
Golden Globes: Nominees for Best Typewriter in a Movie or Television Series?
I’ll start with a first nominee:
The 1930s Juwel 3 from the Netflix series WEDNESDAY.

What other machines deserve a nomination?
On Purchasing Typewriters: Condition is King; Context is Queen
It bears mentioning and thoroughly understanding that even an expert typewriter collector or professional repair person can only tell very little of the condition of a typewriter by photos. Does it look generally clean? Are the decals in tact? Does the segment look clean (a vague proxy for the potential condition of the internals)? Is anything obvious missing (knobs, return lever, keys)? Does it look cared for or has it been neglected in a barn for half a century? If it has a case, how beat up, dirty, and water-stained is it?
Most modern typewriters made after 1930 in unknown condition are worth about $5-25 and they peak at about $500 when purchased from a solid repair shop unless some Herculean additional restoration has taken place, they’ve got a rarer typeface, or are inherently actually rare. Hint: unless it’s a pro repair shop or very high end collector with lots of experience, don’t trust anyone saying that a typewriter is “rare”—run the other direction. Run faster if they say it “works, but just needs a new ribbon” as—even at the most expensive—new ribbon is only $15 and their “rare” $600+ machine should have fresh, wet ribbon. The rule of thumb I use is that almost no one online selling a typewriter knows anything about it, including if it actually works. Worse, they’ve probably priced it at professional repair shop prices because they don’t know that in the secondary typewriter market: condition is king.
The least experienced typist will know far more about the condition of a machine by putting their hands on it and trying it out. Does it generally work? Does the carriage move the full length of its travel? Can you set the margins at the extremes and space reliably from one end to another? Does it skip? Is the inside clean or full of decades of dried oil, dust, correction tape, white-out splatter, and eraser crumbs? Does the margin release work? Does it backspace properly? When typing “HHHhhhHHH” are the letters all printed well and on the same baseline?
Presumably a typewriter at an antique store will meet these minimum conditions (though be aware that many don’t as their proprietors have no idea about typewriters other than that if they wait long enough, some sucker will spend $150 on almost anything). They’ve done the work of finding a machine that (barely) works, housing it, and presenting it to the public for sale. This time and effort is worth something to the beginning typewriter enthusiast, but worth much, much less to the longer term practiced collector.
If everything is present and at least generally limping along, you’ve got yourself a $30 typewriter. Most people can spend a few hours watching YouTube videos and then manage to clean and lubricate a typewriter to get it functioning reasonably. You can always learn to do the adjustments from YouTube videos. (Or just take it to a typewriter repair shop and fork over $200-400 to get things squared.)
If you’re getting into collecting, you’ll make some useful mistakes by overpaying in the beginning and those mistakes will teach you a lot.
Maybe you’re a tinkerer and looking for a project? If so, then find the cheapest machine you can get your hands on (maybe a Royal KMM for $9 at thrift) and work your way through a home study course.
Otherwise, if you’re just buying one or two machines to use—by far—the best value you’ll find is to purchase a cleaned, oiled, and well-adjusted machine from a repair shop. Sure it might cost $350-600, but what you’ll save in time, effort, heartache, searching, repair, etc. will more than outweigh the difference. Additionally you’ll have a range of machines to choose from aesthetically and you can test out their feel to find something that works best for you.
Or, you could buy a reasonable machine like the one typically asked about for $40-70 and find out it needs cleaning, oiling, and adjusting and potentially a few repairs. The repair tab might run you an additional $450. Is it worth it when a repair shop would have sold you the same, a very similar, or an even better machine in excellent condition for $350? It also doesn’t take much work to realize the god-send that a properly packaged and shipped typewriter is worth.
Why Context is Queen
Remember in asking about the cost and value/worth of a typewriter, you’re actually attempting to maximize a wide variety of unstated variables including, but not limited to:
- upfront price and value,
- information about the current state of the market,
- information/knowledge about the machine itself, its history, desirability/popularity, and how often it’s encountered in the wild,
- information about how to clean it,
- information about oiling it,
- information about adjusting,
- information about repairing it,
- cost and availability of tools and repair parts,
- and the time involved for both learning and doing all of the above.
The more time you’ve spent learning and doing all of these, the better “deals” you’ll find, but gaining this expertise is going to cost you a few years of life. What is all this “worth” when you just want to type on a machine that actually works as well as it was meant to?
Most of the prognostication you’ll find in online typewriter fora will be generally useless to you because you’re not readily aware of the context and background of the respondents with respect to all of the variables above. Similarly they’re working with no context about you, your situation, where you live, what’s available in your area, your level of typewriter knowledge, your aesthetic, or your budget. You don’t know what you don’t know. At the end of the day, you’re assuredly just as well off to use a bit of your intuition and putting your hands on a machine and trying it out. Then ask: “What is it worth to you?”
If you find yourself asking this question online, but you’re really asking: “Is this $50 typewriter highway robbery?”, the answer is generally: “no”.
More resources (and some of my own context) if you need them: https://boffosocko.com/research/typewriter-collection/
Happy typing.
A clever affordance of card index filing cabinet drawers
It dawns on me that I’ve never mentioned one of the great affordances of many of the older card index cabinets is that they’re designed to be able to completely remove one or more drawers at a time and use at your desk. On an almost daily basis, I pull out at least one drawer from my cabinet and place it on my desk and it allows me to actively work with collections of over 7,000 cards at a time. This means that while the cabinet itself may seem like deep or “cold” storage, it’s really ongoing active storage that I can quickly and easily interact with depending on the range of projects I may be dealing with on a given day. Working on a different project for a bit? Put one drawer away and pull another…
Several of my cabinets have not only pull handles on the front of the drawers, but also have cut-out handles in the rear to be able to easily pull them out and move them around. This feature was also the reason many cabinets also had card rods. The cards could be physically held into the drawers to prevent the user from accidentally tipping the drawer and loosing all the cards into a random pile on the floor. Robert Pirsig describes a sad affair similar to this in his book Lila: An Inquiry into Morals (Bantam Books, 1991).

Of course at the end of the day I can quickly slot the drawer right back into the cabinet for that clean desk look. And because today is the one year anniversary of the Eaton Fire, I’ll mention that it’s also pretty easy to pull a few of your favorite drawers out of the filing cabinet for fleeing your home office, evacuating your town, and being able to work for four months remotely. (Just remember to seat belt those drawers into the back seat if you don’t have card rods!)

They’ve got a lovely big attic, a typewriter. You’re gonna love it there.
—Ricky Gervais in Ricky Gervais: Mortality (Netflix, 2025)
Book Club: Steven Pinker’s When Everyone Knows That Everyone Knows
Pinker, Steven. 2025. When Everyone Knows That Everyone Knows . . .: Common Knowledge and the Mysteries of Money, Power, and Everyday Life. New York: Scribner.
The first session will be on Saturday, January 10, 2026, and will recur weekly from 8:00 AM – 10:00 Pacific. Our meetings are welcoming and casual conversations over Zoom with the optional beverage of your choice. We’ll cover the first three chapters in the first meeting and the book will likely consume three meetings in all over the coming month.
To join and get access to the Zoom links and the shared Obsidian vault we use for notes and community communication, ping Dan Allosso with your email address.
Happy reading!
Niklas Luhmann’s Zettelkasten Method One Pager (1968)
While doing some research about Luhmann’s numbering system’s antecedents, I recently came across a “one pager” (typescript) written by Luhmann himself in the form of some lecture notes from 1968 that folks may appreciate.
Luhmann, Niklas. 1968-01-13. “Ms. 2906: Technik des Zettelkastens.” Münster, Germany. Lecture Notes. Niklas Luhmann Archiv, https://niklas-luhmann-archiv.de/bestand/manuskripte/manuskript/MS_2906_0001.
Seemingly everyone with a blog that ran across the idea of Zettelkasten in the last decade or so wrote up their own description of what it is. If you know of other blog posts about zettelkasten, let me know for my collection.
Of special note to those who are still under the misapprehension that Luhmann “invented the zettelkasten”, in the closing section of his 1968 notes he writes “In conclusion: from personal experience, others work differently” by which one understands that he’s aware of others who use similar systems and admits that they’re all idiosyncratic to their individual users. I would suspect that he gave this lecture while at Sozialforschungsstelle an der Universität Münster (Social Research Centre of the University of Münster) to students about how to arrange and do their own sociology research work.
Filing Index Cards with a C-Line Document Sorter
Because I haven’t documented some of this portion of my process before, I thought I’d take a few photos of my C-Line document sorter which I use to do a fast sort of cards before filing into my card index. I bought it a while back from Brodart Library supplies and it comes in quite handy for sorting and filing documents. It’s got sections for sorting by alphabet, days of a month, months of the year, days of the week, and numbers up to 30,000 (which I primarily co-opt for Dewey Decimal sorting). The days of the month and month sections come in handy for use with my Memindex work, and the months of the year are useful for sorting receipts for expenses and at tax preparation time. In all, it’s fairly flexible analog office tool.

As I go through my stack of index cards, I use a Mitsubishi No. 772 pencil (the vermillion side) to underline topics for filing and cross-referencing purposes. This allows me to cross-index topics quickly as well.

I went through several hundred cards the other day and only had about 150-200 left for filing into the commonplace book section of my card index. Most of these cards were from 2025, but some dated into 2024 with a handful from as far back as 2023.
Over the coming days, I’m hoping to finish cleaning up some of the notes from this year’s reading work.

A comparison of A5 sized notebooks with 4 x 6 inch index cards on a cost per square foot basis
Notebooks
| Product | Sheet width (inches) |
Sheet height (inches) |
pages | price | Area sq. ft. |
$/sq. ft. |
| Hobonichi A5 Graph | 5.8 | 8.3 | 288 | $23.00 | 96.3 | $0.24 |
| Leuchtturm 1917 A5 | 5.8 | 8.3 | 251 | $25.95 | 83.9 | $0.31 |
| Moleskine Hard Cover | 5 | 8.25 | 192 | $20.00 | 55.0 | $0.36 |
| Travelers Notebook | 4.3 | 8.3 | 128 | $11.90 | 31.7 | $0.38 |
4 x 6 inch index cards
| Product | Sheet width (inches) |
Sheet height (inches) |
sheets | price | Area sq. ft. |
$/sq. ft. |
| Amazon Basics 4×6 Index Cards | 4 | 6 | 500 | $7.30 | 166.7 | $0.04 |
| Oxford 4×6 | 6 | 4 | 1000 | $16.49 | 333.3 | $0.05 |
| Stockroom Plus 4×6 (grid) | 6 | 4 | 300 | $13.67 | 100.0 | $0.14 |
| Exacompta 4×6 | 6 | 4 | 100 | $15.77 | 33.3 | $0.47 |
| Notsu 4×6 | 6 | 4 | 50 | $14.99 | 16.7 | $0.90 |
Generally, Exacompta cards are the closest in price per square foot to the nicer notebooks while most 4 x 6 inch index cards are comparatively much cheaper (even if you’re only writing on one side).
Serial Number: 6ASP-103936
Sears Futura typeface (aka SCM Numode No. 61 typeface), pica, 10 CPI, 6 lines/inch, American 88 No. 423 keyboard, bichrome, 44 keys, 88 characters, Change-A-Type, ¶ key

I’ve been on the hunt for one of these for over two years and always lost out in online auctions which generally went in the range of $150-200 in part because of the hot reddish/burgundy paint job with white racing stripes and the fact that Taylor Swift used this same typewriter in her All Too Well: The Short Film.
In the last two years I’ve only seen three of these on ShopGoodwill, so they definitely don’t pop up often. There are only 5 others on the Typewriter Database. Many of the online auctions where they went for a few hundred on ShopGoodwill.com had them being relisted by flippers on eBay in the $600-800 range within two weeks with no cleaning or restoration work. I’ve seen prices for them on eBay for $1,000 and over. For comparison, similar typewriter models in the 5 and 6 series of the period would otherwise be selling in the $25-50 range in this condition. (Ultimately, I’m glad I waited.)



This one is in generally exceptional shape and works well out of the box. The shop it came from (or more likely the prior owner) was definitely on the liberal side with their lubrication. One of the two carriage release levers is broken off, which is extremely common on the 6-series models which used plastic which apparently brittled with age. I’ll give it a once over to touch up some of the dirtier parts and make some subtle adjustments. I will probably hold off on a major overhaul at the moment because it’s in such good condition. The platen is solid and plastic-y feeling. It definitely needs an upgrade on this front.
This model seems to bridge the gap between the 5 series Smith-Coronas into the 60s and the 6 series machines like the Galaxie. It’s a top-of-the-line model with the keyboard tabulator and the hood hinges up and back like the 5 series rather than sliding forward like the 6 series models. I don’t have one, but I would suspect it’s closest to the Sterling 5AX typewriter which started in 1963. It’s also got a great little paragraph indent button for use at the beginning of new paragraphs. I look forward to seeing how they implemented this feature mechanically.



