Author and activist Masha Gessen’s new book about Russia won the 2017 National Book Award for nonfiction. The Atlantic's editor in chief Jeffrey Goldberg talks with Gessen about what Vladimir Putin wants, what Donald Trump’s election means, and how Americans should think about Russia's interference in 2016.
A stunning interview on Russia and how it relates to world politics. I’m ordering Gessen’s book The Future Is History: How Totalitarianism Reclaimed Russia.
The Future Is History: How Totalitarianism Reclaimed Russia by Masha Gessen (Riverhead Books)
Bookmarked after listening to an episode of The Atlantic Interview.
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Author: Chris Aldrich
I'm a biomedical and electrical engineer with interests in information theory, complexity, evolution, genetics, signal processing, theoretical mathematics, and big history.
I’m also a talent manager-producer-publisher in the entertainment industry with expertise in representation, distribution, finance, production, content delivery, and new media.
View all posts by Chris Aldrich
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Listened to Sheila Nevins on Age, Sex, Love, Life, and Everything Else by Alan Alda from Clear+Vivid with Alan Alda
I always forget that Sheila is as old as she is. She does have a great sense of humor.
She makes an interesting point about humility that people with power (and especially within the entertainment industry) should be aware of and work to improve.
Most shocking was the story she tells about her me too moment and how she viewed it. Definitely a perspective I wouldn’t have expected.
Her perspective about looking at individuals as a way into human problems and making documentaries is similar to a philosophy I remember hearing from Masha Gessen in an interview that Jeffrey Goldberg did with her. The upshot is that, especially for righting wrongs and general atrocities, focusing a story on a particular individual has a lot more power than focusing on the nameless and faceless masses. Sheila’s example of the Holocaust survivor is a particular apt one. (As I think about it Masha would be a great interview for this podcast.)
In fact, I recently watched an immigration related documentary on Frontline and while I didn’t personally find the lead woman very relate-able or sympathetic, I was still pissed off at the process because her individual story was still so powerful.
This general ideal also reminds me of the gut-punch scene at the end of the film A Time To Kill (1996) [spoiler alert] which ends with the command to the jury “Now imagine she’s white.”
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