Someone in the Office of Sheriff, in Monroe County, New York, has a good sense of humor. And if you're from the Looney Tunes/Merrie Melodies generation, you will get a good laugh. In other news, Warner Bros. just announced that it's developing an animated Wile E.
I see so many urban coyotes this is even funnier to me.Syndicated copies to:
My wife and I recently got married and decided that neither of us would change our last names. Some people disagree with this approach, commonly critiquing with "what will you do with your children's last names?? How will they know they're a family?!" My solution: the blockchain— Justin Pagano (@jp4gs) August 13, 2018
Among the things that endeared him to his public was his comic use of language in his films; his characters (all of which were really variations of the main "Cantinflas" persona but cast in different social roles and circumstances) would strike up a normal conversation and then complicate it to the point where no one understood what they were talking about. The Cantinflas character was particularly adept at obfuscating the conversation when he owed somebody money, was courting an attractive young woman, or was trying to talk his way out of trouble with authorities, whom he managed to humiliate without their even being able to tell. This manner of talking became known as Cantinflear, and it became common parlance for Spanish speakers to say "¡estás cantinfleando!" (loosely translated as you're pulling a "Cantinflas!" or you're "Cantinflassing!") whenever someone became hard to understand in conversation.
Similar to doubletalk, technobabble, and other varieties of speech.Syndicated copies to:
Melbourne International Comedy Festival's Opening Night Comedy Allstars Supershow.
Palais Theatre, Wednesday 28 March 2018.
In the political turmoil of mid-1990s Britain, a brilliant young comic named Harry Enfield set out to satirize the ideology and politics of Prime Minister Margaret Thatcher. His parodies became famous. He wrote and performed a vicious sendup of the typical Thatcherite nouveau riche buffoon. People loved it. And what happened? Exactly the opposite of what Enfield hoped would happen. In an age dominated by political comedy, “The Satire Paradox” asks whether laughter and social protest are friends or foes.
An interesting dissection of satire and the effects it does (or doesn’t) have on society. Sadly, a lot of the best biting satire doesn’t have the effect that many of us would like it to have. How can we subtly change this to create more desirous effects? I’d like to delve more deeply into the paper he references.1 [pdf]
Some of this reminds me of the ideas relating to doublespeak that I’ve written about in the past, but here, it’s actually comprehensible and understandable.
Live performance of British comedian Ricky Gervais filmed in London's Eventim Apollo.
I watched this in pieces over the last two evenings and finished of the tail end at lunch today.
I’ve often thought of Gervais simply as a crass entertainer, but there are so many interesting new dimensions which come out in “Humanity”, they give me newfound respect for who he is and what he’s doing now. This is far more complex than just simple comedy, he’s doing something much more significant with this particular performance.
I also haven’t laughed this hard in quite a while. Tears, literally tears. Perhaps most interesting is that he’s got a much wider range of emotions which he’s playing off of here than just the humorous.
Gervais has some really interesting philosophy hiding in here among the dark humor. He has an interesting take on comedy and what it does and doesn’t target. The bit at the end on social media was particularly interesting. His take on “The Commons” is quite solid and is something I don’t suspect many could expound upon so eloquently.
During the portion in which he talks about his favorite Twitter response ever, he looked down at his phone to quote the tweet. I was reminded of some of the comedy greats I’ve seen at clubs late at night reading out of their beat up notebooks to try out new material. For a moment I thought, “perhaps Gervais is trying out some new material live here.” If it’s the case, then he was genius, though I suspect now that it was just a useful prop to add to the narrative of the joke. Either way, just brilliant. I wonder when we’ll see comics at clubs reading off of phones instead of the old spiral bounds? I wonder if it’ll play an better than the index card or notebook?
His closer with the story about his mum’s death and the wonderful prank on the poor vicar put a wonderfully fine point on the entire piece. It is humanity indeed. If there were a god, I’m sure he’d bless Ricky Gervais.Syndicated copies to:
It happens to all of us: you unsubscribe from an unwanted marketing email, and a few days later another message from the same company pops up in your inbox. Comedian James Veitch turned this frustration into whimsy when a local supermarket refused to take no for an answer. Hijinks ensued.
Suspicious emails: unclaimed insurance bonds, diamond-encrusted safe deposit boxes, close friends marooned in a foreign country. They pop up in our inboxes, and standard procedure is to delete on sight. But what happens when you reply? Follow along as writer and comedian James Veitch narrates a hilarious, months-long exchange with a spammer who offered to cut him in on a hot deal.
You know Borat. You know Bruno. You know Ali G. But you probably don’t know much about Sacha Baron Cohen. The man himself sits down with Marc in the garage to talk about what goes into bringing such rich comedic characters to life, why he was drawn to comedy in the first place, and what’s next, with his new movie The Brothers Grimsby on the horizon.
I haven’t heard or seen any extended interviews with Sacha Baron Cohen. While this one goes a bit overboard on some of the making of his antics and films, there is some great personal background about how he got into comedy. Interestingly, he gets into an extended conversation about the theory of bouffon and clowning. It would have been nice if they detoured into 16th century commedia dell’arte, but you can’t have everything now can you?Syndicated copies to:
In Entanglement, you'll meet a woman with Mirror Touch Synesthesia who can physically feel what she sees others feeling. And an exploration of the ways in which all of us are connected — more literally than you might realize. The hour will start with physics and end with a conversation with comedian Maria Bamford and her mother. They discuss what it's like to be entangled through impersonation.
I can think of a few specific quirks I’ve got that touch tangentially on mirror synethesia. This story and some of the research behind it is truly fascinating. Particularly interesting are the ideas of the contagion of emotion. It would be interesting to take some complexity and network theory and add some mathematical models to see how this might look. In particular the recent political protests in the U.S. might make great models. This also makes me wonder where Donald Trump sits on this emotional empathy spectrum, if at all.
One of the more interesting take-aways: the thoughts and emotions of those around you can affect you far more than you imagine.
Four episodes in and this podcast is still impossibly awesome. I don’t know if I’ve had so many thought changing ideas since I read David Christian’s book Maps of Time: An Introduction to Big History.  The sad problem is that I’m listening to them at a far faster pace than they could ever continue to produce them.