In the name of God, I ask the technology giants to stop exploiting human weakness, people’s vulnerability, for the sake of profits without caring about the spread of hate speech, grooming, fake news, conspiracy theories, and political manipulation.
Helpdesk support back in the day of the middle age with English subtitles. Original taken from the show "Øystein og jeg" on Norwegian Broadcasting (NRK)in 2001. With Øystein Backe (helper)and Rune Gokstad (desperate monk). Written by Knut Nærum.
Will you look at this?! Twitter has recreated the WordPress Gutenberg editor interface into their web product. Currently it only has a few blocks for text, photos, gifs, video, embeds, and polls, but it’s not completely horrible and it’s relatively fast and convenient.
The Gutenberg editor in WordPress:
In fact it appears that they’ve pared the editor down substantially. A few more tweaks and it might be as clean as the Medium editor experience.
Want to add a video, just drop a youtube link:
Want to embed a blog post from somewhere else? Add the link in your tweet and get a spiffy Twitter Card (just like oEmbed!)
I can see people getting awfully tired of clicking that “plus” button interminably though. Maybe if the interface could algorithmically choose where to break text the same way it determines what tweets I’m going to see?
Now they just need an edit button and they’ve got a “real” blogging experience, but one that’s editable in tiny 280 character chunks. Who has the attention span for more content than this anyway?
I can already tell that newspapers and magazines are going to love this. Just imagine the ease of doing shareable pull quotes this way?!
I can see journalistic institutions rebuilding their entire platforms on Twitter already!
Old CMS -> Tumblr -> Medium -> Twitter!
What is your favorite editing experience?
WordPress Classic Editor
Uh oh! I’m noticing that they’ve neglected to put a block in for a title area. Maybe we could just do a really short tweet up at the top of the thread instead? If only we could drag and drop tweets to reorder them? At least you can add new tweets into the middle of the stream.
Besides, who’s going to read anything but the headline tweet anyway. No one is ever going to read this far into a tweetstorm. Maybe a blog post where they at least know what they’re getting into, but never a 20+ card tweetstorm.
And would you look at that? They almost jumped ahead of Medium on inline annotations by allowing people to reply to very specific pieces of the text. I’m kind of disappointed that they don’t have the pretty green highlighter colors though.
Now if only I could register a custom domain on their service and have control over the CSS, Twitter could be a first class open web CMS.
*Sigh* I suppose until then I’ll just stick with my humble little website that allows me to own and control my own data on my own domain name and communicate with others using simple web standards.
"Meritocracy" was coined as satire; the messaging for and against Medicare for All; and Dutch economic historian Rutger Bregman.
A college admissions scandal has highlighted what people refer to as "the myth of meritocracy." But actually, meritocracy itself is a myth. This week, On the Media looks at the satirical origins of the word and what they tell us about why the US embraces it. Plus, the messaging for and against Medicare for All, as well as a historical look at why we don't have universal healthcare. And economic historian and Tucker Carlson antagonist Rutger Bregman.
1. John Patrick Leary [@JohnPatLeary], professor at Wayne State University, on the history of the satirical origins of the word "meritocracy". Listen.
2. Paul Waldman [@paulwaldman1] of The Washington Post on the messaging war over Medicare for All and what the media is getting wrong about the proposal. Listen.
3. Jill Quadagno of [@floridastate] on the history of why the U.S. has shunned universal healthcare. Listen.
Ian Fletcher, formerly the Head of the Olympic Deliverance Commission, has taken up the position of Head of Values at the BBC.
Starring: Hugh Bonneville, Monica Dolan, Jessica Hynes
Continuing on to finish off the second season. Some of the characters are beginning to feel weary to me, but they’re also such over-the-top caricatures that this would have been better to watch in smaller doses rather than two seasons at a time.