paper he references.1 [pdf]
Some of this reminds me of the ideas relating to doublespeak that I’ve written about in the past, but here, it’s actually comprehensible and understandable.