Summary: At long last, after about three weeks worth of work, David Shanske (along with help from Aaron Parecki) has added the ability for the IndieAuth plugin for WordPress to provide an IndieAuth endpoint for self-hosted versions of WordPress, but it also has the ability to provision and revoke tokens.
This week, David Shanske and I discuss IndieAuth and the WordPress plugin’s new functionality as well as some related micropub work David has been doing. To some extent, I alternate between acting innocent and serving as devil’s advocate as we try to tease out some of the subtleties of what IndieAuth is and what it means to the average user. As usual, David does an excellent job of navigating what can be some complicated territory.
This first half of the episode was originally recorded in March, abruptly ended, and then was not completed until April due to scheduling.
It’s been reported that Cambridge Analytica has improperly taken and used data from Facebook users in an improper manner, an event which has called into question the way that Facebook handles data. David Shanske and I discuss some of the implications from an IndieWeb perspective and where you might go if you decide to leave Facebook.
The originating articles that kicked off the Facebook/Cambridge Analytica issue:
You’ve made the decision to leave Facebook? Your next question is likely to be: to move where? Along with the links above, we’ve compiled a short list of IndieWeb-related places that might make solid options.
Micro.blog for $5/month (or bring your own web site for free)
In the future we hope to have additional broad ranging conversations and perhaps interviews with others about various IndieWeb related topics.
Part of this is also an opportunity to improve audio post presentations on our websites over time. While David posted the “original” of this post on his site, I had to debate whether or not I would technically repost it or make an original of my own. Ultimately I opted for the latter.
David, by far the more veteran podcaster, deserves the lion’s share of the credit for his audio set up and recording facilities.