On colloquial advice for degreasing, cleaning, and oiling manual typewriters

Let’s think about a few of the factors at play when it comes to cleaning and oiling advice for typewriters. Two major factors at play are knowledge (and its dispersal) and the availability of materials and tools.

Most typists are hobbyists coming to the space with little to no knowledge. Often they’re further hampered by the fact that they don’t have the original manual for their machine and so can’t look up the original equipment manufacturer’s recommendations even if they existed in the original manual. Hint: few manuals gave good advice about this other than to wipe them down weekly and not to let eraser cast-offs go into the machine—anyone who’s had a few typewriters knows how that advice went over historically. Other manuals will recommend regular or annual servicing by technicians who aren’t as ubiquitous as they were back in the day. 

Perhaps we ought to harken back to early World War II when typewriter manufacture ceased the first time, typewriter donations to the war effort went up thereby making them more valuable on the domestic front, and the typewriter repair workforce went off to the front? The U.S. Government made a concerted effort to help preserve and protect the machines in circulation with both the War Department making and circulating films and the Treasury Department publishing manuals like Typewriter Care (1945).

When modern typists do get information, it’s often colloquial and under-informed or it’s based on someone’s everyday experience elsewhere or grounded in some small amount of common sense. Many times its outright bad. This is why so many people will turn to everyday household items like rubbing alcohol, cotton swabs, gun oil, sewing machine oil, 3-and-1 oil, and WD-40 to clean and lubricate their machines. These items have been used for these purposes in other arenas and they’re often readily available in the average users’ homes. This readiness to hand will almost always beat a trip to a specialized store to purchase custom solvents, oils, and/or appropriate cleaning tools and dispensers with which they have less first-hand knowledge.

Worse, solid cleaning and lubricating advice by modern day typewriter repair people isn’t easily found or uncovered. (Though it does happen sometimes.) Even if it were, they’d all have a variety of suggestions and practices which were individualized based on their own experience and training as well as the time period in which they learned and practiced it. There are a few good ones on YouTube, but broadly they’re not recognized by a more mainstream public. The few in the type-o-sphere who are better known also have a variety of techniques and methods, and frequently have more custom tools and dispensers at hand than the average home mechanic/typist. 

We also don’t have books like Hints for a Happy Typewriter (Bryan Kravitz, 1983), which dispenses some relatively useful advice to the average home typist when manual typewriters were still in use, but about to wane with the increasing ubiquity of electric machines, and the advent of word processors and computers. Even in this brief primer, some of the suggestions would seem quaint for the current home typist-mechanic who now ought to have more knowledge at their disposal and may not be able to rely on a local repair shop being just around the corner.

A search for “how to clean a typewriter” unearths a variety of really good resources in the top 10 hits including the typosphere’s Richard Polt‘s excellent advice. Yet somehow people want to ask on Reddit  everyday without searching either the internet or the Reddit sub itself because advice from complete strangers with no bona-fides is somehow really valuable in a field of practice which hasn’t advanced a lot in the last 50 years.

Many years have passed since the Original Equipment Manufacturers (OEM) made these machines, and during that time, materials for cleaning and servicing them have shifted and changed. In some cases they don’t exist anymore, or have changed and become better.

As an example, in the early years, typewriter manufacturers including this Underwood manual from 1920 recommend using gasoline to clean one’s type slugs.  This was common practice until Stoddard’s formula (aka Varsol) was invented in 1924 for safer use in dry cleaning. Surely no one is using gasoline anymore despite the ubiquity of gasoline in our environment. It’s highly flammable, it’s difficult to dispense, and it smells dreadful. Surely it had gone out of vogue by the time of the OPEC oil embargo in 1973.

gif of Will Farrell with a moustache and 70s panache as Ron Burgundy saying: "Brian, I'm gonna be honest with you, that smells like pure gasoline."

Later on people used Roytype Typewriter Type Cleaner in 2 ounce bottles which was touted as “non inflammable”! I’m sure that 2 ounces of Roytype cleaner was priced higher than a gallon of mineral spirits today. If you’re a purist, perhaps you’re buying new original stock (NOS) online, but at a crazy mark up?

Another bygone example comes from Kravitz’s 1983 home handbook mentioned above which, in addition to alcohol, recommends the use of trichloroethane as a solvent for cleaning type slugs and internals. Trichloroethane manufacture and use has almost completely disappeared since 1996, when it was identified by the Montreal Protocol as a contributor to ozone depletion.

When mineral spirits, lacquer thinner, and other industrial solvents are reasonably available, they’re often in large cans and require transfer into smaller bottles with custom tips for more easily dispensing into typewriters. Taking the time to do this with a good brass-bristled brush is additional work when compared to the alcohol and Q-tips or extra toothbrushes that most people already have at home.  

Then most of the common advice about these more caustic degreasers includes the fact that they shouldn’t be put on platens, plastic, paint, decals, or other surfaces which can cause them to dissolve, melt, or otherwise damage them. How many home mechanics are going to remove the requisite typewriter body pieces to properly clean their machines when most are afraid of taking off even the most easily removed screws on body panels? Fear of destroying the exterior of their machines is demotivating. It’s even more demotivating when you take it all off, clean it out, put it back together only to realize the next day your keys are still sticky and need an additional treatment (or two).  Was blowing the solvents and dissolved dirt and oil out with compressed air really that necessary? (Yes) Why didn’t anyone tell me I should wait a half a day or more to make sure it would really be fully cleaned out?

And of course, after all that, you mean to tell me that Duane of Phoenix Typewriter has been using lacquer thinner to clean platens and rollers for over 40 years… 

Storage and usage conditions also need to be taken into account, both for the products as well as for the typewriters themselves. 

Many solvents are not only toxic, but highly flammable. In the case of most (and especially substances like gasoline and naphtha, which is literally used as lighter fluid) care needs to be taken to prevent potential fires as well as having proper ventilation.

On the typewriter side, their frequency of use and the conditions in which they’re stored are going to vary widely from the person who has one on display for infrequent use to the collector who has hundreds which are also in infrequent use to typists who have one or more in regular use, but who also aren’t using them with the frequency of a transcriptionist from the 1950s who typed for eight hours a day.

For the uninitiated, Mineral spirits (US) or White spirit (UK), also known as mineral turpentine, turpentine substitute, petroleum spirits, solvent naphtha (petroleum), varsol, Stoddard solvent, or, generically, “paint thinner”, is a petroleum-derived clear, transparent liquid used as a common organic solvent especially in painting. Just the number of names and varieties of mineral spirit become off-putting to most typists. Which one is the “right” one? (In daily practice, really any of them for sale at the local hardware, paint, or art supply stores will work.) Add this to recommendations of other types of automotive degreasers (like carburetor cleaners, engine degreasers, etc.) which come under the brand names of a huge variety of companies all of which have different ingredients and you’re asking for a mess, particularly when these enter the colloquial advice space. And how many are regularly warning their users that some of these degreasers stink to high heaven in comparison to mineral spirits? 

Screencapture from the film Apocalypse Now featuring a shirtless man with a calvary-style military hat squatting down on a beach while two soldiers work in front of him. He is literally surrounded by the yellow fog of war. The meme image is surrounded with the words: I love the smell of lacquer thinner in the morning.

Naturally the underwhelming advice to try isopropyl or rubbing alcohol and Q-Tips seems lovely and expedient. No serious typewriter mechanic would recommend rubbing alcohol of any sort because it contains water and is more likely to cause subsequent rusting to typewriter internals. Even industrial grade isopropyl will have a water in it as well as keytones and acetones which, again, will tend to strip paint and melt plastic. It doesn’t help that isopropyl isn’t the greatest degreaser, though with some mechanical friction, it will certainly help clean up and wash some material out when it’s the only thing available. The better advice is to use one of the family of mineral spirits. 

Some materials may be used more frequently by some typists solely because of their alternate uses in the home/garage and thus ease of accessibility. Susan, who likes working on her ’65 Corvette on weekends, may be more likely to have carburetor cleaner out in the garage, so naturally that’s what she’ll want to use to degrease the internals of her typewriter. Meanwhile, her husband Bob who loves his matte Batman-blue fingernail polish is more likely to use his nail-polish remover (aka Acetone) to clean off his type slugs on a weekly basis. Once they’ve appreciated having done this, they’re far more likely to recommend these methods to others. Perhaps if their 10 year old son Jimmy was consulted, he’d recommend the expedience of his Silly Putty for typeface cleaning because he knows it’s a reasonable facsimile of Eberhardt Faber’s Star type cleaner from the 1940s. (And it can be fun to play with when the muse isn’t visiting your typewriter desk.)

Now, the worst of the problem is that most of the sources of misinformation spread are typewriter fora on the internet. Every day someone shows up on one of the common typewriter spaces on Reddit or Facebook asking how to fix and or clean a typewriter. (No one thinks to search these spaces to see the answer from the day before.) The answer they get will naturally default to the lowest common denominator because professional typewriter repair people and mechanics are almost never the ones showing up to answer the question. They’re going to get the same regurgitated colloquial and anecdotal advice everyone else got or used. It will continue to spread on this way until someone aggregates actual advice from trained typewriter repair people. If only we had a solid wiki for documenting, footnoting, and referencing all this sort of advice?  Fortunately most of the colloquial advice is close enough, easy enough, and works relatively well. 

Even if typists were advised to use WD-40, things wouldn’t be horribly bad as long as they were daily typists who protected their machines against dirt and dust and had them serviced occasionally.  WD-40 has been and can be used as a form of degreaser and lubricant for some applications and as long as it isn’t set to dry out and freeze up in combination with dust and dirt most typewriters might fair well enough with it. The bigger problem is when one uses it temporarily and then leaves their typewriter to sit for months or years at a time at which point the isoparaffin, dust, and dirt are going to have solidified and frozen the machine up again, potentially worse than before. I shudder to think of the number of perfectly good dirty typewriters people have thrown out over issues like this. (Hopefully only marginally more than those who disposed of machines because they accidentally had them on the stencil setting.)

Certainly typewriter shops love buying these “damaged” machines for pennies on the dollar, spending a few minutes dousing them with mineral spirits, blowing them out and marking them up hundreds of dollars. (At least this is better than the bottom feeders buying them from Goodwill and marking them up significantly without any repair work at all.)

Oiling Typewriters

When it comes to oiling advice all the same factors about knowledge and materials come into play. What should be oiled and what shouldn’t? What types of oil should I use? 3 in 1 oil, silicone sprays, mineral oils, gun oils (like Rem Oil), sewing machine oil, or other forms of light machine oil? Most people are sure to have one or more of these available at home already, but they’re also likely to have it in larger quantities either in liquid form or in spray can form which means they’re going to dramatically over-oil their machines.

Generally, over-oiling isn’t a problem when the machine is in regular daily use and some level of service is given to it every few years. It will get flushed out and re-applied frequently enough not to be an issue.

Meme gif from Coming To America in which three party-goers with too much Soul Glo product in their hair get up and walk away from a couch to reveal the Soul Glo absorbed into the couch and is now dripping down it. The caption at the bottom reads: Don't over-oil and walk away.

But are all modern typewriter users using their machines every day like they were in the past? When a machine sits on a shelf for too long, this oil is going to pick up particulate matter and tend to gum itself up again. As a result, collectors with large collections are probably well-advised to stay away from heavily oiling their machines in much the same way that they don’t want to leave ribbons on their unused machines as they’re prone to dry out over time or leave their paper release levers engaged which is prone to flattening out your platen and rubber paper rollers over time. (You’re guilt of these, I know you are. Go ahead and fix it now on those dozens of typewriters sitting idle in your collection.)

Here the best general advice is to provide very light machine oil in very small quantities and placed in targeted areas including the carriage rails, ball bearings, and, when necessary, on type bar linkages. 

What you don’t want to end up with a decade hence is “Frozen Facit Syndrome”, a description common to old Facit typewriters which frequently have a frozen escapement mechanism because, as is sometimes colloquially stated, “someone at Facit thought it would be fun to use cod grease”.

Oiling the segment can be the most problematic as most typewriter segments were machined with incredibly close tolerances for movement against them. Any sort of oil (and especially WD-40) will tend to not only dry out over time, but because the segment is the most exposed internal part of the typewriter, it will gather more dust and dirt than other parts. The close tolerances then close up with gunk and the type bars have more friction eventually causing them to freeze up.

Where to from here?

Colloquial advice is sure to continue apace online. How, then to keep it reasonably solid?

Perhaps we might design a questionnaire to send to typewriter repair shops to see what the state of the art was? Then future hobbyists and typewriter repair schools will have better resources for teaching the cleaning and maintenance portions of their curricula.

Maybe someone will aggregate all the cleaning product recommendations and order them from least abrasive to most, from least toxic to most? This would allow the novice to start simple and increase the power as necessary or appropriate. 

Maybe a more comprehensive wiki like The Typewriter Wiki will fill the space for long term advice with proper referencing and supporting materials?

References

Maintenance of Office Machines. 16 mm. Vol. MN-1513. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=ocdxgkxKAKo.

Hausrath, Alfred H., and Eugene L. Dahl. Typewriter Care. Edited by Walter K.M. Slavik. Federal Work Improvement Program United States Civil Service Commission and Government Division, U.S. Treasury Department, 1945. http://archive.org/details/twcare-1945.

Munk, Theodore. “The Typewriter Database,” 2012. https://typewriterdatabase.com/.

Pearce, H. G. Complete Instructions: How to Repair, Rebuild, and Adjust Underwood Typewriters With Handy Reference for Locating Trouble Quickly. Bridgeport, CT: Typewriter Mechanics Publishing Co., 1920. https://johnesimmons.com/Typewriter/Articles/Manualpdf/Underwood_Repair_Manual.pdf.

Polt, Richard. “The Classic Typewriter Page : All About Typewriters,” 2009. https://site.xavier.edu/polt/typewriters/index.html.

A Willy Wonka and the Chocolate Factory Orga Typewriter in my backyard

I was casually browsing vintage typewriters yesterday (as one does) and came across something which immediately jumped out at me.

It was a Weimar era Orga typewriter which looked surprisingly like the 1/2 typewriter Orga Modell 10 (1947) which appears in the movie Willy Wonka and the Chocolate Factory (Paramount Pictures, 1971). These typewriters were manufactured in Germany  from 1923-1950 and some were distributed in Britain, typically under the brand name A.M.C.  Given that the film was shot primarily in Germany, this shouldn’t be too surprising.

I’ve yet to see an Orga for sale in the United States much less a Modell 10. Buying and shipping any Orga from Europe is generally quite expensive, and I wouldn’t trust that it would arrive intact. This one was a short drive from me at a fantastic price, so naturally I couldn’t pass it up. It appears to be an older Orga-Privat Model 5 (circa 1928-1933) which is labeled in English as a “New Orga”. (It also reminds me a bit of Francis Bacon’s Novum Organum too.) Rather than the typical German QWERTZ keyboard, this one has an English QWERTY keyboard and appears to be in great condition. Sadly it won’t come with the original case. From what I can see in the typewriter database, it’s one of the few that has English badging with the name Orga on it. This  leads me to believe that it was originally sold in the British market, so it could easily have been the sort of machine that Grandpa Joe might have used.

I’ll be able to pick it up later this week and can’t wait to clean it up. The tougher portion: how to cut it precisely in half!?

Read 112-Year-Old Pasadena Office Equipment Firm Acquired by Las Vegas Company (Pasadena Now)
Anderson Business Technology, a fixture in Old Pasadena since 1912, joins Advanced Imaging Solutions
They’re tremendously busy with the transition at present, but I had a short conversation with the Andersons this afternoon to check on what’s happening with their typewriter-related business. Fortunately it seems there’s nothing to be worried about!

The third generation family-run business is being sold to an independent owner operated business. The new owners do have an appreciation for vintage machines and will likely continue their relationship with typewriter repair person Pedro Diaz, who although partially retired, still repairs mechanical typewriters for the company. It’s already been several years since the store has gotten rid of their old dunk tanks and flammable cleaning equipment on site.

The vintage typewriters on display at the store, including an original Sholes and Glidden, have been catalogued and will stay within the Anderson family. The family currently hasn’t decided what will happen to the collection though donation to museums or possible auction might be considered in the coming months following the transition of the company. Until a decision is made, likely after September or much later this year, the typewriters on display in their Old Town Pasadena location will remain at the shop.

If you’re in the area and curious to see their collection, try making an appointment after mid-August (following a family wedding) when the transition handoff will hopefully have settled down a bit and you better catch employee attention.

 

Typewritten index card in black elite typeface that reads: Hello! I'm a 1955 Royal HH. I'm what's known as a standard typewriter. Usually I would sit permanently on a desk in one space and rarely move, much like a desktop computer now. Smaller and lighter portable typewriters existed for easier use, but they didn't come close to my performance, particularly for long periods of typing. Of course this performance is the reason that writers and creators like Truman Capote, Sylvia Plath, Elia Kazan, Mario Puzo, Robert Penn Warren, Eudora Welty, Charles Bukowski, George Burns, Herb Coen, Bruce Catton, Paddy Chayefski, Don Dellilo, Alice Denham, Paul Russell, James T. Farrell, William F. Buckley, Sterling North, Robert B. Parker, William Zinzer and even Hugh Heffner used Royal HH typewriters just like this one. I've got the standard Royal elite typeface and I can lay down type at 12 characters per inch and 6 lines per vertical inch. This makes me an excellent candidate to write the next great American novel. Why don't you get some paper and give me a whirl?

I usually type up a short introduction card for the handful of typewriters sitting around the house so that visitors will have an idea of what they’re appreciating. It’s almost like having a museum card on a work of art, but usually mine have a call to type on them. Naturally there are either index cards or paper close at hand to encourage both touching and typing.

Above is the brief introduction to the 1955 Royal HH I finished repairing, cleaning out, and re-assembling today.

A large standard Royal HH typewriter on a side table next to an old fashioned glass with a Negroni in it.
Ready to type at the end of the day, a Royal HH sits next to a Negroni.
You see photos of standard typewriters, but you’re never ready for what shows up. To provide some scale, here are my 12.8 pound 1949 Royal Quiet De Luxe portable and my 29.8 pound 1955 Royal HH standard next to each other. The Royal HH is a substantial typewriter. (I think I’m in love. 😍)

A straight on view of a small gray Royal QDL typewriter next to a brown Royal HH which is almost 2 1/2 times the size of  the first. Both sit on top of a wooden library card catalog.

View from the left of a small looking Royal QDL in the foreground with a larger Royal HH sitting behind it.

Angle from the right of a hulking Royal HH looming over a much smaller and delicate looking Royal QDL in the background.

 

Aggregated Resources and Playlist for a Crash Course on the Olympia SM3 Portable Typewriter

I got a 1958 Olympia SM3 De Luxe typewriter in a gray crinkle finish for my birthday. Naturally I’ve been doing some research and working on cleaning it up for regular use.

Along the way I’ve been aggregating some related Olympia SM3 (and other SM family) resources and videos which include several on use, a few comparing them to other machines (for those considering buying them), and a variety on taking them apart and adjusting them to peak performance including doing rack, ring & cylinder, on feet, motion, silent return spring, trip timing, and spacebar adjustments. 

The only significant piece missing is for cleaning them, but that’s remedied with an endless variety of videos (including one of my favorites) and advice from Richard Polt on restoration. I’ve also aggregated a large amount of advice on cleaning and oiling typewriters.

I’ve tried to place the videos in rough order of introductory to more advanced as well as in order of adjustments. They’re now available as as Olympia SM3 playlist:

Special thanks should go to Duane Jensen of Phoenix Typewriter and Gerren Balch of The HotRod Typewriter Co. for the bulk of the work in creating and generating most of these videos. 

Surely there are other excellent videos out there, but this list makes a pretty solid crash course which can be used as a jumping off point.

And of course, if you’ve just purchased your first SM3 or SM4, you’ll want to be aware of the number 1 most common issue these machines have: the rubber bushings on the bottom have been compressed after years of pressure and will need to be replaced. Visually looking at them is usually enough to diagnose the issue, but the problem usually presents as the carriage sitting noticeably lower than it should so that it rubs against the body of the typewriter and/or doesn’t move freely. Some people will notice that typing in lower case is troublesome, but that typing in uppercase doesn’t present any issues. Often these rubber spacers have been compressed and have hardened. In less lucky cases, (usually only) the rear bushings have turned into black tar, so you’ll want to take care to keep this tar off of anything nearby as it’s incredibly sticky and difficult to clean. It can definitely stain the case and/or the machine itself. Fortunately the repair only requires some readily available generic rubber washers and a screwdriver to replace them. This is one of the quickest and easiest typewriter repairs to start off with and can be a good confidence booster. Incidentally appropriate washers should be approximately 1/4″ thick, large enough in diameter to provide some cushion and with a hole big enough to fit the screw that holds the frame on. Your plumbers’ section at the local hardware store likely sells something appropriate. I’ve used Everbilt 1/4″ thick flat bibb washers with 1/2″ or 9/16″ OD. Others have reported good luck with Danco 1/2 rubber washer Universal (item #198804, model #88569) — 00 trade size with 1/2″ OD and 3/16″ ID.

Along with other typewriter manuals collected by Richard Polt, he’s got manuals for the Olympia SM3 in both English and German.

And for the completist, you’ll naturally want copies of the repair manuals via Theodore Munk: [paperback] [digital]. There are also downloadable versions of a 1955 repair manual and a 1959 Spare Parts and Price List Catalog available.

Hopefully this aggregated list of resources will help the next Olympia typewriter enthusiast who finds one in grandma’s basement or who wants to kick off a writing career following in the footsteps of fellow SM3 typists including John Updike, Woody Allen, Frank Herbert, Patricia Highsmith, Robert Penn Warren, Harlan Ellison, Carson McCullers, John Hughes, Louis L’ Amour, William Gaddis, Stan Laurel, Ryan Adams, Ruskin Bond, Evan S. Connell, Kevin McGowin, or Anaïs Nin.

If I’ve missed any truly important resources, please do let me know. 

Cheers!

A light gray Olympia SM3 De Luxe typewriter on a wooden table next to a highball glass of Penderyn whisky. In the background we can see a library card catalog.

If you’ve gotten a terribly dusty and dirty typewriter and don’t have an air compressor or canned air at home, a quick trip to the car wash might not only get your car clean, but allow you to blow out your typewriter too!

(They might not smile much on your use of mineral spirits while you’re there, so use caution.)

A typewriter with most of its body panels removed is being blown out with a handheld blue air gun at a carwash.
I used a hand towel underneath the typewriter to capture any springs, loose screws, or pieces that might pop out just in case. You don’t want to loose anything at the carwash.
A pillar behind a carwash with two vacuum hoses on each side for vacuuming out one's car. Also on the post is a coiled hose attached to a handheld air gun. Between the two vacuum hoses is an angled metal platform with a large clip for attaching a floor mat for vacuuming it out.
If only the car mat platform was horizontal for typewriter cleaning…

Acquisition: 1955 Royal HHE Standard Typewriter

Usually I don’t make typewriter acquisition posts until I’ve done some reasonable work to get them cleaned up and working well. I’m going to make an exception with this one because it’s in much rougher shape than others I’ve picked up. It’s going to take more work to clean up and get functioning properly again. I’ll try to document the work I do on it to get it back into fighting shape.

I suspect it’s either going to be this or an Olympia SG1 I’ve had my eye on which will be my daily standard machine.

The Royal HH

First, it’s a Royal HH. It’s one of Royal’s standard desktop machines which they started manufacturing in 1952 and which ran until at least 1957.

This is my first standard typewriter as most of the others in my collection are portable typewriters which accompany one ultra-portable. “Standard” indicates its a big machine that was meant to be placed permanently on a desk. At about 30 pounds, it wasn’t meant to be carried around like the portables, but on the other hand, being built with more weight and internal space, it was designed to work smoothly forever with modest care. Thirty pounds is a lot of typewriter. For comparison, my Smith-Corona Silent is just 12.8 pounds.

According to Richard Polt’s well-researched compilation, writers who were known to own and use the Royal HH include: William Buckley, Charles Bukowski, George Burns, Herb Coen, Truman Capote, Bruce Catton, Patty Chayefsky, Don Dellilo, Alicen Denham, James T. Farrell, Paul Russell, Hugh Heffner, Elia Kazan, Sterling North, Robert B. Parker, Syliva Plath, Mario Puzo, Robert Penn Warren, Eudora Welty, and William Zinzer. 

Polt’s site also has a 1952 copy of the Royal HH manual.

The serial number stamped on the right side of my machine just underneath the carriage when moved to the left is HHE-5765903, which the typewriterdatabase.com places as a late 1955 machine. (The grid for the Royal serial numbers starts 1955 with 5,500,000 and the 1956 model year stars with serial number 5,787,000.) The HH portion of the serial number identifies it as an HH model and the E indicates that it’s an elite typeface with 12 characters per inch versus the P which was reserved for pica typeface (usually 10 CPI). Like most typewriters of this vintage it also types at 6 lines per inch.

View down onto the back right of the typewriter with the carriage moved to the far left to show the position of the serial number stamped into the machine under the carriage right next to the typewriter bell.

Based on the available original colors listed at the Typewriter Database, I’m going to say that mine is done in Royaltone Light Gray wrinkle. Other HH model paint colors included: Charcoal Grey smooth, Nile Green smooth, Horizon Blue smooth, Coral Rose, Gray Frieze, and Royaltone Dark Gray wrinkle.

Purchase and initial observations/testing

I got this typewriter in an uncontested online auction for $5.99, so in my book it’s already a steal. It had sat on the site for weeks, slowly coming down from a price of $30. Sadly as is almost always the case with online auctions, shipping is the true ordeal. Even moreso when you consider that this typewriter is 2-3 times the weight and significantly larger than portable machines. It also doesn’t help that these machines never had cases.

Naturally the seller chose a poorly sized box, put in some heavy padding, threw the typewriter in, and put some modest, but heavily inadequate padding around it.  That’s it… ugh. They made no effort to secure the carriage, so when I opened it up, it was all the way to the right. They didn’t even bother to do padding for the back of the machine. 

A Royal HH typewriter sitting in the left side of a box that's too short front to back and too wide left to right. The carriage on the machine is all the way to the right.
How not to package up a typewriter for shipping.

Worse, it definitely took some hits in shipping so the right side Magic Margin lever is bent and isn’t working. Not having the carriage in place, the left side also took a major hit and the frame in the back left corner is bent so that the carriage doesn’t move freely. It’s going to take some heavy work to get it back into alignment if it can be done at all.

Close up of the back left corner of a Royal HH. The back of the machine is obviously bent toward the carriage preventing the carriage from moving freely within it. Handwritten on the back of the machine is a black "50".

With a screwdriver as a lever and some significant manual help, I was able to eke out a short typing sample. The key action is gummy at best though none of the keys were too sticky. I expect a thorough cleaning will revive a more snappy typing action.

Typed index card in black ink. A brief, somewhat smudgy typing sample. At the bottom of the card in orange ink are the typewriters's serial number and the serial number range for 1955-1956.

It’s definitely going to need a serious cleaning both inside and out. Someone wrote a large “50” on the back of the machine in the left rear in thick black magic marker. (Perhaps it was from a large typing pool with at least 50+ machines?) This seemed like a a propitious “sign” when I bought it as a 50th Birthday present, so let’s hope for good luck as a result. The decals on it are mediocre at best, so maybe it’s a good candidate for redoing the exterior even though the rest of the paint is in really good condition.

The alignment of the type is generally okay, but it’s going to need at least a motion adjustment. There’s some occasional piling of letters in my short test. Hopefully some of it clears up in cleaning, but knowing my terrible typing technique and Royal’s famous finicky touch, it may also need some adjustment afterwards to the timing.

The platen is as hard as they come, and will need replacing.

The all black ribbon isn’t totally horrible, but is a tad old and on the drying side. It came with original metal standard spools. I’m sure I’ll swap out the ribbon for a new bichrome black/red which the machine supports. It’s possible that the ribbon reverse mechanism may need some help.

View down onto the keyboard and segment of a Royal HH typewriter with the hood open. The machine is dirty but has it's original metal ribbon spools.

The right platen knob is loose. It’s going to need a screw tightened and/or replaced. The variable spacing mechanisms seem to work, but could be cleaner in their functioning.

Hopefully I don’t run across any additional internal damage or issues as a result of the poor shipping.

Favorite Feature

Because I do a lot of typing on index cards, I can already tell that the most interesting feature on this machine are the spring loaded card fingers. They’ve got tiny little switches on them, which—when pressed—flip them over and out of the way. 

Close up of the hood and focusing on the typing point of a Royal HH typewriter. Of particular interest on either side of the typing point are two spring-loaded card fingers. The one on the left is in its up position while the one on the right side is down. On the outsides of the card fingers are two tiny finger levers.